Elegant track, good ambient rhythm and interesting synths

Re-Explode 66

WE MUST REGENERATE

Mrs Robotra

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▼ Release Tracklist:
01. Cesar Herresuelo - Río Colorado
02. Frezz - Tremor
03. Fernando Terreno - Previously
04. Meline - Elinor
05. Gastón Calduch - Polaris Down
06. Lisandro Restaino - Armiro
07. Marco Boarelli - Lili
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▼ Post Production:
Nelson Jimenez (Artwork)
Rudolf Brajkovic (Mastering Engineer)

Lili

🎧 Stream/Download

Marco Boarelli - Lili [Droid9]

Threshold

●▬▬INFO▬▬●

▬Metadata▬
● Type: Mashup
● Genre: EDM - Bass House / Experimental

▬Track List▬
● Creo - Red Horizon
● Knock2 - gettin' hott

▬Credits▬
Creo - Red Horizon
https://www.youtube.com/watch?v=kmYgwc4QYhE
https://music.youtube.com/watch?v=Wh-FkHmA5Gw

Knock2 - gettin' hott
http://youtube.com/watch?v=Su7zleepziQ
https://music.youtube.com/watch?v=XyCy-iHmXdA

●▬▬Follow Borfrok!1!1!!▬▬●
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Borfrok, Borfextra

Red Hott

Red Horizon x gettin' hott (Borfrok Mashup)

2 Jabs - Oziumpoet & Robert Grigg

The Wave

A Taste

Veynoir [Minimal Groove Concept]

Titre : Notre Afrique en nous
Artiste : Aya Aminata
Label/Collectif : Beyond & Before Music

Description :

Plongez au cœur d'une célébration électrisante avec "Notre Afrique en nous". Ce morceau Afro-Tribal House puissant, porté par la voix passionnée et anthemique d'Aya Aminata, est un hymne à la jeunesse, à l'héritage et à l'avenir vibrant de la Côte d'Ivoire.

Inspiré par les rythmes ancestraux, le son emblématique du balafon tisse à la fois des mélodies envoûtantes et des motifs rythmiques entrelacés avec une percussion tribale profonde, des shakers et des chants en langue ivoirienne. Sur une base solide de kick 4/4 à 125 BPM, l'atmosphère est énergique, unificatrice et résolument festive.

Laissez-vous emporter par le mouvement, ressentez la connexion avec la terre et les ancêtres, et dansez pour un futur radieux. La jeunesse ivoirienne s'avance, et sa force rayonne.

Credits :
Paroles & Voix : Aya Aminata
Production : Beyond & Before Music

Tags (Mots-clés) : #AfroHouse #TribalHouse #CotedIvoire #IvoryCoast #Balafon #AfricanMusic #HouseMusic #AfroTribal #Danse #Unity #Celebration #Ivoire #AyaAminata #BeyondAndBeforeMusic

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Title: Notre Afrique en nous (Our Africa Within Us)
Artist: Aya Aminata
Label/Collective: Beyond & Before Music

Description:

Immerse yourself in an electrifying celebration with "Notre Afrique en nous". This powerful Afro-Tribal House track, driven by the passionate and anthemic vocals of Aya Aminata, is an hymn to the youth, heritage, and vibrant future of Côte d'Ivoire.

Inspired by ancestral rhythms, the iconic sound of the balafon weaves both hypnotic melodies and intricate patterns, layered with deep tribal drums, shakers, and chanting in an Ivorian language. All anchored by a solid four-on-the-floor kick at 125 BPM, the atmosphere is energetic, unifying, and utterly celebratory.

Let the movement take you over, feel the connection to the land and the ancestors, and dance for a brighter future. The Ivorian youth is stepping forward, and its strength is shining.

Credits:
Lyrics & Vocals: Aya Aminata
Production: Beyond & Before Music

Tags: #AfroHouse #TribalHouse #CotedIvoire #IvoryCoast #Balafon #AfricanMusic #HouseMusic #AfroTribal #Dance #Unity #Celebration #Ivoire #AyaAminata #BeyondAndBeforeMusic

Content & Meaning:
This song is a powerful and proud anthem for the youth of Côte d'Ivoire (Ivory Coast). It is a declaration of identity, unity, and purpose. The lyrics weave together deep connections to the land, ancestral heritage, and traditional culture—embodied by the sounds of the drums and the balafon—with a forward-looking, ambitious vision for the nation's future.

The central theme is the inseparable link between the past and the future. The youth are portrayed not as abandoning tradition but as carrying it within them ("The ancestral drums speak through our voice"). This inherited strength fuels their drive to build a united, strong, and vibrant country ("To build a strong nation, our only mission"). The song is a call to action, emphasizing that the time for the youth to lead and shape their destiny is now ("our time is now").

Mood & Atmosphere:
The mood is overwhelmingly empowering, celebratory, and unifying. It evokes a sense of collective joy, pride, and unstoppable energy. The constant references to dance, rhythm, and music create a vibrant, almost tangible atmosphere that feels both tribal and modern. It's a song that you can imagine being performed at a massive, joyous gathering, full of movement and shared spirit. The tone is hopeful and fervent, brimming with confidence and an unbreakable sense of community and cultural pride. It is less a gentle ballad and more a rousing, rhythmic call to unity and progress.

Notre Afrique en nous

I wrote these words after meditating on Jupiter at dawn, in which he showed me how J.M. Barrie's play about the fairy Tinkerbell sewing back on Peter Pan's shadow was actually a metaphor for a deeper teaching. 

Some of you may recognise the middle section. I hold my hands up...yes, it comes from Holst's Jupiter. But my excuse is that I've never heard a piece of music that so accurately reflects my own experience of the warm generosity and exuberance of this planetary logos.😇

Jupiter

Grief

Buy this collection :- https://djmarktaylor.bandcamp.com/album/shadows-awake

Smooth basslines, immersive textures, and soulful progressions. Each track carries the signature warmth of Deep House while pushing into new sonic territory.

Gravity Lock

Meltdown Get Down

BBAM, born within @KRTProduction (Brussels), is the vision of @FunkleAce : songwriter, composer, performer, and producer. Blending Reggae, Dub, Electro, and underground sounds, BBAM delivers immersive, powerful, and free-spirited music, where each track is a unique sonic journey.

Good grief savage cosmos—there he goes again. Some kind of strange audio beast crawling through the digital underbrush with a head full of acid and a suitcase full of vinyl. Fifteen years this sonic deviant has been terrorizing dance floors from Ibiza to the alkali flats of Black Rock City with his peculiar brand of audio hallucination they call "techno."

I first encountered this rhythm junkie in the back room of Amnesia, where Sven Väth was conducting some kind of Germanic tribal ceremony for 2,000 Spanish teenagers and a handful of British tourists who looked like they'd been awake since the fall of the Berlin Wall. Our subject was there, of course—eyes like silver dollars, hands moving across the equipment like a man defusing a bomb while simultaneously conducting an invisible orchestra.

The man is EVERYWHERE. Like some kind of rogue cultural anthropologist with a pathological addiction to bass frequencies. One weekend he's serving dark, hypnotic soundscapes to the leather-clad deviants at Panorama Bar alongside Gerry Reed, the next he's in Brazil, standing next to Sasha and Renato Ratier at Warung Beach while 500 beautiful mutants writhe in the sand like creatures from some Jacques Cousteau nightmare about the future of human evolution.

And then there's Burning Man—SWEET SAVAGE INFINITY—where he's become a fixture at the Mayan Warrior, that rolling monument to technological excess and questionable decision-making. There he stands, this audio desperado, conducting a symphony of synthetic noises for dust-covered freaks whose perception of reality has been chemically adjusted to the point where they believe they're receiving transmissions from another dimension. AND MAYBE THEY ARE.

His production style is the audio equivalent of a Hieronymus Bosch painting—intricate, terrifying, and somehow beautiful in its depraved complexity. Underground to the bone. The kind of sounds that make record executives break out in hives and reach for their heart medication. But to the night people—those strange nocturnal creatures who live for the moment when the kick drum aligns with their heartbeat—it's a siren call they cannot resist.

This is not a man playing records. This is a shaman conducting mass exorcisms through frequency manipulation. A sonic psychiatrist treating collective trauma with carefully calibrated vibrations. A renegade physicist exploring the relationship between sound waves and human consciousness.

He continues his relentless global crusade, expanding his discography with the fervor of a man who knows that somewhere, in some sweaty basement club or desert festival or abandoned warehouse, there are people waiting to have their neural pathways permanently rewired by his particular brand of audio alchemy.

"When the going gets weird, the weird turn pro," I once wrote in a moment of clarity between bourbon shots. Well, this professional weird-turner has made a career of navigating the strange edges of club culture, transforming darkened rooms into temporary autonomous zones where time dissolves and only the rhythm remains.

By all cosmic forces. He shows no signs of stopping.​​​​​​​​​​​​​​​​

“ Hunter S Thompson AI on KidIsLive “

Mrs Robotra

KidIsLive

Recent comments

Benny C

KRT Production

Chris Baynes

H.C.

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