Kingdoms Essentials

DEMENT3D is proud to
welcome Valentino Mora on board, and share with you a part of his spiritual journey.

Some words from Valentino Mora
Slow Hyper-controlled Motion is a homage to early New York spiritual house. I have been obsessed with records
from late 80’s / early 90’s that have this vibe of forest, for example Instant House, Jungle Wonz, or Risqué III.
There’s also a strong inspiration from Butoh that runs throughout everything I have done with IDO and with this
record. I get inspired by dancers and certain dance moves, and particularly with Slow Hyper-controlled Motion
I was concerned with this Butoh concept of accepting the fact that you are slow and being able to use the space
within this slow-motion to do a lot. The grooves are all directly inspired by Butoh moves.
In creating this record I took field recordings in the forests in Japan. The concept of Slow Hyper-controlled Motion
was to recreate this 90’s spiritual house vibe but in a more experimental way. At this time they used a lot of
bird samples and more tribal sounding drum machines like 626 and 727. I also included these elements on this
record and also got inspired by the sound of rain, leaves and wind and used these as a constant texture for all
tracks, and to create a lot of wetness using space reverbs or echos and watery sub bass to portray the feeling of
the forest in a less literal way. Also, I tried to go deeper into the concept by going through a spiritual and
meditative process to explore the mysterious aspects of the inspiration.

Slow Hyper Controlled Motion

A2. Raising

https://www.facebook.com/rasmusjunckermusik/
www.facebook.com/kingdomsbk

Fresh on Francis Harris’ Kingdoms imprint comes Rasmus Juncker’s 'Ophold' - six tracks of sublime atmospheres and textures. The Danish musician, sound composer and DJ fits perfectly with the label's aesthetic, joining the dots between ambient, leftfield electronica and modern classical. 

Juncker has a background in studying jazz drumming and has been playing improvised music within the jazz domain for many years. He also started to DJ at the age of 14 and was introduced to the world of electronic music production at the same time. Besides being an in-demand musician, his current work spans from sounddesign for performing arts to sound installations and music engineering.

When Rasmus started to think about his debut album he spent several months trying to find his own way to combine his favourite musical influences, improvisation, electronics and classical music. ““Almost a year later”, Juncker says, "I went to a sensory deprivation floating tank in Copenhagen and while I was lying there, floating in the water, deprived from most of my senses, I got the idea to do something really drastic in my musical process. Philosophers like Immanuel Kant describe this deprived state as a mental 'Cesura', which became some sort of guideline for the album."

So Juncker decided to start working on the album by leaving the process as well as the final result completely open. “I wanted to create sounds and music that I had no idea what they would sound like, but would feel like a mental 'Cesura', an ‘Ophold’ (in Danish)” he states.

He invited musicians, one after the other, to his studio. "I had an electronic musician to improvise patterns and new interesting sounds based on my experience in the deprivation tank. I chose some of the takes and some weeks later I invited a jazz guitarist to listen and improvise on top of what he heard. Then a classical string quartet and a double bass player came to my studio months later, and finally I recorded myself on percussion, drums and synthesizers.

"I've been experimenting a lot throughout the recording process. I explored how special microphones could be put at different places in the room to expand and colour the sound in new interesting ways. I used multiple microphones on the same sound sources and manipulated them into completely new sounds. I used noises from the recordings as a compositional tool and the room became absolutely essential for the creating of pieces." Juncker states.

"The material I used was all first take improvision which I arranged, layered and edited into compositions. The final pieces were mixed by Andreas Pallisgaard with the same improvised and experimental approach of the recording and the production. None of the musician met each other, but their sounds developed into something completely fantastic. The presence of the acoustic instruments and the depth and complexity of the synthesized layers gave some kind of an indescribable sounding music from another galaxy.

kds005
June 1st, 2018
A1. Norddrum
A2. Sora
A3. Eksotisk Tirsdag B1. Cyklus
B2. Havekunst
B3. Cesura

Violin by Bettina Marie Mirai Ezaki and Cæcilie Balling. 
Viola by Mika Svensson Persdotter.
Cello by Nicole Hogstrand.
Synthesizers by Sebastian Garst Kropp.
Guitar by Rasmus Oppenhagen Krogh.
Double bass by Vincent Ruiz.
Drums, percussion and synthesizers by Rasmus Juncker. Mixed by Andreas Pallisgaard.

Rasmus Juncker - Norddrum

Bandcamp

B2 John Parsley - Damokles

The Green Eden

MMR001: The Green Eden EP by Gal Tsadok-Hai

'Nevertheless so profound is our ignorance, and so high our presumption, that we marvel when we hear of the extinction of an organic being; and as we do not see the cause, we invoke cataclysms to desolate the world, or invent laws on the duration of the forms of life!' ― Charles Darwin, The Origin of Species.

Universa Natura Vol. IV
Produced & Mixed by Various Artists.
Matered by Artefacts Mastering, Berlin & Dot Studio, Mexico
Sleeve Art by Aleja Sanchez
Format: Digital WAV/MP3
Release Date: April 22th, 2019

Northallsen Records 2019 / Published By Copyright Control

© All rights reserved

[NTSUN004] VA -Universa Natura Series IV

@sophiasaze
www.facebook.com/sophiasaze
www.facebook.com/kingdomsbk

"The record embodies my story of duality within the context of identity, insomuch as the idea that every person has a deeper layer we don't show on the surface."

We all know that words are not often able to articulate the deepest feelings buried somewhere in our minds. Sophia Saze the DJ and producer from Tbilisi, Georgia has a lot of those emotions about which she composed a sonic book as her debut album on Kingdoms. 'Self Part 1' is the first segment of the album.

Living in Brooklyn, New York, she chose a home to settle after a lot of moving around. As her parents were political refugees, her life has always been riddled by new places of living, which made it hard for her to define her own identity. Musically, those struggles are manifested in the various musical influences that shaped her special style and thus Self Part 1. Coming from a classical musical education, she soon got entangled with electronic dance music where she rapidly made it up to a thoroughly self-assured name on the scene. Just 1,5 years ago she released her kickstarting EP Solace on Dusk & Haze, her own label she established at he same instant. With remixes by Umwelt and Benjamin Demage the EP thrilled the international dance music press around Groove-Magazin, Dj Mag and Mix Mag, along airplay on BBC Radio 1 and NTS Radio. Also her track 'Fall' appearing on Get Physical's Words Don't Come Easy Compilation left some serious impressions.

Renouncing from this rather dancefloor orientated matters, she now managed to create an Ambient-kind of album, yet defying any categorization. For 'Self Part 1' she paused: took a deep breath and looked inside her mind and soul. Then she transferred the bundled emotions into these fourteen tracks, mainly within a sleepless 48-hours studio session. Processing raw field recordings and samples that relate to her childhood, such as from soviet cartoons and VHS recordings from her family make a well seasoned and personal storytelling. The tracks itself are short but on point, considering the whole piece as a concept album that needs to be listened at once all the more, or as Saze points it out:
"I feel that the element of patience is somewhat of a lost commodity in our generation, I wanted to reiterate the idea that if you don't have the willingness to sit through the whole thing, then you're not really stepping into listening to it with the right mindset to begin with."
The sounds in 'Self Part 1' paint pictures of underwater worlds with a density of noises and soundscapes that consist of all manners of samples and distinct crackles from her machines. Nothing is still, liquid like raindrops falling from cloudy skies the tracks cover the listeners souls. Slight edges of beats are sometimes shimmering through, then going under again in thoughtful and melancholic layers, strictly held in minor. The feel meanders between ice cold harmonies and touchingly warm sound-design.

kds009, June 16th, 2019, Cassette & Digital

A1. Sophia Saze: Salome (სალომე)
A2. Sophia Saze: Bare
A3. Sophia Saze: Tsminda (წმინდა)
A4. Sophia Saze: Punches
A5. Sophia Saze: Howl
B1. Sophia Saze: Flower
B2. Sophia Saze: Orbits
B3. Sophia Saze: Volk (волк)
B4. Sophia Saze: De Dios
B5. Sophia Saze: Torn
B6. Sophia Saze: Safe
B7. Sophia Saze: Kera (კერა)
B8. Sophia Saze: Mirror Mirror
B9. Sophia Saze: Aliens

Sophia Saze - Tsminda (წმინდა)

MTRL - Maze  [SLDSHP018] - July 24.

1.Maze
2.Aries 
3.Tide
4.Ossified Current
5.Tide (Sub Accent Remix)


Mastered by Giovanni Conti 
Cover by Clàudia Gómez

Buy on Bandcamp

MTRL - Maze [Incl. Sub Accent Remix]

@sophiasaze
www.facebook.com/sophiasaze
www.facebook.com/kingdomsbk

Fleeing her Soviet ruled home of Tbisili at a young age with her parents, Saze grew up as a nomad living in Russia, France, Canada and the USA before finally settling down and pursuing a career in NYC. A classically trained musician and dancer, before long the Georgian turned her back on corporate life to pour her heart and soul into the arts. Becoming a diligent and versatile electronic music producer, DJ and live act, Sophia Saze is as comfortable sculpting intricate and atmospheric productions in the studio as she is decimating dancefloors with robust Techno and frenetic Breaks. 

Reflecting on her turbulent life and how it’s formed her own identity, Saze composed her aptly titled debut album, ‘Self’. Released on cassette in two instalments, ‘Part I’ dropped in June and was critically acclaimed with support from the likes of BBC 6MUSIC’s Tom Ravenscroft, Mixmag, DJ Mag, XLR8R, Resident Advisor, Future Music, Attack Magazine, TRAX, Tsugi, Ransom Note and Groove Magazine, with the latter drawing a
parallel between hers and Burial’s music.

Completing the journey, ‘Part II’ meanders through genres like Ambient, Hip Hop and Breaks, and features very personal insights including handpicked samples from Soviet television shows and VHS cassette recordings from her childhood.
Hidden allusions of her classical music education bring up distant memories and melt together the organic but thoroughly electronic ambience. Crackles, hushes and hisses are elaborated so well that the record virtually gushes over the ears like mountain torrents. It appears peaceful and quiet, then rousing and it is sparked with bewildering sounds. It lets scattered beats arise from the thicket and drown again in streams of noise. But in the end, especially the haunting seriousness of the album is compelling.
As a concept album, ‘Self’ consists of short and precise tracks mixed together, signifying a proper way to redefine a musical work in the modern age.

Mixed by commended Kingdoms label head Francis Harris, Sophia Saze’s detailed sound-design is brought to the front for an illuminating listening experience.

Sophia Saze - Mtvare (მთვარე)

Oslated Premiere 025

Simone Bauer - Arcadia
Arcadia EP [MIST001 / Sure Thing]

Produced by Simone Giovannetti aka Simone Bauer
Mastered by MarcoAntonio Spaventi
Artwork by Sofia Hjortberg
Release by Sure Thing from Boston, USA
Release Date : September 19th. 2019

Simone Bauer (Terni, Italy)
Mythological echoes and lush atmospheres form Simone Bauer’s “Arcadia” EP, which concludes with a blooming, psychedelic remix from Refracted. Following a long-running series of events and podcasts, Sure Thing inaugurates their new label with a heartfelt love letter to introspective techno and self-discovery on the dance floor.

https://soundcloud.com/simonebauer
https://www.facebook.com/simone.bauer.music
https://www.instagram.com/simone___bauer
https://www.residentadvisor.net/dj/simonebauer

Sure Thing
https://soundcloud.com/sure_thing
https://www.facebook.com/surethingevents
https://surethingrec.bandcamp.com

Oslated Seoul.
http://www.oslatedseoul.com
https://soundcloud.com/oslated
https://www.facebook.com/oslated
https://oslated.bandcamp.com
https://www.instagram.com/oslated

Arcadia EP

Arcadia

Support & Buy

PREMIERE : Simone Bauer - Arcadia [Sure Thing]

https://www.facebook.com/Lights-Fluorescent-110969010255390/
https://www.facebook.com/daveharringtonmusic/
https://www.facebook.com/benoitandsergio/
www.facebook.com/kingdomsbk

Francis Harris’ Brooklyn-based label continues to release adventurous new music, blurring the boundaries between jazz, contemporary composition, ambient, and electronic music. Next up on the label is Lights Fluorescent - The Oldest Sons Of The Oldest Sons. 
Made up of Dave Harrington (Darkside) and Benjamin Jay (Benoit & Sergio), "The Oldest Sons Of The Oldest Sons" blends lopsided guitar loops and synth washes amid acres of reverb, while its vocals ascend toward violet altitudes. 
The single is also the title track to their upcoming debut album on Kingdoms.

The Oldest Sons Of The Oldest Sons

Lights Fluorescent - The Oldest Sons Of The Oldest Sons

www.facebook.com/Lights-Fluoresce…110969010255390/
www.facebook.com/daveharringtonmusic/
www.facebook.com/benoitandsergio/
www.facebook.com/kingdomsbk


Made up of Dave Harrington of Darkside/Dave Harrington Group and Benjamin Jay of NDF/Benoit & Sergio, Lights Fluorescent is, as the two describe it, an ‘experiment in the spaces between song and texture, idea and reference, past and present.’ On their debut album, The Oldest Sons Of The Oldest Sons, the duo develops an atmospheric, slant-pop sensibility that lists toward the experimental tendencies of improvisational and ambient music.  


The result is a set of songs meant to be lived with. Entirely percussion-less, recordings drift on a tenderness of guitar, revenant feedback and vocals of autumnal intimation. Space Metal and July 9th process layers of bespoke noise and washed out chords to tarry with integral depth, light, and shadow, while Hotels distills country-western longing into its nth dimensional essence always unrequited. 

From within these sonic panoramas, vocals emerge more as watercolor traces than coarse etchings. They aim to capture evocative, lyrical intensities, eschewing the solace of the literal. As such, the album favors 'the gestural, the implicit, and the miniature over the more adolescent urges of grand narratives and epic.’ These preferences map onto the album in all of its moves. J Girls reveals a hint of story buried, like its context, deep in whorls of feedback. Fleeting images of monuments, cathedrals, or epitaphs on tracks like Palace Walls or Small Sacrifices speak to a sense of memory and community paradoxically ungrounded by the material instantiations meant to keep things in place.

Lights Fluorescent - Our Earlier Years

The Last Day Of Pompeii is compilation of hidden gems by Retina.it -most of them released via Chicago's Hefty Records in early 2000 and few unreleased from the same era. Midgar is paying tribute to the Pompeian duo, whose life has been entirely dedicated to music. The project 'The Last Day Of Pompeii' talks about their origins, early history and relationship with Hefty Records.

Cat. Nr. : MDGEM02.1 & MDGEM02.2
Format : Double Ep 12"
Title : Retina.it - The Last Day Of Pompeii
Release Date : Fall 2019 (October)

Retina.it - A1. Apeiron (Hefty! 2001)

@sophiasaze
www.facebook.com/sophiasaze
https://www.facebook.com/romanfluegel/
https://www.facebook.com/anthonylinell/
https://www.facebook.com/FaltyDL/
www.facebook.com/kingdomsbk

A key player in the New York scene and boss of her own Dusk & Haze label, it was Francis Harris' Kingdoms that initially released Sophie Saze's standout two-part album, and that is where this forward looking package of highly original remixes lands. 
First up is German artist Roman Flügel, who’s responsible for a myriad of musical aliases and just as many different sounds. Here he is in experimental electronic mode and reworks 'Cure' into an elongated groove with twisted synth lines layering up over the shimmer, shadowy beats. It's a ghoulish track with a creepy atmosphere. 
Swede Anthony Linell makes tripped out, heady techno on Northern Electronics, always with a stylish aesthetic. That continues here as he reimagines 'Aliens' as an absorbing cosmic soundtrack. Supple, rubbery drums bubble down low while broad pads and astral motifs colour the airways above and sink you into a state of trance. 
New York beat maker and Blueberry Records boss FaltyDL then steps up with a remix of 'Self'. It is a typically off-kilter groove that seems to float on post-jungle drums while distant synth details make for a dreamy atmosphere. 
Closing out this killer package is Saze's original track 'Dreams', an intense techno cut where coarse textures peel off the industrial clatter of the drums.

Sophia Saze - Aliens (Anthony Linell Remix)

Kyntral - Luna de Sangre
1. Ceremonia
2. Luna de Sangre
3. Sacrificio
4. Ciervo Sagrado

We welcome a new addition to the NORITE family with @kyntral, an artist based in Buenos Aires, cofounder of the label @danza-nativa.

Release date 12.02.2020
Mastered at Artefacts Mastering
Design by MA7R - Martin Respaut
Distributed by Triple Vision

[NOR022] Kyntral - Luna de Sangre (PREVIEWS)

Support vía Bandcamp & Formaviva:

Bandcamp: https://bit.ly/2Z1nlYu
Formaviva: https://bit.ly/3dLx4G7

From the need to contribute and relieve a little the social and economic problem that is currently being experienced in the country due to the emergency of COVID-19, From a Lost Place has brought together local and international artists who have joined the cause to, through music, try to help the most vulnerable. 100% of the money raised on Bandcamp will be donated in two parts: One for Santa Cruz del Islote, an artificial island located in the San Bernardo archipelago (Colombia) and considered one of the most populated islands in the world, which It sustains itself economically through tourism and now finds itself with a lack of food and medicine supplies. The other part will go to the Fundación Rediseñándonos, located in Bogotá and whose initiative is the reintegration of vulnerable people and street dwellers through weaving and clothing. Right now and due to the current situation, this home needs to stock up on food and raw materials to continue working for those who need it. 

Many thanks to all the artists involved in this project, thank you for accepting and believing in this initiative that today is finally coming true! 


-

A partir de la necesidad de contribuir y aliviar un poco el problema social y económico que se está viviendo actualmente en Colombia debido a la emergencia del COVID-19, From a Lost Place ha reunido artistas locales e internacionales que se han sumado a la causa para, a través de la música, tratar de ayudar a los más vulnerables. El 100% del dinero recaudado en Bandcamp será donado en dos partes: Una para Santa Cruz del Islote, una isla artificial ubicada en el archipiélago de San Bernardo y considerada una de las islas más pobladas del mundo, la cual se sostiene económicamente por el turismo y ahora se encuentra con falta de abastecimiento de comida y medicamentos. La otra parte se destinará a la Fundación Rediseñándonos, ubicada en Bogotá (COL) y que tiene como iniciativa la reinserción de personas vulnerables y habitantes de calle por medio del tejido y la confección. Ahora mismo y debido a la situación actual, este hogar necesita abastecerse de alimentos y materia prima para continuar trabajando en pro de quienes lo necesitan. 

-

Released May 13, 2020 
Mastered by Tomas Gonzalez at Medellin, Colombia. 
Artwork: Cesar Sanchez

Polygonia - Shadow Hunt

Tracklistings Mixtape #445 (2020.07.22) : The Droid

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The Droid is the futuristic, dystopian, electro-funk moniker of 22 year old Ben Evans. The Droid is taking over with recent releases on Bass Agenda Recordings, Digital Distortions, KinETiK Records, Breakfast Musik BCN with much more to come later this year. 

You can check out The Droid’s ever-evolving presence, along with his new imprint ‘Cyber Domain’ over at:

The Droid :
Bandcamp : www.djbenevans.bandcamp.com
Facebook : www.facebook.com/djbenevans
Instagram : www.instagram.com/djbenevans
SoundCloud : www.soundcloud.com/djbenevans

Cyber Domain :
Facebook : www.facebook.com/cyberdomainmusic
Instagram : www.instagram.com/cyberdomainmusic
SoundCloud : www.soundcloud.com/cyber-domain

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Tracklist : 
01. Lloyd Stellar - Rembrandt’s Pattern [Self-released]
02. Carlos Sicrock - RELATION [Self-released]
03. iNFO - HI JINX [Unreleased]
04. Terrestrial Access Network - Multimode [Dionysian Mysteries]
05. Gruppa - Krasnyy Ad (Animistic Beliefs Remix) [Self-released]
06. Datawave - Magnetron [Dionysian Mysteries]
07. DVS NME - Photodegradable [Unreleased] vs Wee DJs - MassiveCrisps [Dionysian Mysteries]
08. ADJ - Flipping With Switches [Stung Records]
09. AΣΤΥΤΕΚΚ x DJ Problems - REFLEXX [Dionysian Mysteries]
10. Otaku Front - Descent [Self-released]
11. MachineFunk - Sectoids [Self-released]
12. Lucrecia Dalt - Axis Excess (Animistic Beliefs Remix) [Self-released]
13. Wade Watts - 303 Colours [Dionysian Mysteries]
14. Exzakt - Sub.Sonic Base [Satamile Records NYC]
15. Kuldaboli - Milljón Ára [Darknet/Bunker]
16. Doon Kanda - Bloodlet (Animistic Beliefs Remix) [Self-released]

Tracklistings Mixtape #445 (2020.07.22) : The Droid

Scissor & Thread is cut from a different cloth than your average dance imprint.

Rasmus Juncker - Norddrum

Kingdoms

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