Name: You Can Never by KidIsLive in J'écoute Re-Ex 17
Duration: 8 min
Description: Nice little early morning roller for those after hour parties

very nice work here my friend, keep going!

Nice song and goodvibes. I wanted to keep listening on it

J'écoute Re-Ex 17

Dans le mouvement rastafari, désigne le monde occidental.

    "Babylon system is the vampire, yeah! (vampire)
    Suckin' the children day by day, yeah!
    Me say de Babylon system is the vampire, falling empire,
    Suckin' the blood of the sufferers, yeah!" — (« Babylon System », Survival, Bob Marley and The Wailers, 1979)

        Le système de Babylone est le vampire, oui ! / Qui suce le sang des enfants jour après jour, oui ! / Je dis que le système de Babylone est le vampire, un empire en décadence / Qui suce le sang des souffrants, oui !

Source : https://fr.wiktionary.org/wiki/Babylon

Babylon System

Babylon System - KRT Production

Flatline

Website

3ND1D3A

Listen to the full track on Youtube in 4k!
https://www.youtube.com/watch?v=Drz3YZr3z1o

Freemasons - Watchin' (Jay Tronik Remix) <<Preview>>

If You Were Here Remix (Kent)

End Of The Process

☁[BLCK CLD COLLECTIVE RELEASE]☁
ARTIST: DECIEVENCE
Soundcloud: @decievence
================================
Follow BLCK CLD COLLECTIVE: @blck_cld_collective
Spotify: open.spotify.com/user/31wkwoomhe3…c00ab797489d48d4
YouTube: www.youtube.com/@blckcldcollective
Instagram: www.instagram.com/blck_cld_collective/
Website: www.blckcldcollective.com

BROKEN HOME

DECIEVENCE - BROKEN HOME

It takes Two Turntables and a Music Freak to make a Game Changer!
https://hypeddit.com/twoturntables/musicfreakgamechanger
The Bass Is The Basis - ONE7AUDIO.COM

Music Freak / Game Changer

Game Changer (Original Mix)

Buy / Stream

Two Turntables - Game Changer (Original Mix)

Nice little early morning roller for those after hour parties

You Can Never

From our upcoming album Megalopolis

https://thestrandedalien.bandcamp.com/

Excelsior

Bruce Mennel - Podcast 43

Otochi

Otochi/ Lukaluni&BirnaBeatz

CMYK

Bang Bang

RADIO CHECK (SUPERIOR MIX)

Farhad Mehrad - Gonjeshkak (Afro House Remix)

KRT - WAR TEMPO - NEXT STEP - NUR - ATOMIUM - BBAM

Belgian artist passionate about electro sounds and captivating melodies. Funkle Ace was born in Brussels, Belgium. Son of a piano teacher, he started playing the keyboard at an early age. With over 500 tracks to his name, he has collaborated with international artists and his songs have been streamed on various platforms. For a long time, he played with a friend and performed concerts in Belgium, France, and Spain (Burgos, 2 concerts + radio interview on Radio Castilla in 1984). Since then, he has followed his own path and decided to share his unique music style with you. His musical universe navigates between electro, chillwave, and ambient, creating unique and immersive atmospheres. He aims to touch hearts and minds with his music and collaborate with emerging talents to create unforgettable sound experiences. Follow him to discover his latest creations and feel free to leave your comments and impressions.
Artiste belge passionné par les sons électro et les mélodies envoûtantes. Funkle Ace est né à Bruxelles, Belgique. Fils d’une professeure de piano, il s’initie très tôt au clavier. Avec plus de 500 titres à son actif, il a collaboré avec des artistes internationaux et ses morceaux ont été diffusés sur plusieurs plateformes de streaming. Durant longtemps, il joue avec un ami et fait des concerts en Belgique, en France, et en Espagne (Burgos, 2 concerts + interview radio Castilla en 1984). Depuis, il suit sa propre voie et a décidé de vous faire découvrir son style unique de musique. Son univers musical navigue entre l’électro, le chillwave et l’ambient, créant des atmosphères uniques et immersives. Il cherche à toucher les cœurs et les esprits avec sa musique, et à collaborer avec des talents émergents pour créer des expériences sonores inoubliables. Suivez-le pour découvrir ses dernières créations et n’hésitez pas à laisser vos commentaires et impressions.

Good grief savage cosmos—there he goes again. Some kind of strange audio beast crawling through the digital underbrush with a head full of acid and a suitcase full of vinyl. Fifteen years this sonic deviant has been terrorizing dance floors from Ibiza to the alkali flats of Black Rock City with his peculiar brand of audio hallucination they call "techno."

I first encountered this rhythm junkie in the back room of Amnesia, where Sven Väth was conducting some kind of Germanic tribal ceremony for 2,000 Spanish teenagers and a handful of British tourists who looked like they'd been awake since the fall of the Berlin Wall. Our subject was there, of course—eyes like silver dollars, hands moving across the equipment like a man defusing a bomb while simultaneously conducting an invisible orchestra.

The man is EVERYWHERE. Like some kind of rogue cultural anthropologist with a pathological addiction to bass frequencies. One weekend he's serving dark, hypnotic soundscapes to the leather-clad deviants at Panorama Bar alongside Gerry Reed, the next he's in Brazil, standing next to Sasha and Renato Ratier at Warung Beach while 500 beautiful mutants writhe in the sand like creatures from some Jacques Cousteau nightmare about the future of human evolution.

And then there's Burning Man—SWEET SAVAGE INFINITY—where he's become a fixture at the Mayan Warrior, that rolling monument to technological excess and questionable decision-making. There he stands, this audio desperado, conducting a symphony of synthetic noises for dust-covered freaks whose perception of reality has been chemically adjusted to the point where they believe they're receiving transmissions from another dimension. AND MAYBE THEY ARE.

His production style is the audio equivalent of a Hieronymus Bosch painting—intricate, terrifying, and somehow beautiful in its depraved complexity. Underground to the bone. The kind of sounds that make record executives break out in hives and reach for their heart medication. But to the night people—those strange nocturnal creatures who live for the moment when the kick drum aligns with their heartbeat—it's a siren call they cannot resist.

This is not a man playing records. This is a shaman conducting mass exorcisms through frequency manipulation. A sonic psychiatrist treating collective trauma with carefully calibrated vibrations. A renegade physicist exploring the relationship between sound waves and human consciousness.

He continues his relentless global crusade, expanding his discography with the fervor of a man who knows that somewhere, in some sweaty basement club or desert festival or abandoned warehouse, there are people waiting to have their neural pathways permanently rewired by his particular brand of audio alchemy.

"When the going gets weird, the weird turn pro," I once wrote in a moment of clarity between bourbon shots. Well, this professional weird-turner has made a career of navigating the strange edges of club culture, transforming darkened rooms into temporary autonomous zones where time dissolves and only the rhythm remains.

By all cosmic forces. He shows no signs of stopping.​​​​​​​​​​​​​​​​

“ Hunter S Thompson AI on KidIsLive “

You Can Never

KidIsLive

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