Bristol based @noodsradio resident and founder of Down To Earth Collective, @o_kirk steps up for with an hour of his signature cosmic and transcendental prog.

+ 𝓷𝓪𝓶𝓮 / 𝓹𝓻𝓸𝓷𝓸𝓾𝓷𝓼 / 𝔀𝓱𝓮𝓻𝓮 𝓭𝓸 𝓾 𝓵𝓲𝓿𝓮
Ollie Kirk / he/him / Bristol

+ 𝓽𝓮𝓵𝓵 𝓾𝓼 𝓪𝓫𝓸𝓾𝓽 𝓽𝓱𝓮 𝓬𝓸𝓷𝓬𝓮𝓹𝓽 𝓸𝓯 𝓽𝓱𝓲𝓼 𝓶𝓲𝔁
This mix was inspired by late summer night walks to the club, as the sun goes down and the excitement for the night ahead building - or those final hours of sun at a festival when the anticipation for what’s ahead is at it’s peak. It’s a collection of records I’ve been enjoying a lot this summer and ones you’ll hear a lot in my coming festival sets. Both for early hours and late night missions.

+ 𝔀𝓱𝓪𝓽’𝓼 𝓪 𝓹𝓪𝓻𝓽𝔂 / 𝓬𝓵𝓾𝓫 𝔂𝓸𝓾 𝓱𝓪𝓿𝓮𝓷’𝓽 𝓫𝓮𝓮𝓷 𝓽𝓸 𝓫𝓾𝓽 𝔂𝓸𝓾’𝓭 𝓵𝓲𝓴𝓮 𝓽𝓸?
@hypersoft_bln at Renate in Berlin

+ 𝔀𝓱𝓪𝓽’𝓼 𝓪 𝓵𝓸𝓬𝓪𝓵 𝓹𝓪𝓻𝓽𝔂 𝔂𝓸𝓾’𝓭 𝓵𝓲𝓴𝓮 𝓽𝓸 𝓫𝓲𝓰 𝓾𝓹?
@spacelabrecords - Nic’s been running parties for time n it really shows, from the bookings to the decor, to the crowd it attracts it’s never not enjoyable. Shouts to Nic & Meg.

+ 𝔀𝓱𝓪𝓽 𝔀𝓪𝓼 𝔂𝓸𝓾𝓻 𝓵𝓪𝓽𝓮𝓼𝓽 (𝓹𝓸𝓼𝓲𝓽𝓲𝓿𝓮) 𝓬𝓵𝓾𝓫𝓫𝓲𝓷𝓰 𝓮𝔁𝓹𝓮𝓻𝓲𝓮𝓷𝓬𝓮?
Probably our last Down To Earth night we put on alongside Public Affair and @pressuredome at Strange Brew in Bristol a few weeks ago. The energy and positivity in that room was the best I’ve felt in a while and all the DJs were sick. The party was a mega success and being able to run it with friends made it all the more rewarding. 

+ 𝔀𝓱𝓪𝓽 𝓲𝓷𝓼𝓹𝓲𝓻𝓮𝓼 𝔂𝓸𝓾 𝓶𝓸𝓼𝓽 𝓲𝓷 𝓵𝓲𝓯𝓮?
Tunes and mates.

+ 𝔂𝓸𝓾𝓻 𝓯𝓪𝓿𝓸𝓾𝓻𝓲𝓽𝓮 𝓪𝓷𝓲𝓶𝓪𝓵?
Otters 100%.

+ 𝓪 𝓶𝓲𝔁 𝔂𝓸𝓾’𝓻𝓮 𝓻𝓮𝓪𝓵𝓵𝔂 𝓭𝓲𝓰𝓰𝓲𝓷𝓰 𝓻𝓷 (𝓪𝓷𝓭 𝔀𝓱𝔂)?
New @remotif mix on @deephouse-tehran, I think I’ve listened to it about 20 times. I’ve not heard a mix from Joe in this lane before, deep, broken, low-slung flowing into trancey goodness. It’s a cracker.

+ 𝓫𝓲𝓰𝓰𝓮𝓼𝓽 𝓶𝓾𝓼𝓲𝓬𝓪𝓵 𝓲𝓷𝓯𝓵𝓾𝓮𝓷𝓬𝓮 𝓯𝓻𝓸𝓶 𝓬𝓱𝓲𝓵𝓭𝓱𝓸𝓸𝓭?
Probably my parents, they’re real music heads. Most times I head back home we just sit up all night going b2b2b on Spotify or YouTube or whatever trying to one up each other for a reaction. I’ve always been surrounded by music and encouraged to explore different genres or scenes

+ 𝓽𝓱𝓮 𝓹𝓮𝓻𝓯𝓮𝓬𝓽 𝓬𝓵𝓸𝓼𝓲𝓷𝓰 𝓽𝓻𝓪𝓬𝓴?
Extreme Traxx - Don’t Hold Back (Trance Mix)

+ 𝓽𝓱𝓮 𝓫𝓮𝓼𝓽 𝓓𝓙 𝓼𝓮𝓽 𝔂𝓸𝓾’𝓿𝓮 𝔀𝓲𝓽𝓷𝓮𝓼𝓼𝓮𝓭?
This is a tricky one, there are loads so I’m gonna shout out a few. @call-super in The Quarry on a rainy night at Houghton 2018, SASS at Glasto 2022 on Genosys and @moonear at Wigflex in Notts 2020. I think Space Cadets (@adampits + @liseneuk) in The Woods at @secret-garden-party last year takes it though, fucking loved that.

+ 𝓰𝓾𝓲𝓵𝓽𝔂 𝓹𝓵𝓮𝓪𝓼𝓾𝓻𝓮 𝓽𝓻𝓪𝓬𝓴?
I don’t really believe in guilty pleasures but I’m usually whacking on Ariana Grande - Into You at the afters if that counts.

+ 𝓼𝓾𝓶𝓶𝓪𝓻𝓲𝓼𝓮 𝓽𝓱𝓲𝓼 𝓶𝓲𝔁 𝓲𝓷 𝓽𝓱𝓻𝓮𝓮 𝔀𝓸𝓻𝓭𝓼
Bangers for aliens.

kinetic mix 012: Ollie Kirk "final hour of the summer sun"

We're extremely excited to kick off our kineti-cast 𝐥𝐢𝐯𝐞 series with a very special recording from Brighton based @caldera-caldera

Malte headlined our inaugral kinetic party back in September, where he took us on a psychedelic journey which is quickly becoming his trademark. 

+ 𝐧𝐚𝐦𝐞 / 𝐩𝐫𝐨𝐧𝐨𝐮𝐧𝐬 / 𝐰𝐡𝐞𝐫𝐞 𝐝𝐨 𝐮 𝐥𝐢𝐯𝐞?
Malte, He/Him, Living in Brighton

+ 𝐰𝐡𝐚𝐭 𝐰𝐚𝐬 𝐲𝐨𝐮𝐫 𝐚𝐩𝐩𝐫𝐨𝐚𝐜𝐡 𝐭𝐨 𝐩𝐮𝐭𝐭𝐢𝐧𝐠 𝐭𝐡𝐢𝐬 𝐬𝐞𝐭 𝐭𝐨𝐠𝐞𝐭𝐡𝐞𝐫?
I didn't plan the tracklist but had the idea of starting quite uplifting and energetic, then raising the tempo and going a bit more trippy and fast.

+ 𝐢'𝐯𝐞 𝐥𝐢𝐬𝐭𝐞𝐧𝐞𝐝 𝐭𝐨 𝐚 𝐥𝐨𝐭 𝐨𝐟 𝐲𝐨𝐮𝐫 𝐦𝐢𝐱𝐞𝐬 & 𝐥𝐢𝐯𝐞 𝐫𝐞𝐜𝐨𝐫𝐝𝐢𝐧𝐠𝐬 𝐚𝐧𝐝 𝐭𝐡𝐞𝐲’𝐫𝐞 𝐚𝐥𝐰𝐚𝐲𝐬 𝐬𝐨 𝐜𝐫𝐞𝐚𝐭𝐢𝐯𝐞. 𝐝𝐨 𝐲𝐨𝐮 𝐡𝐚𝐯𝐞 𝐚 𝐩𝐚𝐫𝐭𝐢𝐜𝐮𝐥𝐚𝐫 𝐚𝐩𝐩𝐫𝐨𝐚𝐜𝐡 𝐭𝐨 𝐩𝐮𝐭𝐭𝐢𝐧𝐠 𝐚 𝐦𝐢𝐱 𝐨𝐫 𝐬𝐞𝐭 𝐭𝐨𝐠𝐞𝐭𝐡𝐞𝐫?
Thank you! I mostly go with rhythmic or melodic elements that fit together and see what feels right in the moment. I feel like theres so much good music that can be mixed together that I don't want to limit myself. At the other hand I'm not sure if I'm being a bit all over the place sometimes - I suppose it's always a bit of a fight finding your sound and this year I have really noticed that with djing.

+ 𝐰𝐡𝐞𝐧 𝐝𝐢𝐝 𝐲𝐨𝐮 𝐬𝐭𝐚𝐫𝐭 𝐦𝐚𝐤𝐢𝐧𝐠 𝐦𝐮𝐬𝐢𝐜, 𝐚𝐧𝐝 𝐝𝐢𝐝 𝐭𝐡𝐢𝐬 𝐜𝐨𝐦𝐞 𝐛𝐞𝐟𝐨𝐫𝐞 𝐨𝐫 𝐚𝐟𝐭𝐞𝐫 𝐥𝐞𝐚𝐫𝐧𝐢𝐧𝐠 𝐭𝐨 𝐃𝐉?
I started playing the flute when I was 6 or so, then was in some death metal & hardcore punk bands in my teens playing bass and guitar but really started getting into producing around 2009 with a sampler and then around 2011-2012 properly into producing with the computer. Started buying & playing records in 2010.

+ 𝐢𝐬 𝐭𝐡𝐞𝐫𝐞 𝐚 𝐬𝐩𝐞𝐜𝐢𝐟𝐢𝐜 𝐞𝐥𝐞𝐦𝐞𝐧𝐭 𝐲𝐨𝐮 𝐭𝐫𝐲 𝐭𝐨 𝐛𝐫𝐢𝐧𝐠 𝐢𝐧𝐭𝐨 𝐚𝐥𝐥 𝐨𝐟 𝐲𝐨𝐮𝐫 𝐩𝐫𝐨𝐝𝐮𝐜𝐭𝐢𝐨𝐧𝐬?
I really love having some kind of soundworld in my music. I just like to create it and sort of sit in that kind of place. I find that very peaceful, even if it maybe sounds quite dark from the outside. I also try to add so many sounds that it's hard to tell where they start and end. Some kind of organised chaos - definitely an inspiration that comes from listening to Flying Lotus' Los Angeles Album.

The other big thing for me is sub bass. I somehow find very deep kicks extremely satisfying so that's an important factor for me, too.

+ 𝐰𝐡𝐚𝐭’𝐬 𝐚 𝐩𝐚𝐫𝐭𝐲 / 𝐜𝐥𝐮𝐛 𝐲𝐨𝐮 𝐡𝐚𝐯𝐞𝐧’𝐭 𝐛𝐞𝐞𝐧 𝐭𝐨 𝐛𝐮𝐭 𝐲𝐨𝐮’𝐝 𝐥𝐢𝐤𝐞 𝐭𝐨?
Ormside in London.

+ 𝐚 𝐥𝐨𝐜𝐚𝐥 𝐩𝐚𝐫𝐭𝐲 & 𝐃𝐉 𝐲𝐨𝐮’𝐝 𝐥𝐢𝐤𝐞 𝐭𝐨 𝐛𝐢𝐠 𝐮𝐩?
Fortune Sessions & Dub Athlete

+ 𝐰𝐡𝐚𝐭 𝐰𝐚𝐬 𝐲𝐨𝐮𝐫 𝐥𝐚𝐭𝐞𝐬𝐭 (𝐩𝐨𝐬𝐢𝐭𝐢𝐯𝐞) 𝐜𝐥𝐮𝐛𝐛𝐢𝐧𝐠 𝐞𝐱𝐩𝐞𝐫𝐢𝐞𝐧𝐜𝐞?
The main stage at @abovebelowfestival this year has been so wonderful... a very eye opening experience. 

+ 𝐝𝐞𝐬𝐜𝐫𝐢𝐛𝐞 𝐲𝐨𝐮𝐫 𝐢𝐝𝐞𝐚𝐥 𝐩𝐚𝐫𝐭𝐲?
Fog, a good soundsystem, minimal light, lovely people and a trippy musical journey.

𝐈𝐟 𝐈 𝐰𝐚𝐬 𝐢𝐧 𝐲𝐨𝐮𝐫 𝐜𝐢𝐭𝐲 𝐟𝐨𝐫 𝟐𝟒 𝐡𝐨𝐮𝐫𝐬 𝐨𝐧𝐥𝐲, 𝐰𝐡𝐞𝐫𝐞 𝐬𝐡𝐨𝐮𝐥𝐝 𝐈…
+ 𝐝𝐫𝐢𝐧𝐤 𝐚 𝐜𝐨𝐟𝐟𝐞𝐞? Waikiki Moo Cow
+ 𝐫𝐞𝐚𝐝 𝐚 𝐛𝐨𝐨𝐤?Heart & Hand
+ 𝐛𝐮𝐲 𝐚 𝐫𝐞𝐜𝐨𝐫𝐝? Rarekind / RK Bass (+ Directly from David Loja)
+ 𝐡𝐚𝐯𝐞 𝐚 𝐩𝐢𝐧𝐭? The Jolly Brewer
+ 𝐠𝐨 𝐟𝐨𝐫 𝐚 𝐰𝐚𝐥𝐤? Brighton Borough Cemetery
+ 𝐝𝐚𝐧𝐜𝐞? I've been asking this myself...

+ 𝐭𝐡𝐞 𝐥𝐚𝐬𝐭 𝐦𝐢𝐱 𝐲𝐨𝐮 𝐥𝐢𝐬𝐭𝐞𝐧𝐞𝐝 𝐭𝐨?
@solarythm_deeptech_side at La Vallée Électrique festival 2023 

>https://soundcloud.com/melifera_records/solarythm-la-vallee-electrique-2023<

+ 𝐭𝐡𝐞 𝐥𝐚𝐬𝐭 𝐚𝐥𝐛𝐮𝐦 𝐲𝐨𝐮 𝐥𝐢𝐬𝐭𝐞𝐧𝐞𝐝 𝐭𝐨?
André 3000 - New Blue Sun

+ 𝐭𝐡𝐞 𝐥𝐚𝐬𝐭 𝐫𝐞𝐜𝐨𝐫𝐝 𝐲𝐨𝐮 𝐛𝐨𝐮𝐠𝐡𝐭?
Eat Static – Bony Incus

+ 𝐭𝐡𝐞 𝐛𝐞𝐬𝐭 𝐃𝐉 𝐬𝐞𝐭 𝐲𝐨𝐮’𝐯𝐞 𝐰𝐢𝐭𝐧𝐞𝐬𝐬𝐞𝐝?
@djrum at @freerotation 2022

+ 𝐚𝐧 𝐚𝐥𝐥 𝐭𝐢𝐦𝐞 𝐟𝐚𝐯𝐨𝐮𝐫𝐢𝐭𝐞 𝐦𝐢𝐱?
@djrum - Soundtrack to an imaginary film mix for Mary Anne Hobbs

kinetic live 01: Caldera live at the carpet shop 010923

After a brief hiatus and a brand new look we're back to normal proceedings with an hour long ambient adventure through autumnal soundscapes and textures from London's @stone_xo

Check out our interview with him below 

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+ 𝗻𝗮𝗺𝗲 / 𝗽𝗿𝗼𝗻𝗼𝘂𝗻𝘀 / 𝘄𝗵𝗲𝗿𝗲 𝗱𝗼 𝘂 𝗹𝗶𝘃𝗲
Stone, he/him, SE London

+ 𝘁𝗲𝗹𝗹 𝘂𝘀 𝗮𝗯𝗼𝘂𝘁 𝘁𝗵𝗲 𝗰𝗼𝗻𝗰𝗲𝗽𝘁 𝗼𝗳 𝘁𝗵𝗶𝘀 𝗺𝗶𝘅
heady and cuddly, songs doing it for me throughout autumn whilst in excited moods

+ 𝘄𝗵𝗮𝘁’𝘀 𝗮 𝗽𝗮𝗿𝘁𝘆 / 𝗰𝗹𝘂𝗯 𝘆𝗼𝘂 𝗵𝗮𝘃𝗲𝗻’𝘁 𝗯𝗲𝗲𝗻 𝘁𝗼 𝗯𝘂𝘁 𝘆𝗼𝘂’𝗱 𝗹𝗶𝗸𝗲 𝘁𝗼?
Accidental Meetings (@a_m_radio)

+ 𝗮 𝗹𝗼𝗰𝗮𝗹 𝗽𝗮𝗿𝘁𝘆 𝘆𝗼𝘂’𝗱 𝗹𝗶𝗸𝗲 𝘁𝗼 𝗯𝗶𝗴 𝘂𝗽?
@terra-obscura-london

+ 𝘄𝗵𝗮𝘁 𝘄𝗮𝘀 𝘆𝗼𝘂𝗿 𝗹𝗮𝘁𝗲𝘀𝘁 (𝗽𝗼𝘀𝗶𝘁𝗶𝘃𝗲) 𝗰𝗹𝘂𝗯𝗯𝗶𝗻𝗴 𝗲𝘅𝗽𝗲𝗿𝗶𝗲𝗻𝗰𝗲?
Anything at Spanners <3

+ 𝘁𝗵𝗲 𝗹𝗮𝘀𝘁 𝗺𝗶𝘅 𝘆𝗼𝘂 𝗹𝗶𝘀𝘁𝗲𝗻𝗲𝗱 𝘁𝗼?
@buttechno for incienso

> https://soundcloud.com/buttechno/buttechno-mix-for-incienso <

+ 𝘁𝗵𝗲 𝗹𝗮𝘀𝘁 𝗮𝗹𝗯𝘂𝗺 𝘆𝗼𝘂 𝗹𝗶𝘀𝘁𝗲𝗻𝗲𝗱 𝘁𝗼?
@mlbuch - Suntub

+ 𝘄𝗵𝗮𝘁’𝘀 𝗶𝗻 𝘆𝗼𝘂𝗿 𝗺𝗲𝗮𝗹 𝗱𝗲𝗮𝗹?
grapes

+ 𝘁𝗵𝗲 𝗹𝗮𝘀𝘁 𝗴𝗶𝗳𝘁 𝘆𝗼𝘂 𝗿𝗲𝗰𝗲𝗶𝘃𝗲𝗱?
jumper from a qt

+ 𝘁𝗵𝗲 𝗯𝗲𝘀𝘁 𝗗𝗝 𝘀𝗲𝘁 𝘆𝗼𝘂’𝘃𝗲 𝘄𝗶𝘁𝗻𝗲𝘀𝘀𝗲𝗱?
Best of summer was nosedrip (ziggy-devriendt) at @wakinglifeportugal

+ 𝘄𝗵𝗮𝘁’𝘀 𝘆𝗼𝘂𝗿 𝗳𝗮𝘃𝗼𝘂𝗿𝗶𝘁𝗲 𝗰𝗶𝘁𝘆 𝘁𝗼 𝗽𝗮𝗿𝘁𝘆 𝗶𝗻?
London bb

+ 𝘆𝗼𝘂𝗿 𝗱𝗿𝗲𝗮𝗺 𝗹𝗶𝗻𝗲 𝘂𝗽?
Full 3xl crew (@triplexlarge) 

+ 𝘀𝘂𝗺𝗺𝗮𝗿𝗶𝘀𝗲 𝘁𝗵𝗶𝘀 𝗺𝗶𝘅 𝗶𝗻 𝘁𝗵𝗿𝗲𝗲 𝘄𝗼𝗿𝗱𝘀
smoke, squishy, piñon

kinetic mix 017: Stone "ur so ugh"

Our next podcast release comes from Dublin based @fuaimdub resident @highingfly, who takes you from peak time to early morning with this bouncy yet mystical mix. 

Check out our interview with him below

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+ 𝐧𝐚𝐦𝐞 / 𝐩𝐫𝐨𝐧𝐨𝐮𝐧𝐬 / 𝐰𝐡𝐞𝐫𝐞 𝐝𝐨 𝐮 𝐥𝐢𝐯𝐞
Sean, he/him, Dublin 

+ 𝐭𝐞𝐥𝐥 𝐮𝐬 𝐚𝐛𝐨𝐮𝐭 𝐭𝐡𝐞 𝐜𝐨𝐧𝐜𝐞𝐩𝐭 𝐨𝐟 𝐭𝐡𝐢𝐬 𝐦𝐢𝐱
For the concept of this mix I wanted to put together a selection of tracks inspired by some of my favourite moments on the dance floor this year. Those times when the night stretches into early morning, and the energy is electric, yet the atmosphere is mystical and dark.

For the mix I tried to focus on the stripped back low-end driven sides of trance and progressive music, hopefully capturing the energy and atmosphere of those memorable sections of club nights.

As the mix unfolds, there's a progression in energy to play on being drawn deeper into those nights where you can feel that building sense of liveliness and anticipation.

+ 𝐰𝐡𝐚𝐭’𝐬 𝐚 𝐩𝐚𝐫𝐭𝐲 / 𝐜𝐥𝐮𝐛 𝐲𝐨𝐮 𝐡𝐚𝐯𝐞𝐧’𝐭 𝐛𝐞𝐞𝐧 𝐭𝐨 𝐛𝐮𝐭 𝐲𝐨𝐮’𝐝 𝐥𝐢𝐤𝐞 𝐭𝐨?
@subsystem-transmissions and @sustain-release-nyc look incredible 

+ 𝐚 𝐥𝐨𝐜𝐚𝐥 𝐩𝐚𝐫𝐭𝐲 𝐲𝐨𝐮’𝐝 𝐥𝐢𝐤𝐞 𝐭𝐨 𝐛𝐢𝐠 𝐮𝐩?
Unfortunately Dublin’s party scene is fairly limited because of the laws around opening hours which are hopefully changing soon, but I really like what @the_solace_space are doing as a party and a collective 

+ 𝐚 𝐥𝐨𝐜𝐚𝐥 𝐃𝐉 𝐲𝐨𝐮’𝐝 𝐥𝐢𝐤𝐞 𝐭𝐨 𝐛𝐢𝐠 𝐮𝐩?
Have to big up my @fuaimdub companions @sandrewsmusic, @steckybone and @feargaloconnell, all amazing djs and people

+ 𝐰𝐡𝐚𝐭 𝐰𝐚𝐬 𝐲𝐨𝐮𝐫 𝐥𝐚𝐭𝐞𝐬𝐭 (𝐩𝐨𝐬𝐢𝐭𝐢𝐯𝐞) 𝐜𝐥𝐮𝐛𝐛𝐢𝐧𝐠 𝐞𝐱𝐩𝐞𝐫𝐢𝐞𝐧𝐜𝐞?
Wasn’t a club experience but it would have to be @draaimolen this year, it was something very special to witness and I was riding a high after it for weeks

+ 𝐝𝐞𝐬𝐜𝐫𝐢𝐛𝐞 𝐲𝐨𝐮𝐫 𝐢𝐝𝐞𝐚𝐥 𝐩𝐚𝐫𝐭𝐲?
Needs to have a crispy and punchy sound system, then some trippy minimal lighting, an energetic crowd with lots of space and probably somewhere in nature like a forest or a mountain range 

+ 𝐰𝐡𝐚𝐭 𝐝𝐨 𝐲𝐨𝐮 𝐥𝐨𝐯𝐞 𝐦𝐨𝐬𝐭 𝐚𝐛𝐨𝐮𝐭 𝐭𝐡𝐞 𝐜𝐢𝐭𝐲 𝐲𝐨𝐮 𝐥𝐢𝐯𝐞 𝐢𝐧?
How friendly everyone is, I didn’t realise this until someone mentioned it to me recently, but after doing a bit of travelling and thinking about it Dublin does have a special way about it when it comes to the people. There’s warmness and friendliness you experience on a night out that’s hard to find anywhere else

+ 𝐲𝐨𝐮𝐫 𝐟𝐚𝐯𝐨𝐮𝐫𝐢𝐭𝐞 𝐭𝐰𝐨 𝐭𝐫𝐚𝐜𝐤𝐬 𝐭𝐨 𝐦𝐢𝐱 𝐭𝐨𝐠𝐞𝐭𝐡𝐞𝐫?
The vocals of Paranoid London's "Paris Dub 1" over Mr. G's "Let Down (Badly)" – they complement each other perfectly.

+ 𝐰𝐡𝐚𝐭’𝐬 𝐲𝐨𝐮𝐫 𝐟𝐚𝐯𝐨𝐮𝐫𝐢𝐭𝐞 𝐜𝐢𝐭𝐲 𝐭𝐨 𝐩𝐚𝐫𝐭𝐲 𝐢𝐧?
Gotta be Berlin, there’s just no place like it, although I’ve many places I still need to experience

+ 𝐚𝐧 𝐚𝐥𝐥 𝐭𝐢𝐦𝐞 𝐟𝐚𝐯𝐨𝐮𝐫𝐢𝐭𝐞 𝐦𝐢𝐱?
Too many to choose from but three that came to mind are @agonis-amenthia live at transcendence, @yanmmxiv & @fred-czital at @monument-podcast, and @mikemidnight on @vortexvortexvortex

> https://soundcloud.com/animalia-label/anilive-twenty-one-agonis-live-transcendence-japan <

> https://soundcloud.com/monument-podcast/festival-2023-yan-alfred-czital <

> https://soundcloud.com/vortexvortexvortex/vortex-mix-mike-midnight-1 <

+ 𝐬𝐮𝐦𝐦𝐚𝐫𝐢𝐬𝐞 𝐭𝐡𝐢𝐬 𝐦𝐢𝐱 𝐢𝐧 𝐭𝐡𝐫𝐞𝐞 𝐰𝐨𝐫𝐝𝐬
Driving, Bouncy, Progressive

kinetic mix 018: Highing Fly "dark mornings"

Our final mix of 2023 comes from Earth Dog Records founder, Jek @earthdogbk - an hour of sludgy, swampy prog & rave fuelled trance made for  his favourite place to dance, the great outdoors. 

Big love to Jek for the contribution and rounding off a great year of submissions! <3

+ 𝐧𝐚𝐦𝐞 / 𝐩𝐫𝐨𝐧𝐨𝐮𝐧𝐬 / 𝐰𝐡𝐞𝐫𝐞 𝐝𝐨 𝐮 𝐥𝐢𝐯𝐞
Jack / he/him / NYC

+ 𝐭𝐞𝐥𝐥 𝐮𝐬 𝐚𝐛𝐨𝐮𝐭 𝐭𝐡𝐞 𝐜𝐨𝐧𝐜𝐞𝐩𝐭 𝐨𝐟 𝐭𝐡𝐢𝐬 𝐦𝐢𝐱
The concept of this mix is biome rave. Each arch/section is based on different outdoor environments where I imagine a perfect dancefloor.

I also wanted to include a few unfinished productions I’ve been working on, It was a challenge but also fun to fully customize tracks to fit into the mix. 

+ 𝐰𝐡𝐚𝐭’𝐬 𝐚 𝐩𝐚𝐫𝐭𝐲 / 𝐜𝐥𝐮𝐛 𝐲𝐨𝐮 𝐡𝐚𝐯𝐞𝐧’𝐭 𝐛𝐞𝐞𝐧 𝐭𝐨 𝐛𝐮𝐭 𝐲𝐨𝐮’𝐝 𝐥𝐢𝐤𝐞 𝐭𝐨?
I never made it to De School, but always wanted to go.

+ 𝐚 𝐥𝐨𝐜𝐚𝐥 𝐩𝐚𝐫𝐭𝐲 𝐲𝐨𝐮’𝐝 𝐥𝐢𝐤𝐞 𝐭𝐨 𝐛𝐢𝐠 𝐮𝐩?
Nowadays Nonstop 

+ 𝐚 𝐥𝐨𝐜𝐚𝐥 𝐃𝐉 𝐲𝐨𝐮’𝐝 𝐥𝐢𝐤𝐞 𝐭𝐨 𝐛𝐢𝐠 𝐮𝐩?
Thats tough, so many good selectors in NY. Probably @dj-healthyy, @matas0 & @tinyt-bone. Extremely deep taste and very skilled behind the decks.

+ 𝐝𝐞𝐬𝐜𝐫𝐢𝐛𝐞 𝐲𝐨𝐮𝐫 𝐢𝐝𝐞𝐚𝐥 𝐩𝐚𝐫𝐭𝐲?
Stacks under a forest canopy surrounded by my best friends.

+ 𝐰𝐡𝐚𝐭 𝐝𝐨 𝐲𝐨𝐮 𝐥𝐨𝐯𝐞 𝐦𝐨𝐬𝐭 𝐚𝐛𝐨𝐮𝐭 𝐭𝐡𝐞 𝐜𝐢𝐭𝐲 𝐲𝐨𝐮 𝐥𝐢𝐯𝐞 𝐢𝐧?
Best people, Diverse music, Community 

+ 𝐭𝐡𝐞 𝐥𝐚𝐬𝐭 𝐦𝐢𝐱 𝐲𝐨𝐮 𝐥𝐢𝐬𝐭𝐞𝐧𝐞𝐝 𝐭𝐨?
@janefitz @ Garage Noord Dec 2019

+ 𝐭𝐡𝐞 𝐥𝐚𝐬𝐭 𝐚𝐥𝐛𝐮𝐦 𝐲𝐨𝐮 𝐥𝐢𝐬𝐭𝐞𝐧𝐞𝐝 𝐭𝐨?
@priori-ties - Your Own Power 

+ 𝐭𝐡𝐞 𝐥𝐚𝐬𝐭 𝐠𝐢𝐟𝐭 𝐲𝐨𝐮 𝐫𝐞𝐜𝐞𝐢𝐯𝐞𝐝?
Grow your own glow in the dark crystal kit 

+ 𝐭𝐡𝐞 𝐥𝐚𝐬𝐭 𝐫𝐞𝐜𝐨𝐫𝐝 𝐲𝐨𝐮 𝐛𝐨𝐮𝐠𝐡𝐭?
DJ Jacuzzi - Tracks From the Swimming Pool. The US postal office actually lost it and I had to spend a month going to different offices around the city to finally get it. 

+ 𝐭𝐡𝐞 𝐛𝐞𝐬𝐭 𝐃𝐉 𝐬𝐞𝐭 𝐲𝐨𝐮’𝐯𝐞 𝐰𝐢𝐭𝐧𝐞𝐬𝐬𝐞𝐝?
This year at least it was Eric Cloutier (@cloutier) at @wakinglifeportugal

+ 𝐲𝐨𝐮𝐫 𝐟𝐚𝐯𝐨𝐮𝐫𝐢𝐭𝐞 𝐠𝐢𝐠?
My set at Basement Studio in dec 2022. It was my first time playing there and the energy was extremely twisted thanks to my friends. 

+ 𝐲𝐨𝐮𝐫 𝐦𝐨𝐬𝐭 𝐬𝐩𝐞𝐜𝐢𝐚𝐥 𝐜𝐥𝐮𝐛 / 𝐝𝐚𝐧𝐜𝐞 / 𝐦𝐮𝐬𝐢𝐜 𝐫𝐞𝐥𝐚𝐭𝐞𝐝 𝐦𝐞𝐦𝐨𝐫𝐲?
Aurora Halal (@itsallhalal)and @ronlikehell playing Nowadays nonstop post-@sustain-release-nyc 2022 sticks out to me. 

+ 𝐲𝐨𝐮𝐫 𝐟𝐚𝐯𝐨𝐮𝐫𝐢𝐭𝐞 𝐭𝐰𝐨 𝐭𝐫𝐚𝐜𝐤𝐬 𝐭𝐨 𝐦𝐢𝐱 𝐭𝐨𝐠𝐞𝐭𝐡𝐞𝐫?
It’s actually in this mix - Thunderprayer, Bhasmantem >> Land of Druk, Space Drum Meditation. Proper psychedelic techno into dubby sludge.

+ 𝐰𝐡𝐚𝐭’𝐬 𝐲𝐨𝐮𝐫 𝐟𝐚𝐯𝐨𝐮𝐫𝐢𝐭𝐞 𝐜𝐢𝐭𝐲 𝐭𝐨 𝐩𝐚𝐫𝐭𝐲 𝐢𝐧?
The forest

+ 𝐚𝐧 𝐚𝐥𝐥 𝐭𝐢𝐦𝐞 𝐟𝐚𝐯𝐨𝐮𝐫𝐢𝐭𝐞 𝐦𝐢𝐱?
@guy-j - The Trees, The Sea, and The Sun

> https://soundcloud.com/naalmon/guy-j-the-trees-the-sea-the-sun <

+ 𝐲𝐨𝐮𝐫 𝐝𝐫𝐞𝐚𝐦 𝐥𝐢𝐧𝐞 𝐮𝐩?
Bob Marley 
@donato-dozzy
Digitalis

+ 𝐬𝐮𝐦𝐦𝐚𝐫𝐢𝐬𝐞 𝐭𝐡𝐢𝐬 𝐦𝐢𝐱 𝐢𝐧 𝐭𝐡𝐫𝐞𝐞 𝐰𝐨𝐫𝐝𝐬
Waterfall of Hi-Hats

kinetic mix 021: Jek "where i'd want to dance"

We’re back with another submission to our live series; a beautiful adventure through textures and soundscapes from dancer and Accidental Meetings resident, marjai 🌀

Recorded at Wharf Chambers for Habitual Pleasures in 2022.

@a_m_radio
@marjai 

+ 𝐧𝐚𝐦𝐞 / 𝐩𝐫𝐨𝐧𝐨𝐮𝐧𝐬 / 𝐰𝐡𝐞𝐫𝐞 𝐝𝐨 𝐮 𝐥𝐢𝐯𝐞?
marjai / (he/they) / leeds / barnsley

+ 𝐬𝐞𝐭 𝐭𝐡𝐞 𝐬𝐜𝐞𝐧𝐞
hunkered down in our local grime-tiled refuge of Wharf Chambers; a low-lit haze enveloping the 200-cap space.

+ 𝐰𝐡𝐚𝐭 𝐰𝐚𝐬 𝐲𝐨𝐮𝐫 𝐚𝐩𝐩𝐫𝐨𝐚𝐜𝐡 𝐭𝐨 𝐩𝐮𝐭𝐭𝐢𝐧𝐠 𝐭𝐡𝐢𝐬 𝐬𝐞𝐭 𝐭𝐨𝐠𝐞𝐭𝐡𝐞𝐫?
owing to a certain free-flowing ethos of which Habitual Pleasures embodies, + the pumping style of comrades blu.dream & LUSCIOUS, I felt that I could lean into my preferred mode of selecting when opening a space: experimental collaging as resistance to slow-building, “functional” club music.

a busted deck and delayed start presented a busy floor from inception; a fun proposition to amplify this mode and fuck with everyone just a little bit, breathing space into the mix on my own terms. 

+ 𝐡𝐨𝐰 𝐝𝐨 𝐲𝐨𝐮 𝐩𝐫𝐞𝐩𝐚𝐫𝐞 𝐲𝐨𝐮r 𝐫𝐞𝐤𝐨𝐫𝐝𝐛𝐨𝐱 / 𝐫𝐞𝐜𝐨𝐫𝐝𝐬 𝐟𝐨𝐫 𝐚 𝐠𝐢𝐠?
journal/scrawl on scraps of paper to capture random thoughts, map this out on todoist (my fave notes app lol). what energy am I in the mood to bring + what might the party be missing?

arrange tunes via function, sometimes vibe – exp ambience/beats, club not club, guitars/emo – in my silly little folders on rekordbox.

compulsively scour the entire internet for very important extra tunes that I will forget to play, 5 minutes before I leave the house. 

+ 𝐰𝐡𝐚𝐭’𝐬 𝐚 𝐩𝐚𝐫𝐭𝐲 / 𝐜𝐥𝐮𝐛 𝐲𝐨𝐮 𝐡𝐚𝐯𝐞𝐧’𝐭 𝐛𝐞𝐞𝐧 𝐭𝐨 𝐛𝐮𝐭 𝐲𝐨𝐮’𝐝 𝐥𝐢𝐤𝐞 𝐭𝐨?
@oh141, @honchopgh, nowadays, @daisrecords label party

+ 𝐚 𝐥𝐨𝐜𝐚𝐥 𝐩𝐚𝐫𝐭𝐲 & 𝐃𝐉 𝐲𝐨𝐮’𝐝 𝐥𝐢𝐤𝐞 𝐭𝐨 𝐛𝐢𝐠 𝐮𝐩?
Azúcar!: a Leeds-based creative project addressing the colonial legacies of movement and sound through regular panels, workshops, and parties.
a big shout out to founder and legend Mami Chula; dedicated activist, DJ, and curator repping the Latinx community in Yorkshire and beyond.

+ 𝐰𝐡𝐚𝐭 𝐰𝐚𝐬 𝐲𝐨𝐮𝐫 𝐥𝐚𝐭𝐞𝐬𝐭 (𝐩𝐨𝐬𝐢𝐭𝐢𝐯𝐞) 𝐜𝐥𝐮𝐛𝐛𝐢𝐧𝐠 𝐞𝐱𝐩𝐞𝐫𝐢𝐞𝐧𝐜𝐞?
Love Muscle – a party and community that has shaped me in ways that I cannot begin to articulate. 

+ 𝐝𝐞𝐬𝐜𝐫𝐢𝐛𝐞 𝐲𝐨𝐮𝐫 𝐢𝐝𝐞𝐚𝐥 𝐩𝐚𝐫𝐭𝐲?
guitars, play, snacks, performance art, haze, restorative space, dynamic booth/stage locations 

+ 𝐭𝐡𝐞 𝐥𝐚𝐬𝐭 𝐫𝐞𝐜𝐨𝐫𝐝 𝐲𝐨𝐮 𝐛𝐨𝐮𝐠𝐡𝐭?
Aftershock & Shola Ama – With U

+ 𝐭𝐡𝐞 𝐥𝐚𝐬𝐭 𝐦𝐢𝐱 𝐲𝐨𝐮 𝐥𝐢𝐬𝐭𝐞𝐧𝐞𝐝 𝐭𝐨?
33EMYBW for RA, though I’ve been on a rominimal tip as of late.

+ 𝐭𝐡𝐞 𝐛𝐞𝐬𝐭 𝐃𝐉 𝐬𝐞𝐭 𝐲𝐨𝐮’𝐯𝐞 𝐰𝐢𝐭𝐧𝐞𝐬𝐬𝐞𝐝?
Felix Dickinson’s annual shutdown of Genosys at Glastonbury. Say no more. 
Live: John T Gast for Accidental Meetings at Strange Brew. 

+ 𝐝𝐞𝐬𝐜𝐫𝐢𝐛𝐞 𝐭𝐡𝐢𝐬 𝐫𝐞𝐜𝐨𝐫𝐝𝐢𝐧𝐠 𝐢𝐧 𝐭𝐡𝐫𝐞𝐞 𝐰𝐨𝐫𝐝𝐬?
Ephemeral; tender; delishus

kinetic live 03: marjai live at habitual pleasures [181122]

Birmingham based @rinsefm regular @sharniedj brings us a very very sick hour of deep, dark, squelchy rhythms which you'd expect to hear her playing in a dark stripped back basement.

𝐧𝐚𝐦𝐞 / 𝐩𝐫𝐨𝐧𝐨𝐮𝐧𝐬 / 𝐰𝐡𝐞𝐫𝐞 𝐝𝐨 𝐮 𝐥𝐢𝐯𝐞
Sharnie / she/her / Birmingham

𝐭𝐞𝐥𝐥 𝐮𝐬 𝐚𝐛𝐨𝐮𝐭 𝐭𝐡𝐞 𝐜𝐨𝐧𝐜𝐞𝐩𝐭 𝐨𝐟 𝐭𝐡𝐢𝐬 𝐦𝐢𝐱
I wanted to record something I’d like to hear/play in my fav kind of club setting - an intimate basement with a warm sound system, low ceiling and stripped back, very dim lighting. No theatrics, just sick sound.

𝐡𝐨𝐰 𝐡𝐚𝐬 𝐲𝐨𝐮𝐫 𝐞𝐧𝐯𝐢𝐫𝐨𝐧𝐦𝐞𝐧𝐭 𝐢𝐧𝐟𝐥𝐮𝐞𝐧𝐜𝐞𝐝 𝐲𝐨𝐮𝐫 𝐬𝐨𝐮𝐧𝐝 𝐚𝐧𝐝 𝐚𝐩𝐩𝐫𝐨𝐚𝐜𝐡 𝐭𝐨 𝐦𝐮𝐬𝐢𝐜?
Having inspirations from all corners of music growing up has definitely influenced my sound and approach. I like to mix it up and combine several genres, I’m also drawn to tracks which are very ‘crossover’ in sound - the early 2000’s has my heart due being abundant in this style!

𝐰𝐡𝐚𝐭’𝐬 𝐚 𝐩𝐚𝐫𝐭𝐲 / 𝐜𝐥𝐮𝐛 𝐲𝐨𝐮 𝐡𝐚𝐯𝐞𝐧’𝐭 𝐛𝐞𝐞𝐧 𝐭𝐨 𝐛𝐮𝐭 𝐲𝐨𝐮’𝐝 𝐥𝐢𝐤𝐞 𝐭𝐨?
Reef berlin

𝐚 𝐥𝐨𝐜𝐚𝐥 𝐩𝐚𝐫𝐭𝐲 / 𝐯𝐞𝐧𝐮𝐞 𝐲𝐨𝐮’𝐝 𝐥𝐢𝐤𝐞 𝐭𝐨 𝐛𝐢𝐠 𝐮𝐩?

@onemore-riddim in Birmingham!

𝐰𝐡𝐚𝐭 𝐰𝐚𝐬 𝐲𝐨𝐮𝐫 𝐥𝐚𝐭𝐞𝐬𝐭 (𝐩𝐨𝐬𝐢𝐭𝐢𝐯𝐞) 𝐜𝐥𝐮𝐛𝐛𝐢𝐧𝐠 𝐞𝐱𝐩𝐞𝐫𝐢𝐞𝐧𝐜𝐞?
Probably white hotel in Manchester!

𝐭𝐡𝐞 𝐥𝐚𝐬𝐭 𝐦𝐢𝐱 𝐲𝐨𝐮 𝐥𝐢𝐬𝐭𝐞𝐧𝐞𝐝 𝐭𝐨?
@calibresignature at @dkmntl 2023

> https://soundcloud.com/dkmntl/calibre-at-dekmantel-festival-2023 <

𝐭𝐡𝐞 𝐥𝐚𝐬𝐭 𝐚𝐥𝐛𝐮𝐦 𝐲𝐨𝐮 𝐥𝐢𝐬𝐭𝐞𝐧𝐞𝐝 𝐭𝐨?
Amy winehouse - Frank

𝐭𝐡𝐞 𝐥𝐚𝐬𝐭 𝐠𝐢𝐟𝐭 𝐲𝐨𝐮 𝐫𝐞𝐜𝐞𝐢𝐯𝐞𝐝?
A bottle of red wine

𝐭𝐡𝐞 𝐥𝐚𝐬𝐭 𝐫𝐞𝐜𝐨𝐫𝐝 𝐲𝐨𝐮 𝐛𝐨𝐮𝐠𝐡𝐭?
Lenny Fontana - Spirit Of The Sun (Steve Gurley Remixes)

𝐲𝐨𝐮𝐫 𝐟𝐚𝐯𝐨𝐮𝐫𝐢𝐭𝐞 𝐞𝐱𝐩𝐞𝐫𝐢𝐞𝐧𝐜𝐞 𝐃𝐉𝐢𝐧𝐠 𝐬𝐨 𝐟𝐚𝐫?
Playing Fabric room 2

𝐰𝐡𝐚𝐭’𝐬 𝐲𝐨𝐮𝐫 𝐟𝐚𝐯𝐨𝐮𝐫𝐢𝐭𝐞 𝐜𝐢𝐭𝐲 𝐭𝐨 𝐩𝐚𝐫𝐭𝐲 𝐢𝐧?
I always have a blast in Manchester

𝐚𝐧 𝐚𝐥𝐥 𝐭𝐢𝐦𝐞 𝐟𝐚𝐯𝐨𝐮𝐫𝐢𝐭𝐞 𝐦𝐢𝐱?
Theres too many! One that sprung to mind is @scubaofficial DJ Kicks.

𝐬𝐮𝐦𝐦𝐚𝐫𝐢𝐬𝐞 𝐭𝐡𝐢𝐬 𝐦𝐢𝐱 𝐢𝐧 𝐭𝐡𝐫𝐞𝐞 𝐰𝐨𝐫𝐝𝐬
Progressive, dubby and bouncy!

kinetic mix 023: Sharnie "below ground level"

London based @gabrielfinch takes us on a deep trip for our 24th podcast with an hour of hypnotic and chuggy ethereal delights, all expertly mixed on vinyl. The Juno Records buyer and Next Door Records family member, is a pure digger at heart with a penchant for all things ｐｓｙｃｈｅｄｅｌｉｃ.

We've been digging his output for a while now and we knew this one wouldn't disappoint, lock in for the ride. 

check out our interview with him below. 

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𝐧𝐚𝐦𝐞 / 𝐩𝐫𝐨𝐧𝐨𝐮𝐧𝐬 / 𝐰𝐡𝐞𝐫𝐞 𝐝𝐨 𝐮 𝐥𝐢𝐯𝐞
Gabriel Finch, He/Him, Peckham south london

𝐭𝐞𝐥𝐥 𝐮𝐬 𝐚𝐛𝐨𝐮𝐭 𝐭𝐡𝐞 𝐜𝐨𝐧𝐜𝐞𝐩𝐭 𝐨𝐟 𝐭𝐡𝐢𝐬 𝐦𝐢𝐱
When recording mixes I try to imagine in what setting I'd probably listen to them.  This one was made to fit my evening journeys when the sun has set but there’s still some lingering twilight. I aimed for both old and new records that were mysterious or deep, keeping the tempo low(ish) and the energy measured.


𝐡𝐨𝐰 𝐡𝐚𝐬 𝐲𝐨𝐮𝐫 𝐞𝐧𝐯𝐢𝐫𝐨𝐧𝐦𝐞𝐧𝐭 𝐩𝐚𝐬𝐭 𝐚𝐧𝐝 𝐩𝐫𝐞𝐬𝐞𝐧𝐭 𝐢𝐧𝐟𝐥𝐮𝐞𝐧𝐜𝐞𝐝 𝐲𝐨𝐮𝐫 𝐬𝐨𝐮𝐧𝐝 𝐚𝐧𝐝 𝐚𝐩𝐩𝐫𝐨𝐚𝐜𝐡 𝐭𝐨 𝐦𝐮𝐬𝐢𝐜?
I grew up with parents that were in musical theater and dance, so I've always been surrounded by a family that enjoys this and encourages participation.  As a kid, courtesy of my dad, I listened to a lot of disco, funk, soul, reggae and rock, which definitely plays some part in what I'm drawn to. I got into various forms of electronic music probably during secondary school and then when university came around I got exposed to a lot more Techno through friends and being a regular partygoer in Leeds.  I had the luxury of finding an amazing group of mates who were all interested in the same thing, which really helped to encourage searching for records and Djing.  We would all mess around playing long b2bs together which really inspired me and developed my sound.  These days, I’m working as a buyer for Juno Records in Camden which has really expanded my knowledge of music and introduced me to so much more.

𝐰𝐡𝐚𝐭’𝐬 𝐚 𝐩𝐚𝐫𝐭𝐲 / 𝐜𝐥𝐮𝐛 𝐲𝐨𝐮 𝐡𝐚𝐯𝐞𝐧’𝐭 𝐛𝐞𝐞𝐧 𝐭𝐨 𝐛𝐮𝐭 𝐲𝐨𝐮’𝐝 𝐥𝐢𝐤𝐞 𝐭𝐨?
There’s so many, but off the top of my head I’d love to go to Ring club in Seoul.

𝐚 𝐥𝐨𝐜𝐚𝐥 𝐩𝐚𝐫𝐭𝐲 𝐲𝐨𝐮’𝐝 𝐥𝐢𝐤𝐞 𝐭𝐨 𝐛𝐢𝐠 𝐮𝐩?
Next Door Records

𝐚 𝐥𝐨𝐜𝐚𝐥 𝐝𝐣 / 𝐝𝐣’𝐬 𝐲𝐨𝐮’𝐝 𝐥𝐢𝐤𝐞 𝐭𝐨 𝐛𝐢𝐠 𝐮𝐩?
I fear missing someone out

𝐭𝐞𝐥𝐥 𝐮𝐬 𝐚𝐛𝐨𝐮𝐭 𝐲𝐨𝐮𝐫 𝐥𝐚𝐭𝐞𝐬𝐭 (𝐩𝐨𝐬𝐢𝐭𝐢𝐯𝐞) 𝐜𝐥𝐮𝐛𝐛𝐢𝐧𝐠 𝐞𝐱𝐩𝐞𝐫𝐢𝐞𝐧𝐜𝐞?
Subsystem rave on the weekend was pretty sick!

𝐭𝐡𝐞 𝐥𝐚𝐬𝐭 𝐦𝐢𝐱 𝐲𝐨𝐮 𝐥𝐢𝐬𝐭𝐞𝐧𝐞𝐝 𝐭𝐨?
@janefitz's live at transcendence, but by the time this interview is out it will have been @playvlada's dekmantel mix.

> https://soundcloud.com/janefitz/jane-fitz-live-at-transcendence?in=janefitz/sets/live-dj-set-recordings-1 <

> https://soundcloud.com/dkmntl/dekmantel-podcast-453-vlada <


𝐭𝐡𝐞 𝐥𝐚𝐬𝐭 𝐚𝐥𝐛𝐮𝐦 𝐲𝐨𝐮 𝐥𝐢𝐬𝐭𝐞𝐧𝐞𝐝 𝐭𝐨?
The Gurdjieff Ensemble & Levon Eskenian - Zartir

𝐭𝐡𝐞 𝐥𝐚𝐬𝐭 𝐠𝐢𝐟𝐭 𝐲𝐨𝐮 𝐫𝐞𝐜𝐞𝐢𝐯𝐞𝐝?
Got given some oat milk today, buzzing.

𝐭𝐡𝐞 𝐥𝐚𝐬𝐭 𝐫𝐞𝐜𝐨𝐫𝐝 𝐲𝐨𝐮 𝐛𝐨𝐮𝐠𝐡𝐭?
Morphem - Bringers of the dawn

𝐲𝐨𝐮𝐫 𝐟𝐚𝐯𝐨𝐮𝐫𝐢𝐭𝐞 𝐞𝐱𝐩𝐞𝐫𝐢𝐞𝐧𝐜𝐞 𝐃𝐉𝐢𝐧𝐠 𝐬𝐨 𝐟𝐚𝐫?
Making this mix :D

𝐡𝐨𝐰 𝐝𝐨 𝐲𝐨𝐮 𝐨𝐫𝐠𝐚𝐧𝐢𝐬𝐞 𝐲𝐨𝐮𝐫 𝐫𝐞𝐜𝐨𝐫𝐝 𝐜𝐨𝐥𝐥𝐞𝐜𝐭𝐢𝐨𝐧?
Eeesh, it’s a bit jumbled at the minute but I keep some records I've played recently in the living room and then storage is in my room where I attempt to categorize by genre and mood.

𝐰𝐡𝐚𝐭’𝐬 𝐲𝐨𝐮𝐫 𝐟𝐚𝐯𝐨𝐮𝐫𝐢𝐭𝐞 𝐜𝐢𝐭𝐲 𝐭𝐨 𝐩𝐚𝐫𝐭𝐲 𝐢𝐧?
I haven't partied in many but I always enjoy Berlin

𝐬𝐮𝐦𝐦𝐚𝐫𝐢𝐬𝐞 𝐭𝐡𝐢𝐬 𝐦𝐢𝐱 𝐢𝐧 𝐭𝐡𝐫𝐞𝐞 𝐰𝐨𝐫𝐝𝐬
Mysterious, Psychedelic & Deep

kinetic mix 024: Gabriel Finch "strange light"

Ahead of playing at our event at the Carpet Shop this Friday, London based Cozi founder and Rinse FM resident ⒮⒪⒡⒯⒤ delights us with our next mixtape, a 2 hour journey through the sonics, narrating her dreams through a mix of ethereal textures and low end frequencies ~~~

This is one for the dreamers ☁️☁️☁️

@jazz_brown
@cozi-716789961

🌀 𝖢𝖺𝗍𝖼𝗁 𝗁𝖾𝗋 𝗉𝗅𝖺𝗒𝗂𝗇𝗀 𝖺𝗍 𝗈𝗎𝗋 𝗇𝖾𝗑𝗍 𝖾𝗏𝖾𝗇𝗍 𝗍𝗁𝗂𝗌 𝖥𝗋𝗂𝖽𝖺𝗒 𝖺𝗅𝗈𝗇𝗀𝗂𝗌𝖽𝖾 𝖩𝖺𝗌𝗆í𝗇, 𝖣𝗃 𝗐𝗂𝗀𝗀𝗅𝖾𝗌 & 𝖲𝖾𝖻 𝖧. - https://ra.co/events/1839402 🌀

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𝐧𝐚𝐦𝐞 / 𝐩𝐫𝐨𝐧𝐨𝐮𝐧𝐬 / 𝐰𝐡𝐞𝐫𝐞 𝐝𝐨 𝐮 𝐥𝐢𝐯𝐞
Jazz Brown and I live in Camberwell/Peckham London. I was born in Luton but moved to Ireland when I was young with my family :)

𝐭𝐞𝐥𝐥 𝐮𝐬 𝐚𝐛𝐨𝐮𝐭 𝐭𝐡𝐞 𝐜𝐨𝐧𝐜𝐞𝐩𝐭 𝐨𝐟 𝐭𝐡𝐢𝐬 𝐦𝐢𝐱
It came from my relationship with dreaming. We don't realize that we spend half our lives unconscious, dreaming, growing and the majority of us don't actually remember our dreams. I do!!! I remember them so well that I feel like they are another life for me, another world nip into creating but sometimes having no control over. I wake up daily confused or affected in some sort of way whether that is positive or negative. I believe they speak to us or remind us of another force out there, accessing that part of our brain and the universe we are longing for. Mixes or sets are quite like dreams, going on a transcendent journey unsure of what to expect. The weird subconscious worries we latch onto or deep desires in us and that’s what I wanted to create with this, a two hour mix inspired by those intricate and bitter sweet emotions starting slow with parts of chaos in there. It’s all connected ~~~

𝐡𝐨𝐰 𝐡𝐚𝐬 𝐲𝐨𝐮𝐫 𝐞𝐧𝐯𝐢𝐫𝐨𝐧𝐦𝐞𝐧𝐭 𝐢𝐧𝐟𝐥𝐮𝐞𝐧𝐜𝐞𝐝 𝐲𝐨𝐮𝐫 𝐬𝐨𝐮𝐧𝐝 𝐚𝐧𝐝 𝐚𝐩𝐩𝐫𝐨𝐚𝐜𝐡 𝐭𝐨 𝐦𝐮𝐬𝐢𝐜?
I grew up in a very musical household. Both my parents and family were music heads. They were very young when they had me so I grew up in a young adults home with their friends and our family around :) My dad especially, being Jamaican, was a huge lover of dancehall, bashment, jungle & Rnb. My Mum introduced me to pop, triphop and rnb and I was surrounded by cds, records and videos, having a small collection of my own when I was like 7/8, I still collect Cds today. I remember my parents used to have small gatherings at our house when I was a kid and invite friends and family around and there would be loud music playing through huge sound system speakers in the backroom…. I was so involved and curious and it stuck with me! As a DJ and producer I now look for that nostalgic feeling and emotion in music. I like sensual rhythms and deep groovy kicks and drums, kind of like in rnb or dancehall. I think because of how eclectic my musical childhood was has given me more of an open minded outlook when playing or listening to music. I like all genres and usually play a mixture of them creating my own sound with a few tracks from different genre families. 

𝐲𝐨𝐮𝐫 𝐟𝐚𝐯𝐨𝐮𝐫𝐢𝐭𝐞 𝐞𝐱𝐩𝐞𝐫𝐢𝐞𝐧𝐜𝐞 𝐃𝐉𝐢𝐧𝐠 𝐬𝐨 𝐟𝐚𝐫?
I opened the basement in De school which was MAD, the crowd from start to finish were here for it. Laak in Den Hag was also something else but also @ankali, Prague was defo my fave!! The energy in that club and the party and people were just amazing, I wanna go back!

> https://soundcloud.com/ankali/ankali-32-softi-extract <

𝐲𝐨𝐮𝐫 𝐟𝐚𝐯𝐨𝐮𝐫𝐢𝐭𝐞 𝐭𝐰𝐨 𝐭𝐫𝐚𝐜𝐤𝐬 𝐭𝐨 𝐦𝐢𝐱 𝐭𝐨𝐠𝐞𝐭𝐡𝐞𝐫?
Anything by @andy-martin haha I think i play his music in all my sets! lol big love to him :)

𝐚𝐧 𝐚𝐥𝐥 𝐭𝐢𝐦𝐞 𝐟𝐚𝐯𝐨𝐮𝐫𝐢𝐭𝐞 𝐦𝐢𝐱?
@stone_xo [live at @terra-obscura-london] - i was there for the whole set and it was insane! Hes perfect!

> https://soundcloud.com/terra-obscura-london/stone-live-at-terra-obscura <

𝐬𝐮𝐦𝐦𝐚𝐫𝐢𝐬𝐞 𝐭𝐡𝐢𝐬 𝐦𝐢𝐱 𝐢𝐧 𝐭𝐡𝐫𝐞𝐞 𝐰𝐨𝐫𝐝𝐬
Nostalgic, mysterious, transcendent 

full interview: https://allmovingobjects.substack.com/p/kinetic-mix-025-softi-bittersweet

kinetic mix 025: softi "bittersweet dreams"

Our next release comes courtesy of London based Introspective Electronics founder, sound artist & DJ, Avsluta 🌀🌀🌀

Her penchant for low-swung basslines & hypnotic rhythms caught our ears at Above Below back in 2023 & we're so happy to finally be hosting her on the series. 

@avsluta

+ 𝐧𝐚𝐦𝐞 / 𝐩𝐫𝐨𝐧𝐨𝐮𝐧𝐬 / 𝐰𝐡𝐞𝐫𝐞 𝐝𝐨 𝐮 𝐥𝐢𝐯𝐞?
My name’s Lucie (she/her) and I live deeeep in South London. 

+ 𝐰𝐡𝐞𝐫𝐞 & 𝐰𝐡𝐞𝐧 𝐰𝐚𝐬 𝐭𝐡𝐢𝐬 𝐫𝐞𝐜𝐨𝐫𝐝𝐞𝐝? 𝐬𝐞𝐭 𝐭𝐡𝐞 𝐬𝐜𝐞𝐧𝐞 𝐟𝐨𝐫 𝐮𝐬…
This set was originally recorded at Goo Night in Spanners, a snug, intimate venue in South East London. Imagine a roomful of free, sweaty bodies moving to the rhythm, surrounded by dense red-tinted haze. The atmosphere was sexy and sticky that night. 

A little disclaimer regarding the recording. I had to re-record the second part of the set at home due to sound quality but the essence of it is in no way compromised 🙂

+ 𝐰𝐡𝐚𝐭 𝐰𝐚𝐬 𝐲𝐨𝐮𝐫 𝐚𝐩𝐩𝐫𝐨𝐚𝐜𝐡 𝐭𝐨 𝐩𝐮𝐭𝐭𝐢𝐧𝐠 𝐭𝐡𝐢𝐬 𝐬𝐞𝐭 𝐭𝐨𝐠𝐞𝐭𝐡𝐞𝐫?
I wanted to put together a set focusing on spaciousness and the interplay between heady depth and liberating playfulness, exploring ways in which the two can meaningfully coexist. The idea was to allow the audience to release their body fully on the dancefloor so obviously there had to be a good amount of energy running through the veins of the set. But at the same time, I really wanted to tickle their minds, open doors to imagination, introduce depth so if one really listens in, there is a whole world of sonic magic to explore - a complexity both sonic and emotional. 

+ 𝐡𝐨𝐰 𝐝𝐨 𝐲𝐨𝐮 𝐩𝐫𝐞𝐩𝐚𝐫𝐞 𝐲𝐨𝐮r 𝐫𝐞𝐤𝐨𝐫𝐝𝐛𝐨𝐱 / 𝐫𝐞𝐜𝐨𝐫𝐝𝐬 𝐟𝐨𝐫 𝐚 𝐠𝐢𝐠?
The process always starts with digging for new music that sets the tone for the playlist or when packing my record bag. I look for a specific flavour of sounds for each gig, thinking about the context in which I will be playing and trying to understand what possible directions I can take. 

Once I select those fresh tracks, I start building the rest of the playlist around it, first more generally and as I listen back with the set approaching, I keep refining it until it feels like it has enough substance. At the same time, I make sure it is generous enough so I can cover a lot of ground if the gig goes in a different direction than what I expected. It’s always a balance of keeping one’s artistic integrity while working with the crowd to create a powerful experience for everyone. 

+ 𝐭𝐞𝐥𝐥 𝐮𝐬 𝐦𝐨𝐫𝐞 𝐚𝐛𝐨𝐮𝐭 𝐭𝐞𝐫𝐫𝐚 𝐨𝐛𝐬𝐜𝐮𝐫𝐚, 𝐰𝐡𝐞𝐧 & 𝐰𝐡𝐲 𝐝𝐢𝐝 𝐲𝐨𝐮 𝐬𝐭𝐚𝐫𝐭 𝐭𝐡𝐞 𝐞𝐯𝐞𝐧𝐭 𝐬𝐞𝐫𝐢𝐞𝐬 & 𝐰𝐡𝐚𝐭 𝐢𝐬 𝐲𝐨𝐮𝐫 𝐚𝐩𝐩𝐫𝐨𝐚𝐜𝐡 𝐭𝐨 𝐜𝐮𝐫𝐚𝐭𝐢𝐨𝐧?
Terra Obscura is a collaborative event I run together with my close friend Alicia. We started the series back in March 2022 at Ormside Project which is still our home to this day. Me and Alicia have an impressive overlap in terms of music taste but we are also quite good at challenging each other's ideas which I believe is important for a healthy growth of any project. We are both into a lot of deep, intricate music within the ambient & downtempo, techno, breaks & bass realm to give you a very rough idea about our programming. 

When we are building a line-up, we always throw around a lot of names and then try to find a common thread among the artists we want to book. We imagine how their sound would work in a particular slot and how their sets would flow into each other so there is a sense of development throughout the night. This process is usually quite long but in some ways really intuitive. 

What is very important for us is to approach the event as a whole, a night that effortlessly moves forward along a curatorial narrative, one step at a time from the start to the very end, moving from horizontal ambient to sweaty dance as it progresses. 

interview continued via our substack: https://allmovingobjects.substack.com/p/kinetic-live-04-avsluta-live-at-spanners

kinetic live 04: Avsluta live at spanners [19012024]

Groningen based @komoost booker ⒜⒦⒜ ⒦⒪⒮  steps up for our 26th mixtape with two hours of genre-defying dark & murky textures

@aka-kos

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𝐧𝐚𝐦𝐞 / 𝐩𝐫𝐨𝐧𝐨𝐮𝐧𝐬 / 𝐰𝐡𝐞𝐫𝐞 𝐝𝐨 𝐮 𝐥𝐢𝐯𝐞
Kos / he/him / Groningen, NL

𝐭𝐞𝐥𝐥 𝐮𝐬 𝐚𝐛𝐨𝐮𝐭 𝐭𝐡𝐞 𝐜𝐨𝐧𝐜𝐞𝐩𝐭 𝐨𝐟 𝐭𝐡𝐢𝐬 𝐦𝐢𝐱
I think my liking for dark, murky dance music partly comes from the hunger for conflict as an essential building block in storytelling. The ‘story’ metaphor for DJing has been completely overused, even though the conflict part often seems to be absent. Setup, conflict and resolution are always the starting point for any set for me; I’ll fragment, mutate and rearrange them, but these three have to be present. A friend once called it brown sludge with a story, loved that.

Same approach goes here, this time with some pitch black dubstep I had laying around as a literal starting point to a bit of a purge with multiple stylistic blocks.

𝐡𝐨𝐰 𝐡𝐚𝐬 𝐲𝐨𝐮𝐫 𝐞𝐧𝐯𝐢𝐫𝐨𝐧𝐦𝐞𝐧𝐭 𝐩𝐚𝐬𝐭 𝐚𝐧𝐝 𝐩𝐫𝐞𝐬𝐞𝐧𝐭 𝐢𝐧𝐟𝐥𝐮𝐞𝐧𝐜𝐞𝐝 𝐲𝐨𝐮𝐫 𝐬𝐨𝐮𝐧𝐝 𝐚𝐧𝐝 𝐚𝐩𝐩𝐫𝐨𝐚𝐜𝐡 𝐭𝐨 𝐦𝐮𝐬𝐢𝐜?
Everything I play in my eyes ties back to early industrial, which definitely comes from my parents’ love for 70s and 80s wave and experimental music. Industrial (understandably) gets a bad rep but the pioneer movement is so complex: as the birthplace of many genres, but also regarding themes around spirituality, technology, philosophy and economics that are still as relevant 40 years on. Whatever the genre that I’m playing, that connection is always there: trance state, heavy distortion, dub techniques, spiraling synths, exploiting imperfections, drones & field recordings, etc.

Of course, taste keeps evolving, and it’s a pleasure to connect new dots to your baseline taste thanks to all the fascinating DJs in my close circle. It’s a powerful thing, mutually influencing each other with the stuff you play. Don’t think I’d ever be THIS interested in super fast, super minimalist techno were it not for @guia_gui, or the more modern trance bits were it not for @rdvsk, for example.

𝐭𝐞𝐥𝐥 𝐮𝐬 𝐦𝐨𝐫𝐞 𝐚𝐛𝐨𝐮𝐭 𝐎𝐎𝐒𝐓, 𝐰𝐡𝐚𝐭 𝐢𝐬 𝐲𝐨𝐮𝐫 𝐚𝐩𝐩𝐫𝐨𝐚𝐜𝐡 𝐭𝐨 𝐜𝐮𝐫𝐚𝐭𝐢𝐨𝐧 𝐚𝐧𝐝 𝐭𝐡𝐞 𝐠𝐞𝐧𝐞𝐫𝐚𝐥 𝐟𝐞𝐞𝐥 𝐨𝐟 𝐭𝐡𝐞 𝐜𝐥𝐮𝐛?
I started booking at the end of 2021 during the pandemic, when things were starting to look like we could reopen again soonish(April 1st, 2022). In general, our main goal is to present the most valuable experience of the night; to push local night culture by displaying a broad range of peculiar music. Experimental electronic music of all origins, hc punk and everything in between, basically. The Groningen crowd changes a lot, but all in all is open to a lot of different stuff. Finding out what works is easiest to explore based on regulars’ taste. You can book something super progressive, but that connection between sound and city – even if it just 2 or 3 people – needs to be there for me.

𝐬𝐮𝐦𝐦𝐚𝐫𝐢𝐬𝐞 𝐭𝐡𝐢𝐬 𝐦𝐢𝐱 𝐢𝐧 𝐭𝐡𝐫𝐞𝐞 𝐰𝐨𝐫𝐝𝐬
Feverish, dense, purge

interview continued via our subtack: https://allmovingobjects.substack.com/p/kinetic-mix-026-aka-kos-brown-sludge

kinetic mix 026: aka Kos "brown sludge"

Excited to be reliving our last event again by sharing some live recordings from the night 🌀

Next up is an excerpt of Dj wiggles & softi's opening set. The recording starts from 45 minutes into their set, as they started building their way up through the bpm’s. Lots of percussive rollers, slinky hypnotic techno and a few curveballs thrown in for good measure. 

A beautiful melting pot of both of their sounds, with peaks of tension and energy throughout. Enjoy!

@jazz_brown
@djwiggles

Our next event is on 17th May at Ormside Projects. Tickets here - ra.co/events/1883623

kinetic live 06: Dj wiggles b2b softi live at kinetic [010324]

Excited to be reliving our last event again by sharing some live recordings from the night 🌀

First up is Seb H.'s closing set; a masterclass in the building of tension, juxtaposing of dreamy melodies with wobbly bass & warm and fuzzy techno, journeying seamlessly through dark winding half time, jungle, de-school-basement-esque techno & even some dreamy tearjerking house. 

@sebcantmix

𝐖𝐞 𝐚𝐬𝐤𝐞𝐝 𝐒𝐞𝐛 𝐡𝐨𝐰 𝐡𝐞 𝐩𝐮𝐭 𝐭𝐡𝐢𝐬 𝐬𝐞𝐭 𝐭𝐨𝐠𝐞𝐭𝐡𝐞𝐫 -

"So I knew Jasmín could finish her set pretty much anywhere - from 130 techno to 170 drum’n’bass, I wanted to be ready to take over from anywhere. I put together blocks of roughly 10 records that all had a similar vibe/tempo: a block of hypnotic techno, a block of dubstep, DnB/half-time etc. And then I had transition records that could get me between each block. So on the night it was just a case of moving between the blocks in an order that made sense 😌"

Seb H. playing the closing set epitomises what we are trying to do at kinetic. Pair established artists with incredibly talented yet under the radar DJs, who totally deserve a space to perform. Seb's understanding of the emotional connection withe the dance floor & his records make him a truly special talent. 

Our next event is on 17th May at Ormside Projects. Tickets here - https://ra.co/events/1883623

kinetic live 05: Seb H. live at kinetic [010324]

Our next mixtape comes courtesy of Puglia born London based Niche founder, 	𝐈𝐤ä𝐯ä 𝐏𝐢𝐢.

A high energy hour of weird swampy sounds, eery melodies & intricate detail, put together with so much love and care it feels like one full track. 

Sometimes you listen to a mix & it feels like a true expression of someones personality, and that’s how we feel with this one. Thank you so much Giacomo <3

@ikavapii

𝐧𝐚𝐦𝐞 / 𝐩𝐫𝐨𝐧𝐨𝐮𝐧𝐬 / 𝐰𝐡𝐞𝐫𝐞 𝐝𝐨 𝐮 𝐥𝐢𝐯𝐞
Giacomo, Ikävä Pii / he, they / Hackney Wick

𝐭𝐞𝐥𝐥 𝐮𝐬 𝐚𝐛𝐨𝐮𝐭 𝐭𝐡𝐞 𝐜𝐨𝐧𝐜𝐞𝐩𝐭 𝐨𝐟 𝐭𝐡𝐢𝐬 𝐦𝐢𝐱
Weirdness and detail. This is all I want as a listener and a dancer, and what I want to convey as Ikävä Pii. In this mix I’ve explored slowfast ambiguity, music for ponds and futuristic punk, pairing Italian Sunitty with warped UK techno, with a couple of WTF turns.

For the most part, it is extremely detailed music. It’s abstract and rich. I don’t like the definition of “sound design” anymore: it sounds “functional”, as if the goal was creating a product. These producers are (like me), instead, trying to spawn detailed worlds.

𝐡𝐨𝐰 𝐡𝐚𝐬 𝐲𝐨𝐮𝐫 𝐞𝐧𝐯𝐢𝐫𝐨𝐧𝐦𝐞𝐧𝐭 𝐩𝐚𝐬𝐭 𝐚𝐧𝐝 𝐩𝐫𝐞𝐬𝐞𝐧𝐭 𝐢𝐧𝐟𝐥𝐮𝐞𝐧𝐜𝐞𝐝 𝐲𝐨𝐮𝐫 𝐬𝐨𝐮𝐧𝐝 𝐚𝐧𝐝 𝐚𝐩𝐩𝐫𝐨𝐚𝐜𝐡 𝐭𝐨 𝐦𝐮𝐬𝐢𝐜?
I’ve started making music with a punk band in Puglia. I picked up a guitar because my father and all his brothers played. Family gatherings were beautifully loud. Puglia was still a poor and tough place when I was a kid, so my love for international music was a form of escapism. I was (like many others) online a lot and in touch with musicians from all over the world. I started dreaming of London listening to The Clash at maybe 12yo? London has truly shaped me, I was radicalised here. Politically and artistically. And here’s where I embraced my queerness.

I think, in many instances, it was here that I was exposed to some really fringe stuff, and that’s how I realised I loved everything that was genuinely weird or boundaries-pushing. Furthermore, I believe that Hackney Wick makes my life as an artist easier. Cheap rent, community and proximity: it’s a 5 mins walk from the warehouse to the studio and the venue, and sometimes special things only happen thanks to the support of other locals. You know who you are! <3

𝐭𝐞𝐥𝐥 𝐮𝐬 𝐦𝐨𝐫𝐞 𝐚𝐛𝐨𝐮𝐭 𝐧𝐢𝐜𝐡𝐞, 𝐰𝐡𝐞𝐧 & 𝐰𝐡𝐲 𝐝𝐢𝐝 𝐲𝐨𝐮 𝐬𝐭𝐚𝐫𝐭 𝐭𝐡𝐞 𝐞𝐯𝐞𝐧𝐭 𝐬𝐞𝐫𝐢𝐞𝐬 & 𝐰𝐡𝐚𝐭 𝐢𝐬 𝐲𝐨𝐮𝐫 𝐚𝐩𝐩𝐫𝐨𝐚𝐜𝐡 𝐭𝐨 𝐜𝐮𝐫𝐚𝐭𝐢𝐨𝐧?
Niche started in April 2023 as a monthly sonic hangout; noisy jams, open decks, and improvised sets. Now it’s a full-scale event, with performances by some of the best artists we know. It started out of necessity: an accessible space to experiment with fellow noisemakers. 
My relationship with the venue was crucial; I’ve been a resident at The Bath House for 2 years now, and Niche can only happen because my studio is there.

It is a lovely ecosystem of musicians, DJs, listeners and dwellers. We are trying to bridge the gap between the bedroom and the venue, offering a space for people to try new things out and take risks, playing for the most understanding audience. In terms of curation, I am looking for the most daring acts out there - no genre limitations, but definitely priority to live shows, and musicians in particular. 
Alongside artists I know and/or follow, we met incredibly talented people through the open calls, or other nice folks who just jumped on the groupchat and asked to play! Keeping it as open and diverse as possible is at the core of our practice. We only have one resident at the moment - the amazing Queenie.

𝐬𝐮𝐦𝐦𝐚𝐫𝐢𝐬𝐞 𝐭𝐡𝐢𝐬 𝐦𝐢𝐱 𝐢𝐧 𝐭𝐡𝐫𝐞𝐞 𝐰𝐨𝐫𝐝𝐬
slowfast, weird, detailed

interview continued via substack - https://allmovingobjects.substack.com

𝐌𝐚𝐲 𝟏𝟕𝐭𝐡 𝐚𝐭 𝐎𝐫𝐦𝐬𝐢𝐝𝐞 𝐏𝐫𝐨𝐣𝐞𝐜𝐭𝐬 𝐰𝐢𝐭𝐡 𝐒𝐭𝐫𝐮𝐜𝐭𝐢𝐨𝐧 [𝐈𝐥𝐢𝐚𝐧 𝐓𝐚𝐩𝐞], 𝐉𝐮𝐫𝐚𝐧𝐠𝐨, 𝐃𝐣 𝐰𝐢𝐠𝐠𝐥𝐞𝐬 & 𝐑𝐲𝐨 𝐊𝐮𝐫𝐚𝐬𝐡𝐢𝐧𝐚 https://ra.co/events/1883623

kinetic mix 027: Ikävä Pii "weird details"

For this month’s show @djwiggles was joined by the wonderful @basicchanel for 2 hours of deep trippers. 

Some super special guests also dropped by the studio for the second hour - @max_q_ldn @theotheorist + @beatricemasters 🌀

music from the likes of ~ Dayzero, teqmun, tano, konduku, al wootton, big hands + more

kinetic w / Dj wiggles & basic chanel | netil radio, apr 24

Next up in the series we have Brighton based 'Fortune Sessions' founder and 'The Mine' resident @dub_athlete with a 2 hour texturally deep exploration through dreamy ambient, percussive techno & darker bass-heavy cuts.

A beautiful journey showcasing her versatility as a DJ, thank you Sophie <3

𝐧𝐚𝐦𝐞 / 𝐩𝐫𝐨𝐧𝐨𝐮𝐧𝐬 / 𝐰𝐡𝐞𝐫𝐞 𝐝𝐨 𝐮 𝐥𝐢𝐯𝐞
Sophie, She, Brighton UK

𝐭𝐞𝐥𝐥 𝐮𝐬 𝐚𝐛𝐨𝐮𝐭 𝐭𝐡𝐞 𝐜𝐨𝐧𝐜𝐞𝐩𝐭 𝐨𝐟 𝐭𝐡𝐢𝐬 𝐦𝐢𝐱
Firstly, thanks to Dj wiggles for the opportunity to contribute to the Kinetic series <3

The mix is experimental and long-form, exploring ambient meditative selections as well as darker bass-heavy and textured tracks from across the bpm spectrum, with several tracks warped far from their original bpm. The pace, mood and energy fluctuate. Some tracks emerge quickly, like intrusive thoughts or distractions, others are  given more time to breathe merging into the mix more subtly. This reflects the often unpredictable and challenging nature of losing and regaining a sense of presence and control. The mix has a symbolic cyclical nature, returning to particular percussive sounds and motifs as it progresses. 

Many philosophies motivate me to DJ including the belief everything is connected to the collective and sound exists at that intersection, it is a universally connecting force that exists at the boundaries where mind and body meet the world. All creative practices are intrinsically informed by the personal experiences of their creator/s. This imbues them with narrative and gives them the potential for human connection at these boundaries. 

The title of the mix “decompression” alludes to the pursuit of emotive release. It is a response to life at present - from harrowing world events, to personal challenges and introspection. I hope people enjoy and connect with it, perhaps finding some peace of mind by its end.

𝐭𝐞𝐥𝐥 𝐮𝐬 𝐚 𝐛𝐢𝐭 𝐚𝐛𝐨𝐮𝐭 𝐟𝐨𝐫𝐭𝐮𝐧𝐞 𝐬𝐞𝐬𝐬𝐢𝐨𝐧𝐬, 𝐡𝐨𝐰 𝐝𝐢𝐝 𝐢𝐭 𝐬𝐭𝐚𝐫𝐭 𝐚𝐧𝐝 𝐰𝐡𝐚𝐭’𝐬 𝐭𝐡𝐞 𝐢𝐝𝐞𝐚 𝐛𝐞𝐡𝐢𝐧𝐝 𝐢𝐭?
I started the Fortune Sessions nights in 2019. Before then I threw a lot of house parties. When I had to move into a house unsuitable for big gatherings I began looking for a venue. 

The Fortune of War is a venue located on Brighton beach. It has an intimate dance floor space indoors for winter events and then a big outdoor space for parties in summer. It’s well-loved by locals, with a friendly and laid-back vibe. For a grassroots night it felt like the perfect fit. 

The first session went well but then Covid hit just before the second event was due to happen. I was disappointed but it gave me time to develop the aim and concept behind the events. I also acquired a better sound system to power them. The second session finally took place in March 2022 and two years on I’m preparing for the 15th!

The Fortune Sessions have always had a multi-genre format with a commitment to diversity behind the decks, and a low-key unpretentious vibe. The venue being a pub rather than a club means that the events draw a crowd of dedicated ravers as well as people just out for a good time. Not everyone who enjoys dance music vibes with the club environment, so I’m glad to be able to platform niche genres in an unintimidating space to a wider audience. The nights being free entry also means its more accessible, giving the opportunity for new musical discovery. On a few occasions I’ve been asked “what IS this music??” by people on the dancefloor.

Check out the full interview & more via our substack: https://allmovingobjects.substack.com/p/kinetic-mix-029-dub-athlete-decompression

kinetic mix 029: Dub Athlete "Decompression"

For our 30th instalment we have a very special submission via Milano. 

Balleremo & Cura Festival resident, Ortensio brings us an extended mix testing the limits of 'dance music' - a beautifully introspective blend of slow jams, percussive textures, moments of serenity contrasted with moments of total chaos and more dub infused and bass heavy sounds.

Super beautiful, thank you Ortensio <3

@goedel000
@balleremo-04-14

--

𝐧𝐚𝐦𝐞 / 𝐩𝐫𝐨𝐧𝐨𝐮𝐧𝐬 / 𝐰𝐡𝐞𝐫𝐞 𝐝𝐨 𝐮 𝐥𝐢𝐯𝐞
Ortensio , he/him , Milano, Italy

𝐭𝐞𝐥𝐥 𝐮𝐬 𝐚𝐛𝐨𝐮𝐭 𝐭𝐡𝐞 𝐜𝐨𝐧𝐜𝐞𝐩𝐭 𝐨𝐟 𝐭𝐡𝐢𝐬 𝐦𝐢𝐱
For this mix I wanted to try and build a blend some of the outcome of my researches towards the different shades and forms of danceable music I personally enjoy the most, possibly limiting as much as possible the usage of music conceived and created specifically for the contemporary dance floors and sound systems, and trying to dig deeper into different dimensions of regular and non-regular rhythms, music jams and head-moving sonic creations from all over the world, mostly focusing on the mediterranean macro area and more.

𝐡𝐨𝐰 𝐡𝐚𝐬 𝐲𝐨𝐮𝐫 𝐞𝐧𝐯𝐢𝐫𝐨𝐧𝐦𝐞𝐧𝐭 𝐩𝐚𝐬𝐭 𝐚𝐧𝐝 𝐩𝐫𝐞𝐬𝐞𝐧𝐭 𝐢𝐧𝐟𝐥𝐮𝐞𝐧𝐜𝐞𝐝 𝐲𝐨𝐮𝐫 𝐬𝐨𝐮𝐧𝐝 𝐚𝐧𝐝 𝐚𝐩𝐩𝐫𝐨𝐚𝐜𝐡 𝐭𝐨 𝐦𝐮𝐬𝐢𝐜?
My past, when I was living in Berlin and DJing more regularly in clubs, has helped me shape my technical skills. Milano instead has helped me breaking my limits, getting out of my comfort zone and destroying a lot of the patterns that, as a DJ and Music Maker, were locking me down in a box. There’s a lot of oxygen, curiosity and creativity nowadays in my everyday life.

𝐰𝐡𝐚𝐭’𝐬 𝐚 𝐩𝐚𝐫𝐭𝐲 / 𝐜𝐥𝐮𝐛 𝐲𝐨𝐮 𝐡𝐚𝐯𝐞𝐧’𝐭 𝐛𝐞𝐞𝐧 𝐭𝐨 𝐛𝐮𝐭 𝐲𝐨𝐮’𝐝 𝐥𝐢𝐤𝐞 𝐭𝐨?
Definitely one of the kinetic events. I prefer small DIY events over infamous and hyper-celebrated social gatherings. The only thing I care the most about lately is the sound system.

𝐚 𝐥𝐨𝐜𝐚𝐥 𝐩𝐚𝐫𝐭𝐲 𝐲𝐨𝐮’𝐝 𝐥𝐢𝐤𝐞 𝐭𝐨 𝐛𝐢𝐠 𝐮𝐩?
Can’t avoid trying to bring some attention to our beloved creature, @balleremo-04-14. Also, there’s a few, but definitely @ormeye and DNN’s LOBO, Dubwise, Buka and Evolvere are some of my favorites. But I’m sure I’m forgetting some.

𝐚 𝐥𝐨𝐜𝐚𝐥 𝐃𝐉 / 𝐩𝐫𝐨𝐝𝐮𝐜𝐞𝐫 𝐲𝐨𝐮’𝐝 𝐥𝐢𝐤𝐞 𝐭𝐨 𝐛𝐢𝐠 𝐮𝐩?
Definitely @st-ill, @piezopz, @notmass / @cipppo, @biasedraw and @ernestobellicini.

𝐰𝐡𝐚𝐭 𝐰𝐚𝐬 𝐲𝐨𝐮𝐫 𝐥𝐚𝐭𝐞𝐬𝐭 (𝐩𝐨𝐬𝐢𝐭𝐢𝐯𝐞) 𝐜𝐥𝐮𝐛𝐛𝐢𝐧𝐠 𝐞𝐱𝐩𝐞𝐫𝐢𝐞𝐧𝐜𝐞?
Last month at Mezzocannone Occupato in Naples, invited by sea dogs crew and the Perditempo family. Was definitely touching.

𝐭𝐡𝐞 𝐥𝐚𝐬𝐭 𝐦𝐢𝐱 𝐲𝐨𝐮 𝐥𝐢𝐬𝐭𝐞𝐧𝐞𝐝 𝐭𝐨?
A Rhythm & Sound / Basic Channel tribute mix.
> https://youtu.be/xH9bgpCHyJA <
> https://youtu.be/3Fqhq078rTA <

𝐭𝐡𝐞 𝐥𝐚𝐬𝐭 𝐚𝐥𝐛𝐮𝐦 𝐲𝐨𝐮 𝐥𝐢𝐬𝐭𝐞𝐧𝐞𝐝 𝐭𝐨?
Barabàn - Musa di Pelle, Pinfio di Legno Nero

𝐭𝐡𝐞 𝐥𝐚𝐬𝐭 𝐠𝐢𝐟𝐭 𝐲𝐨𝐮 𝐫𝐞𝐜𝐞𝐢𝐯𝐞𝐝?
A Bansuri Flute, a Gong and an Olympus Trip MD3

𝐭𝐡𝐞 𝐥𝐚𝐬𝐭 𝐫𝐞𝐜𝐨𝐫𝐝 𝐲𝐨𝐮 𝐛𝐨𝐮𝐠𝐡𝐭?
Coil - Moon’s Milk (In Four Phases)

𝐲𝐨𝐮𝐫 𝐟𝐚𝐯𝐨𝐮𝐫𝐢𝐭𝐞 𝐞𝐱𝐩𝐞𝐫𝐢𝐞𝐧𝐜𝐞 𝐃𝐉𝐢𝐧𝐠 𝐬𝐨 𝐟𝐚𝐫?
There’s too many. But my most recent was at my place, with some of my most loved friends during an endless after party.

𝐰𝐡𝐚𝐭’𝐬 𝐲𝐨𝐮𝐫 𝐟𝐚𝐯𝐨𝐮𝐫𝐢𝐭𝐞 𝐜𝐢𝐭𝐲 𝐭𝐨 𝐩𝐚𝐫𝐭𝐲 𝐢𝐧?
The city where I live, Milano, for the vibe. And lately, our event “Balleremo”. There’s other cities I love way more tho for the sound systems.

𝐚𝐧 𝐚𝐥𝐥 𝐭𝐢𝐦𝐞 𝐟𝐚𝐯𝐨𝐮𝐫𝐢𝐭𝐞 𝐦𝐢𝐱?
There’s really too many. I can mention some of the artists tho: Mala, @keinobjekt, @djrum.

𝐬𝐮𝐦𝐦𝐚𝐫𝐢𝐬𝐞 𝐭𝐡𝐢𝐬 𝐦𝐢𝐱 𝐢𝐧 𝐭𝐡𝐫𝐞𝐞 𝐰𝐨𝐫𝐝𝐬
Cinematic - Ritualistic - Tribal

kinetic mix 030: Ortensio "Origins"

Berlin based DJ Flounce is up next with an hour of sub-heavy & dub infused bass, dubstep & grime. 

@claire-dj-bln

𝐧𝐚𝐦𝐞 / 𝐩𝐫𝐨𝐧𝐨𝐮𝐧𝐬 / 𝐰𝐡𝐞𝐫𝐞 𝐝𝐨 𝐮 𝐥𝐢𝐯𝐞
Claire, (she/they) Berlin

𝐭𝐞𝐥𝐥 𝐮𝐬 𝐚𝐛𝐨𝐮𝐭 𝐭𝐡𝐞 𝐜𝐨𝐧𝐜𝐞𝐩𝐭 𝐨𝐟 𝐭𝐡𝐢𝐬 𝐦𝐢𝐱
I wanted to create something that had a vibrant, summery yet dope feeling and it just so turned out id been subconsciously collecting the right tunes to make that happen. 

𝐡𝐨𝐰 𝐡𝐚𝐬 𝐲𝐨𝐮𝐫 𝐞𝐧𝐯𝐢𝐫𝐨𝐧𝐦𝐞𝐧𝐭 𝐢𝐧𝐟𝐥𝐮𝐞𝐧𝐜𝐞𝐝 𝐲𝐨𝐮𝐫 𝐬𝐨𝐮𝐧𝐝 𝐚𝐧𝐝 𝐚𝐩𝐩𝐫𝐨𝐚𝐜𝐡 𝐭𝐨 𝐦𝐮𝐬𝐢𝐜?
My first rave experiences were to the sounds of Drum n’ Bass and although I’ve strayed from the genre and now love and play other stuff, I think my non 4/4 roots come through in most things that I do. I like the versatility and experimentation of a breakbeat and feel it leaves more room to play - both behind and in front of the DJ booth. 

𝐭𝐞𝐥𝐥 𝐮𝐬 𝐦𝐨𝐫𝐞 𝐚𝐛𝐨𝐮𝐭 𝐲𝐨𝐮𝐫 𝐩𝐫𝐨𝐣𝐞𝐜𝐭𝐬, 𝐰𝐡𝐞𝐧 𝐝𝐢𝐝 𝐢𝐭 𝐬𝐭𝐚𝐫𝐭 & 𝐰𝐡𝐚𝐭 𝐢𝐬 𝐲𝐨𝐮𝐫 𝐚𝐩𝐩𝐫𝐨𝐚𝐜𝐡 𝐭𝐨 𝐜𝐮𝐫𝐚𝐭𝐢𝐨𝐧?
I co-founded two projects here in Berlin, Double Trouble and FACILITATE. For Double Trouble, we do two versions of the night, one being focussed on the art of _baerchenwurst_, displayed on a backdrop of ambient music at our cute hangout spot Kwia and the other is pure party at Zur Klappe. We focus on bass music and are FLINTA so that plays a big role in the curation. I run the night together with DJ Doc and we started in December 2022. 

FACILITATE. I run together with DJ NORTHERN and we are a FLINTA Drum n’ Bass event which we started in November 2023. Both events were started to create more space for FLINTA DJ’s in the Berlin bass music scene, to make more space for bass loving queers on the dance floor and also just because we love it!

𝐰𝐡𝐚𝐭’𝐬 𝐚 𝐩𝐚𝐫𝐭𝐲 / 𝐜𝐥𝐮𝐛 𝐲𝐨𝐮 𝐡𝐚𝐯𝐞𝐧’𝐭 𝐛𝐞𝐞𝐧 𝐭𝐨 𝐛𝐮𝐭 𝐲𝐨𝐮’𝐝 𝐥𝐢𝐤𝐞 𝐭𝐨?
Fold

𝐚 𝐥𝐨𝐜𝐚𝐥 𝐩𝐚𝐫𝐭𝐲 / 𝐯𝐞𝐧𝐮𝐞 𝐲𝐨𝐮’𝐝 𝐥𝐢𝐤𝐞 𝐭𝐨 𝐛𝐢𝐠 𝐮𝐩?
Im gonna big up Zur Klappe here <3 Not only cos its our home but also as they’re giving space to lots of up and coming collectives in Berlin where it can be very competitive and extremely tough to find a venue for your function. They’re also a pleasure to work with from start to finish!  

𝐰𝐡𝐚𝐭 𝐰𝐚𝐬 𝐲𝐨𝐮𝐫 𝐥𝐚𝐭𝐞𝐬𝐭 (𝐩𝐨𝐬𝐢𝐭𝐢𝐯𝐞) 𝐜𝐥𝐮𝐛𝐛𝐢𝐧𝐠 𝐞𝐱𝐩𝐞𝐫𝐢𝐞𝐧𝐜𝐞?
@femmebassmafia X @outlookfestival at Fitzroy in Berlin

𝐭𝐡𝐞 𝐥𝐚𝐬𝐭 𝐦𝐢𝐱 𝐲𝐨𝐮 𝐥𝐢𝐬𝐭𝐞𝐧𝐞𝐝 𝐭𝐨?
@nuggetbln at @kioskradio 29.03.2024

> https://soundcloud.com/kioskradio/nugget-kiosk-radio-29-03-2024 <

𝐭𝐡𝐞 𝐥𝐚𝐬𝐭 𝐚𝐥𝐛𝐮𝐦 𝐲𝐨𝐮 𝐥𝐢𝐬𝐭𝐞𝐧𝐞𝐝 𝐭𝐨?
Andre 3000 (the new one lol)

𝐭𝐡𝐞 𝐥𝐚𝐬𝐭 𝐠𝐢𝐟𝐭 𝐲𝐨𝐮 𝐫𝐞𝐜𝐞𝐢𝐯𝐞𝐝?
a MacBook Air that I gifted myself haha

𝐲𝐨𝐮𝐫 𝐟𝐚𝐯𝐨𝐮𝐫𝐢𝐭𝐞 𝐞𝐱𝐩𝐞𝐫𝐢𝐞𝐧𝐜𝐞 𝐃𝐉𝐢𝐧𝐠 𝐬𝐨 𝐟𝐚𝐫?
ok im gonna go for top three cos its too hard to pick, Openground in Wuppertal, @multisex at Watergate and 7001 festival b2b with @elke-dj

𝐲𝐨𝐮𝐫 𝐟𝐚𝐯𝐨𝐮𝐫𝐢𝐭𝐞 𝐭𝐰𝐨 𝐭𝐫𝐚𝐜𝐤𝐬 𝐭𝐨 𝐦𝐢𝐱 𝐭𝐨𝐠𝐞𝐭𝐡𝐞𝐫?
@debbauk - Direction —> @sisterzo - Earthmover

𝐰𝐡𝐚𝐭’𝐬 𝐲𝐨𝐮𝐫 𝐟𝐚𝐯𝐨𝐮𝐫𝐢𝐭𝐞 𝐜𝐢𝐭𝐲 𝐭𝐨 𝐩𝐚𝐫𝐭𝐲 𝐢𝐧?
Berlin

𝐚𝐧 𝐚𝐥𝐥 𝐭𝐢𝐦𝐞 𝐟𝐚𝐯𝐨𝐮𝐫𝐢𝐭𝐞 𝐦𝐢𝐱?
also gonna do top three, @darwinspec NAAFI NTS Mix, @craig-richards RA mix, @miakoden Dekmantel mix

> https://soundcloud.com/darwinspec/darwin-naafi-nts-mix <
> https://soundcloud.com/resident-advisor/ra554-craig-richards <
> https://soundcloud.com/dkmntl/dekmantel-podcast-458-mia-koden <


𝐬𝐮𝐦𝐦𝐚𝐫𝐢𝐬𝐞 𝐭𝐡𝐢𝐬 𝐦𝐢𝐱 𝐢𝐧 𝐭𝐡𝐫𝐞𝐞 𝐰𝐨𝐫𝐝𝐬
dubby, subby and playful

kinetic mix 031: Dj Flounce "balmy"

Gillan brings us a 2 hour meditative journey through ambient textures and the depths of minimal techno, exactly what we’ve come to expect from the Dorset based artist. 

@gillandj

𝐧𝐚𝐦𝐞 / 𝐩𝐫𝐨𝐧𝐨𝐮𝐧𝐬 / 𝐰𝐡𝐞𝐫𝐞 𝐝𝐨 𝐮 𝐥𝐢𝐯𝐞
Ellie Gillan - She / Her - Currently nestled in Dorset 

𝐭𝐞𝐥𝐥 𝐮𝐬 𝐚𝐛𝐨𝐮𝐭 𝐭𝐡𝐞 𝐜𝐨𝐧𝐜𝐞𝐩𝐭 𝐨𝐟 𝐭𝐡𝐢𝐬 𝐦𝐢𝐱
My intention with the mix was to encapsulate the more peak-time club energies that I’m consistently drawn to at the moment, and from this, the natural layering that happened with the mix is a beautiful epitome of how I experience meditation. At the start of meditating, I go through x amount of minutes weaving through thoughts, sensations, going into a few thought spirals by accident, all on a steady stream towards something. It’s like the thoughts and feelings are all catching my attention, pulling me in a bit further. And then I get to this breakthrough point where it feels like my mind has completely cleared and I have pushed past the stickiness of thoughts; which the bridge in the mix massively resembles to me. On the build to this, the tempo & rhythm is something that can be followed to this point, resembling the forwards motion taking you from your conscious mind into your subconscious mind. I had quite a profound experience of this at Positive Education late last year. I had the intention for Space Drum Meditation’s set to follow the sounds with my eyes closed and to engage with my body throughout it. The difference I felt in my mind and body afterwards is something that has stayed with me since. It struck a deeper chord on how meditative music is, if you let go and allow it to be. So this is where the concept has occurred quite naturally, where music and meditation meet in taking us somewhere beyond ourselves. 

𝐬𝐮𝐦𝐦𝐚𝐫𝐢𝐬𝐞 𝐭𝐡𝐢𝐬 𝐦𝐢𝐱 𝐢𝐧 𝐭𝐡𝐫𝐞𝐞 𝐰𝐨𝐫𝐝𝐬
ancestral, celestial, move

interview continued on our substack: https://allmovingobjects.substack.com/p/kinetic-mix-032-gillan-beneath

kinetic mix 032: Gillan "Beneath"

For this month’s show, @djwiggles invites Rennes based module founder @nessiel onto the show. 

With a love of intricate rhythms and hypnotic drum patterns, Nessiel took over the first hour of the show with some wet and foggy broken techy gems, with Dj wiggles stepping up in the second. 

There will also be a special guest in the studio 🐕

You can catch our show every 3rd Friday of the month 21:00 - 23:00 BST at
www.netilradio.com

kinetic w / Dj wiggles + Nessiel | netil radio, june 24

Berlin based refuge worldwide resident ophélie brings us an hour of bass-heavy music for our 33rd mixtape, spanning from chuggy downtempo to fast n feel good footwork - with everything in between.  

@opheliek

𝐧𝐚𝐦𝐞 / 𝐩𝐫𝐨𝐧𝐨𝐮𝐧𝐬 / 𝐰𝐡𝐞𝐫𝐞 𝐝𝐨 𝐮 𝐥𝐢𝐯𝐞
Ophélie / she/they / Berlin

𝐭𝐞𝐥𝐥 𝐮𝐬 𝐚𝐛𝐨𝐮𝐭 𝐭𝐡𝐞 𝐜𝐨𝐧𝐜𝐞𝐩𝐭 𝐨𝐟 𝐭𝐡𝐢𝐬 𝐦𝐢𝐱
To be honest, I have found the world to be particularly dark this last year. When I thought about a concept and vibe for this mix, I struggled to go towards a happier direction, as it felt in contradiction with how I’ve felt recently. I have naturally leaned towards deeper, maybe more melancholic and dubby sounds for this one.
I am nonetheless amazed by all the great people around me fighting day after day for a better and more just future for everyone, it gives me hope and comfort, and that’s also reflected in this mix by lots of brighter, more hopeful moments.

It was actually a very soothing and cathartic experience recording this mix, thank you so much for inviting me <3

𝐡𝐨𝐰 𝐡𝐚𝐬 𝐲𝐨𝐮𝐫 𝐞𝐧𝐯𝐢𝐫𝐨𝐧𝐦𝐞𝐧𝐭 𝐩𝐚𝐬𝐭 𝐚𝐧𝐝 𝐩𝐫𝐞𝐬𝐞𝐧𝐭 𝐢𝐧𝐟𝐥𝐮𝐞𝐧𝐜𝐞𝐝 𝐲𝐨𝐮𝐫 𝐬𝐨𝐮𝐧𝐝 𝐚𝐧𝐝 𝐚𝐩𝐩𝐫𝐨𝐚𝐜𝐡 𝐭𝐨 𝐦𝐮𝐬𝐢𝐜?
I’m from a place where there weren't a lot of clubs, or wasn’t much happening musically, so a lot of my first experiences with live electronic music were with warehouses, raves, or traveling to Spain close-by to go to afters or parties.
As someone who can be very obsessive about the things I’m passionate about, I just had to know everything, and was making tons of lists about labels, artists, releases, spending hours looking for tracklists on Mixes-db (soon RIP 😢), looking for parties and clubs on RA, and also started collecting vinyls, that I was always too shy to play in front of people.

Going to London and especially Fabric and Plastic People, as well as Freerotation also had a huge impact on me, and opened me up to a whole new world of sound.

Even though this music thing was objectively what was taking the most space in my life, through which I met most of my friends and found most of my jobs, for the longest time I just couldn’t imagine djing in front of people (even my friends), or even try to get better at it. I was thinking about it a lot, but just always felt it wasn’t for me, that I wasn’t really good at it, and wouldn’t manage to get better. I really had to push myself (and still have to tbh) very hard to get out of this mindset.

𝐖𝐞 𝐚𝐛𝐬𝐨𝐥𝐮𝐭𝐞𝐥𝐲 𝐥𝐨𝐯𝐞 𝐲𝐨𝐮𝐫 𝐭𝐡𝐞𝐫𝐚𝐩𝐲 𝐝𝐨𝐠𝐬 𝐬𝐡𝐨𝐰 𝐨𝐧 𝐫𝐞𝐟𝐮𝐠𝐞 𝐰𝐨𝐫𝐥𝐝𝐢𝐰𝐝𝐞, 𝐜𝐚𝐧 𝐲𝐨𝐮 𝐭𝐞𝐥𝐥 𝐮𝐬 𝐚 𝐥𝐢𝐭𝐭𝐥𝐞 𝐛𝐢𝐭 𝐦𝐨𝐫𝐞 𝐚𝐛𝐨𝐮𝐭 𝐭𝐡𝐞 𝐜𝐨𝐧𝐜𝐞𝐩𝐭 𝐛𝐞𝐡𝐢𝐧𝐝 𝐢𝐭 𝐚𝐧𝐝 𝐡𝐨𝐰 𝐥𝐨𝐧𝐠 𝐲𝐨𝐮’𝐯𝐞 𝐛𝐞𝐞𝐧 𝐝𝐨𝐢𝐧𝐠 𝐢𝐭 𝐟𝐨𝐫?
Aw thanks, really appreciate that <3 with radio sometimes it’s hard to know if people are actually listening, so I’m always so happy to hear someone say that they’ve been enjoying the show!
It will be 3 years of Therapy Dog next October. I started doing shows on Refuge before that, but started Therapy Dog in October 2021. I’m not sure there was too much of a concept to be honest, but I love dogs and mental health is something I have struggled with and find important, and I’m yet to find a quicker fix to being a bit down than petting a cute dog!

I like inviting friends and artists that I like on the show, and try to adapt to their style. If I’m doing it on my own, I’ll try to go with a specific theme. This show brought me so much joy over the last few years, always so nice to get to play some b2bs with friends or dig to find new music, as well as some regular time to practice and experiment outside the club. It also taught me to be a little more confident speaking on air, which I would never have been able to do before that.

𝐬𝐮𝐦𝐦𝐚𝐫𝐢𝐬𝐞 𝐭𝐡𝐢𝐬 𝐦𝐢𝐱 𝐢𝐧 𝐭𝐡𝐫𝐞𝐞 𝐰𝐨𝐫𝐝𝐬
Deep muddy puddle :)

full interview here: https://allmovingobjects.substack.com/p/kinetic-mix-033-ophelie-little-pockets

kinetic mix 033: ophélie "Little pockets of hope and resistance"

The Naarm based artist takes us on an extended 3 hour journey through lush ambient textures, mellow downtempo and ethereal half time. 

𝐧𝐚𝐦𝐞 / 𝐩𝐫𝐨𝐧𝐨𝐮𝐧𝐬 / 𝐰𝐡𝐞𝐫𝐞 𝐝𝐨 𝐮 𝐥𝐢𝐯𝐞
Greer – they/them – living in Naarm/Melbourne, Australia

𝐭𝐞𝐥𝐥 𝐮𝐬 𝐚𝐛𝐨𝐮𝐭 𝐭𝐡𝐞 𝐜𝐨𝐧𝐜𝐞𝐩𝐭 𝐨𝐟 𝐭𝐡𝐢𝐬 𝐦𝐢𝐱
The intention of this mix is to guide one down the path of introspection and exploration. This mix fluctuates between slow moving pieces and more club-centric sounds all in an effort to play around with what sounds we tend to deem as “meditative.” Some find zen alone in their bedroom, some find it surrounded by bodies on the dancefloor - I hope to balance these journeys as this mix moves between slow and fast, gentle and experimental, light and dark.

𝐜𝐚𝐧 𝐲𝐨𝐮 𝐭𝐞𝐥𝐥 𝐮𝐬 𝐚 𝐥𝐢𝐭𝐭𝐥𝐞 𝐛𝐢𝐭 𝐚𝐛𝐨𝐮𝐭 𝐰𝐡𝐞𝐫𝐞 𝐲𝐨𝐮 𝐥𝐢𝐯𝐞 + 𝐭𝐡𝐞 𝐬𝐜𝐞𝐧𝐞 𝐭𝐡𝐞𝐫𝐞 𝐚𝐭 𝐭𝐡𝐞 𝐦𝐨𝐦𝐞𝐧𝐭, 𝐚𝐧𝐝 𝐡𝐨𝐰 𝐢𝐭 𝐢𝐧𝐬𝐩𝐢𝐫𝐞𝐬 𝐲𝐨𝐮?
I moved to Naarm/Melbourne earlier this year and it has made me realise how unbelievably lucky I am to live here in “Australia”. From the natural landscapes of this country to the amount of gifted homies I come in contact with almost everyday, I’m in a constant state of awe. Artists like Zara, OK EG, Tangerine & Gi have me bursting at the seams with excitement for the sounds coming out of this place.

𝐜𝐚𝐧 𝐲𝐨𝐮 𝐭𝐞𝐥𝐥 𝐮𝐬 𝐚 𝐥𝐢𝐭𝐭𝐥𝐞 𝐛𝐢𝐭 𝐚𝐛𝐨𝐮𝐭 𝐭𝐚𝐤𝐞 𝐜𝐚𝐫𝐞 𝐚𝐧𝐝 𝐭𝐡𝐞 𝐜𝐨𝐧𝐜𝐞𝐩𝐭 𝐛𝐞𝐡𝐢𝐧𝐝 𝐢𝐭?
Take Care was created in 2022, birthed from my new found love for gentle ambient/downtempo. A meditative mix (and later turned event) series focused around self and community care. It was made to be a sort of ‘digital destination’, a one-stop-shop of ambient soundscapes to help find stillness, cultivate growth and realign with what it means to be alive.

𝐰𝐡𝐚𝐭’𝐬 𝐚 𝐩𝐚𝐫𝐭𝐲 / 𝐜𝐥𝐮𝐛 𝐲𝐨𝐮 𝐡𝐚𝐯𝐞𝐧’𝐭 𝐛𝐞𝐞𝐧 𝐭𝐨 𝐛𝐮𝐭 𝐲𝐨𝐮’𝐝 𝐥𝐢𝐤𝐞 𝐭𝐨?
Woodburnia, its my goal to make it out to the next one

𝐚 𝐥𝐨𝐜𝐚𝐥 𝐩𝐚𝐫𝐭𝐲 𝐲𝐨𝐮’𝐝 𝐥𝐢𝐤𝐞 𝐭𝐨 𝐛𝐢𝐠 𝐮𝐩?
Yalla Collective, Fem Fale & Foreign Frequencies based in Meanjin/Brisbane 
Absorb, Fluxx Club & Nightshop in Naarm/Melbourne

𝐰𝐡𝐚𝐭 𝐰𝐚𝐬 𝐲𝐨𝐮𝐫 𝐥𝐚𝐭𝐞𝐬𝐭 (𝐩𝐨𝐬𝐢𝐭𝐢𝐯𝐞) 𝐜𝐥𝐮𝐛𝐛𝐢𝐧𝐠 𝐞𝐱𝐩𝐞𝐫𝐢𝐞𝐧𝐜𝐞?
One that takes the cake right now would have to be a two day party called Absorbed. The line up was majority local/Aus talent and incredibly diverse in sound - yet it all flowed beautifully! From live acts to djs to bands, oh man I just had the best time! 

𝐭𝐡𝐞 𝐥𝐚𝐬𝐭 𝐦𝐢𝐱 𝐲𝐨𝐮 𝐥𝐢𝐬𝐭𝐞𝐧𝐞𝐝 𝐭𝐨?
Dub Athlete’s Kinetic mix, would you believe! 

𝐭𝐡𝐞 𝐥𝐚𝐬𝐭 𝐚𝐥𝐛𝐮𝐦 𝐲𝐨𝐮 𝐥𝐢𝐬𝐭𝐞𝐧𝐞𝐝 𝐭𝐨?
Turnover - Peripheral Vision

𝐭𝐡𝐞 𝐥𝐚𝐬𝐭 𝐠𝐢𝐟𝐭 𝐲𝐨𝐮 𝐫𝐞𝐜𝐞𝐢𝐯𝐞𝐝?
While studying during peak assessment time a homie brought me a cookie, that was epic

𝐭𝐡𝐞 𝐥𝐚𝐬𝐭 𝐫𝐞𝐜𝐨𝐫𝐝 𝐲𝐨𝐮 𝐛𝐨𝐮𝐠𝐡𝐭?
Third Space - Scissor Kick

𝐲𝐨𝐮𝐫 𝐟𝐚𝐯𝐨𝐮𝐫𝐢𝐭𝐞 𝐞𝐱𝐩𝐞𝐫𝐢𝐞𝐧𝐜𝐞 𝐃𝐉𝐢𝐧𝐠 𝐬𝐨 𝐟𝐚𝐫?
This may be a bit clique, but my favourite experience so far would be NYE of 2023 at a dear homies house party. It was open decks and my friend Rilie and I ended up getting on and just playing the most ridiculous throwbacks, while our friend Rob got people to sing along on a mic we found. I started DJ’ing as a means to have fun with my homies and at that moment, it all came together in a beautiful celebration.

𝐰𝐡𝐚𝐭’𝐬 𝐲𝐨𝐮𝐫 𝐟𝐚𝐯𝐨𝐮𝐫𝐢𝐭𝐞 𝐜𝐢𝐭𝐲 𝐭𝐨 𝐩𝐚𝐫𝐭𝐲 𝐢𝐧?
My experience is definitely limited so I’ve gotta say Naarm/Melbourne

𝐚𝐧 𝐚𝐥𝐥 𝐭𝐢𝐦𝐞 𝐟𝐚𝐯𝐨𝐮𝐫𝐢𝐭𝐞 𝐦𝐢𝐱?
A tie between CLV - Priya, Neon Cleptu 23 - Opal Tree Amour and Quincy Raw for Take Care

> https://soundcloud.com/city-bleus/clv-priya <
> https://soundcloud.com/woodyninetytwo/neon-cleptu-23-opal-tree-armour<
> https://soundcloud.com/take-care-of-each-other/tc005-quincy-raw <

𝐬𝐮𝐦𝐦𝐚𝐫𝐢𝐬𝐞 𝐭𝐡𝐢𝐬 𝐦𝐢𝐱 𝐢𝐧 𝐭𝐡𝐫𝐞𝐞 𝐰𝐨𝐫𝐝𝐬
Lotsa cool music!

kinetic mix 034: greer "distill"

For this month's show, Sweet B took over for the first hour with some bouncy house, before Dj wiggles joined her for the second hour. 

@djwiggles
@sweet_as_a_b
@netil-radio

You can catch our show every 3rd Friday of the month 21:00 - 23:00 BST at
www.netilradio.com

kinetic w / Dj wiggles + Sweet B | netil radio, july 24

This week's podcast comes courtesy of London based promoter & venue programmer Benk0.

We’ve been eagerly anticipating this mix after listening to his mixes for a while and it doesn’t disappoint. 2 hours of his usual blend of deep and psychedelic textures. love it <3

@benkos

𝐧𝐚𝐦𝐞 / 𝐩𝐫𝐨𝐧𝐨𝐮𝐧𝐬 / 𝐰𝐡𝐞𝐫𝐞 𝐝𝐨 𝐮 𝐥𝐢𝐯𝐞
Trey, He/him,London

𝐭𝐞𝐥𝐥 𝐮𝐬 𝐚𝐛𝐨𝐮𝐭 𝐭𝐡𝐞 𝐜𝐨𝐧𝐜𝐞𝐩𝐭 𝐨𝐟 𝐭𝐡𝐢𝐬 𝐦𝐢𝐱
The concept of this mix is inspired by the artistic technique of chiaroscuro, a term rooted in the Italian words for light (chiaro) and dark (scuro). Chiaroscuro is a style that plays with the contrast between light and shadow, creating depth and drama in visual art. Similarly, this mix explores the dynamic interplay between contrasting elements in sound. As the mix unfolds, it moves through phases of intensity and calm, darkness and light, harsh textures and smooth rhythms. Each transition mirrors the gradual shift from shadow to light, capturing the essence of chiaroscuro in an auditory landscape. The dark, brooding basslines and haunting melodies serve as the "shadows," while the brighter, more uplifting elements cut through like "light," bringing balance and intrigue to the overall experience.
The mix’s energy comes from this contrast, creating a journey that feels both tense and uplifting—like moving through a twilight world where every moment hovers between darkness and light. Hopefully this helps listeners connect with the mix on a deeper level.

𝐰𝐞’𝐯𝐞 𝐛𝐞𝐞𝐧 𝐚 𝐛𝐢𝐠 𝐟𝐚𝐧 𝐨𝐟 𝐲𝐨𝐮𝐫 𝐦𝐢𝐱𝐞𝐬 𝐟𝐨𝐫 𝐚 𝐰𝐡𝐢𝐥𝐞, 𝐞𝐬𝐩𝐞𝐜𝐢𝐚𝐥𝐥𝐲 𝐲𝐨𝐮𝐫 𝐤𝐢𝐧𝐝𝐫𝐞𝐝 𝐬𝐡𝐨𝐰𝐬, 𝐭𝐡𝐞𝐫𝐞’𝐬 𝐚𝐥𝐰𝐚𝐲𝐬 𝐚 𝐫𝐞𝐚𝐥𝐥𝐲 𝐛𝐞𝐚𝐮𝐭𝐢𝐟𝐮𝐥 𝐬𝐭𝐨𝐫𝐲𝐥𝐢𝐧𝐞 𝐰𝐡𝐢𝐜𝐡 𝐬𝐡𝐢𝐧𝐞𝐬 𝐭𝐡𝐫𝐨𝐮𝐠𝐡. 𝐂𝐚𝐧 𝐲𝐨𝐮 𝐭𝐞𝐥𝐥 𝐮𝐬 𝐚 𝐥𝐢𝐭𝐭𝐥𝐞 𝐛𝐢𝐭 𝐦𝐨𝐫𝐞 𝐚𝐛𝐨𝐮𝐭 𝐲𝐨𝐮𝐫 𝐩𝐫𝐨𝐜𝐞𝐬𝐬 𝐛𝐞𝐡𝐢𝐧𝐝 𝐜𝐨𝐧𝐬𝐭𝐫𝐮𝐜𝐭𝐢𝐧𝐠 𝐚 𝐬𝐞𝐭, 𝐦𝐢𝐱 𝐨𝐫 𝐫𝐚𝐝𝐢𝐨 𝐬𝐡𝐨𝐰?
Thank you ! The way I build a radio show is slightly different from how I prepare for a live show, though both share the common thread of creating a narrative or storyline. I have a deep obsession with discovering new music, constantly searching for tracks I haven't heard before. I dig through platforms like Bandcamp and Discogs, and working for the bookings and programming at Venue MOT, where I spend most weekends, exposes me to a wide variety of music that I often Shazam. A radio mix, for me, is essentially a curated compilation of my favorite tracks discovered that month. When preparing for a live show, however, I have to consider factors like set time, the venue, and the rest of the lineup. My process involves going through my music library and organising tracks into different folders, always with a clear direction in mind for where I want to take the audience.

𝐬𝐮𝐦𝐦𝐚𝐫𝐢𝐬𝐞 𝐭𝐡𝐢𝐬 𝐦𝐢𝐱 𝐢𝐧 𝐭𝐡𝐫𝐞𝐞 𝐰𝐨𝐫𝐝𝐬
Deep,Percusive & Trancey

to read the full interview, head over to our substack >> https://allmovingobjects.substack.com/p/kinetic-mix-035-benk0-chiaroscuro

kinetic mix 035: Benk0 "chiaroscuro"

Ahead of his appearance at our label launch party next week & to celebrate his debut EP 'Trench' releasing on our label, 5RVZ steps up for our 36th podcast with a mix that perfectly showcases his unique and adventurous approach behind the decks. 

A moody, atmospheric mix that traverses slow and sludgy sounds, blended together in a way which feels more like a live performance than a DJ set - IYKYK and if not then get ready to meet your new favourite DJ.

@5rvz

--

𝐧𝐚𝐦𝐞 / 𝐩𝐫𝐨𝐧𝐨𝐮𝐧𝐬 / 𝐰𝐡𝐞𝐫𝐞 𝐝𝐨 𝐮 𝐥𝐢𝐯𝐞
Raj / he/him / Amsterdam based (London raised!)

𝐭𝐞𝐥𝐥 𝐮𝐬 𝐚𝐛𝐨𝐮𝐭 𝐭𝐡𝐞 𝐜𝐨𝐧𝐜𝐞𝐩𝐭 𝐨𝐟 𝐭𝐡𝐢𝐬 𝐦𝐢𝐱
“Screwed & Chopped” (or Chopped & Screwed) is a distinctive sub-genre of Hip-Hop that originated in Houston, Texas, created by DJ Screw. This remixing technique involves slowing down the tempo of the music to create a unique sound. Inspired by this concept, I’ve applied the same principle to a different genre, transforming tracks with an original BPM of around 170 to a more laid-back 100 BPM.

This approach embodies the essence of Hip-Hop: reimagining and remixing existing material to fit a new context. I’m a hip-hop kid at heart, I have a monthly hip-hop show (called “Beats, Rhymes & Life”) on Amsterdam’s Echobox Radio. As much as I can, I like to highlight the importance of hip-hop and the undeniable (massive) influence it has had on modern music, art, fashion and culture. The art of DJing—blending two records together—traces its roots to Hip-Hop, and without it, the evolution of dance music would be unrecognisable.

𝐰𝐞’𝐯𝐞 𝐬𝐞𝐞𝐧 𝐲𝐨𝐮 𝐃𝐉 𝐪𝐮𝐢𝐭𝐞 𝐚 𝐟𝐞𝐰 𝐭𝐢𝐦𝐞𝐬 𝐚𝐧𝐝 𝐲𝐨𝐮 𝐡𝐚𝐯𝐞 𝐚 𝐯𝐞𝐫𝐲 𝐜𝐨𝐧𝐬𝐢𝐝𝐞𝐫𝐞𝐝 𝐚𝐧𝐝 𝐮𝐧𝐢𝐪𝐮𝐞 𝐚𝐩𝐩𝐫𝐨𝐚𝐜𝐡 𝐭𝐨 𝐢𝐭. 𝐂𝐚𝐧 𝐲𝐨𝐮 𝐭𝐞𝐥𝐥 𝐮𝐬 𝐚 𝐥𝐢𝐭𝐭𝐥𝐞 𝐛𝐢𝐭 𝐚𝐛𝐨𝐮𝐭 𝐡𝐨𝐰 𝐲𝐨𝐮 𝐥𝐞𝐚𝐫𝐧𝐭 𝐭𝐨 𝐃𝐉 / 𝐰𝐡𝐚𝐭 𝐢𝐧𝐬𝐩𝐢𝐫𝐞𝐝 𝐲𝐨𝐮 & 𝐚𝐧𝐲 𝐭𝐨𝐨𝐥𝐬 𝐨𝐫 𝐦𝐚𝐧𝐭𝐫𝐚𝐬 𝐲𝐨𝐮 𝐚𝐩𝐩𝐥𝐲 𝐭𝐨 𝐢𝐭?
I’m a self-taught DJ. I got a pair of CDJs + mixer about 7 years ago. My style of DJ’ing is basically a result of spending endless hours in the basement of De School. I was captivated by countless DJ’s in that space over the years. I devoted time to listening with intent, observing from behind the DJ booth, analysing their techniques. Then going home experimenting and trying to figure out on my mixer how they were making certain sounds or rumbles. What emerged from this process is my own interpretation of techno mixing techniques but applying them to different styles of music. E.g. UK music. I mix drum & bass with the same precision and layering as berghain-style techno. I do a lot of layering, especially with bass lines, using 3 CDJ’s.

𝐬𝐮𝐦𝐦𝐚𝐫𝐢𝐬𝐞 𝐭𝐡𝐢𝐬 𝐦𝐢𝐱 𝐢𝐧 𝐭𝐡𝐫𝐞𝐞 𝐰𝐨𝐫𝐝𝐬
Introspective. Groovy. Gangsta.

full interview via our substack here: https://allmovingobjects.substack.com/p/kinetic-mix-036-5rvz-chopped-and
+ tickets for our launch party here: https://ra.co/events/1994056

kinetic mix 036: 5RVZ "screwed & chopped"

𝟓𝐑𝐕𝐙 - 𝐓𝐫𝐞𝐧𝐜𝐡 𝐄𝐏 (𝐩𝐫𝐞𝐯𝐢𝐞𝐰𝐬)

pre-order digi + vinyl: https://kineticldn.bandcamp.com/album/5rvz-trench-ep
release date: 27th september

5RVZ’s debut EP ‘Trench’, is a darkside trip of refined DnB dynamics cultured by spiritualised sound design and the weightier ends of the hardcore continuum.  

A 4 track zone (plus one bonus track) of half time menace, threading sharp grooves with a deep techno palette. Influenced by both hip-hop & his sikh and panjabi heritage, it’s an ambitious body of work that typifies the exciting experimentation within the London club underground and exemplifies best the kinetic intention past, present and future. 

Written by @five.rvz 
Mixed by @humanspacemachine_ 
Mastered by marco at analogcut mastering 
Press release by @nevanjio

5RVZ - Trench EP (previews)

5RVZ's set from our label launch party at spanners

22:30-00:00 21.09.24

kinetic live 09: 5RVZ live at spanners [210924]

Caroune's opening set from our label launch party at spanners

21:00-22:30 21.09.24

kinetic live 07: Caroune live at spanners [210924]

Andy Martin's headline set from our label launch party at spanners

00:00-01:30 21.09.24

kinetic live 08: Andy Martin live at spanners [210924]

Dj wiggles b2b Max Q's closing set from our label launch party at spanners

01:30-03:00 21.09.24

kinetic live 10: Dj wiggles b2b Max Q live at spanners [210924]

.・。.・゜✭・.  curated by @djwiggles ・✫・゜・。.

5RVZ - Trench EP: https://kineticldn.bandcamp.com/album/5rvz-trench-ep

𝘁𝗶𝗰𝗸𝗲𝘁𝘀 𝘁𝗼 𝗼𝘂𝗿 𝗹𝗮𝘂𝗻𝗰𝗵 𝗽𝗮𝗿𝘁𝘆: https://ra.co/events/1994056
𝘁𝗶𝗰𝗸𝗲𝘁𝘀 𝘁𝗼 𝗼𝘂𝗿 𝟮𝗻𝗱 𝗯𝗱𝗮𝘆: https://ra.co/events/1979818

💌 allmovingobjects@gmail.com
📚 https://allmovingobjects.substack.com/

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