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Taken from the album "Stars Are Our Home."
Out now on Slumberland Records (US) and Sonic Cathedral (UK)

Order the digital download from iTunes: http://smarturl.it/bhb-itunes
Order the LP/CD: http://smarturl.it/bhb-album

more info: www.blackheartedbrother.com
Black Hearted Brother Official Facebook: https://www.facebook.com/blackheartedbrother

It was Alfred Bester, if I recall correctly, who called 'the stars my destination', in his brilliant novel of the same name from 1956. Long considered a libertarian science fiction classic, it's also notable for featuring one of the very first accounts of synaesthesia in English-language fiction. This might be drawing a particularly long bow, but the title of Black Hearted Brother's debut, "Stars Are Our Home", immediately brought Bester's book to mind – and there's definitely something of the synaesthesic experience about this album, overflowing with enraptured, glowing textures, flaring white light like magnesium, in consort with brilliant red-blue waves of psychedelia.

Of course, the first thing that might crane your head towards "Stars Are Our Home" is the group's membership: Neil Halstead, the éminence grise behind Slowdive and Mojave 3; Mark Van Hoen, an original member of Seefeel, subsequently working solo and as Locust; and Nick Holton, the main mover behind Holton's Opulent Oog, and member of Coley Park, who have released albums on Halstead's Shady Lane label. They had previously converged on Halstead's 2001 solo album, "Sleeping On Roads," though Van Hoen also co-produced Mojave 3's "Out Of Tune" (1998), "Excuses For Travelers" (2000) and "Spoon & Rafter" (2003), while Holton took up production duties for Halstead's "Palindrome Hunches" (2012). Van Hoen and Halstead go back much further still, to 1992, when they were in Seefeel and Slowdive respectively: 'Mark taught Neil much that was electronic and ambient music.'

You could hear that education bearing fruit with Slowdive's late-period masterpiece, 1995's "Pygmalion." In some ways, "Stars Are Our Home" echoes that album's experimental process, if not the outcome, as Black Hearted Brother are a very different, distinctive beast, often indulging in what Halstead, self-deprecatingly, describes as 'a lot of very long and indulgent space rawk.' And indeed, that space-rock drive is writ loud and clear on the album's opening title track, an instrumental bliss-out that navigates through ocean-tides of FX-drenched guitar. But there's a lot more to it: 'The idea was to just make a record that was in some ways "unedited",' Halstead continues. 'To not worry about a particular sound or style, but to just go with the flow. We all make quite focused records individually so, as Mark says, it's our "guilty pleasures" album.' That seems about right, except with "Stars Are Our Home," the outcome is no guilt, all pleasure.

'Neil and Nick had, I think, started a few months before they asked me to join the party,' Van Hoen recalls. 'I think they had a few songs on the go, and needed an extra hand to add a few funny noises and generally add to the chaos – or maybe bring some order to the chaos.' Van Hoen has picked up on the dialectical nature of "Stars Are Our Home" here, its "order" and its "chaos": it's a rich, compelling album full of unexpected twists and turns, at times overloading the sensorium with so much material you're drenched in noise, but it'll just as quickly flip back on itself and drift through a glazed-eye, agrarian moment of acoustic melancholy (see the start of "Time In The Machine", which, as if to prove my point, takes less than a minute to build into a clangorous, droning monster).

So, there's a whole lot going on in these grooves, and plenty of it's unexpected, or from unexpected sources. The trio plays fast and loose with what listeners might consider their pre-ordained 'roles'. 'Primarily the songs themselves were started either by Nick or Neil individually,' Van Hoen explains, 'but then edited, developed and generally messed around with and rendered almost unlistenable by either myself or the others. The roles were not always clear cut. Sometimes Nick would be playing keyboards and synths, and myself guitars.' Lyrics on the record feel like another texture, another layer: sometimes they're invocatory chants, sometimes Halstead's and Holton's voices are ghosted by electronic manipulation, as on "Oh Crust". Often there's more going on than at first glance, and an index of the album's lyrical concerns runs to 'romance, sci-fi, places to go on holiday, real UFO abduction, the duality in the meaning of words, lament for the loss of psychedelic freedoms by the masses…'

"Stars Are Our Home" is brave and beautiful, mysterious and resonant. Its experimental edges never forget the importance of the pop moment; the best way to bring people around to your way of hearing is to seduce their ears, and there's seduction plenty here, pure pop like "Take Heart", the Other Green World of "I'm Back", the closing driftwork that is "Look Out Here They Come". A real head-wrecker of an album. And what does the future hold? The trio speaks as one: 'Black Hearted Brother will grow and mature into something very sophisticated in the coming years. A kind of comedic-space-rock-dancehall outfit to define a zeitgeist for the 22nd century, if you like.' Ha, yeah – amen, brothers!

Black Hearted Brother - This Is How It Feels (Single Edit)

Get In The Water

Live Studio Video: https://www.youtube.com/watch?v=9sbKWanuhmo

Cosmic Fireworks and i'm set loose, I'll be the animal you choose.
In the middle of the universe spinning in the dark,
You're all blue and i am too.
With a crown upon my head i could scream this is mine,
But I will always belong to you.
Atop of all my accomplishments with a coin between my teeth,
I could say this is me, but it's not true.
There's seven notes to every chord and seven colours at the door.
I see what i see, i sang what i sang but circles all say the same thing.

I will always Belong to you
I will always Belong to you (repeat)

Time will always confuse us, We never think we've had enough
And death seems like a black blanket and life seems like a white blanket.
With a crown upon my head i could scream this is mine,
But I will always belong to you.



Belong To You

Glass

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-----------------------------------------------------------

We were floating round in an endless haze
and my heart, my heart was beating for you
burning bright in the eye of a golden flame
and our souls glow, they're glowing away with the wind

We're off balance
in the silence (x2)

And we're fallen under all we have is hope
and we're fallen under all we know is gone
we were running round in circles chasing shadows in the dark
we were running round in circles chasing shadows in the dark


We were growing bright in our broken ways
we were blinded, blinded by all of our dreams
Holding on to our souls when we're not afraid
and our hearts beat, our hearts were beating on through

We're off balance
in the silence (x2)

And we're fallen under all we have is hope
and we're fallen under all we know is gone
we were running round in circles chasing shadows in the dark
we were running round in circles chasing shadows in the dark


Photo by Jen Painter


Haze

Mockasin's (single)

Greylag "Another" from the forthcoming self-titled album 'Greylag' out 10/14/14 on CD/LP/Digital from Dead Oceans.

Pre-order the new album via:
Dead Oceans / SCD: http://smarturl.it/greylag
iTunes:  http://smarturl.it/greylag_itunes
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Indies: http://smarturl.it/greylag_indies

Greylag
Artist Page http://deadoceans.com/artist.php?name=greylag
Band Website www.greylagmusic.com/
Facebook www.facebook.com/greylagmusic
Twitter https://twitter.com/greylagmusic
Instagram http://instagram.com/greylagmusic

Greylag "Another" from the forthcoming self-titled album 'Greylag' out 10/14/14 on CD/LP/Digital from Dead Oceans.

Pre-order from DOC

Greylag - "Another"

GROUNDERS' new album will be available May 12.

“Where do you go? Waiting around, where do you go from here?” wonders the chorus of “Secret Friend,” the first single from GROUNDERS’ debut self-titled LP. 

With a dreamy, reverb-drenched intro, the song drifts alongside layers of wobbly arpeggiated synth lines and space-age guitar melodies. It’s the opening track, and it’s also a fitting intro to GROUNDERS. It shimmers and gleams, but there’s a scrappy, stripped-back undertone that chips away at any polish. For every catchy hook and lush arrangement throughout the album there’s a woozy counterpoint that keeps things slightly off-kilter. 

Where do you go from here? Into the weird and wonderful pop world of GROUNDERS.  

This spring, the Toronto-based band – Andrew Davis (vocals and guitar), Daniel Busheikin (keyboards), Mike Searle (Bass) and Evan Lewis (guitar) – will release their first full-length album, a collection of dense and intricate pop music under the gauzy veil of krautrock and psychedelia.   In the time between releasing the Wreck of a Smile EP in 2013 and laying demos for their debut album, GROUNDERS rediscovered their love for classic pop music, an appreciation that had waned over the years as they became obsessed with circumventing the conventional. They listened to pop staples like David Bowie and Devo, and revisited old favourites like Velvet Underground, Neu and the Zombies. When GROUNDERS finally came up for air, they had a newfound love for pop and a glut of ideas for a debut LP.  

Meanwhile, Meditation for Dummies and David Lynch’s self-help guide Catching the Big Fish, on transcendental meditation and the creative process, were passed around the van while touring through North America. As Davis’s interest in meditation increased, his lyrics began to reflect his search for serenity and inner peace. 

The album came to life in two distinct spaces: Davis’s bedroom in Toronto’s sleepy High Park neighbourhood; and a spacious two-car garage packed with vintage gear from various pawn shops and second-hand stores across the country. 

After recruiting DIANA’s Kieran Adams to handle drums, the band headed into the studio with longtime pal Marcel Ramagnano (Born Ruffians, Absolutely Free) to record. Months of tracking, tinkering and layering later, GROUNDERS enlisted the incomparable David Newfeld (Broken Social Scene, Holy Fuck) to give each song the bombastic, fried analog treatment he’s become known for.   

First single "Secret Friend" sounds like a bleached and sunbaked Zombies; “Vyvanse,” which yes, is named after the ADHD drug, contains a lilting guitar riff that’ll break your heart; “Pull It Over Me” careens into the dreamy ether courtesy of a wistful cyclical guitar that’s the epitome of a lazy summer’s day; “No Ringer” is a wobbly Silver Apples trance doused in a saxophone freak-out; "Fool's Banquet" sparkles like early Broadcast flooded by constant glistening waves of pleasure.  After cross-country tours, an acclaimed debut EP and a David Lynch-inspired spiritual journey, GROUNDERS have finally come of age.


GROUNDERS - Secret Friend

LYRICS: 
Made of wanting, solely, I’m used to - it’s easy, look at what we gain. Sorta holding on loose ever so slightly, fingers feeling rain. And if it’s over will you wanna go, I’m down. If you account for me and vouch for me every time we go. Will you surrender to a remedy so ripe it’s running cold.

Push in to fix, to get it set. Pushing to feel the very half. And it counts as an echo when we get out.

Never one not only, no not like the TV, whittle it away. Sorta novel to stay largest and heavy, mountain full of clay. And if it’s over will you wanna go, I’m down, you know that I’m down.

Ava Luna - "Coat Of Shellac"

God Will Never Come For Us

Buy on iTunes

Strictly Speaking

High Horse

http://bonifaceofficial.com
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https://twitter.com/BonifaceBand
https://www.facebook.com/BonifaceOfficial

Dear Megan

Thud

Caged Sleep is taken from the forthcoming album "Consummation" out 22nd May 2020. Pre-order here: https://smarturl.it/kvsconsummation

Katie Von Schleicher - Caged Sleep

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Mockasin's (single)

Kins

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