how did u get me sooo right,  hav we met mister d-jay... lol  ;-) 

Incroyable Music - Cabin in the Woods (Remixes)

Space Cowboys (Deetron Remix)

The Wriggle

Come Back

Feiertag - Come Back

1. Fouk - Truffles 
2. Felipe Gordon – Highly corrosive acid 
3. Dam Swindle – Sugar sugar 
4. Lore of the Samurai – Space designer 
5. Demuir – Philippine sunrise 
6. Crackazat - We know 
7. Adesse Versions – Push it along 
8. M.ono – Delaware state route 
9. Nachtbraker – Gurl 
10. Nebraska – The blues 
11. Pitto – You treat me like a fool 
12. Perdu – Sacramento 
13. Marina Trench feat. Sabrina Bellaouel – Wake up 
14. Makèz – Feel the same 
15. Orlando Voorn - Tenderness

Hidden Gems

Pitto - You Treat Me Like A Fool

Rudeless EP

Rudeless

Scope 001

Angel (Jerome Sydenham Special Edit Pt. 2)

Buy/stream: https://kompakt.fm/releases/change_this_pain_for_ecstasy_eli_escobar_remix

Eli Escobar has been an integral part of NYC's dance scene for a good two decades. He has remixed Madonna, Lana Del Rey and Honey Dijon amongst many more. To start the year 2024, he gives Rex The Dog's a thrilling old school rave spin. Sometimes it takes an US artist to make a British track sound really British. Smiley.

Change This Pain For Ecstasy (Eli Escobar Remix)

Rex The Dog - Change This Pain For Ecstasy (Eli Escobar Remix)

To mark the Spring Equinox, Stampatron is thrilled to be presenting to you fine people a return to form for Perennial Recording Network. 
Its been a long time since our last release, with life getting slightly in the way of proceedings! 
Now in 2024 we are back with our next instalment of primordial electronic music...

Kev D 'Mitis Spiritus' sees Kev take a departure from his inimitable hard-groove techno sound to produce what  instantly described as 'the best piece of music he's ever written'.  Lush, organic synths dance with layered bass and intricate drum patterns to create a seminal production that oozes class and vibe. 
Sitting somewhere between Melodic House and Electronica, Mitis Spiritus does the business and is certainly one for fans of Bonobo, Tycho, Alex Banks, Bicep et al. 

On the flip side, Stampatron has remixed this beast (thanks Kev!) and bring to the table a deeper but harder edit. Pacey breakbeats underpin the organic sounds of the original, while sub-bass modulates behind stabby arps and dreamy delays. I was listening to a lot of Luke Chable and Shiloh at the time of writing, perhaps it shows!

Thanks for listening and big up to everyone that supports the label.

Stampatron, January 2024

Image credit: Johnny Li on Unsplash 

Released: 19/03/2024 

www.perennialrecordingnetwork.com
https://linktr.ee/kev_d
https://linktr.ee/stampatron

DJS: To receive our promotional mail out, please send us your email via our online contact form at www.perennialrecordingnetwork.com

Mitis Spiritus

Mitis Spiritus (Original Mix)

Out 18.04.24 on @CostelloRecordings
CR005

Go get it on :
Beatport | Juno | Amazon

Stream on :
Deezer | Spotify | Soundcloud | Youtube | Apple Music

-------------

Connect with Costello :

https://open.spotify.com/intl-fr/artist/7czwzykQLwEZwrycsbOHWw?si=yZpkJYV5T9yvJU70N6Auug
www.facebook.com/IAMCOSTELLO
www.instagram.com/remycostello/
twitter.com/_COSTELLO_

Compass

Costello - Compass

Faustin - Serengeti Calling (Original Mix)

Rachel EP

Rachel

KiNK has become one of house music’s most in demand producers and remixers: his tracks easily stand out in any club night and they are second to none in the most competitive environment electronic music has ever seen. His abilities in finding the ‘sweet spot’ of new machines and even of sounds considered ‘classic’ and to reshape them into totally different beasts would be totally enough to justify the phenomenon. Yet this barely touches the surface of the story.

Arguably the world of dance music has not witnessed anyone else rising so clearly from bottom to top just by the centrifugal force of sheer talent. Being based in Sofia, Bulgaria, without a support network, a campaign or any media hype, his music alone – live and in the studio – created a momentum whose end we have yet to see.

Having met Neville Watson over the internet, he first gained recognition with the duo’s collaborative releases on Amsterdam’s Rush Hour. “Inside Out” and “Full Flight” were huge records in 2008 already, but it was an unassuming video of KiNK tweaking a drum machine at home that landed him a gig at Berlin’s ever emblematic Panorama Bar. This also hints at what set him on a trail of live sets that took him to #1 on Resident Advisor’s poll in 2015. By today, he has played the world several times over.

Thus, KiNK’s live sets hold the key to understanding how he creates unparalleled enthusiasm on stage and through his studio output. By now, a guy with a laptop has become the most common sight in a club. Yet the visual discrepancy between the dynamics of sound and the statics of a mouse click has driven most ambitious live acts to sideshow tricks: visuals, LED screens, compensatory dancing – smoke and mirrors. By contrast, KiNK’s live sets simply take the hood off – strictly in terms of sound. A small set up of machines and controllers is all there is, but every knob turned produces an audible result. Often he will pass a machine to the audience and incorporate their input in real time. This happens at mind-boggling speed. Hyperactive, yet holding down grooves to kill for. KiNK’s ability to nail smash beats on the fly, well visibly and audibly, that most people couldn’t program in weeks of studio work – this ‘credibility of sound’ right where it matters is what sparks the love everywhere he visits.

Rachel

KiNK

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