came back here after few months for that f****n sick pure techno track !! MasterPiiiiiece !!

really in love with this track.... amazing synthline, living and never get boring... <3

Öfffff.... really nice, for me a great trip

Placement Remixes

Midland - What We Know (Motor City Drum Ensemble Remix)

Hurt Me

Viers - I'm Gonna Get

@humanmovement-aus @made-in-paris 

Human Movement and Made in Paris have both established themselves as revered tastemakers in Australian Underground dance. Hailing from Sydney, having sharing stages, remixes and also a close personal friendship, today the duo unleash their first collaborative single, 'Feel Me'.

Their unique ability to create atmospheric soundscapes with driving percussion is well on show here, a battering kick and high hat combo acting as the beating pulse of its 6 minute run time. Eerie vocal lines set its anthemic tone combining perfectly with the track's ethereal rave melodies.

With both producers operating in two distinct dance lanes, they mould together to create a club roller smack bang in between their sonic identities.
credits
releases July 30, 2021
Written and Produced by Edward Macdonald & Paris Forscutt
Mixed & Mastered by Cirrus
Artwork by Bradley Pinkerton

© & ℗ 2021 Of Leisure Records

Feel Me

Human Movement & Made In Paris - Feel Me

Clap On 2

Disco Spectrum

Woman-Hood Chapter 1 EP

Lyric - 11.44 (AM Version)

Big Beat Manifesto Vol. V

Dance When The

Inteligence - This Is The Big Melody

Modern Warfare Remixes by Head High and Detboi released 8th July, available on 12" from all good record shops

Modern Warfare Remixes

Reset It (Head High Dirt Mix)

'Reset It' - Head High Dirt Mix

DSD010 - Club Culture Vol.1 is a 4 track various artist compilation infused with dance floor ready cuts filtered across the spectrum of electronic music. From disco to Chicago house, breakbeat to 303 acid lines, you can be sure that every taste is tailored to throughout this EP.

Artists - @xxxy, @anthonyfade, @soundbwoykillahdem & @interplanetary-criminal

@dansudiscs

Boogie Mania

Anthony Fade - Boogie Mania [Dansu Discs]

The world is about to explode. Cut off from humanity, @loodss looks within, recalling echoes from an alternate reality: Pure energy, pure ecstasy, pure joy, pure freedom. Amid an atmosphere of uncertainty, only a balance of nostalgia for yesterday and hope for tomorrow can save us. When the world begins to spin again, we will convert this chaos into our very own... Pure Bliss Meltdown.

Pure Bliss Meltdown

Buy/Stream

Loods - Pure Bliss Meltdown (Edit)

Pista

Aerotrim

KiNK has become one of house music’s most in demand producers and remixers: his tracks easily stand out in any club night and they are second to none in the most competitive environment electronic music has ever seen. His abilities in finding the ‘sweet spot’ of new machines and even of sounds considered ‘classic’ and to reshape them into totally different beasts would be totally enough to justify the phenomenon. Yet this barely touches the surface of the story.

Arguably the world of dance music has not witnessed anyone else rising so clearly from bottom to top just by the centrifugal force of sheer talent. Being based in Sofia, Bulgaria, without a support network, a campaign or any media hype, his music alone – live and in the studio – created a momentum whose end we have yet to see.

Having met Neville Watson over the internet, he first gained recognition with the duo’s collaborative releases on Amsterdam’s Rush Hour. “Inside Out” and “Full Flight” were huge records in 2008 already, but it was an unassuming video of KiNK tweaking a drum machine at home that landed him a gig at Berlin’s ever emblematic Panorama Bar. This also hints at what set him on a trail of live sets that took him to #1 on Resident Advisor’s poll in 2015. By today, he has played the world several times over.

Thus, KiNK’s live sets hold the key to understanding how he creates unparalleled enthusiasm on stage and through his studio output. By now, a guy with a laptop has become the most common sight in a club. Yet the visual discrepancy between the dynamics of sound and the statics of a mouse click has driven most ambitious live acts to sideshow tricks: visuals, LED screens, compensatory dancing – smoke and mirrors. By contrast, KiNK’s live sets simply take the hood off – strictly in terms of sound. A small set up of machines and controllers is all there is, but every knob turned produces an audible result. Often he will pass a machine to the audience and incorporate their input in real time. This happens at mind-boggling speed. Hyperactive, yet holding down grooves to kill for. KiNK’s ability to nail smash beats on the fly, well visibly and audibly, that most people couldn’t program in weeks of studio work – this ‘credibility of sound’ right where it matters is what sparks the love everywhere he visits.

Aerotrim

KiNK

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