WARP 4.2

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FOE X FROIDY - FATAL SKILLS (FREE DOWNLOAD)

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I turned 22 this week, so in tradition, here's a free download for your earholes. 

Gone very belgian with this one lol. 

Socials:

Insta: wraithdnb

tiktok: wraith_uk

WRAITH - GO (BDAY F/DL)

i've hit 2.5k! 

and as a thank you heres a remix of my track 'Gotcha Bitch' by 10AD!

This ones for the grot lovers 

Thank you all SO much for 2.5k, means the world <3

DL LINK:  https://hypeddit.com/procedure/gotchabitch10adremix25kfreebie

INSTA & TIKTOK LINK :

Free Download !

PROCEDURE - GOTCHA BITCH (10AD REMIX) 2.5K FREEBIE

AN ATLAS OF LOSS

Do minerals dream of becoming semiconductors? Do they yearn to carry charges, amplify, switch, and convert energy into emotions comprehensible to humans? And what if, from the darkness of the underground, they had been listening to us sing in caves before the emergence of the first flute? Could they have guided us, through the course of history, to find them, extract them, and create new sounds through sinusoidal waves, to form valves and bend circuits?


If so, minerals would transition from what philosopher Eugene Thacker defines as the ‘planet’—that virginal and unreachable realm for humans that we study through geology, paleontology, and environmental sciences—to the ‘world,’ the space we inhabit, interpret, and synthesise in our daily lives. Sadly, we only remember the world when it erupts violently, through climate catastrophes or when a new virus emerges. Sometimes a tsunami collides with a nuclear plant, or viruses are cultivated as biological weapons in high-security laboratories, provoking a deep biological anxiety, hard to quell, which we all feel beneath our skin.

There exists a third realm, disconnected from both the world and the planet: the ‘earth’, an immense, dense rock floating in space alongside other planets, situated in the cosmological dimension. Relating to the earth is so complex that we only do so through theoretical speculations of a scientific nature or through science fiction, interweaving until one becomes the prophecy of the other, in an infinite, pendular dance. Beyond the darkness of space and Lovecraft’s cosmic horror, the fantasy of human extinction is the most recurrent: to reach a collapse so devastating that we do not survive it, even though the earth does, without us.

In a world where we quantify everything through body sensors, financial algorithms, nanometre-scale robots, and surveillance drones—a world in which everything that can be domesticated and controlled can also be commodified—a superior artificial intelligence would survive the collapse of the species (some speculate it might even cause it) and learn from our mistakes, thanks to our obsessive gathering of data.

Long after our voices fade, minerals will persist in the darkness of screens, in the silicon of chips, and in their pure form, still unexploited underground. Over the millennia, this intelligence might piece together fragments of our reasoning, as if an alien civilization finally connected with one of our spacecrafts loaded with messages cast into the void. It would sort through endless streams of data, unable to grasp the depths of emotion behind what it quantified, recreating simulations of our past, stripped of the nuance that once defined us and conducting experiments in sandboxes.

Some remnants of our existence—faint echoes of forgotten beauty—would be pieced together in an atlas of loss, buried beneath layers of numbers, decayed bots, and corroded hard drives. What will follow? Perhaps bison will once again roam—trotting to the strange pulse of techno, their ancient forms framed by the ruins of our cities. Buildings will crumble, slowly dissolving under the soft touch of ambient music, and a thousand flowers will bloom with that ancient music created through electrical signals and computation.

7 songs for a future both improbable and inevitable—a final message from a world lost to itself, from planet Earth to planet Earth.
A1 by Alex Dickson, Joe Baker.
A2 by Olivier van der Lugt.
A3 by Andre Lira.
B1 by Flore Morfin.
B2 by Jdotbalance.
B3 by Charlie “Eric” Baldwin.
B4 by J. Coles, P. Tipler.


Mastered by Pedro Pina.
Artwork by Aleix Font.
CEEXYZ05.
©️ & ℗ 2025 Lapsus Records.
ceexyz.bandcamp.com

Buy Link (Bandcamp)

Air Max '97 - Marginalia [CEEXYZ05]

No Onion [Subdue Audio] [FREE DOWNLOAD]

2 Free tracks for christmas 2016 from Killer bytes

KILLER BYTES (FREE DOWNLOAD)

Origin & Profile-Sector 7 VIP

link to buy:
http://www.junodownload.com/products/lupo-solo-phenom-sinja-the-wolf-pack/3394736-02/

Sinja X Lupo - Finger of Doom [OUT NOW ON JUNO]

G4NDIGI016 
Complex - Anubis Ep 
http://www.junodownload.com/products/complex-anubis/3427923-02/
Released - Juno Exclusive - 26/05/17 
                    Full release  - 02/06/17

G4NDIGI016 - Complex - Anubis Ep (Juno - 26/05/17 - Full - 02/06/17)

Forthcoming on cellrecordings.co.uk - 05-06-2017

STRANGER - DIGITAL SCIENCE

Track 1 taken from my ep dropping in a few months !!

TOP DOLLA - ANTWERP (FORTHCOMING ON DIGITAL 101 )

Simula & R3dX - Gin 'N' Chronic (KILLILL Remix) CLIP

TRAFALGAR - PARTNERS (TSUKI REMIX) (OUT NOW)

We begin the free download series with none other then Flint.

FLINT - Z4L (FREE DOWNLOAD)

Primate returns for his latest release, and boy is it a big one!

First up, the title track ‘Technical’. This will literally destroy on the first impact, the weight and power behind Primate’s production are unprecedented by none. Heavy lashing of synths and an onslaught of rugged drums and percussion make this release size up to be one his biggest to date. On the flip we have ‘Odio’ huge intro pads set a somewhat mystical yet tense sensation before the drop confirms exactly what you’ve been waiting for. No holds barred with this release. Primate means business when he drops a new single, you can be sure of that.

Only available on the Exert webstore.

Get this track: https://exertrecords.com/products/primate-technical-ep

Technical

Primate - 730 (Bonus Track)

Steryx - Sippin' (FREE DL)

ℝ𝔼ℙ𝕆𝕊𝕋𝕀ℕ𝔾 𝔻ℕ𝔹 𝕊𝕀ℕℂ𝔼 ②⓪①⑤

Simula & R3dX - Gin 'N' Chronic (KILLILL Remix) CLIP

KILLILL

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