Listen to the Franco baresi mix is fantastic also !!

Beesmunt Soundsystem - How I Wish

Theory of Light EP

Photon

Anteprima qui
"Domani, preparatevi per l'attesissima uscita del nuovo "Master Rhythm  Vision RmX  Dj Simbabe"
Disponibile su tutti i principali negozi di musica digitale in tutto il mondo.

djsimbabe3.wixsite.com/radiomastersimbabe

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"Tomorrow, get ready for the highly anticipated release of the new "Master Rhythm  Vision RmX  Dj Simbabe"
Available on all major digital music stores world

Master Rhythm  Vision RmX  Dj Simbabe

Rachel EP

Existence

http://mixmag.net/read/premiere-gerd-janson-shan-regraded-premieres

ReGraded is back to rule your summer once again

Pre-order: https://regraded.lnk.to/Surrender

More exclusive music

Premiere: Gerd Janson & Shan 'Surrender'

nyra- love safari

Ejeca - Night Rays

Sunshine (Remixes)

Sunshine (Kink Remix)

Taken from the Rush Hour site:

‘Use Me Again’ is Tom Trago’s evergreen club classic. Originally released at the start of 2010 it became a staple track in many DJs sets.

The track is based around an infectious loop in true disco spirit and it lights up every dancefloor its been played to. The original version has been yet again re- mastered for this 2012 release.

Carl Craig has been one of the track’s biggest fans ever since it was first re- leased, at a certain point he was playing it out in almost every set. For this release he came up with a typical c2 re-tweak. 

Voyage Direct: First Mission

Tom Trago - Use Me Again (Carl Craig Rework)

The Struggle / Save the Children

Floorplan - Save the Children

KiNK has become one of house music’s most in demand producers and remixers: his tracks easily stand out in any club night and they are second to none in the most competitive environment electronic music has ever seen. His abilities in finding the ‘sweet spot’ of new machines and even of sounds considered ‘classic’ and to reshape them into totally different beasts would be totally enough to justify the phenomenon. Yet this barely touches the surface of the story.

Arguably the world of dance music has not witnessed anyone else rising so clearly from bottom to top just by the centrifugal force of sheer talent. Being based in Sofia, Bulgaria, without a support network, a campaign or any media hype, his music alone – live and in the studio – created a momentum whose end we have yet to see.

Having met Neville Watson over the internet, he first gained recognition with the duo’s collaborative releases on Amsterdam’s Rush Hour. “Inside Out” and “Full Flight” were huge records in 2008 already, but it was an unassuming video of KiNK tweaking a drum machine at home that landed him a gig at Berlin’s ever emblematic Panorama Bar. This also hints at what set him on a trail of live sets that took him to #1 on Resident Advisor’s poll in 2015. By today, he has played the world several times over.

Thus, KiNK’s live sets hold the key to understanding how he creates unparalleled enthusiasm on stage and through his studio output. By now, a guy with a laptop has become the most common sight in a club. Yet the visual discrepancy between the dynamics of sound and the statics of a mouse click has driven most ambitious live acts to sideshow tricks: visuals, LED screens, compensatory dancing – smoke and mirrors. By contrast, KiNK’s live sets simply take the hood off – strictly in terms of sound. A small set up of machines and controllers is all there is, but every knob turned produces an audible result. Often he will pass a machine to the audience and incorporate their input in real time. This happens at mind-boggling speed. Hyperactive, yet holding down grooves to kill for. KiNK’s ability to nail smash beats on the fly, well visibly and audibly, that most people couldn’t program in weeks of studio work – this ‘credibility of sound’ right where it matters is what sparks the love everywhere he visits.

Existence

KiNK

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