Key Sparrow (CCU Confusion Dub)

Prayer to Sainte Thérèse - A Sonic Poem by Regime des Fleurs (featuring Chloe Sevigny) // with versions by: SoulWax, Peaking Lights, Io Echo, JD Twitch, The Love & Trust Collective, Johnny Jewel, and Dukes of Chutney

Penned by: Regime des Fleurs // Featuring: Chloe Sevigny
Music by: Peaking Lights
Curated by: Michel Gaubert

Peaking Lights - Little Flower (feat. Chloe Sevigny)

"Gender Studies," the title track from the new full-length album, now available from Hidalgo Records: http://goo.gl/LWlhjB
Written and produced by Kent Odessa and Rob Arbelo. Additional production by Hays Holladay and Robert Lux. Mastered by Jeremy Cox. Backing vocals by Taylor Stapleton.

Gender Studies

Thunder Tillman is a cosmic vagabond who travels through space and time accompanied by his personal shaman. Together, as if having fallen to Earth, their mission is to recreate the music of their estranged home, reuniting with their brothers and sisters through an exquisite form of storytelling. While Western music may have degenerated over the past 65 years, troopers such as Thunder Tillman continue to drill down toward an elusive core, searching for something holy while never bastardizing their art with insincere advents of technology or convenience—as is apparent throughout their immaculate analogue production on this ESP Institute debut, Jaguar Mirror. Comparisons to genres like Krautrock are predictable, however we feel these four songs are so heavily narrative and wildly visceral that attempting to categorize the music would be a disservice to your imagination. We implore you to lay back in a nice stereo environment and absorb the purity of Thunder Tillman’s endeavor—appreciate their command of melody, composition, spectrum, magic… and try to recall the last time you chanced upon something truly different.

[ESP038] Jaguar Mirror

Jaguar Mirror

THUNDER TILLMAN - Exact Location of the Soul

from forthcoming reissue of 1981 LP+12" "What Is This Thing Called 'Disco'?" by Melbourne post-punk disco project Asphixiation. Check out the original 1981 video here: https://www.youtube.com/watch?v=MskgOkBPRiI
Reissue on LP+12" and digital via Chapter Music on June 2, pre-order here:
www.chaptermusic.com/store/asphixiation/what-is-this-called-disco
www.chaptermusic.bandcamp.com/album/what-is-this-thing-called-disco
Digital stores: http://radi.al/asphixiation

"What Is This Thing Called 'Disco'?"

Asphixiation - Aural Risk

Taken from the digital only Remix EP, featuring tracks taken from C Duncans' album 'The Midnight Sun', reinterpreted by Dutch Uncles, KDA and Babe.

London-based house music producer remixes C Duncan's 'Do I hear'. It would sit nicely next to Kid A-era Radiohead, with C Duncans original piano over KDA's skittering drums and modest bassline that builds to a euphoric ending.

Out on FatCat. https://fat-cat.co.uk/release/like-you-do-remixes

C Duncan - Do I Hear - KDA 35 Re-Edit

I Was In Love Until I Met You

Exploded View's 'Summer Came Early' EP isout November 10 on Sacred Bones Records.
12" EP Preorder: https://www.sacredbonesrecords.com/products/sbr180-exploded-view-summer-came-early-ep
Digital Preorder: https://explodedview.bandcamp.com/album/summer-came-early-ep

http://explodedviewband.tumblr.com/
https://explodedview.bandcamp.com/
https://www.facebook.com/explodedviewband/
https://twitter.com/explodedviewbnd

Summer Came Early

From the Near Negative EP available December 15th, 2017 from Western Vinyl

"Monday Give Me Monday" showcases Art Feynman's signature grooves, krautrock slink, and staccato bounce, all captured on his trusty four-track cassette recorder.

Earlier this summer, Art Feynman released his debut full-length album Blast Off Through the Wicker and toured the US with Stereolab's Laetitia Sadier. Pitchfork describes him as "a cool purveyor of coked-out dub-kraut." Consequence of Sound calls his debut a "funky, psychedelic slice of afro-pop" and Tiny Mix Tapes regards it as an "analog masterpiece."

In 2018 Art Feynman will return with his sophomore LP that takes us even further into his motorik and afrobeat inspired world of sound.

Near Negative

Art Feynman - "Shelter"

'Traveler' is taken from The Green Child's self-titled debut album out January 12th through Upset The Rhythm.

Available to pre-order here now:
upsettherhythm.bigcartel.com/

Artist: The Green Child
Title: The Green Child

Label: Upset The Rhythm
Catalogue Number: UTR102
Release Date: Friday 12 January

Track listing:
01. Traveler
02. Her Majesty II
03. Bertha
04. New Years Eve
05. 46 Timelines
06. Walking Distance
07. Marie Elene
08. Destroyer

The Green Child is the long distance musical collaboration of Mikey Young and Raven Mahon, who met in 2013 when their bands, Total Control and Grass Widow played a show in Oakland, California. They started writing songs together in Australia in 2014 and the project has been on a slow burn since. Their self-titled debut album is the culmination of few years of putting ideas together internationally and periodically recording in Mikey's home studio. Some of the lyrical content and the band's name was inspired by Herbert Read's 1935 utopian, communist, sci-fi novel called The Green Child.

With such a choice name, it’s no surprise that The Green Child draw their sound from an illusory past as much as they stalk into pastures new. Broadly retro-futuristic in scope, verdant acres of lushly evocative synthesizers and blippy drum machines underpin most of their upbeat yet decidedly uncanny songs. Raven’s calmly scenic and measured vocal flits like a will-o’-the-wisp throughout the tracks, proffering a guiding hand as she walks us through the often eerie, electronic concoctions.

‘Traveler’ opens the album all redolent, beat-minded and labyrinthine. Twisting melody lines swirl and envelop like a sandstorm, whilst Raven coolly projects on a “solitary man” lost to “green oblivion”. Similarly, ‘Her Majesty II’ glistens with its playful yet plaintive vocal and iridescent arpeggios, whilst ‘Bertha’ slows things down with tumbling chimes and stately use of space.

The Green Child are adept at atmosphere, their songs are refined from gently unfolding ideas that never fail to realise and build to their potential. Tracks like ‘Walking Distance’ (featuring Al Montfort on saxophone) and ‘New Years Eve’ are exercises in evolved composition with ideas budding off and blossoming into truly resonant dimensions. The band’s cover of ‘Marie Elene’ (by Keith Pearson) and closing track ‘Destroyer’ are further crowning achievements, both pieces subtly handled with poise and ample melancholic grandeur. The Green Child fix their sights on the heights they want to reach within their songs and much like the project itself don’t want to rush to the finish line. When it becomes more about the unfurling journey, why not take the time to enjoy the trip and burn slower?

‘The Green Child’ is due for release on January 12th through Upset The Rhythm on 180g black vinyl, accompanied by some spirited sleeve design by James Vinciguerra.

The Green Child

The Green Child - Traveler

First Single from upcoming album "The Room" out on Altin Village & Mine, September 14th 2018. 

watch music video here: 
https://www.youtube.com/watch?v=8G0Zy6genuE&t=2s

The Room

gloomy millennial electro myth beats trio
kikokikobandband@gmail.com
https://www.facebook.com/kikokikobandband

I Was In Love Until I Met You

kikoband

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