why do not we talk to each other

Something I quickly made last night using a Casio SK-1, a reverb pedal and a sample of a guitar harmonic from the twelfth fret of the fifth string.

Vast Body Of Water Appears Calm At Dawn

James - Sit Down [Sample]

C'mon Lennon - Kikuk

Title : " You'll Be Gone"
Song by : Polyester Embassy
.dimy

Polyester Embassy - You'll Be Gone

Harry Roesli - Malaria

Instrumental song on the themes of contemplation and introspection

Time Spent Well Enough Alone

Haikal Azizi also known by the pseudonym Bin Idris is a musician whose musical roots encompassing delta blues, blues rock, and psychedelic rock. In addition to his interest in esoteric music, he also explores echo, reverb, loop, and delay modulations through his acoustic guitar. Subconscious elements that support his musical improvisation activity then becomes one of Bin Idris’ musical work characteristics. His interaction with guitar layers slightly resembles the impression from a German guitarist and composer, Manuel Gottsching, known for his work in Ash Ra Tempel and Ashra. The repetition characteristic presented by Bin Idris can also be perceived as a mix between Minimal Music in the academic music and Krautrock in the popular music. Although at first glance his musical tendencies are in the same realm, in this case the Repetition Music or Minimal Music, Bin Idris is the antithesis of Erik Satie who is often referred to as phonometrician (one that measures the sound). 

Visit Bin Idris' soundcloud page here:
https://soundcloud.com/bin-idris

Salon Vol. 1: Bin Idris

Lyrics:

verse 1: 
Meet me after dark
At the place where  we’d agreed
I can smell it in the air
st the entrance to the sea

Tattered old black dress
Coming across the beach 
Dancing in the moonlight
Close enough to reach

Follow the sound of the 
marching band
Run away from the 
burning tower

Make a record with a 
photographic
Memory for 
hidden pictures

verse 2: 
Meet me after dark
We can talk about the days
Smell of  prarie grass 
Sunshine burns the haze

signal for the noise
hold hands and run
All the girls and boys
Three and two makes one

Possible futures
maybe a metaphor
calendar shows
nothing but meteors
 
Cold and dry and
high fidelity
Turns out the sky
couldn’t fall on me

verse 3: 
We watched form up above
Firelight through the trees
We waited for our chance
and ran out to the sea

Abandoned by the sun
We swam to the east
Together we are one
Together we will feast

Judge and jury singin’ a melody
bus stop lemon drop cheering for nobody  

Four eight nine that’s why she’s afraid of it
One two three now we made a mess of it

Meet Me After Dark

Ramaputratantra : Lead guitar / Bass guitar / Synthesizer
Rendy Pandita : Drums / Vocal / Synthesizer

Produced by GAUNG
Mixed and mastered by Adhit Android at Infinite Labs
Artwork by Dito Setiasa / Visual.DTS


Killing with virtue adalah single pertama dari album pertama GAUNG yang bertajuk Karya Menentang Alam (opus contra naturam). Lagu ini merupakan kegelisahan kami terhadap pelbagai polemik dalam agresi sosial yang bersifat paradox disekitar kota, sehingga muncul pertanyaan, keburukan untuk kebaikan? atau sebaliknya, kebaikan untuk keburukan? Komposisi lagu tak berlirik ini menjadikan judul menjadi jangkar utama dalam penafsiran, selepas itu narasi dan mood disiratkan hanya dalam progresi ritme, pemilihan chord dan tekstur bunyi instrument, sebuah sajian musik  multitafsir untuk pendengar.

(GAUNG)

Killing With Virtue

GAUNG - "Killing With Virtue"

Courageous EP is now available for pre-order -> http://bit.ly/texpackcassette

Courageous

Texpack - Wasted

Produced by GAUNG & Orange Cliff Records   
Written and performed by Ramaputratantra (various instruments) & Rendy Pandita (drums)   
Engineered by Adhit Android at Infinite Lab   
Mixed and mastered by Adhit Android
Cover artwork by Sean Kratzert   

“Summa Injuria” menggambarkan pencarian keadilan dan kasih lewat komposisi berawalan lugas, layaknya perintah dan larangan dalam kamusmu, undang-undangmu, serta aturanmu yang (entah mengapa) ditegakkan secara harfiah. Sang ahli lantas merancang keadaan atas nama kebenaran yang maha eksak, ditengahi nuansa gamang, diakhiri penolakan dari pemberontak paling mutakhir: perasaan. Seperti sebuah maxim, 'summa injuria', kebenaran mutlak melahirkan kesalahan mutlak. Mungkin adil dan kasih tidak ada dalam salah satu sumbu benar atau salah, tapi di antara perbedaan.   

Komposisi lagu tak berlirik menjadikan judul sebagai jangkar utama dalam penafsiran. Selepas itu, narasi dan mood disiratkan hanya dalam progresi ritme, pemilihan chord, dan tekstur bunyi instrumen. Sebuah sajian musik  multitafsir untuk pendengar. 
   
- Ramaputratantra

C'mon Lennon - Kikuk

Kineruku

Related tracks