Midnight Ride

Catching Flies

Ghosts In Mailand

BLADERUNNER CHASING THE STARS

Neon lights the skyline blues
Running through the night I choose
Metal hearts and circuits glow
I am what they fear to know

Voices echo in the streets
Rusted dreams beneath our feet
Shadows lengthen here we stay
Chasing memories in disarray

Bladerunner chasing the stars
Wires and steel breaking our hearts
In the neon city we find the true
Nothing's real and nothing's new

Electric skies and rain that falls
Lost in alleys no one calls
Searching codes and broken dreams
Life is more than what it seems

Hearts of metal eyes that see
Behind the lights reality
Whispers soft and nights so cold
In this world we can't grow old

Bladerunner chasing the stars
Wires and steel breaking our hearts
In the neon city we find the true
Nothing's real and nothing's new

Bladerunner Chasing the Stars

Not all things fade by nature. Some are made to disappear.

Evanescent Frequency mirrors a world where decay is no longer organic but imposed, where lifespans—of objects, ideas, and even sound—are carefully engineered to be short-lived. In nature, resonance lingers, and silence comes gradually. But in an age of programmed obsolescence, disappearance is manufactured, ensuring that what was once essential is discarded before its time.

The music unfolds in this same manufactured cycle. It begins with fragments—small pulses of energy, scattered textures that gradually coalesce, gaining complexity and momentum. Harmonies expand, orchestration thickens, and layers accumulate, reflecting the illusion of permanence and progress.

At its peak, the structure begins to dissolve. But this is not destruction—it is an unraveling, an enforced stillness that overtakes what was once vibrant. The density of sound fades into weightlessness, harmonies drift apart, and resonance becomes ghostly, as if the music itself is slipping away into the unreachable. The frequencies do not end abruptly but instead dissolve into an ethereal quiet, mirroring the way things vanish from use yet never fully disappear.

Evanescent Frequency is a meditation on impermanence, on the forces that decide what is allowed to endure and what is designed to be forgotten. It asks us to listen—to what fades, to what remains, and to the silence left behind.

Evanescent Frequency for Orchestra (BBC Symphony Orchestra Virtual Library_Pre-Release)

This is my newest pop/ synthwave track with beautiful female vocals. Lyrics are taken from a poem called "Invictus" by William Ernest Henley.

"I am the master of my fate..."

Listen with headphones...

If you enjoy what you hear hit the like and repost button.

Follow me on Soundcloud and Facebook.

@constellation-lyra

open.spotify.com/intl-de/artist/4…ZJTz2NYpWdCx_U_g

www.facebook.com/pages/Constellat…/377825935649048


Constellation Lyra - The Captain Of My Soul [out now on Spotify]

Your Life

Helka's new track for 2025 "Kaukana” is a rhythm-driven track that fuses indie introspection with EDM’s kinetic energy. With unexpected twists and dynamic shifts, it keeps listeners on their toes while exploring themes of longing and impermanence.

Please like and follow. 

Also check out Helka's Spotify & follow. 

Thank you for your support!

❤️ Helka

#indie #synthpop #suomi #finnish #faraway #decision 


https://open.spotify.com/wrapped/share/share-bdfce891c92d4b8b9c6000f353dcf813?si=aWjZrohiTxafzjJH1aYRKw&artist-id=37M2Vpf9z3CeBBhxfSTZ2r

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Kaukana:

Miksi pelastat kuolevan kauneuden?
Jos sitä ei enää ole, miksi se harmittaa?
Mietin onko Kaukana aina ihanaa?
Olenko katoavan tasapainon päällä?
Mitään alkua ei ole
Eikä myöskään loppua
Päätöksiä vielä vähemmän
Missä minä olen, kun en tiedä edes itsekään

[Verse 2]
Miksi itket asioita joita
ei koskaan ollutkaan
Sitten ajateltiin väärin
mutta se otettiin vakavasti
Ja kohta ollaan poissa
kaikki on tomua vain

===

Far Away:

Why do you save a dying beauty?
If it no longer exists, why does it hurt?
I wonder, is it always wonderful far away?
Am I standing on vanishing balance?
There is no beginning,
Nor is there an end,
Even fewer decisions.
Where am I, when I don’t even know myself?

Why do you cry over things
that never existed?
Back then we misunderstood,
but it was taken seriously.
And soon we’ll be gone,
everything will be just dust.

Kaukana

After I met met you last night
I dreamed of diamond and pearls
Of your eyes and of your smile
And of a life together

PEARL

Aether

I was inspired by Sinister Footwear II by Frank Zappa for this track. It's a bit of an unusual match with electronic music. I originally planned to include it in The DOOM of the Experiment EP, but...

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Here's the link to pre-save my next track, The Tough Dance: https://show.co/sNkrjEF

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Follow The Double Morphis
🌐 Website: thedoublemorphis.com
🎵 Spotify: open.spotify.com/artist/2yaQaCeXtcJHoEtRD27zE1
🍏 iTunes: music.apple.com/us/artist/the-dou…orphis/1672736120
🔊 SoundCloud: @thedoublemorphis
📸 Instagram: instagram.com/thedoublemorphis
📘 Facebook: facebook.com/thedoublemorphis

Mechanical Sinisters

NO GEN AI.

Hip Hop, Electro and Folk. Yes, this makes no sense, but I like it like that. Everything here is DIY, composed, written , produced, played and sung by me unless mentioned otherwise. The weird instrument you hear in a lot of my tracks is not an harmonica or an accordion, it's a melodica.

My first EP is available on all platforms: https://ffm.to/sailors-ep

If you want to chat, I'm on bluesky most of the time, there's a very nice musician community over there.

Open for collabs, don't hesitate to reach me by DM if you need a voice on the lower ends :)

PEARL

Antoine - Kindness Inc.

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