Ok this sounds is different like a challenge…I’ll have to listen again..internally I’m vibing with it 4 sure just unusual

This song has a lot of character, very cool and compelling sound and groove! Nice work and great title! 🔥

Techno I Found 40

Take a wonderful journey filled with beautiful sounds and instruments. 
Composer Fernando Melo
Lead Guitar Fernando Melo
https://www.youtube.com/channel/UCnsnwlEH9NrnHrcIpCSOWbw https://open.spotify.com/artist/1ERiLI8Cf2OrHTBwhUstvP

Shooting Star

ENELYM is the result of a delicate attention to my beloved Mylène, to send her strength, faith and deep joy <3

TEÏRA - Enelym

“man, WHAT?!” new EP out now! mogleymiroma.com

R E G R E S S

Where myth meets melody, where courage meets the pulse of melodic techno.

Naimuh

My Little Leviathan

🌀 Official Remix Entry – Heart Cry Remix Contest
This is my remix of “Heart Cry” by Oliver Heldens & Poppy Baskcomb, created as an official entry for the Heart Cry Remix Contest.

I reimagined it in a melodic House / Progressive Trance direction — with emotional textures, deep bass movement, and a subtle Goa-inspired pulse. My goal was to blend dancefloor energy with atmospheric introspection, channeling the feeling of rising from the depth with hope.

🎧 Hope you feel something when you hear it. Drop your thoughts in the comments!

❤️ Like / 🔁 Repost / 💬 DM for collabs, feedback exchanges, or playlist adds

— Diljeet Singh

🎵 Credits & Licensing
Original Track: Oliver Heldens & Poppy Baskcomb – Heart Cry

Remixed by: Diljeet Singh

Created for: Official Heart Cry Remix Contest

All rights to the original song belong to the original creators.

🧪 Sample Source Acknowledgment
This remix was created using samples exclusively from Cymatics.fm, BandLab Sound Packs, and royalty-free sources under their respective music production licenses.

Oliver Heldens & Poppy Baskcomb - Heart Cry (Diljeet Singh Remix)

In Memory of Chuck Pfrang

Ron Snyder - Vocals; Lead Guitar; Riff Guitar; Slow Rhythm Guitar; Drum Arranger; Producer  
Joe Storino - Vocals; Fretless Bass Guitar
Joe DeBrizzio - Fast Rhythm Guitar (right side)

You Did It Right (Chuck) - Snyder/Storino/DeBrizzio

Another track pulled out of the drawers.
Been shaping this one since a walk in Jotunheimen.
Dark, minimal, Nordic techno with whispers of mountains and shadows.

Not perfect, but it’s real.
Hope you enjoy it.

Witch of Jötnir - (From the Vault)

"Waetag" is a deep and cinematic journey blending melodic house with dark, progressive textures. Inspired by shadow and motion, this track captures the emotional tension between stillness and drive. Released on Before You Leave Records.
#melodichouse #progressivehouse #electronic #teïra #beforeyouleaverecords

TEÏRA - Waetag (Melodic Techno style)

BYRD - Remember Who You Are [Zalmanim Records]

909 Free

Used a whole bunch of synths and trusty stratocaster at home to make this.

Gotta keep on

- PulseRitual © 2025 Waldmensch -

“Totem da Chuva” is a purification ritual in sound.

Recorded deep in the Amazon, it merges analog synths and field recordings into a living ecosystem of rhythm.

Each drop of rain becomes a heartbeat; each resonance, a release...

It is music for renewal — a slow cleansing of noise and memory...

where the forest itself breathes through bass and silence.

Totem

Totem da Chuva

About the Artist

 A great ballad song (Featuring the angelic voice: Ava Bonam)

True to the night

Music and Lyrics by: Isaac Bradley and Chris Stanz 

Music & Production; Dax & Atragun

Isaac Bradley Publishing

Stream

Dax & Atragun- Color of our Love ft. Isaac Bradley(150k Streams on Spotify)

This song is more of an experience. Sit back relax and enjoy!!!
You Tube https://www.youtube.com/channel/UCnsnwlEH9NrnHrcIpCSOWbw
all major streaming services https://open.spotify.com/artist/1ERiLI8Cf2OrHTBwhUstvP

Existence

A therapeutic journey into a mix of jazz, classical, and a blend of types of electronica.  And a wry, gradual observation that promotion tends to only go as far as you push it.  At least I make my fellow musicians laugh a little.

Good grief savage cosmos—there he goes again. Some kind of strange audio beast crawling through the digital underbrush with a head full of acid and a suitcase full of vinyl. Fifteen years this sonic deviant has been terrorizing dance floors from Ibiza to the alkali flats of Black Rock City with his peculiar brand of audio hallucination they call "techno."

I first encountered this rhythm junkie in the back room of Amnesia, where Sven Väth was conducting some kind of Germanic tribal ceremony for 2,000 Spanish teenagers and a handful of British tourists who looked like they'd been awake since the fall of the Berlin Wall. Our subject was there, of course—eyes like silver dollars, hands moving across the equipment like a man defusing a bomb while simultaneously conducting an invisible orchestra.

The man is EVERYWHERE. Like some kind of rogue cultural anthropologist with a pathological addiction to bass frequencies. One weekend he's serving dark, hypnotic soundscapes to the leather-clad deviants at Panorama Bar alongside Gerry Reed, the next he's in Brazil, standing next to Sasha and Renato Ratier at Warung Beach while 500 beautiful mutants writhe in the sand like creatures from some Jacques Cousteau nightmare about the future of human evolution.

And then there's Burning Man—SWEET SAVAGE INFINITY—where he's become a fixture at the Mayan Warrior, that rolling monument to technological excess and questionable decision-making. There he stands, this audio desperado, conducting a symphony of synthetic noises for dust-covered freaks whose perception of reality has been chemically adjusted to the point where they believe they're receiving transmissions from another dimension. AND MAYBE THEY ARE.

His production style is the audio equivalent of a Hieronymus Bosch painting—intricate, terrifying, and somehow beautiful in its depraved complexity. Underground to the bone. The kind of sounds that make record executives break out in hives and reach for their heart medication. But to the night people—those strange nocturnal creatures who live for the moment when the kick drum aligns with their heartbeat—it's a siren call they cannot resist.

This is not a man playing records. This is a shaman conducting mass exorcisms through frequency manipulation. A sonic psychiatrist treating collective trauma with carefully calibrated vibrations. A renegade physicist exploring the relationship between sound waves and human consciousness.

He continues his relentless global crusade, expanding his discography with the fervor of a man who knows that somewhere, in some sweaty basement club or desert festival or abandoned warehouse, there are people waiting to have their neural pathways permanently rewired by his particular brand of audio alchemy.

"When the going gets weird, the weird turn pro," I once wrote in a moment of clarity between bourbon shots. Well, this professional weird-turner has made a career of navigating the strange edges of club culture, transforming darkened rooms into temporary autonomous zones where time dissolves and only the rhythm remains.

By all cosmic forces. He shows no signs of stopping.​​​​​​​​​​​​​​​​

“ Hunter S Thompson AI on KidIsLive “

My Little Leviathan

KidIsLive

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