Fun sounding track. Kids are a bit high but that’s a mastering thing.

Électro 7

Romaj

Golah

Please message me with what you come up with! 

Download Free Stems Here: https://bit.ly/3OrG0oN

The Art of Letting Go (Free Vocal Stems)

Birthday feat. Lady Chiff

You Could Be Dancing

BOOMBOX NOIR
~~~~~~~~~~~~
Memoria in fide revertetur

No matter what I try I can't help but make music like this.
She echo's in the chorus of my mind...
~~~~~~~~~~~~
[Intro]
She vanished in the static...
But the beat remembers.
Boombox noir...

[Verse 1]
Neon blur on a one-way ride
Your ghost still rides in the passenger side
Cassette dreams melt into chrome and wine
I see your face in every exit sign

[Chorus]
Boombox noir, you left your love inside the speakers
Fading stars, the night keeps playing you on loop
Boombox noir, I press rewind but you’re not nearer
Just static hearts, in synth pursuit

[Verse 2]
Skyscraper lights cut your silhouette
Dial tones hum with old regret
You said forever in a velvet tone
But this city won’t let me sleep alone

[Pre-Chorus]
Vapor trails and cherry lips
We danced through glitches, lost our scripts
You ran through wires, past my reach
Now your name is all I teach

[Chorus – repeat]
Boombox noir, you left your love inside the speakers
Fading stars, the night keeps playing you on loop
Boombox noir, I press rewind but you’re not nearer
Just static hearts, in synth pursuit

[Bridge]
Are you real, or just a mixdown I can’t fix?
You echo in the chorus like a ghost in 6/8 kicks
You shimmered, and glitched, and kissed, then dipped
I play it back again... and skip...

[Final Chorus]
Boombox noir, you left your love inside the speakers
Fading stars, the night keeps playing you on loop
Boombox noir, I press rewind but you’re not nearer
Just static hearts, in synth pursuit
Just static hearts

[Outro]
Just static hearts…
In synth pursuit...
~~~~~~~~~~~~
An experimental venture into emotional motion.

A# Blues clashes against D# Major like longing against memory.
Galloping basslines.
Hard futuristic hyperbass.
Synthwave carved from neon tears.

D# Major isn’t supposed to cry.
But under these hands?
It does.

It's weird... When I was polishing this mix I noticed that this track and my previous 2 releases all clock in at 3:43 long. I didn't plan that, it just kind of happened. It reminds me of 343 Guilty Spark. An AI guardian who witnessed the destruction of entire civilizations, still haunted by echoes of what was lost. A synthetic guardian. A keeper of memory. A being caught between logic and emotion. In numerology the number 3 is creativity, expression, and communication. The number 4 is stability, foundation, and structure. There's fire department symbolism as well. In the U.S., 343 firefighters died on 9/11. Because of this, 343 has become a symbol of sacrifice, heroism, and remembrance. Heavy resonance for a number that just keeps showing up in my tracks about longing, memory, and emotional fire.

The universe works in strange ways...

Maybe the universe has been speaking in 3:43 this whole time. I’m just finally learning how to listen.
~~~~~~~~~~~~

BOOMBOX NOIR

Anything of Value Has Already Been Removed from This Property

Hawerkamp

Walked Into Ammunition

A REMIX OF HEART OF DARKNESS (WAVES) - ORIGINAL TRACK 
https://on.soundcloud.com/tWWqWsx3CUfn08eyrJ

RUN DEEP - HEART OF DARKNESS REFUSION 2

#electronic #dark #uplifting  #downtempo #powerful #vibey #synthwave #nu-disco #experimental #instrumental #Japan #tokyo #110bpm

Lotus

BASSLINE

My remix of "The Electric Whip" by Jim Manser @jim-manser

Caedmon Rigby
▶ Youtube channel | https://www.youtube.com/c/CaedmonRigby​
▶ Facebook | https://www.facebook.com/caedmonrigby/
▶ Instagram | https://www.instagram.com/caedmonrigby/

The Electric Whip (Caedmon Rigby Remix)

Alone

https://www.beatport.com/artist/mark-taylor/49053

Rooftop Reverie

Serene Hues

Keep Movin

.....   KillaSoundBoy   ..... 

aka  KSB-SELECTA-D  aka KSB  aka Natty Rebel aka "TheSoundArchitekt"  

   -Composer/Beatmaker/Selecta/Producer-

   -ELECTRO DUB SYSTEM // FUTURE DUB 
    JUNGLE DUB // FUNKY DUB // REGGAE MUSIC-

        -DUB FUSION SPECIALIST-

  Reggae // Trippy // Fusion / / Triphop // Electronic // Jungle // Hip-Hop // Future Trap // Dark & Drill

CONSCIOUS MUSIC / UNDERGROUND / MUSIC AGAINST BABYLON // MUSIC 4 MINORITY

  -No A.I. Music-

...I would follow everyone who follows me but I can't as we are  restricted to 2000 followers ... sorry if I don't follow you back....

....But, don't hesitate to send me your tracks in a private message, I will listen to them and repost them with pleasure and follow you in this way....Bless Up ...

Before work for KRT Production (2021-2024)

Now ,a new Label ... KSB-PROJECT ...(Independent Label)
     ..... Live & Studio Project.....

My passion is Dub & Reggae music (reggae and dub represent 40 to 50% of my musical production, the rest is dedicated to other styles) ,but I like & I make also others & different styles of music likes Jungle ,D&B ,Trap ,Ska ,Hip Hop ,Electro ,Acid ,Afrobeat ,Jazz Fusion , Funk ,Darkwave , Trip-Hop ,Drill ,Techno Dub ,Electro Funk 

...I build my tracks, like a story to tell..., I don't really create according to my inspiration, it is continually present, but rather to the emotion of the moment... that's perhaps why I create music of very different styles, my wish is to be able to make you travel or make you tripping or make you grooving through my productions...

Ex Member of BBAM (2022-09/2024)

-Creator & Manager of KSB-PROJECT 
       -(Live , Studio & SoundSystem)-

-Music Events Organizer
       -(KSB-PROJECT & Ziksport Asbl)-

Open for collabs in differents styles ...

Contact me by e-mail....
  - killasoundboyNR@hotmail.com
  - raulcripps@hotmail.com

    ..... Peace ,Love & Unity  ❤️💛💚.....

Good grief savage cosmos—there he goes again. Some kind of strange audio beast crawling through the digital underbrush with a head full of acid and a suitcase full of vinyl. Fifteen years this sonic deviant has been terrorizing dance floors from Ibiza to the alkali flats of Black Rock City with his peculiar brand of audio hallucination they call "techno."

I first encountered this rhythm junkie in the back room of Amnesia, where Sven Väth was conducting some kind of Germanic tribal ceremony for 2,000 Spanish teenagers and a handful of British tourists who looked like they'd been awake since the fall of the Berlin Wall. Our subject was there, of course—eyes like silver dollars, hands moving across the equipment like a man defusing a bomb while simultaneously conducting an invisible orchestra.

The man is EVERYWHERE. Like some kind of rogue cultural anthropologist with a pathological addiction to bass frequencies. One weekend he's serving dark, hypnotic soundscapes to the leather-clad deviants at Panorama Bar alongside Gerry Reed, the next he's in Brazil, standing next to Sasha and Renato Ratier at Warung Beach while 500 beautiful mutants writhe in the sand like creatures from some Jacques Cousteau nightmare about the future of human evolution.

And then there's Burning Man—SWEET SAVAGE INFINITY—where he's become a fixture at the Mayan Warrior, that rolling monument to technological excess and questionable decision-making. There he stands, this audio desperado, conducting a symphony of synthetic noises for dust-covered freaks whose perception of reality has been chemically adjusted to the point where they believe they're receiving transmissions from another dimension. AND MAYBE THEY ARE.

His production style is the audio equivalent of a Hieronymus Bosch painting—intricate, terrifying, and somehow beautiful in its depraved complexity. Underground to the bone. The kind of sounds that make record executives break out in hives and reach for their heart medication. But to the night people—those strange nocturnal creatures who live for the moment when the kick drum aligns with their heartbeat—it's a siren call they cannot resist.

This is not a man playing records. This is a shaman conducting mass exorcisms through frequency manipulation. A sonic psychiatrist treating collective trauma with carefully calibrated vibrations. A renegade physicist exploring the relationship between sound waves and human consciousness.

He continues his relentless global crusade, expanding his discography with the fervor of a man who knows that somewhere, in some sweaty basement club or desert festival or abandoned warehouse, there are people waiting to have their neural pathways permanently rewired by his particular brand of audio alchemy.

"When the going gets weird, the weird turn pro," I once wrote in a moment of clarity between bourbon shots. Well, this professional weird-turner has made a career of navigating the strange edges of club culture, transforming darkened rooms into temporary autonomous zones where time dissolves and only the rhythm remains.

By all cosmic forces. He shows no signs of stopping.​​​​​​​​​​​​​​​​

“ Hunter S Thompson AI on KidIsLive “

You Could Be Dancing

KidIsLive

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