manzoor sakhirani o pardesi o pardesi ( 256kbps cbr ).mp3

Random Collaboration between outstanding musician  from Bangladesh and Khumariyaan

Qaseeda Burda Shareef  by Saleh Ahmed Samee f.t. Khumariyaan

Abida_Parveen___Monsi_Hot_Na_Kanda___Shah_Abdul_Latif_Bhitai-_Sur_Dahar-Sindhi_Song_audio(128kbps).m

Aye Khuda Tere Banday Hain Hum

"Our hero patiently waits for Player One to coin up. An eternity has passed, and when the battle finally continues, the world has changed. The resolution endless, the sounds crisp and clear… welcome back, Player One!"

This story is a metaphor for my own path in life: stepping away from a youthful dream and a way of living filled with community, games and music. That period never fully disappeared — it lay dormant in the background, waiting to be awakened. In the meantime, life happened: I built a beautiful family with my wife and kids, and I grew a company that now exists for 25 years, achieving incredible things on the digital front.

Still, music has always remained an essential part of my life. The beat and the melody were constant companions, lifting my mood and carrying memories of those early days — the music of Chris Huelsbeck and the soundtracks of Hans Zimmer.

In recent months, reconnecting with the Amiga community has reawakened that inner spark: the urge to create new songs. This track is the result of that awakening — my return to my first love. Player One Returns reflects this journey, beginning with the Amiga and the original ProTracker module To Be Or Not, evolving into a crossover in Electronic / Synthwave that recreates the feeling of those times. 

I dusted off the Amiga 1200, fired up ProTracker, connected the MIDI module to the Korg 01/Wfd, and invested in a new audio interface and DAW controller for the Mac to bring those sounds into Logic Pro. Strangely enough, it all felt familiar, not so different from where it began on the Amiga 500 — only now with far more possibilities. But the lesson remains: don’t get lost in tools. It’s about the melody, the emotion, and simply pressing play.

With Player One Returns I’ve tried to stay as close as possible to my original way of making music, recreating the 80s synths and sounds that bring me back to those days — and hopefully move others too. 

This track is my maiden project after thirty years, and it’s only the beginning. So… let’s coin up!

Player One Returns

"Chrám lotosu" (Temple of the Lotus) is a deep Asian-inspired house journey, blending hypnotic beats with meditative atmospheres. Traditional instruments like koto, shakuhachi, and temple bells flow together with modern house grooves, creating a mystical space between sound and silence. A track for late-night sets, meditation on the dancefloor, and travelers of inner worlds.

Chrám Lotosu (Lotus Temple)

kalam asad attari al madni aqa ajaye aqa ajaye

Nigah - E-Darwaishaan, Abida Parveen, Coke Studio Pakistan, Season 3 Coke Studio(128k)

New Panjatan e pak naat 2021
Main hu Panjatani
Reciter: Hasnain Raza
Producer: FH+

Main hu Panjatani | Panjatan e pak naat 2021 | Panjtan ka Ghulam Hoon | Naats Studio

#MainHuPanjatani  #NaatsStudio

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Main hu Panjtani

Main hu Panjatani | Panjtan e Pak Naat 2021 | Panjtan ka Ghulam Hoon | Naats Studio

Mehfil-e-Naat at Dhoraji House
Naat Khawan: Alhaaj Muhammad Owais Raza Qadri
Location: Karachi, Pakistan
Date: 30 May 2013

Huzoor Jaante Hain

Mola Sajan Khe Aan Monhjo Sarah tho Wanjy  مولا سڄڻ کي آڻ منھنجو ساھہ ٿو وڃي.mp3

YouTube
https://www.youtube.com/@Khumariyaan

Art for religious fundamentalism is, like water for fire, mere existence, is a form of resistance.
Khumariyaan was born in the age of Talibanisation, sectarian violence, military operations and neo-imperialist expansions, in the region which is a gateway to Central Asia, in the city of Peshawar.

A band of musicians whose tunes are based on their native music, with a tinge of other native music of the world as well, our audience is the educated youth of Pakistan, and our mission is to enlighten the youth with all encompassing aesthetics and performing arts. Our focus is to elevate music to medium of peace of being, and musically, break the tradition of the South Asian vocal based musical culture, thus we are an instrumental band.

Centered on the concept that vocals should complement music, we compose with little fragments of vocals to compliment the overall harmony. We are group of individuals that came together, as on soul, to experience the trance that is live, acoustic music.

To us, music is the best sublimated form of art, and we leave its interpretation to the one who experiences our attempt at being artists. In our journey, we hope to entice musical ‘goose bumps’, and become a moving philosophical experience

Qaseeda Burda Shareef by Saleh Ahmed Samee f.t. Khumariyaan

Khumariyaan (Official)

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