Dealing with a break up at the moment. Playing this in the background.🥹

Repeat Repeat Repeat🥵🥵🥵🥵🥵🥵

Out now on Love & Other. Thanks for all the great feedback so far, it means a lot.

iTunes - po.st/BURNINGITUNES
Beatport - www.beatport.com/release/burning/1282970

www.facebook.com/raincityriot
www.twitter.com/raincityriotuk

Rain City Riot - Eyes Closed (Out Now)

Monkeytown Records multi-instrumentalist Alex Banks rewires We Need a New Life in his own unmistakeable style. Taking influence from kaleidoscopic electronica and the LA beats movement in equal parts, his remix sits in no genre camp and is all the better for it.

www.facebook.com/jaustofficial
www.facebook.com/alexbanksmusic

We Need A New Life Feat James Dean Wells (Alex Banks Remix)

Vinyl: http://www.kompakt.fm/releases/easier_ep
Social: https://www.facebook.com/wevalmusic
Buy: iTunes http://bit.ly/11q4Ifj
Bookings: bruno@kompakt.fm

WEVAL - Easier

TUL8TE - Wahashteeny I تووليت - وحشتيني

جنّنوني عينيه
جنّنوني عيونِك دولا
شُفتهم حنّيت
بعده ما حبّيت
بيسألوني عليه
بيسألوني عليكي لسه
أرُد أقول أنا إيه
أرُد بس بإيه


قول يا حبيبي حاسس بإيه
بعد الغياب لمّا فات يوم أو يومين
شوف يا حبيبي جرالي إيه
بسأل عليكي وعينيكي تاهوا مني فين

حسّيت بإيه
حسّيت بحيرة ولّا غيرة ولّا إيه
أيام طويلة كنا فين وبقينا فين
ده العمر من غيرك حبيبي يسوى إيه
قوليلي ليه وكلميني عن حياتك حبتين
ده بعد بُعدِك قلبي حبّك مرتين
والدنيا بعدِك حادفة قلبي بين نارين

Ezoic
حبيبي قاعد مستني
وبنار الهوى عشمان فيه
هفضَل أنا مشتاق ليه نرجع سوا
لو ع اللي فات بس إنسي
نار الفراق هتنسيه
المرّة دي مش همشي هنرجع سوا

قول يا حبيبي حاسس بإيه
بعد الغياب لمّا فات يوم أو يومين
شوف يا حبيبي جرالي إيه
بسأل عليكي وعينيكي تاهوا مني فين

Ezoic
ما تقول يا حبيبي حاسس بإيه
بعد الغياب لمّا فات يوم أو يومين
شوف يا حبيبي جرالي إيه
بسأل عليكي وعينيكي تاهوا مني فين

TUL8TE - Wahashteeny I تووليت - وحشتيني

'Syko' taken from the 12" 'Harpe/Syko'. Out now via @FutureClassic. 

iTunes		: http://smarturl.it/SykoRoundiTunes 
Apple Music	: http://smarturl.it/SykoRoundAppleMusic 
Spotify		: http://smarturl.it/SykoRoundSpotify 

www.kentonslashdemon.com

Syko (Round's Slow Response Mix)

@TomasBarfod with another epic tune from his recently released 'Glory' EP.

Buy:
Bandcamp - tomasbarfod.bandcamp.com/album/glory
iTunes - itunes.apple.com/us/album/glory/id1042422763?ls=1

Tomas Barfod - Hope In A Box

'View2' is taken from 'Late Night Tales presents Sasha : Scene Delete' - 21 new and exclusive tracks inspired by Frahm, Richter, and Steve Reich but made by one of the UK’s leading house and techno DJs. ‘Scene Delete’ is a side of Sasha you’ve never heard before.

Buy:

LNT pre-order: http://po.st/sashaLNT
iTunes pre-order: http://geni.us/scenedelete

Follow Late Night Tales:

Web: http://latenighttales.co.uk
Facebook: http://www.facebook.com/latenighttales1
Twitter: http://twitter.com/LateNightTales
SoundCloud: http://soundcloud.com/latenighttales
YouTube: http://youtube.com/latenighttalestv
Instagram: http://instagram.com/latenighttalesofficial
Spotify: http://goo.gl/Q98T7d
Apple Music: https://music.apple.com/us/curator/late-night-tales/1233898093
Bandcamp: https://latenighttales.bandcamp.com/

Sasha - View2

Froggie is the first song on my upcoming album, Hilo. Hilo is the soundtrack to a story of dying while being alive, transforming, and becoming reborn while trying to hold dearly to whom one has been. 

3 years ago, my life changed when I learned I had been adopted. In an instant, nothing seemed real. What I knew about my background was based on a fabrication. In a way, my life had been an illusion. 

I began to distrust reality itself, at the very time I would be forced to recreate an identity. I needed to throw away everything I thought I knew and start over. It was necessary not only to forge a new identity, but also to survive psychologically. In turn, I emerged with a new life perspective and, essentially, a new life. 

From moments of levity over the absurdity of the situation, to deep despair and emotional prolapse, as an artist, I was inspired to work on new music. But toward what end I didn't then know. Without consciously realizing it at the time, I began working on this album.

Hilo is a dialogue of dichotomies: anxiety and adventure, ecstasy and terror, free fall and uplift. Each low answered by a high. The album is informed by the holy trinity of house, techno, and disco, speaking to fans of each, but not beholden to a single genre. Equal parts rave and sofa, dance tracks and indie songs; music to take drugs to, music to fall in love to, music to exercise to, music to exhale to, music to rage to, music to chill to. Music about birth and destruction and the ways we hurt ourselves and others. Songs about yearning and satiation, loss and wealth of spirit. About loving someone more than oneself. The graceful way a simple gesture can save someone's life. The ways we can burn every ounce of energy we have yet keep going. Forever. 

Froggie is named for the raining frogs in the book of Exodus, one of the plagues visited upon Egypt by God to compel Pharaoh to release the Israelites from enslavement. The Hilo story begins with me learning the truth--my truth--a truth so strange and unexpected it was like frogs raining from the sky. Afterward, nothing would be the same. 

This is my story, but it is also a narrative--as old as Greek mythology--of anyone or group who has faced crisis and survived, emerging galvanized and more spiritually complete. 

Allow me to take you on a ride.


iTunes: https://itunes.apple.com/us/album/froggie-single/id1171913350
Beatport: https://www.beatport.com/track/froggie-original-mix/8569168
Juno: http://www.junodownload.com/products/will-eastman-froggie/3256709-02/
Traxsource: http://www.traxsource.com/track/3825591/froggie

Froggie

Download

Order 'Blurred' on LP/DL: phonofile.link/blurred

Kiasmos mark their return in 2017 with a new 12” EP titled Blurred — available worldwide on October 6th via Erased Tapes.

Since their 2015 Swept EP, the duo have been performing shows extensively across the world. After writing and recording together in their native Iceland this year, the pair will be bringing a glimpse of light to a particularly gloomy time of year as their light sounds are brighter than ever.

Words from Ólafur and Janus, August 2017: 
￼ 
￼￼“To write new material felt like a new beginning for us after two years of touring. The plan was to ￼write something a tad darker than our previous stuff. Spring in Reykjavík had other plans though, as this turned out to be our brightest release to date.” — Janus Rasmussen

￼“Stimming was one of the reasons we started making four-on-the-floor music and we have been listening to Bonobo since we were young, so it was a great honour that they wanted to contribute remixes for the EP.” — Ólafur Arnalds

￼The EP closes with remixes from British producer Bonobo and German electronic musician Stimming, taking tracks Blurred and Paused into different coloured realms.

The cover art featuring the iconic Kiasmos symbol is by long-time Erased Tapes collaborator Torsten Posselt at FELD.

TRACK LISTING

1. Shed 
2. Blurred
3. Jarred 
4. Paused 
5. Blurred (Bonobo Remix) 
6. Paused (Stimming Remix)

WEBSITE: www.kiasmos.is

Kiasmos - Blurred (Bonobo Remix)

'Alone in Parallel / Faded Memory' out now via Anjunadeep / Good Manners Records.

Stream / Purchase via Anjunadeep.lnk.to/PAFas

Faded Memory

Ashes EP out now. 
Stream/Download at http://smarturl.it/Kidnap_Ashes

Ashes EP

Stream/Download

After All

Find all my music on Spotify:
http://sptfy.com/kidnap

For all enquires: sophia@tinysaturnmusic.com

Kidnap is an artist whose music overflows with emotion - rich and powerfully evocative.

Recording in London, Kidnap (real name Matthew Relton) likens his process to that of a sculptor, starting with a block of sound and chopping away until a shape emerges. As such, each song exists ornately carved with a handcrafted subtly.

Still just 33, Relton is already something of an industry veteran. Releasing his first single in 2012 kicked off an eight-year stretch of global touring that came to a grinding halt when the pandemic put the world on pause.

2024 marks a new chapter for Kidnap, with his next body of work on the horizon. Set against the backdrop of a changing world and the arrival of a baby daughter, Relton offers a bittersweet reflection on the passing of time. ‘It’s about looking back on the last 12 years — the touring and the friends and the sleeplessness,” says Relton, “and realising that in order to embrace the life I have now, I need to let it all go.’ The music shimmers with nostalgia. Signature sad melodies dance deftly around commanding synth lines, altogether sounding like an artist with a new found sense of purpose.

After All

Kidnap

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