Name: Elektro Guzzi - Atlas (KiNK Mix) by KiNK
Duration: 8 min 32 s
Description: Comes out on 06.07.2015 on Macro. Recorded with the assistance of Konstantin Petrov "Kei" on the mixer

Available online:
http://www.beatport.com/track/hale-bopp-der-dritte-raum-ison-adaption/4791440

Der Dritte Raum - Hale Bopp (Der Dritte Raum Ison Adaption)

Steady Note

Dormouse

https://clone.nl/item33843.html

Collab between Deroboter and I coming out on Omnidisc Feb 16
----------------------------
Deroboter
FB: https://www.facebook.com/thederoboter?fref=ts
TW: https://twitter.com/deroboter
SC: https://soundcloud.com/deroboter

Danny Daze & DEROBOTER - Drowning [OMNIDISC]

Comes out on 06.07.2015 on Macro. Recorded with the assistance of Konstantin Petrov "Kei" on the mixer

Elektro Guzzi - Atlas (KiNK Mix)

Something Happening Somewhere 
www.sohaso.com

http://bit.ly/SOMEWHERE01-beatport
http://bit.ly/SOMEWHERE01-boomkat
http://bit.ly/SOMEWHERE01-whatpeopleplay
http://bit.ly/SOMEWHERE01-juno
http://bit.ly/SOMEWHERE01-kompakt

artist: Various Artists
title: SOMEWHERE I
cat nr.: SOMEWHERE01
Distribution: Kompakt

Tracks 
01: Island Kizhi – Lone Boy
02: Polynation - Anther
03: Love Over Entropy – Rommella
04: Nuno Dos Santos – Wibaut127
05: Presk – 2BXPRZD
06: Sigward – Moonface Oracle
07: Kiani & His legion – At The Violet Hour

Vinylsampler: http://www.kompakt.fm/releases/somewhere_12

SoHaSo’s saga continues with a sound selection of singlets. Singular recordings from separate artists, bound together through Nuno Dos Santos’ spellbinding powers of creation and combination. The results are SOMEWHERE I and II: two compilations to be released digitally this summer, starting right here with part 1.	

Turning towards their inner selves, their deepest thoughts, their most hidden feelings, it seems that every single artist that was invited for SOMEWHERE I isn’t just delivering a track, no, they’re sharing a piece of themselves, showing a part that’s rarely seen or heard. From the ever evolving grooves of Love Over Entropy to the almost indie-electronica vibe of Polynation. From Sigward’s Moonfaced Oracle, chanting towards the stars, to Nuno dos Santos’ own Wibaut127, made as a last tribute to that one legendary club in Amsterdam that once was but now is no more. This and much more stories can be found when listening between the lines of every track.

The SOMEWHERE series feels like a sound based confessional. Telling unheard stories, exposing unseen surfaces and unheard sounds. A compilation to cherish, and one of which there’s another part on it’s way. SOMEWHERE II will be released later this summer, with both parts being made available on CD in very limited quantities.

An intriguing combination of names known and unknown, it’s once again testament that there’s so much happening, somewhere, all the time. And remember: this is only the first part.

BEATPORT

Kiani & His Legion - At The Violet Hour (SOMEWHERE01)

Part of John Tejada's new EP on Kompakt.

Vinyl Pre-order: http://www.kompakt.fm/releases/lakewood_drive
Beatport Link: http://btprt.dj/1TRlN8k


PREMIERE: John Tejada 'Cascade'

Soul Sounds

Soul Sounds (Dirt Crew Solid Diamond Remix)

Rebellion der Träumer - Remixes Part 1

Heimat (Robag's Turmkolle Rekksmow)

Efdemin - There Will Be Singing (Dj Koze Remix)

Track taken from "Wuzzelbud FF" (Hart&Tief 04)
Release Date: September 7th, 2018

Get the double vinyl EP here:
bit.ly/wuzzelbudff

Stream:
spoti.fi/2NtrXkq
apple.co/2Nk7i2r
bit.ly/2NpwYdN

More Infos & alls upcoming Dj-Shows: www.pamparecords.com

External assessment vs. self-conception by Robag Wruhme: "People always think, I'm that serene and quiet guy, but actually I'm quite a noisemaker." Could be that the majority of the material he put out in recent years, most notably the "Thora Vukk" album, led to the overall apprehension of Robag being the virtuoso of everything subtle, enigmatic and tenderly melodic. Well, that's far from being a misconception, but still just one side of the coin. The other side is embossed with his most current productions, consolidated to a double EP, captioned with the enchanting name "Wuzzelbud FF".

Wait a second ... "Wuzzelbud"? Devoted fans will instantly prick up their ears. We've heard that before. Back in 2004 Robag Wruhme released his first longplayer named "Wuzzelbud 'KK'". As there's no such scenario Robag might be running out of stream-of-consciousness turned nonsense titles for his music, this must be a vocabulary intersection linking the early days of his career with its status quo. And it is. Wruhme presents "Wuzzelbud FF" as the stylistic follow-up to his debut album, showcasing a sound he commits has been neglected for too long. Wruhme cuts to the chase: "I wanted to put out some straightforward music for the dancefloor, something for the primetime. Well, for the primetime of my sets, at least."

And that agenda is written all over most of this double EP's material. Not so much over the tongue in cheek intro or some of its interludes. But "Veddel Bav" as the first centre-piece of this collection sets the pace already. Don't fall for Wruhme's signature artistry of evoking groove out of micro-sampling while this track is building up. It'll be bulldozed by a bass heavy kick and off-beat hi-hat-lashes soon enough. An insanely well balanced composition of accurately placed details and thumping massiveness, that is.

A layout that's elaborated even further on the title track you'll find opening the B-side. In-field recorded patterns, courageous delay-implementation, a take no prisoners mentality when it comes to prep this for the peaktime, a super simple yet super effective bassline (or rather -note), a buzzing and twanging percussive overload bound to what's usually known as 'a banger'.

Get some rest with "Tisma", a rather spaced out jam and then prepare to be shaken thoroughly by "Provol Eto", the cowbell decorated, synthbass fueled epitome of heaviness in this set of tunes. Safe to say, this adds to the most functional and relentless material, Wruhme has ever written.

No breathing pause granted, as "Maiowu" speeds up to utter D'n'B frenzy or as Wruhme himself describes it to a "sounddesign that's cut from rhythm" - a recourse to his mid 90ies rule denying, almost anarchic approach to production.

The final re-introduction of a straight kick then opens side D. "Wabb Bodun" - that's yet another no-frills, engine-room located stomper, inspirited and strengthened by rhythmic shifts and crisp tweaking alone. Well, and a sneezer. An in-the-red powerhouse that calls for an alleviation like the ambient farewell kiss "Ausgang". An assembly of textures that sets a peaceful conclusion to an energetic and mostly high-revving journey.

More Infos: www.pamparecords.com
(C) Pampa Records 2018

Wuzzelbud FF

H&T04 Robag Wruhme - Wabb Bodun

KiNK has become one of house music’s most in demand producers and remixers: his tracks easily stand out in any club night and they are second to none in the most competitive environment electronic music has ever seen. His abilities in finding the ‘sweet spot’ of new machines and even of sounds considered ‘classic’ and to reshape them into totally different beasts would be totally enough to justify the phenomenon. Yet this barely touches the surface of the story.

Arguably the world of dance music has not witnessed anyone else rising so clearly from bottom to top just by the centrifugal force of sheer talent. Being based in Sofia, Bulgaria, without a support network, a campaign or any media hype, his music alone – live and in the studio – created a momentum whose end we have yet to see.

Having met Neville Watson over the internet, he first gained recognition with the duo’s collaborative releases on Amsterdam’s Rush Hour. “Inside Out” and “Full Flight” were huge records in 2008 already, but it was an unassuming video of KiNK tweaking a drum machine at home that landed him a gig at Berlin’s ever emblematic Panorama Bar. This also hints at what set him on a trail of live sets that took him to #1 on Resident Advisor’s poll in 2015. By today, he has played the world several times over.

Thus, KiNK’s live sets hold the key to understanding how he creates unparalleled enthusiasm on stage and through his studio output. By now, a guy with a laptop has become the most common sight in a club. Yet the visual discrepancy between the dynamics of sound and the statics of a mouse click has driven most ambitious live acts to sideshow tricks: visuals, LED screens, compensatory dancing – smoke and mirrors. By contrast, KiNK’s live sets simply take the hood off – strictly in terms of sound. A small set up of machines and controllers is all there is, but every knob turned produces an audible result. Often he will pass a machine to the audience and incorporate their input in real time. This happens at mind-boggling speed. Hyperactive, yet holding down grooves to kill for. KiNK’s ability to nail smash beats on the fly, well visibly and audibly, that most people couldn’t program in weeks of studio work – this ‘credibility of sound’ right where it matters is what sparks the love everywhere he visits.

Elektro Guzzi - Atlas (KiNK Mix)

KiNK

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