Dope track King Koush! You should google 'bullet rank', they are promoters that give 500 free plays to anybody!

your harmonies are quite unique, makes for a fascinating sound world.

Your Conversation ( Joe Kennedy ) Joes Guitar Version

Original song, written in 2014/15. 
1st arrangement and recording, Sept 2019.
Remastered March 2021.

Where She's Gone [Remastered]

Lazy Sunday

Mortals

Last Summer (Sax Extended Remix)

Siga o Sol (LimaJr)
Sessão Acústica no BlackRoom Stúdio
Lima JR - Voz e Violão
Sandoval Filho - Bandolim

Siga o Sol (Acoustic)

#loungelectronic #electronic #nujazz
"La Frase que nunca dijo..." y que popularizó aún más a la gloriosa Isabel Sarli.
"The Phrase that never said ..." and that made the glorious Isabel Sarli even more popular.
This song is a small tribute to this woman, who is no longer in this dimension and who in these times would be a woman reified by pupularity

Scoundrel

Paypal

Piranha for Solo Marimba (Six-Mallets). Duration: 5'.
Publisher: Bill Holab Music: http://www.billholabmusic.com/store/index.php?main_page=product_info&products_id=930

PROGRAM NOTES

After writing Komodo, a piece that shows off the low end of the marimba, I decided to write a piece that focuses on the top end for good measure. Ghoulish creatures fascinate me, and piranhas provide the perfect inspiration. Like Komodo dragons, piranhas are vicious, but their reputation is somewhat exaggerated. Perhaps this piece is a Romanticized take on these fascinating creatures. Piranha begins with a rippled, fluid-like introduction, as if they are rising and falling and poking through the water’s surface. (This section pays tribute to composer Jacob Druckman and his masterpiece for solo marimba, Reflections on the Nature of Water.) The next section is a gradual crescendo, a build-up of tension as hungry piranhas stalk and nip at an unfortunate animal as it wades into deeper water. The animal is then attacked, reflected by the low end of the marimba and “marimshot” cluster chords. Satiated, they gradually calm down in the last section via a gradual diminuendo and the piece ends quietly with soft ripples and chords played with mallet shafts.

Lazy Sunday

King Koush

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