This is so goood. Another buff mix - at the moment all i want to listen to is a Khotin mix. Thank you!

ambient

The second instalment of Dose Radio has landed softly and was prepared by one of Vancouver’s most interesting and esoteric DJs, Scott W. 

The recording effortlessly trips through a rich and expansive universe of ambient and downtempo selections and will be a perfect companion on your next mind expanding experience. Enjoy the journey!

Tracklist:
Sun Ra - Cluster of Galaxies
Andres Lõo - Parast Vihma Sajab Paikest
Scott Gailey - Sorgente Termale in un Cantiere
??? - ???
MLO - In Search of Lost Time
Bochum Welt - Asteroids Over Berlin
Edgar Froese - NGC 891
Shasta Cults - October 
Iasos - The Bubble Massage
Takashi Kokubo - Music For The Corridor
Summe - Strukture III
Joey Beltram - The Cure
Mystic Tribe A.I. - Telepathic Seduction
G.E.S. - Schlaf (vor und Nach Einführung der Psychoanalyse)
Bochum Welt - Terpsitone
Ross 154 - Mayflower
Brother From Another Planet - Soundscape
Lee Gamble - Frame Drag
Jon Hassell - Empire II
NRSB-11 - 685-471 2 
Exael - into deep
Roedelius - Gewiß
Air Liquide - Uludag
Brian Eno - Unfamiliar Wind
Inoyama Land - Hair Air
Money Morning - Haze
Fripp & Eno 
 ??? - ???
Echo Mike - Phil 1
Jeff Mills - The Hunted
Sorte Joey - Ready

DOSE RADIO vol.02 with Scott W.

Coming across the Aotearoa / New Zealand based duo of Brooklyn Mellar and Ike Zwanikken's Hysterical Love Project has been one of the nicest music related surprises of 2021 for me. Their album, "Endless Bliss Weekener", hits a sweet spot somewhere between the 4AD / Projekt universe and early 2000's / late 90's downtempo. I'm so excited to have them contribute a mix to the series... (which features an unreleased demo of theirs :))


D.A. Dettmar - Pacific Rain Forest
Marco Beltrami - NC-17
Hysterical Love Project - Backseat Of Forever
deepState - Fortune
Not Waving & Romance - While My Heart Is Still Beating
Wladimir M - Planet E
Bowery Electric - Passages
POiSON GiRLFRiEND - Hardly Ever Smile (Without You)
bar italia - angels
Love Spirals Downwards - City Moon
Hugh B & Cousin - Shaft Of Light
Ange Halliwell - Wheat Flag (ft. Malibu)
deepState - Redux
bar italia - how did you get into the building did someone open the door for you 2
Hooverphonic - Inhaler
Meitei - Okue
Hysterical Love Project - 2BC1 (demo)
Chris & Cosey - Eternal
Purelink - Maintain The Bliss
Current 93 - Patripassian


https://soundcloud.com/hystericalloveproject
https://hystericalloveproject.bandcamp.com/album/endless-bliss-weekender

Motion Cast Vol. 76: Hysterical Love Project

https://www.nts.live/shows/in-focus/episodes/in-focus-sade-18th-august-2018

In Focus: Sade

This edition of In Focus takes a deep dive into the uniquely dreamy post-punk of The Durutti Column, the musical project spearheaded by guitarist Vini Reilly.

https://www.nts.live/shows/in-focus/episodes/in-focus-durutti-column

In Focus: The Durutti Column

Sacred, ethereal sounds for intimate listening.

https://www.nts.live/shows/braden-wells/episodes/braden-wells-14th-april-2023

Braden Wells w/ Hysterical Love Project 140423

Showcase No Wave! w/ Andrey Kling

Track List:

1. HaPleez feat. Yoav Shaya, Uri Frost, Shachar Levi, Niss — בורג לדוגמא  
2. Vomito Negro — Erection 
3. Amusement Machine — Night Ministry 
4. Wosto — Body Catcher 
5. Absolute Body Control — Stardust Fever 
6. Fallbeil — No Go Area 
7. Tropic Of Cancer — The One Left
8. EM — number 1
9. Alan Vega — Automatic Terror 
10. Erik Eviston — Zorro
11. Fabrica Del Silencio — Clon 
12. Alien Sex Fiend — I Walk The Line 
13. Asphixiation — African Disco Queen
14. Chromosome — Gazolina (Red Axes edit) 
15. Trystero — Rock dei Pelicani 
16. Severed Heads — 4WD 
17. British Standard Unit — D'Ya Think I'm Sexy 
18. The Drowning Craze — Storage Case 
19. Grimes — Avi

Youtube Streaming RRC Garage Studio - ANDREY KLING (No Wave!) - https://youtu.be/U0jYtvG4nCM

Support Your Locals
@andreykling
@novvvave
www.instagram.com/andreykling
www.instagram.com/renegade_radio_camp

Renegade Radio Camp - ANDREY KLING (No Wave!) - Mix 09-03-2024

KURS radio — некоммерческое онлайн-радио с еженедельным вещанием и комьюнити, базирующееся в Москве, внутри Kultura Record Store.

SUPPORT US: boosty.to/kurs_radio/donate

Архив эфиров: / ns1ufvcms5yvxhuf8
Предложить шоу: forms.gle/NZoTpVkEFHSZ38v6A
Сотрудничество: hello.kurs@gmail.com

Social
TG: t.me/kurs_radio
IG: / kurs.radio

Хроника мятежного сада w/ Yu & P-SH @ KURS radio 30.03.25

Through fading signs and hollow structures, silence drifts like smoke across the horizon. Forgotten light intertwines in broken patterns, as coordinates dissolve into measureless spaces. In the silent pulse of invisible currents, movement transforms into serenity: a rhythm beyond time, carried in whispers of air and light.

Orrathis

what’s your path in life? where do you want to be? what will you wear when you get there?

Put On Your Uniform (2024)

A music mix recorded and broadcasted live on June 23rd, 2017 from Montreal, Quebec's n10.as Radio HQ! Shout out to Mase, Flip Liquid,  Seb, Bronwyn and Feingold! Please enjoy.

n10.as Radio Broadcast - June 23, 2017

Newest Safe Episode to kick of the new decade :-) 

I'd like to give shouts to Mandee, Zaks', Fabiano, Julius, JR and Hylke in this one! Hope you enjoy.

2020 is gonna be a fun one.

C.K - Safe Radio S04E01

This month’s book is Simon Buckley and Othmar Farré’s ‘Foundation Painting Show’.

Tracklist: https://worldwidefm.net/show/music-for-books-with-mehmet-aslan-paintings-on-sofas/

Music For Books is a show that combines the pleasure of reading with the curation of personal soundtracks. The show is an evolving examination of our passion for art across different mediums. Aslan will encourage his audience to think about literature in different ways, exploring the relationship between sound & imagination.

Music For Books - EP07 - Paintings On Sofas - 24.03.20

From the City of Angels it is our friend Bianca Lexis (@biancalexis) representing the 22nd mix. Interview (excerpt) down below.

www.musicfrommemory.com 

MFM: Hi Bianca, nice to have you on board. How's your day so far?

BL: Thanks for having me! Slow start to my day today, just woke up, worked out, and cooked myself some eggs and chorizo with pears and tahini. I’ve been hand modeling for extra money for a year now... LA is a crazy place.

MFM: ...hand modeling?

BL: Yes hand modeling! Like that episode on Seinfeld hahaha. It kind of fell into my lap at the perfect time.

MFM: Haha, wow. So, you've been doing quite a lot of radio, with regular shows at Dublab (where you've worked) and NTS too. What is it about radio that you like? 

BL: Yes, I volunteered at both stations for a while. It’s really cool to be a part of a larger community and easily find like-minded people all over the world who share a similar passion. A lot of times, being into music that’s not exactly top 40 can feel quite isolating. Because I feel so strongly about the music I love, to feel like I have an outlet to share that. Also, radio is a lot different than performing. I love feeling like I can play whatever I want. Mixes feel more personal. There is no pressure to cater to or pay attention to a live audience, which is a completely different form of DJing and also something I enjoy. 

MFM: Was it through the radio shows that you started playing dance floors too? You had a residency in a bar quite fast after you started, correct?

BL: Yes, I learned to DJ at my college radio station, then my friend Daniel T had enough confidence in me to let me play records with him in bars. Quickly after that, I secured a residency at the rather notorious bar, Tenants of the Trees, where I played records every Saturday night for a year. During this year, my collection grew, and I started playing proper dance floors at after hours parties. When I was let go from my day job at a greeting card design studio, I decided to try DJing full time. 

MFM: How's living in LA as a full time DJ? It is a rather big and spread out city, does that influence its scene(s) somehow? 

BL: I grew up here and never travelled until recently, so I wasn’t able to fully contextualize the city and its place in the global music community. Now that I’ve travelled a bit, I can appreciate how culturally fertile it is. There are so many different scenes, lively subcultures, countless parties. Liquor license restrictions make it so that bars and clubs have to close at 2am, so most of the scene gets pushed to risky illegal warehouse spaces. We don’t have clubs or reliable spaces to settle and nest in, which I think makes the scene feel a bit precarious. Also in order to cultivate a stronger local dance music community, booking local talent is extremely important. There are a lot of talented people here, but LA promoters tend to lean on bringing in bigger acts from other cities. Regardless, I truly love it here. 

MFM: You were supposed to be touring Europe a second time this year. Do you feel the world's lockdown has put your goals and dreams at risk?  

BL: Yeah definitely. I was really looking forward to that. This year has not been easy, especially for music/event workers. It’s comforting to talk to others in the same boat and to know I’m not alone though.

MFM: What are you hoping for once this situation is behind us and things pick up again? 

BL: When clubs start to reopen, it will be gradual and awkward. I think the pandemic will leave behind lingering psychological impressions - I feel uneasy just thinking about stepping in a crowded club right now. But all I can hope for is that a strong community emerges on the other side, with more fervor and hunger than ever to get back. I don’t think it will change my perspective to DJing much. Admittedly, I’m not listening to as much dance music as I was before, but I miss the club so much and I can’t wait to play and hear bangers at the club once again.

MFM Mix 022: Bianca Lexis

The last mix of 2020 comes from Jonah Sharp (@reflecto), electronic mainstay and part of 'Virtual Dreams' as Space Time Continuum. Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Welcome to the series Jonah. Originally from Edinburgh, San Francisco resident since 1992, do you still live in San Francisco?

JS: Actually I recently just moved back to SF after spending most of 2020 in the UK. I had planned to be in Europe for an extended break from the US but Covid saw an end to that and my plans had to change. I miss British and European culture. I have family and friends there so I intend to be back over as soon as I can!

MFM: According to your discography the majority of your output started to shape up right after you moved abroad, in '91. How would you explain this creative outburst? 

JS: Before I arrived in San Francisco i was still figuring out how to produce the music that I wanted to make so when I got here I started to collect gear in earnest - it was a little moment in time when most people thought analog synths and drums sounded shit so I managed to find a TR-909 for $150, a Roland SH101 at the flea market and so on. So yes, suddenly having some decent gear and fun gigs to play was very inspiring! I did feel a kind of creative freedom being so far from South London and the pressures of living there as an artist. SF in the 90’s was very affordable for artists and it gave us the freedom to really focus on the music.
 
MFM: You started your own label Reflective in '93 and had quite a busy release schedule, especially during '95/'96, before it suddenly seemed to stop right after. What happened? 

JS: I started Reflective in '93, the year my first son was born. Flurescence EP was my first solo release and it got noticed around the world so that enabled me to keep putting releases out. With the momentum of the Terence McKenna collab album, things were going pretty well. But what we found was that even though there are lots of amazing labels in the US, it was actually pretty hard to sell them domestically so most of our stock was exported to Europe and Japan. We ended up pressing in the UK and running the label from SF and that presented problems so I had to put the release schedule on hold. At that time I had also signed a deal with Astralwerks so had contractual obligations to deliver albums and tour. It was a very busy time and by 1997 when our second son was born we decided to take a hiatus from the label. Not to say the label is gone forever though!
 
MFM: Flurescence, now found its way to the Virtual Dreams compilation, almost 30 years later. How does it feel that your older music is being re-released and rediscovered by newer generations?

JS: I am very happy and honored to be part of the Virtual Dreams compilation. Yes, there seems to be a bit of attention for this time period of electronic music at the moment, and the chill out thing in general. With so many online resources, everything is discoverable by anyone so all those tiny labels like Reflective that were putting out small runs of 1000 records (that was a small run then) are maybe enjoying some retroactive attention now. 
 
MFM: Does this new interest change your motivation and/or inspiration in the studio maybe?

JS: I follow my own interests and direction when it comes to making music but reaching new audiences has to gratify the artist whose work was made for sharing. My development as an electronic musician has come through thirty years of studio experimentation, initially with hardware and then incorporating digital software. When I made Fluorescence in 1993 there was no computer in my studio, but by the early 2000s San Francisco was the epicenter of computer innovation, people like my friend Josh Clayton were writing amazing software and so I went off on a long exploratory trip to integrate digital technology both in my studio and in my live rig. My aim right now in the studio is the same as always: make sounds and keep the good ones.

MFM Mix 023: Jonah Sharp

Mix of the Week #359 is "Boards of Tarkhovka vol. 4" by X.Y.R.
Follow and include @x-y-r in your track ID requests

Boards of Tarkhovka Vol 3: https://soundcloud.com/the-dream-chimney/mix-of-the-week-305-xyr-boards-of-tarkhovka-vol-3

Mix of the Week: Mobile app http://dreamchimney.com/motw/app
Mix of the Week: Email List http://dreamchimney.com/motw/subscribe

Dream Chimney 'Mix of the Week'

MOTW subscribe

Mix of the Week #359: X.Y.R. - Boards of Tarkhovka vol. 4

Dose is pleased to present the first instalment of Dose Radio, a new mix series dedicated to exploratory sounds that elevate and compliment the psychedelic experience. The first session comes courtesy of the beloved Canadian selector Dane. Over the last decade he's made a name for himself worldwide with his distinct and playful disco sound informed by a youth spent behind the counter at Edmonton's finest now defunct record store Treehouse Records.

The mix he's prepared for us recants the energy of the chill-out rooms of yesteryear and will provide some world class background noise when you're establishing "set and setting" for your next trip. 
Here's what he had to say about it.

"The mix is basically a nice gentle wave that washes up on to one of the sweetest ambient tunes ever, a huge ending. But really it's just meant to be a nice ride to glide to. Background for your playground."

DOSE RADIO vol.01 with DANE

contact/bookings/complaints: dylan@normalswelcome.com

n10.as Radio Broadcast - June 23, 2017

Khotin

Recent comments

Boyonthekarma

German Larkin

Bon Joyd

xavier roeseler

Related tracks