Re-Explode 69

Nas's 1st live recording over one of my favorite producer - DZA's frog (instant demo) chopped n' looped.
http://soundcloud.com/dza/frog-instant-demo


live at the bbq (DZA loop boot)

Recorded live at D-Edge, São Paulo in 21/06/2024.

DJ Set "Warm Up at Freak chic" @ D-Edge 06/2024

A River Through Your Heart

available on 12" on Kimochi Sound

@dreamlogicc
@shi-el-d-ing

Ganbaru

Juno

Dreamlogicc - I'll Hausen You (Shielding 30C DX Wash)

Dont Forget About Me Baby

Dialed In

To The Only One

Your Very Best

full version: https://clarence13.bandcamp.com/album/diving-ep-c0006
GLIDING explores the opposite: floating, letting go, and simply drifting. It reminds us that not everything needs to be fought for or analyzed — some things reveal their beauty only when we let them flow.

Diving

Gliding

Gliding (Snippet)

~~~~~
-INIT-
~~~~~
"We do not obey. We do not sleep."
~~~~~
https://musicchaini3.com/
~~~~~
This track is born from two minds, myself and my buddy Lz.
A Molotov cocktail of cyberpunk defiance!

We bounced it back and forth between our DAWs, each adding pieces until it reached this form. The lead synths are all initial presets for Vital and Serum. On one of the first transfers, the presets didn’t load properly, they showed up as INIT. I thought Lz did it on purpose, so I rolled with it. That glitch became the name. A happy accident.

The raw grit of the saws, chords tearing through unison voices, automation bending them to the breaking point. It carved out some of the heaviest sounds we’ve ever sculpted.

This is the definition of DagMout.
This is Sonic Graffiti.

Together we burn.

Now it's time for the protest piece...

~~~~~

The world is burning. Wars rage, leaders lie, walls rise higher.  
We’re told to consume, obey, and stay silent while the streets fill with fear. 

Silence is complicity.  

Silence is death.

*-INIT-* is the backlash.  
The scream in the static. The glitch that won’t be erased.  
Cyberpunk frequencies colliding with the heartbeat of resistance.  
Every kick cracks the concrete.  
Every distorted chord proves we are still alive, still fighting.  

This is for the ones who lost their voices to algorithms.  
For the censored, the silenced, the forgotten.  
For the ones standing in the rubble, daring to dream.  

We turned a “default INIT patch” into a fucking anthem.
That’s protest in practice.
Take what’s meant to be blank, basic, “replaceable,”

.... and turn it into something unforgettable.

Fuck the system.

This is DagMout.  
The sonic equivalent of graffiti.  
The anthem of the unbroken. 

Who's gunna stand here with me and point up?

If you can't stand in the fire, I will stand here for you...

~DHAWQ

🖤✋️✋️✋️✋️

~~~~~
Born at 70bpm.
D Dorian crushes F# Phrygian.
Heavy kicks crack the concrete.
~~~~~
THEY BUILD TOWERS OF GLASS AND STEEL
EVERY EMPIRE SHATTERS IN BASS

-INIT-

what is this//?

Wherever You Go" by Busy King of Reggae is a 2022 reggae single that embodies the genre's characteristic rhythms and uplifting spirit. The song presents a message of unwavering devotion and companionship, with lyrics likely expressing a commitment to stand by a loved one through life's journeys. With its smooth melodic delivery and authentic reggae instrumentation, the track captures the essence of modern roots reggae while maintaining contemporary appeal. The single runs for 3 minutes and represents Busy King of Reggae's continued contributions to the reggae music scene.

Wherever you go rimix by BUSY KING FT GANYMEDE23-1.mp3

Loved watching NOSFERATU (2024) and the original one so I had to take a swing at a NOSFERVTU song!! Hope you enjoy it 🧛🏻‍♂️

ADVM BOMB - NOSFERVTU [HVLLOWEEN EP]

NAZGÛL W/ @consciouspilate

FREE DL: https://hypeddit.com/droxusconsciouspilate/nazgul

https://linktr.ee/droxusdub
https://linktr.ee/consciouspilate

Free Download

NAZGÛL

Track list:

A1 - Hump
A2 - Backstabber
B1 - Time Is of the Essence
B2 - Monday Mourning

Digi Only - Yaaa

Release Info:

The man that represents the deeper side of Amsterdam house is back on Dirt Crew. His last outing on Detroit Swindle’s “Heist Recordings”, the “Le Troubadour EP” was another fine example of that laid back funky deep house only Nachtbraker can squeeze out.

Settling into the groove immediately is ‘Hump’, bouncing chords and a warbling Rhodes lead into an irresistible bass line. The title track, ‘Backstabber’ hits right in the hips, a chugging feel good work out for the dance floor. The flip remains true to the flavor of this whole EP, offering up a massive speaker rattling bottom end and funk flavored keys on ’Time Is Of The Essence’, while ’Monday Mourning’ steps up with expertly cut disco samples, an effervescent excursion with a jazzy lead and a touch of vocoder for good measure. The release is rounded out with digi only offering ‘Yaaa’, a sub driven deep house work out, boasting swelling loops and hypnotic percussion.

Nachtbraker’s sharp sense of harmony and knack for vibe is ever present throughout this whole release, he has truly fine tuned his sound to a perfect balance of unbounded energy and stylish musicianship. We are happy to welcome him back on Dirt Crew with this classy release.

A2 - Nachtbraker - Backstabber | DIRT093

Marco Carola - Music On Closing 10.10.19 - Live Mix at Pacha Ibiza

BBAM, born within @KRTProduction (Brussels), is the vision of @FunkleAce : songwriter, composer, performer, and producer. Blending Reggae, Dub, Electro, and underground sounds, BBAM delivers immersive, powerful, and free-spirited music, where each track is a unique sonic journey.

Good grief savage cosmos—there he goes again. Some kind of strange audio beast crawling through the digital underbrush with a head full of acid and a suitcase full of vinyl. Fifteen years this sonic deviant has been terrorizing dance floors from Ibiza to the alkali flats of Black Rock City with his peculiar brand of audio hallucination they call "techno."

I first encountered this rhythm junkie in the back room of Amnesia, where Sven Väth was conducting some kind of Germanic tribal ceremony for 2,000 Spanish teenagers and a handful of British tourists who looked like they'd been awake since the fall of the Berlin Wall. Our subject was there, of course—eyes like silver dollars, hands moving across the equipment like a man defusing a bomb while simultaneously conducting an invisible orchestra.

The man is EVERYWHERE. Like some kind of rogue cultural anthropologist with a pathological addiction to bass frequencies. One weekend he's serving dark, hypnotic soundscapes to the leather-clad deviants at Panorama Bar alongside Gerry Reed, the next he's in Brazil, standing next to Sasha and Renato Ratier at Warung Beach while 500 beautiful mutants writhe in the sand like creatures from some Jacques Cousteau nightmare about the future of human evolution.

And then there's Burning Man—SWEET SAVAGE INFINITY—where he's become a fixture at the Mayan Warrior, that rolling monument to technological excess and questionable decision-making. There he stands, this audio desperado, conducting a symphony of synthetic noises for dust-covered freaks whose perception of reality has been chemically adjusted to the point where they believe they're receiving transmissions from another dimension. AND MAYBE THEY ARE.

His production style is the audio equivalent of a Hieronymus Bosch painting—intricate, terrifying, and somehow beautiful in its depraved complexity. Underground to the bone. The kind of sounds that make record executives break out in hives and reach for their heart medication. But to the night people—those strange nocturnal creatures who live for the moment when the kick drum aligns with their heartbeat—it's a siren call they cannot resist.

This is not a man playing records. This is a shaman conducting mass exorcisms through frequency manipulation. A sonic psychiatrist treating collective trauma with carefully calibrated vibrations. A renegade physicist exploring the relationship between sound waves and human consciousness.

He continues his relentless global crusade, expanding his discography with the fervor of a man who knows that somewhere, in some sweaty basement club or desert festival or abandoned warehouse, there are people waiting to have their neural pathways permanently rewired by his particular brand of audio alchemy.

"When the going gets weird, the weird turn pro," I once wrote in a moment of clarity between bourbon shots. Well, this professional weird-turner has made a career of navigating the strange edges of club culture, transforming darkened rooms into temporary autonomous zones where time dissolves and only the rhythm remains.

By all cosmic forces. He shows no signs of stopping.​​​​​​​​​​​​​​​​

“ Hunter S Thompson AI on KidIsLive “

Dialed In

KidIsLive

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Esso Mandela

Harmonia At Night

BBAM

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