Name: Session 1 KiNK And KEi 1998 by KiNK in Różne
Duration: 6 min 23 s
Description: Sessions 3-5 engineered and recorded by Strahil Velchev "KiNK" in 1998, at a law office at the hours after work. Sessions 1-2 engineered by Konstantin Petrov "KEi" at his flat, recorded by KiNK and KEi in 1998. Gear used for the sessions: a PC, Jeskola Buzz software, cassette recorder and computer speakers or a home stereo.

NICE KINK its a KING OF ELECTRO-HOUSE ;-) Cheers LP DJ SBSW

Różne

Boiler Room x Chvrches Album Launch Party w/ Chvrches, Cid Rim & Alex Patchwork.

[Broadcasted on Friday 27th September 2013]

Tracklist & video at boilerroom.tv

Cid Rim 40 min Boiler Room mix

Dimples D  - Sucker DJ's Freddy Fresh (Jeep Mix)

This recording is available to download at: http://boilerroom.tv/recording/bradley-z/

Bradley Zero Boiler Room 60 Minute Mix

Stream - Support https://lnkfi.re/clesent-the-beat
Clesent https://soundcloud.com/clesent

The Beat

Clesent - The Beat

Octave One's set for us last year was phenomenal; the energy, setting and metronomic head twists made it a no-brainer for inclusion in our Best of 2014. If you're that way inclined, you can hear the story behind how Boiler Room helped relaunch their career in more depth over here [INSERT LINK TO MICHAIL INTERVIEW HERE], as relayed to Derek Plaslaiko and our very own Michail. Seven tracks from Moscow made it onto their new LP, due May 26th, of which "Afterglow" was arguably the strongest.
Much like the towering behemoth of "Blackwater", it's a synergy of styles; dozens of boxes chattering away to one another in harmony. Somehow the track manages to be both flinty hard and yet shimmering, the lead curdled and yet crystal-clear. It's dancefloor TNT, an emphatic return from the brothers Burden. Burn It Down indeed.

Octave One "Afterglow" - Boiler Room Debuts

Sessions 3-5 engineered and recorded by Strahil Velchev "KiNK" in 1998, at a law office at the hours after work. Sessions 1-2 engineered by Konstantin Petrov "KEi" at his flat, recorded by KiNK and KEi in 1998. Gear used for the sessions: a PC, Jeskola Buzz software, cassette recorder and computer speakers or a home stereo.

Session 1 KiNK And KEi 1998

The Year 3000

Artist - Dele Sosimi Afrobeat Orchestra, Laolu
Label - Innervisions

https://pro.beatport.com/track/too-much-information-laolu-remix-edit/7360974

Dele Sosimi Afrobeat Orchestra - Too Much Information (Laolu Remix) Edit

@johan-kaseta delivers his first solo EP for @lehult, the Hamburg label he co-founded. Taking inspiration from the Super Nintendo RPG soundtracks of Johan's youth, 'No Same Time' combines blissful chords behind a veil of waterfalls, shakers and swooping filters.

Read more & buy: http://www.stampthewax.com/2016/10/25/premiere-johan-kaseta/
Listen on Youtube: bit.ly/no-same-time

Erefora Land

Johan Kaseta - No Same Time (STW Premiere)

Let Us Play

Music 4 No Musicians

Lush live from Wam Festival, Murcia 06/05/17

Lush - Live from Wam Festival 2017

READ - http://inverted-audio.com/premiere-lusine-chatter-dauwd-remix

Back with a special two-track remix EP featuring Kompakt protégé @dauwd and Vancouver-based ambient genius Loscil, Brooklyn's finest @ghostly offer two distinct reinterpretations of @lusine-official’s mind-expanding sound universe.

Sensorimotor Remixes

Lusine - Chatter (Dauwd Remix) [Ghostly International]

AMB1209 - OFI Remixes

Remixes From - Synkro, Colonel Red, Indigo, Sei A and Shadow Child and Horx

Model 500 - OFI (Synkro's slow jam mix)

KiNK has become one of house music’s most in demand producers and remixers: his tracks easily stand out in any club night and they are second to none in the most competitive environment electronic music has ever seen. His abilities in finding the ‘sweet spot’ of new machines and even of sounds considered ‘classic’ and to reshape them into totally different beasts would be totally enough to justify the phenomenon. Yet this barely touches the surface of the story.

Arguably the world of dance music has not witnessed anyone else rising so clearly from bottom to top just by the centrifugal force of sheer talent. Being based in Sofia, Bulgaria, without a support network, a campaign or any media hype, his music alone – live and in the studio – created a momentum whose end we have yet to see.

Having met Neville Watson over the internet, he first gained recognition with the duo’s collaborative releases on Amsterdam’s Rush Hour. “Inside Out” and “Full Flight” were huge records in 2008 already, but it was an unassuming video of KiNK tweaking a drum machine at home that landed him a gig at Berlin’s ever emblematic Panorama Bar. This also hints at what set him on a trail of live sets that took him to #1 on Resident Advisor’s poll in 2015. By today, he has played the world several times over.

Thus, KiNK’s live sets hold the key to understanding how he creates unparalleled enthusiasm on stage and through his studio output. By now, a guy with a laptop has become the most common sight in a club. Yet the visual discrepancy between the dynamics of sound and the statics of a mouse click has driven most ambitious live acts to sideshow tricks: visuals, LED screens, compensatory dancing – smoke and mirrors. By contrast, KiNK’s live sets simply take the hood off – strictly in terms of sound. A small set up of machines and controllers is all there is, but every knob turned produces an audible result. Often he will pass a machine to the audience and incorporate their input in real time. This happens at mind-boggling speed. Hyperactive, yet holding down grooves to kill for. KiNK’s ability to nail smash beats on the fly, well visibly and audibly, that most people couldn’t program in weeks of studio work – this ‘credibility of sound’ right where it matters is what sparks the love everywhere he visits.

Session 1 KiNK And KEi 1998

KiNK

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