Name: Just You - James Marshall And Angelo Badalamenti (Twin Peaks Cover Song) by Kimia Salimzadeh
Duration: 3 min 35 s
Description: Twin Peaks Is A TV Series By David Lynch And Mark Frost

I love it  !!!  I love everything about this music, her voice, the lyrics and the feeling she gives me !!! 💕❤💕❤💕😉👍

@patiencelimite007  exactly. 👍🏻🙆🏻‍♀️🍃✨

Twin Peaks Is A TV Series By David Lynch And Mark Frost

Just You - James Marshall And Angelo Badalamenti (Twin Peaks Cover Song)

The Field Mice - Letting Go

Molly Nilsson   I Hope You Die

Desertshore

Janitor Of Lunacy

Deine Nähe macht mich frei Du bist hier Stets nah dabei

nightschoolrecords.bigcartel.com/artist/m…-nilsson

A sweeping, cinematic, emotional change is in the air. Molly Nilsson’s sixth studio album Zenith begins with clear, wide eyes open to Earth as we would love it to be but seldom is. Recorded in her home of Berlin and whilst touring and, as ever, conceived, produced, written and recorded in solitude, Zenith is Nilsson’s big statement and consequently her most affecting work to date. It sees her reveling in big arrangements, sweeping synth strings, bigger choruses and emotions. Like the rest of us she looks within and to endless sunsets in wonder and puzzlement.

That Molly Nilsson is a DIY cult figure is beyond question; she has always written directly and with wit straight down the line between the universal and the personal. The difference with Zenith, and you can hear it in the opening chords of opener The Only Planet, is that her scope is now much wider and her heart heavier than ever before: over a post-ecstatic dusk, Nilsson serenades the globe in a loving embrace. Following on, 1995 is, arguably, one of Nilsson’s finest songs to date. It’s one of those songs to learn the lyrics to, to listen to on repeat, a reason to wear the grooves down to the bone, it’s why pop music can be one of the greatest art forms we have. It’s an example of how, on this album, Molly draws the listener closer to her heart than ever before. There’s simply no escape from the line “The plans that you made / when you still had the time / I’ve saved all the things that you left behind but by now I guess I’d consider them all mine /Windows 95, is only a metaphor for what I feel inside / Although I’m older now / there’s still an emptiness that’s never letting go somehow.” Show-stopper Mountain Time is the soundtrack to being on the run, from societal conventions, from normative ideas of happiness, from your surroundings. It’s the intoxicating call of the renegade. That’s not to say that Nilsson’s light touch has been forsaken for grandiose statements. Bunny Club begins as a demo-sketch before breaking into a fast-paced tale of doomed romance with big rave synths and Bus 194 (All There Is) sees Molly joyride through a city on a happy hardcore bus. But it’s tracks like Tomorrow and another contender for best-ever-Molly moment, Happyness that the true scale of what she’s accomplished reveals itself. We’re locked in a spiraling orbit, strings and bass whirling, gazing at the spinning planet below us as we contemplate both the ultimate freedom in loneliness and the glimmer of hope in the Other. Can we ever be truly with someone? Are we ever truly alone?

Over the 13 tracks here we get the impression that Nilsson may always be restless; like anyone else she has conflicting feelings of love and hate. It’s just not many other people can tell you exactly how you feel before you know it yourself.

MOLLY NILSSON: Mountain Time (from Zenith)

Molly Nilsson - 1995

Eraserhead Soundtrack

In Heaven (Lady in the Radiator Song)

Ariel Pink sets a serene but complicated scene for the next chapter in his curious career with “Another Weekend,” the first solo material heard since the prog-pop opus pom pom. Contrary to the lyrics of “Another Weekend” (and fortunately for both fanatics and the newly initiated), Pink is neither too shy or humble to have brought his singular style of pop music beyond the bedroom for the befuddled masses over the past two decades, but returned to the formative, familiar setting to craft what will surely live as another shimmering moment in an unrivaled canon.  Encapsulating the lingering euphoria of a regrettable weekend over the edge, “Another Weekend” speaks in morose volumes while whispering sweetly, the dichotomy of Pink’s pathos once again on display. Backed with “Ode To The Goat (Thank You)”, “Another Weekend” will be shared as a 7” single and through conventional music serving mechanisms on Wednesday, June 7.

Mexican Summer: smarturl.it/AnotherWeekendxOutp
Bandcamp: smarturl.it/AnotherWeekendxBC
iTunes: smarturl.it/AnotherWeekendiTunes
Amazon: smarturl.it/AnotherWeekendAmazon
Apple Music: smarturl.it/AnotherWeekendAppleM
Spotify: smarturl.it/AnotherWeekendxSptfy

Ariel Pink - Another Weekend

Solid Space - Tenth Planet (1982)

Recorded at State of Art Bristol with Beak>

Just You - James Marshall And Angelo Badalamenti (Twin Peaks Cover Song)

Kimia Salimzadeh

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Kimia Salimzadeh

Patience 007

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