The first Dubstep song I ever heard and one of the best!

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INP008 - Equinox - Acid Rain (Breakage Remix)

<b>The first release since 1996 from the Photek alias Studio Pressure….</b>

Don't just listen through your laptop speakers....

Available to pre-order now at: http://photek.fm/store
Limited Edition artwork poster also available.

Artist: Studio Pressure
A. Presha XIII
B. Borneo
Label: Photek Productions
CAT: PPRO20
Format: Ltd Edition 12” Vinyl + Digi Download
Release: October 2013

https://www.facebook.com/PhotekMusic
https://twitter.com/photek
http://www.youtube.com/photekproductions

Studio Pressure : Presha XIII (Clip)

Ahead of the first night of her SHERELLELAND UK and EU tour, electronic producer and DJ SHERELLE drops her new single, ‘HENRY’S REVENGE’, out now via Hooversound Recordings.

Launched in March 2020, SHERELLE and NAINA’s Hooversound imprint has become one of the most important platforms within the global dance music community. They have released stand-out records from Special Request & Tim Reaper as well as working with artists such as Denham Audio, Lone and Om unit. 

Her first release in nearly two years, ‘HENRY’S REVENGE’ sees SHERELLE return with a refreshed and revived energy after a challenging 2023. In August last year, only a day ahead of her debut sets at Lowlands & Pukkelpop the following day, she was a victim of theft on a train from Brussels to Amsterdam - not only losing her entire music collection of many years, but also her debut album-in-progress.

SHERELLE explains: “Last year I was working on an album and essentially lost all my music through being mugged on a train. I didn’t pick up my laptop or go anywhere near my computer to make music for a long time because I wasn't in the headspace to do so. By the time I was able to this year, I felt so relieved making it. It felt like a fresh start.”

Despite the hardships of last year, SHERELLE was set on making the best out of the setbacks.  She expands, “‘HENRY’S REVENGE’ feels like how I felt in August and September, there’s a lot of frustration and a lot of anger. Being able to channel that energy into songwriting and making it as explosive as this tune is, has been a really beautiful thing. I’m so happy and proud of myself to be able to get to a point where we are making music again, especially music I really enjoy, that reflects me and my sound.”

SHERELLE - HENRY'S REVENGE

5 Feed The Addiction

01 LTJ Bukem - Demon's Theme

Ninja Tune are hosting the download for  my official Let The Night Roar promo mix. The fulltracklist is below,  but its obviously pretty heavy on the album tracks with a few oldies on there too, along with my remix of Bong-Ra’s Come Out To Play, which is absolutely KILLING IT at shows right now. 

The mix can be downloaded on this page http://www.ninjatune.net/ninja/artist.php?id=140  , just enter your email address under the free download banner to receive the link.

Tracklist..
Two Fingers ft Sway & Ce’Cile – Bad Girl, King Cannibal Remix (Big Dada)
Maximum Style – Volume 2 Remix (Tom & Jerry Records)
The Qemists ft Wiley – Dem Na Like Me – acapella (Ninja Tune)
King Cannibal – Ferox Riddim (Unreleased)
King Cannibal – Onwards Vultures (Ninja Tune)
King Cannibal – Aragami Style (Ninja Tune)
Eric B & Rakim – Let The Rhythm Hit ‘Em – acapella (MCA Records)
Two Fingers – Keman Rhythm (Big Dada)
King Cannibal – A Shining Force (Ninja Tune)
King Cannibal – The Untitled (Ninja Tune)
King Cannibal ft Face-A-Face – Virgo (Ninja Tune)
King Cannibal ft Jahcoozi – Murder Us – acapella (Ninja Tune)
Modeselektor – The Black Block, Hiddensee 2008 edit (B-Pitch Control)
King Cannibal ft Daddy Freddy – Dirt (Vocal Mix) (Ninja Tune)
Milanese – The End (Planet Mu)
Tru – Where U From – acapella (New No Limit Records)
King Cannibal – Badman Near Dark, Komonazmuk Remix (Combat Recordings)
King Cannibal – Hundred Eyes Cloded (Rag & Bone Records)
Trillville – Neva Eva – acapella (BME)
Bong-Ra – Come Out To Play, King Cannibal Remix (forthcoming on Ad Noiseam)
British Murder Boys – Hate Is Such A Strong Word (Counterbalance)
King Cannibal – Onwards Vultures (Ninja Tune)
King Cannibal – Flower Of Flesh And Blood (Ninja Tune)

King Cannibal - Let The NIght Roar Promo Mix

Jah War

Jah War (Loefah Remix)

Run Come Save Me

Join The Dots (feat. Chali 2na)

Inner Disbelief

Mark Pritchard and Tom Middleton on Good looking records 1995. Track also appeared on Logical Progression vol 1.

LINKS - CHAMELEON - GOOD LOOKING RECORDS 1995

We’re excited to announce the return of Manchester-based producer Earl Grey for his latest release on Inperspective Records. Earl Grey’s repertoire includes releases on esteemed labels such as Eastern Promise Audio, Plush Recordings, Subtle Audio Recordings, Western Lore and his own Hyperchamber Music. Following the success of his experimental Headwinds LP and his addition to the “Teddy Bear Trilogy”, Earl Grey now brings dynamic new EP ‘French Exit’ to Inperspective Records. 

Opener ‘False Horns’ is a deep track with a sinister build, teasing in an eerie horn sound to create an atmospheric soundscape, with the hypnotic, jazzy fused breakbeat finishing what is an outstanding start to the incredible EP. ‘After They Turn The Rigs Off’ adds an electrifying complexity that takes us on a journey, leading with vocal samples and a piercing beat, before transporting us to a spiritual world through echoing chants and a lighter sound. ‘Mime Jar Lens’ is refreshingly toned-down in comparison to the previous exhilarating tracks. Nonetheless, it packs its own punch, with sharp breaks and an ambient jazzy style that is captivating and dreamy.

Title-track ‘French Exit’ is eerie in a way that will have you hanging on for every beat, as it breaks sonic boundaries and pulls you down into a deep underworld. Earl Grey demonstrates his hypnotic powers, drawing us out from the superbly dark world of the previous track and into the light, dreamy sound of ‘Lessons Learnt.’ ‘Hypothermic’ rounds of this release with a rolling, richly atmospheric track. This closer seamlessly combines both the lighter, ethereal sounds and moodier, dark tones of the other tracks.

‘French Exit’ presents a masterful collection of tracks that twist and turn, but remain united by their richly atmospheric sound. Earl Grey marks his third Inperspective Records release with an invigorating, unique EP, pushing the boundaries of drum and bass.

Lessons Learnt

King Cannibal - 
"modern master of the satanic sub frequency" DJ Mag


King Cannibal wasn’t always as beastly as you’d think. Dylan Richards a.k.a. “Ninja’s first (and only?) hard man” has a snaked history, rubbing shoulders with personal heroes and all of it preemptively flagged for greatness by numerous taste-makers publications, based on his trilogy of under-the-counter mix CDs recorded under this former name - ‘ZILLA’
 
Comprised of hundreds of tracks, these hand-sprayed CDs sold out in days and earned high praise on a global scale, so much so that Warp Records took note and invited ‘ZILLA’ along with DJ partner Buddy Peace to compile a retrospective of the label. Released late September 2004 as part of the 'WARP VISION The Videos' DVD, the mix entitled 'Watch And Repeat Play' was a startlingly original tour-de-force, over 70 minutes the two DJs reworking and rewiring the label's back catalogue, twisting the already twisted into sonic maelstrom.
 
Richards began exploring solo production, perfecting an industrial take on dancehall, dubstep & drum n bass with a number of well-received, increasingly darker remixes. The Eureka moment, ‘Aragami Style’, came to be in 2006, and with it a new alias was born. “Whilst 'ZILLA' sleeps at the bottom of the Pacific KING CANNIBAL IS KING OF THE DANCEHALL”.
 
Falling in to the hands of the legendary Amon Tobin, ‘Aragami Style’ took pride of place as the secret weapon King Cannibal’s sets, destroying dancefloors for years whilst Radio 1 DJ Mary Anne Hobbs championed the track giving it heavy rotation and inviting King Cannibal to prepare for her Experimental show an hour-long soundclash with proto-dubstep producer Scorn. Radio 1 weren't the only station listening, hardcore fan and supporter Eddy Temple Morris even created a section of his show 'The Remix Darkside' in King Cannibal's honour.
 
Having now released his debut album ‘Let The Night Roar’ on Ninja Tune, it seems these long lists of endorsements are no fluke. Piecing together shards of a wide array of influences, utterly uncompromising industrial sounds and razor-edged rhythms shifted shape from dancehall & drum n bass to deep techno & dubstep in what Richards calls his school of ‘brutal deluxe’ production, falling somewhere between the sonic shadows of Amon Tobin and aggressive swagger of The Bug, both fellow Ninjas. 
 
2010 bought 2 North American tours alongside appearances at The Royal Albert Hall, The Apple Store London for Ableton, sound design & gaming work for Microsoft and Ubisoft (Splinter Cell Chaos Theory 3D and Crackdown 2) mixing duties for DJ Food, appearances on the Ninja XX compilation and accompanying tour. The year finished with a DJ Magazine 'compilation of the year' award nomination and his first mix cd 'The Way Of The Ninja' collecting a breath taking 256 tracks into 74 minutes.

Following personal request King Cannibal worked along Bjork on the initial stage of her Biolphilia album, followed by recording and releasing a remix of her song Thunderbolt. A debut release for Ad Noiseam entitled 'All The Colours Of The Night' was also released which once again earned huge support from Mary Anne Hobb's who opened every show of her U.S Road Warrior Tour, Boiler Room and Sonar Festival sets with it's remix of 'Dirt'. 
King Cannibal ends 2012 with a remix and one off performance of iconic Polish composer Witold Lutoslawki for Sacrum Profanum Festival.

King Cannibal - Let The NIght Roar Promo Mix

King Cannibal

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