☀️🌕☀️🌕☀️🧩🧘‍♀️🌵☀️🌳🌴📀🥗📀🥗📀 ̵̨̛̱̥͕́̎́̐͝/̸̠̜̅̐͊̋̿̐̓\̸̧͔̰̳̦̣̪̈̏̓ ̴̡̛̅͐͛̀̽🥏/̶̱̼̣̤̰̲̣̈́̋͌̿̄̍̊\̴̲̣̝̀͜ͅ💥 ̸̝̮̟̹̀̆̋̿ ̴̤̻̀🥭(̵̙̺̳̩͐͗́͑͋̓̕͜ͅ(̵̺͖̤͌͂͑̐̕o̶̢̘͔̒̈̑̒͊🔵:̸͎̟̯̂̓̌:̶̢͙͙͕̠̩͆(̷̮͍͚̫͚͂̍)̵̳̗̊(🪐

Funky Serenity

My Love For You

My Noise Is Nothing

For a Burning World

Red shell cassette, Limited Edition of 100 Copies. Released by Baro Records / (BARO38) www.barorecords.com

Grab hard copy + digital here: http://barorecords.bandcamp.com/album/songs-of-forgiveness

Grab digital here: http://shiningskullstudio.bandcamp.com/album/songs-of-forgiveness



Songs Of Forgiveness

'LXXXVIII', out now on Ninja Tune: https://actress.lnk.to/LXXXVIIISo

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LXXXVIII

Pluto ( a 2 )

Nayyara Noor sings a very beautiful Nazm of Faiz Ahmed Faiz

Tum Mere Pass Raho... Faiz Ahmed Faiz. Nayyara Noor.

Frekm, Pt. 1

Spider Ballad

41 Longfield Street Late ‘80s

Loretta Guides My Hands Through the Radio

New Generation/The Way A Girl Should Be

New Generation

Perseverance Flow

Perseverance Flow (Rally Guts & Humors Edit)

Khords

Alvin Lucier   I Am Sitting In A Room

Modified Perspectives

Corners

featuring Kuljit Bhamra

Beatrice Dillon - Workaround
Format: LP / DL
Cat.No: PAN 106
Release Date: 07 February 2020
Purchase: bit.ly/33ISoYr

‘Workaround’ is the lucidly playful and ambitious solo debut album by rhythmobsessive musician and DJ, Beatrice Dillon for PAN. It combines her love of UK club music’s syncopated suss and Afro- Caribbean influences with a gamely experimental approach to modern composition and stylistic fusion, using inventive sampling and luminous mixing techniques adapted from modern pop to express fresh ideas about groove-driven music and perpetuate its form with timeless, future-proofed clarity.

Recorded over 2017-2019 between studios in London, Berlin and New York, ‘Workaround’ renders a hypnotic series of polymetric permutations at a fixed 150bpm tempo. Mixing meticulous FM synthesis and harmonics with crisply edited acoustic samples from a wide range of guests including UK Bhangra pioneer Kuljit Bhamra (tabla); Pharoah Sanders Band’s Jonny Lam (pedal steel guitar); techno innovators Laurel Halo (synth/vocal) and Batu (samples); Senegalese Griot Kadialy Kouyaté (Kora), Hemlock’s Untold and new music specialist Lucy Railton (cello); amongst others, Dillon deftly absorbs their distinct instrumental colours and melody into 14 bright and spacious computerised frameworks that suggest immersive, nuanced options for dancers, DJs and domestic play.

‘Workaround’ evolves Dillon’s notions in a coolly unfolding manner that speaks directly to the album’s literary and visual inspirations, ranging from James P. Carse’s book ‘Finite And Infinite Games’ to the abstract drawings of Tomma Abts or Jorinde Voigt as well as painter Bridget Riley’s essays on grids and colour. Operating inside this rooted but mutable theoretical wireframe, Dillon’s ideas come to life as interrelated, efficient patterns in a self-sufficient system.

With a naturally fractal-not-fractional logic, Dillon’s rhythms unfold between unresolved 5/4 tresillo patterns, complex tabla strokes and spark-jumping tics in a fluid, tactile dance of dynamic contrasts between strong/light, sudden/restrained, and bound/free made in reference to the notational instructions of choreographer Rudolf Laban. Working in and around the beat and philosophy, the album’s freehand physics contract and expand between the lissom rolls of Bhamra’s tabla in the first, to a harmonious balance of hard drum angles and swooping FM synth cadence featuring additional synth and vocal from Laurel Halo in ‘Workaround Two’, while the extruded strings of Lucy Railton create a sublime tension at the album’s palatecleansing denouement, triggering a scintillating run of technoid pieces that riff on the kind of swung physics found in Artwork’s seminal ‘Basic G’, or Rian Treanor’s disruptive flux with a singularly tight yet loose motion and infectious joy.

Crucially, the album sees Dillon focus on dub music’s pliable emptiness, rather than the moody dematerialisation of reverb and echo. The substance of her music is rematerialised in supple, concise emotional curves and soberly freed to enact its ideas in balletic plies, rugged parries and sweeping, capoeira-like floor action. Applying deeply canny insight drawn from her years of practice as sound designer, musician and hugely knowledgable/intuitive DJ, ‘Workaround’ can be heard as Dillon’s ingenious solution or key to unlocking to perceptions of stiffness, darkness or grid-locked rigidity in electronic music. And as such it speaks to an ideal of rhythm-based and experimental music ranging from the hypnotic senegalese mbalax of Mark Ernestus’ Ndagga Rhythm Force, through SND and, more currently, the hard drum torque of DJ Plead; to adroitly exert the sensation of weightlessness and freedom in the dance and personal headspace.

The album is mixed by James Rand and mastered by Rashad Becker at Dubplates & Mastering. Artwork by Thomas Ruff, layout by Johannes Schnatmann & Bill Kouligas.

Workaround

Beatrice Dillon - Workaround One (PAN 106)

Sakura

Azukiiro No Kaori

BUY LINK: https://lesdisquesbongojoe.bandcamp.com/album/la-ola-interior-spanish-ambient-acid-exoticism-1983-1990

Taken from album: LA OLA INTERIOR: Spanish Ambient & Acid Exoticism 1983-1990
Label: Bongo Joe Records (https://soundcloud.com/bongojoerecordshop)
Release date:  4 february 2021
Format : Double Vinyl (incl. special ed. Blue vinyl) w. full colour booklet liner notes + CD + Digital

Malagueñas 2 is the second single release from Bongo Joe's exploits into the history of the Spanish electronic underground: LA OLA INTERIOR: Spanish Ambient & Acid Exoticism 1983-1990. The compilation features 20 tracks selected from a fertile period of electronic music production and experimentation in Spain, which shines a light on a tape culture movement and buoyed by a fetish for an exoticism of Asia and Africa.

Made in 1990 in Tenerife but left to the archives and untouched, until now, Malagueñas 2 is an intense rush of electronic hypnotism and was discovered by compiler Loïc Diaz Ronda:

"I knew Javier Segura was influenced by acid folk in his first attempts and also that the Canarian Islands are the Spanish threshold to Africa, so I knew there had to be some tracks... Finally, I landed by chance on his youtube channel and discovered a bunch of unrealeased tracks from the early 90's. Among them, there were two versions of Malagueñas. Malagueñas 1 was a track with vocals. Malagueñas 2 was the instrumental version and it blew my mind as soon as i heard it. With its complex sound layers and its hypnotic pulse, the track had this Andalucian / Arabic flavour. It has only been listened to 10 times on youtube! Javier told me he loved this track immensely"

LA OLA INTERIOR COMPILATION
With the Spanish recordings and philosophy of the 'musica discreta' (Spanish ambient) movement overlapping the premise and manifesto of Brian Eno and Jon Hassell's Fourth World, compiler Loïc Diaz Ronda wanted to carve out deserved spaces for the artists involved, as key components within the history of experimental music. This 'post movida' selection features some cult and pioneering artists like Finis Africae, Suso Saiz (Music for Memory) and Miguel A. Ruiz but the majority of artists featured are generally unheard of in Spain or beyond. The album includes two tracks discovered and released for the first time ever (Suso Saiz's Horizonte Paseo & Javier Segura's Malagueñas 2), a handful of digital and vinyl exclusives and provides the musical backdrop to a scene that went under the radar, whilst simultaneously to the east, on the white island of Ibiza, another much publicised revolution, was well underway.

BUY LINK

PREMIERE : Javier Segura - Malagueñas 2

Uncle Zoe is a middle age boi from the midwest Iowa; he is a principle engineer at a plasma membrane manufacturing company; His wife left him to be with her high school girlfriend, in which Uncle Zoe still claims they are just roommates. Uncle Zoe has three kids, none of them talk to uncle zoe despise Uncle Zoe worked his entire life to save up college tuition for them; kids these days are just so lazy, am i right? Uncle Zoe sits alone in his principal engineer's office, mixing up house/ music, hoping one day he will find a family again.

Loretta Guides My Hands Through the Radio

Kieran Hebden

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