really nice atmosphere on this great work

Re-Extase 59

Mrs Robotra

Klangmoebel-Soundtracks, Vol. 4: Harry

Change Direction

Hands Off Gorgie

To The Only One

Tik Tik Tik ( Rework )

Your Very Best

Enlightenment

A raw and powerful fusion of Ukrainian folk and hardstyle. "Pliès" is a journey into ancient tradition, reimagined with a high-energy, pounding hardstyle sound. This track is a tribute to roots and a signal for the future.

Plies

Instrumental version

80s inspired synth rock with heavy vocoders, arpeggios, and lot's of synthesizers.

Composed with passion.

Not Giving Up (Instrumental)

moon

UdieNnx - CAMZ

Julinski - Private Session 2.

Parasite

Skio remix contest entry.
I give it a solid 7.8/10
Leave a comment & as always I appreciate you ALL🫡🫡🫡.
I’m replying to every past comment this week💯

Charlotte Sands “hush” (DjTranceponder X Kioko rewrite)

Welcome to Toyah 4 - continuing our deep dive into the world of Toyah Willcox. Including the early albums with her band Toyah, and her subsequent solo career, along with selected tracks from Toyah And The Humans, and some previously unreleased material. 

Outrageous Intro 
Dance In The Hurricane
Monkeys
These Boots Are Made For Walking (Toyah & The Humans) 
Our Movie
The Packt
Desire
Moonlight Dancing
Kill The Rage 
Pop Star 
Requite Me (Demo) 
Come 
Love Is The Law 
Roses In Chains
Vale Of Evesham
Computer
21st Century Schizoid Man (Toyah & The Humans) 
To The Mountains High
The Druids
Love Me 
Last Goodbye
Lion Of Symmetry (with Tony Banks) 
Sphinx
Who Let The Beast Out 
Love Crazy
Race Through Space 
Legacy 
Prostitute
She
Now And Then 
We Are 
Angel & Me 
Don't Fall In Love (I Said) 
I Want To Be Free
Outrageous Outro

Toyah 4

KRT - WAR TEMPO - NEXT STEP - NUR - ATOMIUM - BBAM

Belgian artist passionate about electro sounds and captivating melodies. Funkle Ace was born in Brussels, Belgium. Son of a piano teacher, he started playing the keyboard at an early age. With over 500 tracks to his name, he has collaborated with international artists and his songs have been streamed on various platforms. For a long time, he played with a friend and performed concerts in Belgium, France, and Spain (Burgos, 2 concerts + radio interview on Radio Castilla in 1984). Since then, he has followed his own path and decided to share his unique music style with you. His musical universe navigates between electro, chillwave, and ambient, creating unique and immersive atmospheres. He aims to touch hearts and minds with his music and collaborate with emerging talents to create unforgettable sound experiences. Follow him to discover his latest creations and feel free to leave your comments and impressions.
Artiste belge passionné par les sons électro et les mélodies envoûtantes. Funkle Ace est né à Bruxelles, Belgique. Fils d’une professeure de piano, il s’initie très tôt au clavier. Avec plus de 500 titres à son actif, il a collaboré avec des artistes internationaux et ses morceaux ont été diffusés sur plusieurs plateformes de streaming. Durant longtemps, il joue avec un ami et fait des concerts en Belgique, en France, et en Espagne (Burgos, 2 concerts + interview radio Castilla en 1984). Depuis, il suit sa propre voie et a décidé de vous faire découvrir son style unique de musique. Son univers musical navigue entre l’électro, le chillwave et l’ambient, créant des atmosphères uniques et immersives. Il cherche à toucher les cœurs et les esprits avec sa musique, et à collaborer avec des talents émergents pour créer des expériences sonores inoubliables. Suivez-le pour découvrir ses dernières créations et n’hésitez pas à laisser vos commentaires et impressions.

Good grief savage cosmos—there he goes again. Some kind of strange audio beast crawling through the digital underbrush with a head full of acid and a suitcase full of vinyl. Fifteen years this sonic deviant has been terrorizing dance floors from Ibiza to the alkali flats of Black Rock City with his peculiar brand of audio hallucination they call "techno."

I first encountered this rhythm junkie in the back room of Amnesia, where Sven Väth was conducting some kind of Germanic tribal ceremony for 2,000 Spanish teenagers and a handful of British tourists who looked like they'd been awake since the fall of the Berlin Wall. Our subject was there, of course—eyes like silver dollars, hands moving across the equipment like a man defusing a bomb while simultaneously conducting an invisible orchestra.

The man is EVERYWHERE. Like some kind of rogue cultural anthropologist with a pathological addiction to bass frequencies. One weekend he's serving dark, hypnotic soundscapes to the leather-clad deviants at Panorama Bar alongside Gerry Reed, the next he's in Brazil, standing next to Sasha and Renato Ratier at Warung Beach while 500 beautiful mutants writhe in the sand like creatures from some Jacques Cousteau nightmare about the future of human evolution.

And then there's Burning Man—SWEET SAVAGE INFINITY—where he's become a fixture at the Mayan Warrior, that rolling monument to technological excess and questionable decision-making. There he stands, this audio desperado, conducting a symphony of synthetic noises for dust-covered freaks whose perception of reality has been chemically adjusted to the point where they believe they're receiving transmissions from another dimension. AND MAYBE THEY ARE.

His production style is the audio equivalent of a Hieronymus Bosch painting—intricate, terrifying, and somehow beautiful in its depraved complexity. Underground to the bone. The kind of sounds that make record executives break out in hives and reach for their heart medication. But to the night people—those strange nocturnal creatures who live for the moment when the kick drum aligns with their heartbeat—it's a siren call they cannot resist.

This is not a man playing records. This is a shaman conducting mass exorcisms through frequency manipulation. A sonic psychiatrist treating collective trauma with carefully calibrated vibrations. A renegade physicist exploring the relationship between sound waves and human consciousness.

He continues his relentless global crusade, expanding his discography with the fervor of a man who knows that somewhere, in some sweaty basement club or desert festival or abandoned warehouse, there are people waiting to have their neural pathways permanently rewired by his particular brand of audio alchemy.

"When the going gets weird, the weird turn pro," I once wrote in a moment of clarity between bourbon shots. Well, this professional weird-turner has made a career of navigating the strange edges of club culture, transforming darkened rooms into temporary autonomous zones where time dissolves and only the rhythm remains.

By all cosmic forces. He shows no signs of stopping.​​​​​​​​​​​​​​​​

“ Hunter S Thompson AI on KidIsLive “

To The Only One

KidIsLive

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