Love it ! Dark side... mood of the day 😘😘😘

This is simply the best progressive techno track of all time. Never fails to give me goosebumps all over 😍

10130 9801 9800 9701 9700 9601 9600 9001 9000 8888 8868 8720 8648 8468 8420 7772 7222 6370 6470 5555 5000 4555 4445 3455 3445 3345 3341 2333 2001 2000 1998 17 1772 1721 1127 1270 800 002,003 o0000oo05

Daniel Avery - Drone Logic

GARNIER "AF 0490" - Still Music

Tracklisting
A1 - Bang (The Underground Doesn't Stop) 
B1 - Boom (Chakolak)
B2 - Beat (Da BoxX)

Order a 12" copy: http://goo.gl/cYvcGy
Download digital version: http://goo.gl/DVO2kA

______________________________

It started with Chicago. Then, Manchester.

For nearly three decades, Laurent Garnier has urged himself to create on the cutting edge of dance music. Beyond the turntables and studio, Garnier moves between genres and performance techniques with the aim of continuously challenging himself. Pick any moment from his musical journey, and it's easy to see this creative momentum: there was the Hacienda in the late '80s, his time spent in America exploring house, the techno of his label F Communications and his entry into the realm of jazz. "I never want to be an old artist playing my old tracks just to please the older crowd," he says. "I don't think that's healthy." (RA)

Laurent Garnier is now an undeniable force that is making the planet dance.
Last summer (2013) Laurent Garnier met with Jerome Derradji over dinner before his long awaited return at the decks in Chicago for SmartBar. Longtime friends, Laurent and Jerome talked about the possibility of releasing some of his new productions under the name Garnier. A new venture for the veteran Dj and producer, that will see him release a series of 12”s for labels such as 50 Weapons and more....

“AF 0490” is the first release in the series and showcases Garnier at his best.
Three tracks that pay their respect to the heroes of Trax, Dancemania and to the Chicago sound they helped create without any misplaced nostalgia.
“Bang (The Underground Doesn’t Stop)” is a dancefloor anthem, magnificent and pure Chicago circa 1998. “Boom (Chakolak)” takes you way back to the Southside with its gritty “footwork” 909 kicks, snares and vocal loops, massive! “Beat (Da BoxX) is a pure Garnier, Dancemania inspired techno monster. The loop is finally complete, Garnier can now hop on flight AF 0490 direct from Paris to Chicago to Bang The Box once more.

Tell your friends, 2014 looks like it’s going to be the year of the Garnier.

http://facebook.com/laurentgarnierofficial
http://twitter.com/laurentgarnier

Order your copy!

A1 GARNIER - Bang (The Underground Doesn't Stop) (preview)

The Mask

Makam - A Night At Trouw
Amulett 002, 2015
https://clone.nl/item33835.html
Low quality / for promotional use only!


Makam - A Night At Trouw

The EP finds Hackman going full-circle of sorts. The tunes from this release were written almost five years ago, when the producer was on a totally different aesthetic tip, favoring UK funky styles over the deeper house tones that popped up on THUMP recently. "I would say this EP would have fit better within my catalogue back around 2011," Hackman tells THUMP. "That's when the tracks were originally written and signed to Halocyan, but I'm at the point now where I'm starting to write a bit harder, more dance floor driven music, so this EP is a good base to build from for this."

Hackman - Semibreves (Epiphylogentically Enumerated Reset By KiNK)

Aril Brikha - Winter

Laurent Garnier - Jacques In The Box

John Tejada - Unstable Condition

RADIO SLAVE - I DON'T NEED A CURE FOR THIS (KENNY LARKIN REMIX)

Playground

Five

Yom Thorke

KiNK has become one of house music’s most in demand producers and remixers: his tracks easily stand out in any club night and they are second to none in the most competitive environment electronic music has ever seen. His abilities in finding the ‘sweet spot’ of new machines and even of sounds considered ‘classic’ and to reshape them into totally different beasts would be totally enough to justify the phenomenon. Yet this barely touches the surface of the story.

Arguably the world of dance music has not witnessed anyone else rising so clearly from bottom to top just by the centrifugal force of sheer talent. Being based in Sofia, Bulgaria, without a support network, a campaign or any media hype, his music alone – live and in the studio – created a momentum whose end we have yet to see.

Having met Neville Watson over the internet, he first gained recognition with the duo’s collaborative releases on Amsterdam’s Rush Hour. “Inside Out” and “Full Flight” were huge records in 2008 already, but it was an unassuming video of KiNK tweaking a drum machine at home that landed him a gig at Berlin’s ever emblematic Panorama Bar. This also hints at what set him on a trail of live sets that took him to #1 on Resident Advisor’s poll in 2015. By today, he has played the world several times over.

Thus, KiNK’s live sets hold the key to understanding how he creates unparalleled enthusiasm on stage and through his studio output. By now, a guy with a laptop has become the most common sight in a club. Yet the visual discrepancy between the dynamics of sound and the statics of a mouse click has driven most ambitious live acts to sideshow tricks: visuals, LED screens, compensatory dancing – smoke and mirrors. By contrast, KiNK’s live sets simply take the hood off – strictly in terms of sound. A small set up of machines and controllers is all there is, but every knob turned produces an audible result. Often he will pass a machine to the audience and incorporate their input in real time. This happens at mind-boggling speed. Hyperactive, yet holding down grooves to kill for. KiNK’s ability to nail smash beats on the fly, well visibly and audibly, that most people couldn’t program in weeks of studio work – this ‘credibility of sound’ right where it matters is what sparks the love everywhere he visits.

Yom Thorke

KiNK

Recent comments

👽🐰🤖LEPIDISOSCELES🤖🐰👽, om.florifer,ement alis

Francesco Galletti

NoodleBomber

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