After watching some Pulsar-23 videos and getting some gas for how people feedback patch it I had an idea to feedback patch my a4. 

Track 1 and Track 2 are feedbacking onto inself, on top of that they're set up in a loop (T1 goes into T2 goes into T1). 

Except for the kick and sine-like hats on track 3 no oscillators were used. Really like this - reminds me of a lot of the feedback patching I do on my modular. Turns out the key to unlocking a4 for me were neighbour oscillators and feedback via track out to ext in

A4 Feedback Experiment

I've recently been re-discovering my modular. Unracked some modules and streamlined it - it's now 2x76hp, 56hp less in total. Having tons of fun with it! Feels a lot easier and fun to play with now

modular experiments

Some modular + rytm noodling I've made and liked while I was working on my setup and some octa stuff

The bass and lead are modular, rest are rytm

I def need to practice with the modular but I've enjoyed it way more now that I have a smaller case and trimmed the fat

Modular + Rytm Jam

So I've just dicovered that you can do some really dope glich stuff with rytm if you go out of main out into ext in and p-lock the compressor.

I have two rytms so I might experiment with keeping one rytm clean and have the other do stupid feedback shit

Rytm Feedback

So I've recently been experimenting with DnB, it's been getting there but today I've decided to mix DnB I was working on with some of my Techno stuff and it came out pretty good! Better than I thought it would!

Using both of my rytms loaded with the same exact project so I can mix and match different patterns/songs, octatrack as a DJ mixer/perf fx

DnB/Techno fusion kitchen

I've recently got myself an m8 tracker to focus more on writing tracks. I absolutley love it so far, I've written two tracks so far and this is the second one. First one will come when I'll think of a good name.

The sample I got from my friend, he processed his own voice with an AI model multiple times and the model started to hyper-focus and slowly transformed the speech into just rythmic speech like noise

Hills are shadows

Third track I made on m8, called starling because I sampled and chopped starling bird sounds for this one. Was quite fun first chopping the sample and then trying to write the bass around it and figure out the off-kilter rhythms present in the sample

Starling

First track I've wrote on the m8, uploading just now because I've only now came up with a name

Briefline

Just got a new module so this is my first jam with it! Module I got is called veno echo. It's this very versatile delay with a bunch of clever routings. Here i am running it through a mid/side processor to get different delay times and feedback on mid and side parts of the signal.

Really enjoying the module, it's excellent for dub delays, sounds amazing and full - I don't even feel like I'd add a reverb here.

Veno Echo Jam

Kinga Janicka is a electronic musician from Poland, currently living in London. Their style combines aspects of hardstyle, dark techno and NRG in what they call "aggressive beats to rave to", with a focus on improvisation and live performance

Streams every other Sunday at midnight https://www.twitch.tv/kingajanicka

Kinga Janicka

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