New album due for release November 2021 on Fuzz Club

Horizons

Den Atomosfaeriske Elven

Electric Eye - Den Atmosfaeriske Elven

There's something beautiful about the way you talk to me, I see
No pretty picture gonna capture what it means to me
I'm tired of making sense everything is fucking weird
But there was nothing I could do to make you stay and see

If I get much higher will you notice? Honey?

It's gotta be you and me
This shit is hard enough just by myself, you see
Cuz I know I'm no saint I'm just a fool, honey
But I will love you with all I have baby
It's gotta be you and me
This shit is hard enough just by myself, you see
Cuz I know I'm no saint I'm just a fool, honey
But I will love you with all I have baby

I wish that I had done it differently you best believe
But there's a darker voice inside my head that doesn't leave:

If I get much higher will you notice
If I get much wider will you see me
If I get much louder will you hear this, honey?
Oh how I'd give it all to show you what I feel
There's nothing bout this love that's real


It's gotta be you and me
This shit is hard enough just by myself, you see
Cuz I know I'm no saint I'm just a fool, honey
But I will love you with all I have baby
It's gotta be you and me
This shit is hard enough just by myself, you see
Cuz I know I'm no saint I'm just a fool, honey
But I will love you with all I have baby

Honey

Debut Single from the self titled EP released April 11, 2014

Music/Lyrics by Eleanor Dunlop
Produced by Simon Todkill
Piano: Eleanor Dunlop
Guitar: Jonathan 'Kid' Khor
Bass: Ben Morgan
Drums/Percussion: Harrison Wood

© & ℗  Eleanor Dunlop

Eleanor Dunlop - Disguise

The b-side from the single, Je T'aime Pas, Je T'aime. Out 3/22/23

Freedom Fry - Merci, Non Merci

Los Angeles Police Department
The Debut Self-Titled Album Out September 2, 2014
Released by Forged Artifacts (LP) and ChillMegaChill (CS)
Distributed in the UK/EU by Gold Flake Tapes
Mastered for Vinyl by Warren Hildebrand
Mastered for Digital/Cassette by Mike Post 
Follow Los Angeles Police Department: @LAPDmusic
US Pre-order:  http://tinyurl.com/qye9969
UK Pre-order: http://tinyurl.com/qztpepy

Buy LP/CS

Los Angeles Police Department - She Came Through (Again)

Turn It Around

From the Kill Rock Stars album 'Appreciation'
Available on LP, CD, and DIGITAL on May 4th, 2018

Order your copy at https://lnk.to/horsefeathers






Horse Feathers feels like a secret you don’t really want to share.  Over twelve years and five albums, a passionate fan base has experienced this band as a precious commodity that they want to keep close to their hearts.  One reason for this can be found in lead singer Justin Ringle’s distinctive voice, at once vulnerable and piercing, and in the quality of the music: gorgeous, lush string arrangements surrounding stark, visceral lyrics whose bite makes a piquant juxtaposition to the surrounding beauty.

Now, however, Horse Feathers has created an album that differs enough from its predecessors to suggest that the cat might get out of the bag.  On Appreciation, their sixth full-length and the fifth on venerable independent label Kill Rock Stars, the signifiers of the band are there: Ringle’s warm tenor and lyrics that speak of work, love, and other struggles.  But on this album less of the song dynamics are achieved with strings and more with an exciting new rhythm section steeped in Northern Soul.  Longtime violinist Nathan Crockett and keyboardist Dustin Dybvig provide continuity, but much of Appreciation feels like the best of Ringle’s previous musical ideas just took a giant step into a larger arena.

Recorded primarily in Kentucky (at La-La Land Studios in Louisville and Shangri-La Studios in Lexington), the new album features instrumentalists J. Tom Hnatow, Robby Cosenza and R&B vocalist Joslyn Hampton, who helped make Appreciation a mixture of strutting ‘70s-style country-pop (“Without Applause,” “Don’t Mean To Pry”) and supple soul (“Best To Leave,” “Evictions”).  But Horse Feathers hasn’t gained accessibility at the expense of quality, nor at the expense of their signature instrumentation (“The Hex” might be the only R&B/soul song where the rhythmic lead is played on banjo).  For those who crave what NPR called “the densely pretty seethe of Horse Feathers’ earlier ballads”, the album delivers “Born in Love” and “On the Rise”, accentuating the string surge with Hammond organ, piano, tambourine, and finger snaps.

 “It just felt like a fresh take on how my songs can come across,” Ringle says.  “With this incarnation, it’s okay if what I’m doing right now is in fact kind of a pop song.  I can have a chorus and repeat something. I’m more aware of that and enjoy it.”  

This artistic adjustment comes in the wake of a lot of changes in Ringle’s life.  Not too long ago, he left his former hometown of Portland for the coastal city Astoria, Oregon.  He’s also been dipping his toes into the world of record production, helping North Carolina band River Whyless with the recording of their last album We All The Light.  After a while of bouncing between three states, as well as stops in Camas, Washington to finish Appreciation with longtime compatriot Skyler Norwood at Miracle Lake Studios, Ringle is finally settling down just in time to get ready to hit the road with Horse Feathers in support of this new album.  “I wanna get out there and do my job,” he says. 

Diehard fans are going to find plenty to cherish on Appreciation.  But they’re going to have to make room in the club house for a lot more people – with this album, the Horse Feathers secret is officially out.

Horse Feathers - Without Applause

Pilot, the new single by Emma Elisabeth out in stores on MARCH 15th

Pilot

We get so high, then get so low
We get so high, then we get so low

Take me back to the river
Where the water was warm
Take me back to the river
I'm so cold (I'm so cold)

Take me back (back, back)

Take me back to the river
Where we washed of our sins
Take me back to the river
I'm so cold, I'm so cold

Take me back to the river
Where the water was warm
Take me back to the river
I'm so cold, I'm so cold

We get so high, then get so low
We get so high, then we get so low

Take me back
Back
Take me back

Take me back to the river
(back)
Where the water was warm)
(back)
Take me back to the river
(back)
I'm so cold

Take me back to the river
(back)
Where the water was warm)
(back)
Take me back to the river
(back)
I'm so cold

I'm so cold, I'm so cold, I'm so cold…

Written by Arielle Sitrick and Miles Cole. Produced by Miles Cole. Mastered by Greg Calbi at Sterling Sound.

©2019 MUSIC BY R E L , all rights reserved.

Back To The River

This track is from a collection of tunes from the live streamed sessions with Slamhaus. While bands or users will inspire me, every song was composed live on stream without any pre-thought melodies, progressions or beats. Watch a piece of music composed 100% in front of your eyes.

Watch this track composed lived from here: https://www.youtube.com/watch?v=AZna8Zy2OXM

Be a part of the music making! Watch Tunesday at 2pm CT every Tuesday!
www.twitch.tv/slamhaus

Album Artwork by Chris Amhaus

Horse Feathers - Without Applause

Kill Rock Stars

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