Kingdoms Essentials

Bee Mask - Unripe Pears (Abdulla Rashim Remix)

Track made with Lisa Möller, she wrote this beautiful melody, I composed the track.

Korridor & Æris Metri - Eryon

https://www.facebook.com/kingdomsbk/

Brandon Wolcott & Emil Abramyan 
Music of The Record 

Following on from Aris Kindt's second album "Swann and Odette" here follows the second release on Francis Harris new label Kingdoms.

Apart from their own works composers, musicians and producers Brandon Wolcott (@smirk) and Emil Abramyan (@emil-abramyan) already had a joint release with YouAndTheSpace Between, the opener on the Don't Break My Love release on Nicolas Jaar's Clown & Sunset label in 2012. In the same year the two have approached by theater artists Michael Silverstone and Abigail Browde of 600 Highwaymen to compose music for a new work of live performance called The Record.

Aside from a simple series of prompts and directions, the music was composed independently of the choreography. Drawing from backgrounds in theatrical sound design, classical composition and experimental electronic music, Brandon Wolcott and Emil Abramyan sought to create a diverse tapestry of sound, striving for a dynamic emotional arc that might elude a sense of genre or recognizable form. The music is performed live, with Emil on cello and structured into six songs on the Mini-LP Music of The Record to be released at the end of November 2017.

Brandon Wolcott is a Brooklyn based sound artist, composer and theatrical sound designer. His work has been heard at venues including The Pubic Theater, Lincoln Center, Park Avenue Armory, Mass Moca, Museum of Contemporary Art Chicago and Centre Pompidou. He has released music with Wolf + Lamb Music, Archipel Records and Nicolas Jaar’s Other People. His dance-music project Smirk, has been presented at venues and festivals around the world, including Communiky, Mutek, Save, Dispatch, and UnSound. As a sound designer/ composer, Brandon has collaborated on a diverse array of projects, including work in dance, theater, installation and film.

Collaborations include 600 HIGHWAYMEN, Marina Abramovic, Laurie Anderson, Taylor Mac, Faye Driscoll, Geoff Sobelle, Kevin Newbury, and many more. Recently, Brandon create a co-composition (with Emil Abramyan) of the score for The Fever, also by 600 Highwaymen, which premiered in New York in January, 2017 and is currently touring throughout the U.S. and Europe.

Emil Abramyan is a New York based cellist and composer. After receiving his B.A. in cello performance from Manhattan School of Music, he began teaching and freelancing in Los Angeles and New York. An evolving appreciation for electronic music drove him to explore other forms and textures of sound, ultimately leading him to produce and compose for himself. His most recent project focused on the co-composition (with Brandon Wolcott) of the score for The Fever by 600 Highwaymen, which premiered in New York in January, 2017 and is currently touring throughout the U.S. and Europe. Previous highlights include the release of his own music on Nicolas Jaar's Other People label; recording and performance with the Yeah Yeah Yeahs at Radio City Music Hall; collaboration with Francis Harris on his albums Leland and Minutes of Sleep; and upcoming collaborative and solo releases on the label Kingdoms.

kds002
24 Nov 2017
A1. Old Beginnings 
A2. The Other Place 
A3. Ritual
B1. Pedestrian Jazz 
B2. Plasticity
B3. (re)Turn

Brandon Wolcott & Emil Abramyan - The Other Place

A1 JP Enfant - Anemones (Snippet)

@sophiasaze
www.facebook.com/sophiasaze
www.facebook.com/kingdomsbk

"The record embodies my story of duality within the context of identity, insomuch as the idea that every person has a deeper layer we don't show on the surface."

We all know that words are not often able to articulate the deepest feelings buried somewhere in our minds. Sophia Saze the DJ and producer from Tbilisi, Georgia has a lot of those emotions about which she composed a sonic book as her debut album on Kingdoms. 'Self Part 1' is the first segment of the album.

Living in Brooklyn, New York, she chose a home to settle after a lot of moving around. As her parents were political refugees, her life has always been riddled by new places of living, which made it hard for her to define her own identity. Musically, those struggles are manifested in the various musical influences that shaped her special style and thus Self Part 1. Coming from a classical musical education, she soon got entangled with electronic dance music where she rapidly made it up to a thoroughly self-assured name on the scene. Just 1,5 years ago she released her kickstarting EP Solace on Dusk & Haze, her own label she established at he same instant. With remixes by Umwelt and Benjamin Demage the EP thrilled the international dance music press around Groove-Magazin, Dj Mag and Mix Mag, along airplay on BBC Radio 1 and NTS Radio. Also her track 'Fall' appearing on Get Physical's Words Don't Come Easy Compilation left some serious impressions.

Renouncing from this rather dancefloor orientated matters, she now managed to create an Ambient-kind of album, yet defying any categorization. For 'Self Part 1' she paused: took a deep breath and looked inside her mind and soul. Then she transferred the bundled emotions into these fourteen tracks, mainly within a sleepless 48-hours studio session. Processing raw field recordings and samples that relate to her childhood, such as from soviet cartoons and VHS recordings from her family make a well seasoned and personal storytelling. The tracks itself are short but on point, considering the whole piece as a concept album that needs to be listened at once all the more, or as Saze points it out:
"I feel that the element of patience is somewhat of a lost commodity in our generation, I wanted to reiterate the idea that if you don't have the willingness to sit through the whole thing, then you're not really stepping into listening to it with the right mindset to begin with."
The sounds in 'Self Part 1' paint pictures of underwater worlds with a density of noises and soundscapes that consist of all manners of samples and distinct crackles from her machines. Nothing is still, liquid like raindrops falling from cloudy skies the tracks cover the listeners souls. Slight edges of beats are sometimes shimmering through, then going under again in thoughtful and melancholic layers, strictly held in minor. The feel meanders between ice cold harmonies and touchingly warm sound-design.

kds009, June 16th, 2019, Cassette & Digital

A1. Sophia Saze: Salome (სალომე)
A2. Sophia Saze: Bare
A3. Sophia Saze: Tsminda (წმინდა)
A4. Sophia Saze: Punches
A5. Sophia Saze: Howl
B1. Sophia Saze: Flower
B2. Sophia Saze: Orbits
B3. Sophia Saze: Volk (волк)
B4. Sophia Saze: De Dios
B5. Sophia Saze: Torn
B6. Sophia Saze: Safe
B7. Sophia Saze: Kera (კერა)
B8. Sophia Saze: Mirror Mirror
B9. Sophia Saze: Aliens

Sophia Saze - Tsminda (წმინდა)

@sophiasaze
www.facebook.com/sophiasaze
www.facebook.com/kingdomsbk

Fleeing her Soviet ruled home of Tbisili at a young age with her parents, Saze grew up as a nomad living in Russia, France, Canada and the USA before finally settling down and pursuing a career in NYC. A classically trained musician and dancer, before long the Georgian turned her back on corporate life to pour her heart and soul into the arts. Becoming a diligent and versatile electronic music producer, DJ and live act, Sophia Saze is as comfortable sculpting intricate and atmospheric productions in the studio as she is decimating dancefloors with robust Techno and frenetic Breaks. 

Reflecting on her turbulent life and how it’s formed her own identity, Saze composed her aptly titled debut album, ‘Self’. Released on cassette in two instalments, ‘Part I’ dropped in June and was critically acclaimed with support from the likes of BBC 6MUSIC’s Tom Ravenscroft, Mixmag, DJ Mag, XLR8R, Resident Advisor, Future Music, Attack Magazine, TRAX, Tsugi, Ransom Note and Groove Magazine, with the latter drawing a
parallel between hers and Burial’s music.

Completing the journey, ‘Part II’ meanders through genres like Ambient, Hip Hop and Breaks, and features very personal insights including handpicked samples from Soviet television shows and VHS cassette recordings from her childhood.
Hidden allusions of her classical music education bring up distant memories and melt together the organic but thoroughly electronic ambience. Crackles, hushes and hisses are elaborated so well that the record virtually gushes over the ears like mountain torrents. It appears peaceful and quiet, then rousing and it is sparked with bewildering sounds. It lets scattered beats arise from the thicket and drown again in streams of noise. But in the end, especially the haunting seriousness of the album is compelling.
As a concept album, ‘Self’ consists of short and precise tracks mixed together, signifying a proper way to redefine a musical work in the modern age.

Mixed by commended Kingdoms label head Francis Harris, Sophia Saze’s detailed sound-design is brought to the front for an illuminating listening experience.

Sophia Saze - Mtvare (მთვარე)

Full stream of Aleja Sanchez & Dino Sabatini's "Rama Y Cuerno," taken from their forthcoming EP on Northallsen Records.

More: www.orbmag.com/music/premiere/

@northallsenrecords
@djalejasanchez
@dino-sabatini

El Resplandor de los Ciervos

Orb Premieres

Premiere: Aleja Sanchez & Dino Sabatini - Rama Y Cuerno

https://www.facebook.com/Lights-Fluorescent-110969010255390/
https://www.facebook.com/daveharringtonmusic/
https://www.facebook.com/benoitandsergio/
www.facebook.com/kingdomsbk

Francis Harris’ Brooklyn-based label continues to release adventurous new music, blurring the boundaries between jazz, contemporary composition, ambient, and electronic music. Next up on the label is Lights Fluorescent - The Oldest Sons Of The Oldest Sons. 
Made up of Dave Harrington (Darkside) and Benjamin Jay (Benoit & Sergio), "The Oldest Sons Of The Oldest Sons" blends lopsided guitar loops and synth washes amid acres of reverb, while its vocals ascend toward violet altitudes. 
The single is also the title track to their upcoming debut album on Kingdoms.

The Oldest Sons Of The Oldest Sons

Lights Fluorescent - The Oldest Sons Of The Oldest Sons

www.facebook.com/Lights-Fluoresce…110969010255390/
www.facebook.com/daveharringtonmusic/
www.facebook.com/benoitandsergio/
www.facebook.com/kingdomsbk


Made up of Dave Harrington of Darkside/Dave Harrington Group and Benjamin Jay of NDF/Benoit & Sergio, Lights Fluorescent is, as the two describe it, an ‘experiment in the spaces between song and texture, idea and reference, past and present.’ On their debut album, The Oldest Sons Of The Oldest Sons, the duo develops an atmospheric, slant-pop sensibility that lists toward the experimental tendencies of improvisational and ambient music.  


The result is a set of songs meant to be lived with. Entirely percussion-less, recordings drift on a tenderness of guitar, revenant feedback and vocals of autumnal intimation. Space Metal and July 9th process layers of bespoke noise and washed out chords to tarry with integral depth, light, and shadow, while Hotels distills country-western longing into its nth dimensional essence always unrequited. 

From within these sonic panoramas, vocals emerge more as watercolor traces than coarse etchings. They aim to capture evocative, lyrical intensities, eschewing the solace of the literal. As such, the album favors 'the gestural, the implicit, and the miniature over the more adolescent urges of grand narratives and epic.’ These preferences map onto the album in all of its moves. J Girls reveals a hint of story buried, like its context, deep in whorls of feedback. Fleeting images of monuments, cathedrals, or epitaphs on tracks like Palace Walls or Small Sacrifices speak to a sense of memory and community paradoxically ungrounded by the material instantiations meant to keep things in place.

Lights Fluorescent - Our Earlier Years

@sophiasaze
www.facebook.com/sophiasaze
https://www.facebook.com/romanfluegel/
https://www.facebook.com/anthonylinell/
https://www.facebook.com/FaltyDL/
www.facebook.com/kingdomsbk

A key player in the New York scene and boss of her own Dusk & Haze label, it was Francis Harris' Kingdoms that initially released Sophie Saze's standout two-part album, and that is where this forward looking package of highly original remixes lands. 
First up is German artist Roman Flügel, who’s responsible for a myriad of musical aliases and just as many different sounds. Here he is in experimental electronic mode and reworks 'Cure' into an elongated groove with twisted synth lines layering up over the shimmer, shadowy beats. It's a ghoulish track with a creepy atmosphere. 
Swede Anthony Linell makes tripped out, heady techno on Northern Electronics, always with a stylish aesthetic. That continues here as he reimagines 'Aliens' as an absorbing cosmic soundtrack. Supple, rubbery drums bubble down low while broad pads and astral motifs colour the airways above and sink you into a state of trance. 
New York beat maker and Blueberry Records boss FaltyDL then steps up with a remix of 'Self'. It is a typically off-kilter groove that seems to float on post-jungle drums while distant synth details make for a dreamy atmosphere. 
Closing out this killer package is Saze's original track 'Dreams', an intense techno cut where coarse textures peel off the industrial clatter of the drums.

Sophia Saze - Aliens (Anthony Linell Remix)

@Norite's co-founder @ForeignMaterial releases "The Quest EP" on his own imprint. Monument premieres @ASacredGeometry's fantastic remix of track "Of Flesh And Duty" from the release, that is out on November 29th.

Pre-order

MNMT Premiere: Foreign Material – Of Flesh And Duty (A Sacred Geometry Remix)

Sixth chapter of NFR series comes from Croatian artist based in Berlin - Infinity.
5 ambient/deep techno well written pieces stand out with their rich pads and atmospheric harmonies.
Remixes come from Argentinian producer Vanoni, Swedish artist Eyvind Blix and NFEREE.

releases April 17, 2020.

NFR006

DNC LIM 095 - Worg & Opl - Systema Naturae

Chosen instrument: Make Noise DPO
Artist: https://soundcloud.com/skoll218
Instrument information: https://bit.ly/3dOuobJ

~ It's all already here ~

Skóll - Make Noise DPO

Petit Astronaute - Lost Compass EP
[BAHN004_EP]

Artists: @astronautepetit & @adhilmoorish
Track: Road to the Point

_

Lost Compass (BAHN004_EP)

Petit Astronaute & Adhil Moorish - Road To The Point (Original Mix)

Petit Astronaute & Adhil Moorish - Road To The Point

Scissor & Thread is cut from a different cloth than your average dance imprint.

Brandon Wolcott & Emil Abramyan - The Other Place

Kingdoms

Recent comments

SAYF

Phil.Ok!

CC1

Related tracks