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Nueva Era

A music representation of intuition.
--
Photo by Sigmund on Unsplash

Intuition

Intuition – Ambient & Cinematic Music

Keep Trying

Remastered in 2022 for High Fidelity sound

"Bloodthirsty optimism or Hopeful for blood?"

Thank you for listening.

To mark 6 months into my mission, I've released 6 tracks for the month of June! Don't forget to check previous months' singles.

Find me here, too:

http://kimonobreeze.bandcamp.com

https://youtube.com/playlist?list=PLeAxP3i5gYHO2cVxsUP0U_BHU79v_x6j9

https://music.apple.com/us/artist/kimono-breeze/1565052738

https://open.spotify.com/playlist/2dSxhguL8Jnfrju0aQMhdW

Cover photo: 
https://www.pexels.com/photo/close-up-photo-of-pink-fluid-2156884/

Sanguine

Uploaded with AudioShare app - http://kymatica.com/audioshare

Pain

Cherished (feat. Luvdbrook$)

CieloAmarillo

Amarillo

Saturday evening fun jam project while we're waiting for midnight to go to a Halloween Party.
It's the first Party after a... i don't know... 15 months?
We'll get in the right mood. Because soon we're going "Where there's music and there's people And they're young and alive"
"Because we want to see people And we want to see life."

so: take me out!!!

Oli Boli - There Is A Light That Never Goes Out

There Is A Light That Never Goes Out (saturday fun jam "Smiths" cover)

Ghost Theater for Two Female Singers, Large Chamber Ensemble and Optional Film. Duration: 11'. Publisher: Bill Holab Music: http://www.billholabmusic.com/composers/robert-paterson/robert-paterson-works/

PROGRAM NOTES

Ghost Theater was commissioned by David Alan Miller and the Albany Symphony for the Dogs of Desire, the symphony’s groundbreaking, eighteen-member, chamber ensemble. The only requirement, other than length and instrumentation, was that I work with a collaborator, so I chose award-winning, Vermont-based filmmaker Jay Craven.

The work is about what the title describes: a theater haunted by apparitions, and in particular, disembodied shadows and ghosts of soldiers killed in combat. However, as the work was created, it took on additional inspirations: the thought of being haunted by one’s past, especially via a musical lens, and also the memories of war stories told by my father when I was growing up, who was born and raised in Rensselaer, right outside Albany, and who was stationed in Korea during the Korean War. Throughout the work, I interweave abstract references to pieces and composers that have not only inspired (or haunted) me, but also my mentor and longtime friend, Christopher Rouse. In particular, I quoted the drum part for Led Zeppelin’s When The Levee Breaks, the same drum lick that also appears in Rouse’s Bonham for eight percussionists. The entire piece is presented as a series of connected, pseudo-programmatic vignettes, each one flowing into the next, without break. The vocal texts are derived from three sources: an epitaph found on many European gravestones, and brief quotes from poems by Wilfred Owen and Pablo Naruda.

Although this work may be performed as a stand-alone concert work, it may also be presented with Craven’s film. In the world of filmmaking, films are usually created first, with music added later or even at the very end, but Jay and I went back and forth quite a bit, treating the process in a more collaborative manner. Once we had an idea, Jay created a rough outline and then shot footage in collaboration with video artist Catherine Siller. After studying a rough cut, I composed the music. The film was then edited around a digital mock-up of the music. The result is a surreal, dreamlike work that interweaves music and film, creating an aural and visual tapestry.

Ghost Theater is dedicated with gratitude to Christopher Rouse, David Alan Miller and the Albany Symphony.

Ghost Theater

(English translation below Spanish lyrics) 

Sueña, sueña en la Aurora Boreal 
duerme, duerme es la hora de imaginar 
mundos sin final, sueña... 

(texto sin acentos graficos) 

WORLDS WITHOUT END 

Dream, dream in the Aurora Borealis 
sleep, sleep it's time to imagine 
worlds without end, dream...

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Brian Melt

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