keep pushing you got this!!!!! the vibe is there!!!

Great song!!! Love the drums and the instruments!!!

I really dig this. Very cinematic vibe. Love the layers and dynamics throughout the progression of the track, well done.

I dig the different textures/layers in this!, great journey :)

The fx work on the guitar leads is really really good.  I love it!

Love the instrumental broski keep up the good work!

super chilled it's good for background music

Loved it right off the bat. It's got a charm to it that's hard to replicate. Very original, and very engaging.

Hybride SinqClone

Project X

Inspired by the Wildsilences poem "On the Doorstep of Reality"

"I cannot breathe
You open all the windows
Let the day out
Let the night in
I can see again
Let the music flow around us
Like a butterfly in a dream"

Music by Progeny -1

On the Doorstep of Reality -Wildsilences *Progeny -1 remix*

Save Your Tears - The Weeknd ( It's JUD - Afro House Remix )

One of the first tracks I made and still holds so much in my heart.  If there is any track that has more history in my life its this song.

The Original Madam

Intended to embody a closing track environment.  Big room, big speaker, crazy crowds.

Alaskalaska - The Dots ( KidIsLive Ketamine Machine Remix )

The Mastering of the mix has been done by Alois Pospíšil : www.fiverr.com/aloispospisil

----------------------------------------

ARTISTS IN THIS MIX :

El Mundo

Robert R. Hardy

Tim Green

Jonas Saalbach

Peter Pardeike

Clawz SG

Olivier Giacomotto

Hendrik Burkhard

Jose Maria Ramon

William Medagli

Thallulah

MUUI

EKDK

Noir

Blancah

----------------------------------------

!!!IMPORTANT!!!
Soundcloud is streaming at 256 kbps only.
I am recording and uploading my mixs at 1411 kbps.
By downloading them, you will get uncompressed and lossless audio files, in the same format I uploaded them in, without any additional transcoding.
You will hear the difference!

Nicolas Qui?

The End Of The Beginning [Melodic Techno Mix]

Showcased here...

https://bedrockrecords.bandcamp.com/album/rust-remix-competition-runners-up

Stelios Vassiloudis - Rust ( Its Not Over KidIsLive Rework )

An alternative offering for Australia's most controversial weekender!

This mix was put together for Tongberang'i Ngarrga's Yumaanda 2021 event, with particular focus on indigenous sounds of Australia and the importance of connection to country. 

Due to travel restriction at the time I was unfortunately unable to perform, so I thought I'd share anyhow! 

Hope you Enjoy..

Jan 26th MMXXI

Brand new Deep House and Melodic House mix in my Deep Vibes series.

If you want to support me check these links 😎:
Support link: www.paypal.me/djlxl
Youtube; www.youtube.com/channel/UChoVFKQXMSX_v3pVaF_2yTw
mixcloud: www.mixcloud.com/djlxl/
instagram: www.instagram.com/lex1532/
Artwork from www.artbypdeg.nl/ & www.instagram.com/artbypdeg

Best of 2020 Playlist; soundcloud.com/user-23193669/sets/best-of-2020-yearmixes

Deep Vibes #22 Deep & Melodic [Westbam, Tim Green, Colyn, Huminal, Yubik, Khen and more]

Music for Content Creators – DIRECT DOWNLOAD from SoundCloud!

***
Track name: Play Gamei
Music by Michael Herter
Free Download: https://cutt.us/PlayGameMH
Video: https://www.youtube.com/watch?v=p8Q1FS6Yn3Y

Play Game – 8-bit video game chiptune electronic track – perfect background music for retro videogames, podcasts and videos.

С-Dur; 4/4; 120 bpm

► Support my Creativity:

Patreon: https://www.patreon.com/sibviolin

Boosty: https://boosty.to/sibviolin/

Donate: https://cutt.us/DONATE

***
A Commercial License can be purchased on Audiostocks: 

Pond5:
https://www.pond5.com/artist/sibviolin/

Jamendo: 
https://www.jamendo.com/user/7644668/sibviolin

► Subscribe to my Social Networks:

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https://www.youtube.com/channel/UC87NSwe22xVAdTxkDqPbW6A/

Instagram:
https://www.instagram.com/sibviolin/

Bandcamp: 
https://michaelherter.bandcamp.com/

___
Stay tuned as more tracks will be released in the coming weeks and months.

Do not forget: Like, Share and Subscribe!

Thanks For Listening!

Play Game

Good grief savage cosmos—there he goes again. Some kind of strange audio beast crawling through the digital underbrush with a head full of acid and a suitcase full of vinyl. Fifteen years this sonic deviant has been terrorizing dance floors from Ibiza to the alkali flats of Black Rock City with his peculiar brand of audio hallucination they call "techno."

I first encountered this rhythm junkie in the back room of Amnesia, where Sven Väth was conducting some kind of Germanic tribal ceremony for 2,000 Spanish teenagers and a handful of British tourists who looked like they'd been awake since the fall of the Berlin Wall. Our subject was there, of course—eyes like silver dollars, hands moving across the equipment like a man defusing a bomb while simultaneously conducting an invisible orchestra.

The man is EVERYWHERE. Like some kind of rogue cultural anthropologist with a pathological addiction to bass frequencies. One weekend he's serving dark, hypnotic soundscapes to the leather-clad deviants at Panorama Bar alongside Gerry Reed, the next he's in Brazil, standing next to Sasha and Renato Ratier at Warung Beach while 500 beautiful mutants writhe in the sand like creatures from some Jacques Cousteau nightmare about the future of human evolution.

And then there's Burning Man—SWEET SAVAGE INFINITY—where he's become a fixture at the Mayan Warrior, that rolling monument to technological excess and questionable decision-making. There he stands, this audio desperado, conducting a symphony of synthetic noises for dust-covered freaks whose perception of reality has been chemically adjusted to the point where they believe they're receiving transmissions from another dimension. AND MAYBE THEY ARE.

His production style is the audio equivalent of a Hieronymus Bosch painting—intricate, terrifying, and somehow beautiful in its depraved complexity. Underground to the bone. The kind of sounds that make record executives break out in hives and reach for their heart medication. But to the night people—those strange nocturnal creatures who live for the moment when the kick drum aligns with their heartbeat—it's a siren call they cannot resist.

This is not a man playing records. This is a shaman conducting mass exorcisms through frequency manipulation. A sonic psychiatrist treating collective trauma with carefully calibrated vibrations. A renegade physicist exploring the relationship between sound waves and human consciousness.

He continues his relentless global crusade, expanding his discography with the fervor of a man who knows that somewhere, in some sweaty basement club or desert festival or abandoned warehouse, there are people waiting to have their neural pathways permanently rewired by his particular brand of audio alchemy.

"When the going gets weird, the weird turn pro," I once wrote in a moment of clarity between bourbon shots. Well, this professional weird-turner has made a career of navigating the strange edges of club culture, transforming darkened rooms into temporary autonomous zones where time dissolves and only the rhythm remains.

By all cosmic forces. He shows no signs of stopping.​​​​​​​​​​​​​​​​

“ Hunter S Thompson AI on KidIsLive “

Stelios Vassiloudis - Rust ( Its Not Over KidIsLive Rework )

KidIsLive

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