Ok this sounds is different like a challenge…I’ll have to listen again..internally I’m vibing with it 4 sure just unusual

This song has a lot of character, very cool and compelling sound and groove! Nice work and great title! 🔥

Re-Extase 57

My Little Leviathan

"Stella's Theme" tells the story of an impossible miracle—out of zombie love, somehow a zombie kid is born. It's the tender moment in this undead saga where all the back alley affairs and unfaithful wanderings lead to something unexpectedly beautiful. Stella represents hope in a world of decay, proving that even zombies can create life (or whatever passes for life in their rotting world). The theme captures that bittersweet realization that miracles are possible, even in the darkest corners of the zombie apocalypse. It's the emotional heart of the EP—where all the sinister elements give way to something genuinely touching and strange.

Stella's Theme

Anything of Value Has Already Been Removed from This Property

Well, am Kipppunkt

Twisted Confusion

LOSE CONTROL

Club 7X7

🔥 "Seduce and Confuse" is an intense and disturbing song, blending dark rock, grunge, and emotional atmospheres. A story of obsession, desire, and pain: seduction that becomes addiction, love that turns into torment.

💀 Raw and scratchy female vocals, dark guitars, and a grunge soul that leaves no escape.

If you find yourself in this mood, leave me a comment and share 🖤

Produced by EileenNoise
Singer and guitar Sophie 

Listen to my other songs on Spotify & YouTube → 
https://open.spotify.com/intl-it/artist/3gyawiyn1h42aeP11nH2KC
https://www.youtube.com/@eileennoise9515

[Verse]
She'll sing him lullabies
He won't sleep
And she'll give him butterflies
In his jeans

[Chorus]
She'll seduce him
Then confuse him
But she won't ever lose him

[Verse 2]
And when the morning comes
She'll be gone
And when he finds someone
She'll still haunt

[Chorus]
She'll seduce him
Then confuse him
But she won't ever lose him
She'll seduce him
Then confuse him
But she won't ever lose him

Seduce and confuse

Amity/EDM
Vocals sampled from Sade - The Sweetest Taboo & Risse - Chain Of Fools 

AMITY

African People ^ ( Mudlark^ Summa like Dat Mix )

Just an experiment using Roland GR-33, Godin lxgt, and tc electronic Ditto Looper

Earworm Backing Track (Looper Experiment)

Falling in love

Systeme Biotic-Underground Synapse [Dark Nature Concept]

[PIRANHA SIBERIA DUB] unleashes the final arc of its 79th release: Francesco Tamburrano – The Gambler. Postscript II

Venice, a city of reflections, where water and time weave fragile lines of fate. It is here that Francesco Tamburrano (@ft-dubtechno) conceived his new album The Gambler – a sonic journey inspired by Fyodor Dostoevsky’s novel The Gambler. If the original album was a statement on passion and obsession, the remixes – crafted exclusively by Russian dub techno masters – open the story into new dimensions. We envisioned two postscripts, and now it is time for the second one.

The Gambler. Postscript II is eight new interpretations, eight rolls of the dice with sound itself at stake. The album opens with Sleney (@sleney1996) and his take on “Mlle Blanche”, turning it into a meditative flow of depth and light. Radio Badjay (@radiobadjay) reshapes “Madame de Cominges”, saturating it with hidden drama where the vibration of the bass becomes the pulse of the narrative. Triebfeder (@triebfedersp) brings strict rhythmic geometry to “General”, transforming it into a march of fate reimagined in dub techno pulse. Castle From Indistinct Dreams (@shadow-recruit) reinvents “Mr Astley”, weaving it with hazy visions and blurred contours of memory, turning it into a dreamlike mirage.

In the second half of the album, the tension rises. Dive Craft (@dennykay) adds gravity and weight to his version of “Potapych”, unveiling its sonic density and depth. ODP (@enercube & @x_fr) explores the experimental frontier in “Alexei Ivanovich”, carrying the listener into an acid-futurist perspective where past and future twist into a single spiral of sound. Oldschool_Dubtechno .Producer (@enercube & @x_fr) takes us into emotional nostalgia through “Marquis de Grieux”, where memory and passion breathe with the deepest sub-bass and resonate with longing. The final act belongs to Nebula Alchemists (@enercube & @x_fr) with their “Potapych (Outro Dub)” – a step beyond structure, dissolving the album into an endless sonic nebula, leaving the sensation of the last step into eternity.


Yours in sound and spirit,
The [PIRANHA SIBERIA DUB] Crew.
:::
Francesco Tamburrano - The Gambler. Postscript II
1. Francesco Tamburrano - Mlle Blanche (Sleney Remix)
2. Francesco Tamburrano - Madame de Cominges (Radio Badjay Remix)
3. Francesco Tamburrano - General (Triebfeder Remix)
4. Francesco Tamburrano - Mr Astley (Castle From Indistinct Dreams Remix)
5. Francesco Tamburrano - Potapych (Dive Craft Remix)
6. Francesco Tamburrano - Alexei Ivanovich (ODP 303 Future Version)
7. Francesco Tamburrano - Marquis de Grieux (Oldschool_Dubtechno .Producer DeJavu Dub)
8. Francesco Tamburrano - Potapych (Nebula Alchemists Outro Dub)
:::
Label: [PIRANHA SIBERIA DUB] – [PSD079VOLUME3]
Format: Digital
Country: Russia
Release date: 07.09.2025
Genre: Electronic
Style: Dub Techno, Deep Techno, Techno, Acid Techno, Dub, Ambient
::::::::::::::::::::::::::::::::::::::::::::::
Mastering by Piranha Bros.
🌲🌲🌲
🌲🌲
🌲
::::::::::::::::::::::::::::::::::::::::::::::
🎬🎬🎬🎬🎬🎬
Bandcamp: https://piranhasiberiadub.bandcamp.com/album/the-gambler-postscript-ii
Beatport: https://www.beatport.com/release/the-gambler-postscript-ii/5304324

:::
#dubtechno #dub #techno #dubmusic
#deeptechno #deepdub #deepdubtechno 
#dubtechnostyle #dubtechnosound
#electronica #dubambient 
#X_FR #Enercube #dubby
#Oldschool_Dubtechno_Producer
#dub_techno #technodub #dubtronica
#deeptechnomusic #piranha_siberia
#piranha_dub #piranha_siberia_dub
#Francesco_Tamburrano #Sleney 
#Radio_Badjay #Triebfeder
#Castle_From_Indistinct_Dreams 
#Dive_Craft #ODP #Nebula_Alchemists 

Francesco Tamburrano - The Gambler. Postscript II [PSD079VOLUME3]

🎹Get your copy🎹

Francesco Tamburrano - Mlle Blanche (Sleney Remix)

 🌟
80' song 🎶...with 2019 sounds 🔊

Crystal Night

KRT - WAR TEMPO - NEXT STEP - NUR - ATOMIUM - BBAM

Belgian artist passionate about electro sounds and captivating melodies. Funkle Ace was born in Brussels, Belgium. Son of a piano teacher, he started playing the keyboard at an early age. With over 500 tracks to his name, he has collaborated with international artists and his songs have been streamed on various platforms. For a long time, he played with a friend and performed concerts in Belgium, France, and Spain (Burgos, 2 concerts + radio interview on Radio Castilla in 1984). Since then, he has followed his own path and decided to share his unique music style with you. His musical universe navigates between electro, chillwave, and ambient, creating unique and immersive atmospheres. He aims to touch hearts and minds with his music and collaborate with emerging talents to create unforgettable sound experiences. Follow him to discover his latest creations and feel free to leave your comments and impressions.
Artiste belge passionné par les sons électro et les mélodies envoûtantes. Funkle Ace est né à Bruxelles, Belgique. Fils d’une professeure de piano, il s’initie très tôt au clavier. Avec plus de 500 titres à son actif, il a collaboré avec des artistes internationaux et ses morceaux ont été diffusés sur plusieurs plateformes de streaming. Durant longtemps, il joue avec un ami et fait des concerts en Belgique, en France, et en Espagne (Burgos, 2 concerts + interview radio Castilla en 1984). Depuis, il suit sa propre voie et a décidé de vous faire découvrir son style unique de musique. Son univers musical navigue entre l’électro, le chillwave et l’ambient, créant des atmosphères uniques et immersives. Il cherche à toucher les cœurs et les esprits avec sa musique, et à collaborer avec des talents émergents pour créer des expériences sonores inoubliables. Suivez-le pour découvrir ses dernières créations et n’hésitez pas à laisser vos commentaires et impressions.

Good grief savage cosmos—there he goes again. Some kind of strange audio beast crawling through the digital underbrush with a head full of acid and a suitcase full of vinyl. Fifteen years this sonic deviant has been terrorizing dance floors from Ibiza to the alkali flats of Black Rock City with his peculiar brand of audio hallucination they call "techno."

I first encountered this rhythm junkie in the back room of Amnesia, where Sven Väth was conducting some kind of Germanic tribal ceremony for 2,000 Spanish teenagers and a handful of British tourists who looked like they'd been awake since the fall of the Berlin Wall. Our subject was there, of course—eyes like silver dollars, hands moving across the equipment like a man defusing a bomb while simultaneously conducting an invisible orchestra.

The man is EVERYWHERE. Like some kind of rogue cultural anthropologist with a pathological addiction to bass frequencies. One weekend he's serving dark, hypnotic soundscapes to the leather-clad deviants at Panorama Bar alongside Gerry Reed, the next he's in Brazil, standing next to Sasha and Renato Ratier at Warung Beach while 500 beautiful mutants writhe in the sand like creatures from some Jacques Cousteau nightmare about the future of human evolution.

And then there's Burning Man—SWEET SAVAGE INFINITY—where he's become a fixture at the Mayan Warrior, that rolling monument to technological excess and questionable decision-making. There he stands, this audio desperado, conducting a symphony of synthetic noises for dust-covered freaks whose perception of reality has been chemically adjusted to the point where they believe they're receiving transmissions from another dimension. AND MAYBE THEY ARE.

His production style is the audio equivalent of a Hieronymus Bosch painting—intricate, terrifying, and somehow beautiful in its depraved complexity. Underground to the bone. The kind of sounds that make record executives break out in hives and reach for their heart medication. But to the night people—those strange nocturnal creatures who live for the moment when the kick drum aligns with their heartbeat—it's a siren call they cannot resist.

This is not a man playing records. This is a shaman conducting mass exorcisms through frequency manipulation. A sonic psychiatrist treating collective trauma with carefully calibrated vibrations. A renegade physicist exploring the relationship between sound waves and human consciousness.

He continues his relentless global crusade, expanding his discography with the fervor of a man who knows that somewhere, in some sweaty basement club or desert festival or abandoned warehouse, there are people waiting to have their neural pathways permanently rewired by his particular brand of audio alchemy.

"When the going gets weird, the weird turn pro," I once wrote in a moment of clarity between bourbon shots. Well, this professional weird-turner has made a career of navigating the strange edges of club culture, transforming darkened rooms into temporary autonomous zones where time dissolves and only the rhythm remains.

By all cosmic forces. He shows no signs of stopping.​​​​​​​​​​​​​​​​

“ Hunter S Thompson AI on KidIsLive “

My Little Leviathan

KidIsLive

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