Dancing on the sunny side of the Moon is a fun rhythmic musical composition filled with beautiful synthesizer sounds. It harmoniously combines three genres: rhythm and blues, pop and disco. All three styles are well combined with each other and create a harmonious, holistic composition that creates a special mood in which you want to live and dance. 

Pop is a kind of music in which there are beautiful melodic motifs performed at a good level. Synthesizer sounds also fit harmoniously into this music. 

Disco is dance music consisting of fast rhythms that can be performed at discos, dance floors or just at parties. 

Rhythm and Blues is a style of music in which there are a lot of beautiful melodic motifs performed on a synthesizer that go well with fast rhythmic rhythms.

Dancing to this music, you plunge into unrestrained fun in a space filled with bright colors and fabulous creatures.

They dance to the music of "Dancing on the sunny side of the Moon" because they like to dance. Not because it's fashionable or prestigious. And not because they want to please someone. They dance because they love to dance. This is their life. But at the same time they do not cease to be people. After all, they perfectly understand that their dance is just a dance. He has nothing to do with their lives and with life in general.

Танцы на солнечной стороне Луны

Dancing on the sunny side of the Moon

Victor Kirey's song "Love will never die" (Love will never die) in English, which was presented by a virtual pop star. 

This touching composition is filled with deep emotions and feelings that love is something eternal and immortal. The lyrics of the song touch on such topics as wonderful moments of happiness, disappointment and loss, but the main message is that even if love for someone ends, it will always live in the heart and soul of each of us. 

Of course, there are those who can object to this statement and say that love dies often. But the songwriters felt it necessary to emphasize the importance of this feeling and write a touching melody about it. She encourages us to believe that love is something more than we can imagine.

"Love will never die" is a delightful dance composition with a touching melody that is suggestive and envelops the listener with a sense of the depth of emotions. The original, experimental vocals impress with their uniqueness and sophistication.

The song captivates from the very beginning, exploding with energy and an irresistible desire to move in the rhythm of the dance, and also pleases with its melody, as if embodying endless development and scope.

The magnificent variety of musical elements makes this track truly exciting and unpredictable. In each chord and note, you can hear harmony and subtle shades that give the work depth and intrigue.

The instrumental part of this song invariably impresses with its excellent production quality and skillful mixing. Sounds are mixed with perfect harmony, creating an atmosphere filled with real emotions and boundless creative potential.

"Love will never die" is a composition that makes us feel the diversity of art and completely surrender to its magic. This track absorbs the hearts and minds of listeners, leaving an unforgettable impression and sublime sensations.

The author of the music Viktor Kireya is a composer, arranger, musician (Osinniki, Russia).

The lyrics were written by Svetlana Toropovene - composer, singer, songwriter, beatmaker.

Love will never die

Love Will Never Die

"Welcome, Santa!" is a Christmas song written especially for children. It is filled with wonderful energy and amazing sound, joy and positivity, and will undoubtedly give them smiles. It is perfect for a fun pastime and will create a cheerful mood not only for kids, but also for everyone present.

Welcome, Santa!

The instrumental composition "Walking in the rain" is fun and fresh, like walking barefoot in the summer rain, especially with a girl. Or let the girl walk alone, and we'll look and smile.

This is a bit strange music in the spirit of the 80s, like from Soviet movies like Yeralash and about Vasechkin. It would be suitable for an animated series.

Прогулки под дождём

Walking in the rain

The song "Stupid heart, don't beat" is a very funny and strange synth-pop of the old school of the 80s. 

This piece of music embodies an amazing symbiosis of Sergey Yesenin's poem and robotic vocals. The voice, saturated with electronic shades and mechanical intonation, penetrates directly into the listener's soul.

The melody of this song is bright and memorable, incorporating the best features of synthesizers and funky rhythm. Its simplicity and lightness are complemented by well-developed arrangements and the play of synthesizers, which create a special, unique mood.

"Stupid heart, don't beat" is the art of sound and words in a harmonious combination. Sergei Yesenin's poem contains a deep philosophy and emotional power, which, thanks to robotic vocals, acquire a new sound and penetrate the hearts of listeners.

This song takes us back to the era of the 80s, when synthpop, as in our time, was popular and in demand. She is filled with energy and joy, awakens a smile and makes you want to move to her incendiary rhythm.

"Stupid Heart, don't Beat" is a piece of music wrapped in the unique charm of the old school. Her synthesizers and rhythm create an incredibly positive mood and make us remember bright and unforgettable moments of the past, taking us into an atmosphere of nostalgia and enthusiasm.

The song "Stupid heart, don't beat" is a true work of art that can lift the mood and leave an unforgettable mark on our souls. Her synth-pop sound and robotic vocals create a unique originality, attractiveness and conquer our hearts, making us believe in miracles and enjoy life.

Глупое сердце, не бейся

Stupid heart, don't beat

The song "I am not jealous anymore" is permeated with unusual emotions that arise due to the combination of modern syntwave rhythms and the magnificent sound characteristic of the 80s and 90s. However, it does not obey the fashionable standards that define synthesizer music of our days. 

This composition not only conveys powerful vibrations and the energy of the classical syntwave, but also creates a unique atmosphere, immersing the listener in the world of electronic sounds that make the soul tremble. It takes us far beyond the limits of modernity, taking us on a nostalgic journey to the golden era of electronic music, allowing each note and each sound to reveal its individuality and magic. 

In the song "I am not jealous anymore" you will find a special form of self-expression and the ability of the syntwave to move us in space and time to discover new facets of sound art. Because that track is a real find, a rare artifact that is difficult to find in the modern music industry. He is imbued with originality and unpredictability, making us smile and move to the beat of his energetic rhythms.

The euphoric melody of this song is simply full of originality, which is expressed through intricate chord transitions, creating a unique and theatrical character. This is music that fills the heart with joy and immerses us in a special delight. 

It is not surprising that the song "I am not jealous anymore" could become a real sensation and take a well-deserved place in the US top 40. Its infectious atmosphere and unusual sound create an unsurpassed experience for the listener, opening up new facets of the diversity of the musical spectrum.

I am not jealous anymore

I Am Not Jealous Anymore

"How Sweet I Roam'd" is a masterfully made interesting and fun song based on the poem of the same name by William Blake, in which the classic Russian atmosphere of the 80s and the funky rhythm evoke some nostalgic memories. Perfect vocals performed on a vocal synthesizer, with a very specific tessitura, funny instrumental - all this is synthpop with a very original melody. 

The song sounds like the famous Belgian synthpop band Telex, which was formed in 1978 by Marc Moulin, Dan Laxman and Michel Merce. They skillfully mixed elements of disco, punk and experimental electronic music, creating a unique sound. Like the famous Kraftwerk, Telex used exclusively electronic instruments to create their music.

There is no vocalist in this song. All vocal parts are performed using a synthesizer, so we can say that this is a truly electronic song, unique in its kind, because it turns the synthesizer into the main performer and immerses us in the exciting world of electronic sounds. Without the participation of a vocalist, soulful and melodic parts acquire a new dimension, creating an atmosphere that makes our hearts beat to the beat of his rhythms.

This song becomes a true masterpiece of electronic music, reaching incredible heights and delving into modern trends. The synthesizer in this piece becomes a real vocalist, rising to new heights and sincerely broadcasting feelings and emotions in every note.

The composition delights us with its perfect synchronicity of sounds and attracts the attention of listeners with unsurpassed melodies and creates a kind of art that calls us to forget ourselves and plunge into the world of electronic perfectionism.
And in general, this is a funny song with very good energy and rhythm! 

William Blake (28 November 1757 — 12 August 1827) was an English poet and painter.

How sweet I roam'd

How Sweet I Roam'd

The new musical composition “You Got to Get Into” is a real cocktail from different eras and styles of electronic music such as House (Old-school), Disco, Nu-disco, Synthpop, Electro.

From the first notes, the listener is immersed in the world of dance music, where he wants to move and just enjoy the rhythm of the melody. The electro-funky motif is especially attractive, which sounds very futuristic and fresh.

The performer's voice, processed using a robotic effect, fits perfectly into the overall atmosphere of the composition. He adds a special twist to the track, making it a unique Groovy Disco Funk.

The melody is remembered from the first seconds of listening, and the electro sound, full of energy and a pleasant rhythmic pattern, charges the listener with a positive mood and a desire to dance.

In general, “You Got to Get Into” is a very old-school and at the same time relevant composition that allows you to plunge into the atmosphere of discos of the past, but at the same time it sounds very modern.

You Got to Get Into

You Got To Get Into

“Gravity of Love" is a song that mixes the genres of Synthpop, Disco and Electro and has a unique and attractive melody. The vocals with the built-in vocoder are dynamic, futuristic and modern, which adds additional interest to the overall sound.

“Gravity of Love” creates an atmosphere of space travel, like in a video game. The melody and sound of the synthesizer evoke a very cheerful and cosmic atmosphere of the 80s. This is a musical journey that takes the listener into the world of science fiction and adventure.

The details and layers of electronic synthesizers are very well worked out in the song “Gravity of Love”. They create a layered and deep sound that makes the music strange and different from the usual one.

Overall, “Gravity of Love” is a prime example of electronic music with an unusual atmosphere and musical style that make it different from others.

Gravity of Love

Gravity Of Love

The instrumental composition "Free Wind in the Wings" is a harmonious combination of such musical styles as House (Old-school), Synthpop, Disco, Bass House / Electro House and Dance Pop. 

The composition is based on several expressive melodic lines. In the middle of the track we hear a saxophone and amazing live stringed instruments, which at the end give it a special atmosphere, the feeling of an orchestra playing and the mood of the 80s with their lively and cheerful rhythm and positive energy. 

The sound of the track "Free Wind in the Wings" partly resembles the musical track to the climax of a movie or the soundtrack to video games of the 80s, conveying the atmosphere of Old school.

Свободный ветер в крыльях

Free Wind in the Wings

Viktor Kireya is a composer, arranger, musician, poet, member of the Russian Authors' Society.

His style combines elements of various genres, such as inditronics, synthwave, pop, electropop and disco. The influence of such outstanding musicians and groups as Didier Marouani, Jean-Michel Jarre, The Alan Parsons Project, Electric Light Orchestra, Zodiac, Deep Purple, Whitesnake and Rainbow, reflected on his work, giving it a unique and original sonority.

Having started his musical career with accordion and piano lessons at a young age, Victor Kireya later joined a local vocal and instrumental ensemble, playing ionic and bass guitar. This experience as a member of the band allowed him to develop his performance skills and expand his musical horizons.

The creative break that overtook Victor in the late 1980s was a serious test. However, it was this time of remoteness from music that allowed him to accumulate new impressions, rethink his work and resume his creative aspirations in 2021.

The history of such geniuses as Michelangelo, Goethe and Titian, who reached great heights in their art in adulthood, shows that it is important never to give up their dreams and continue to realize their creative ideas regardless of age.

Returning to music in adulthood, Victor Kireya continues to fill it with his unique style and creative energy. His return to the music community opens up new opportunities for his creativity and inspires other people to follow their dreams regardless of age or time difficulties.

This is a vivid example of the fact that it's never too late to start following your creative aspirations and bring your ideas to life. Even after a long break, Victor Kireya found the strength and inspiration to return to music.

Dancing on the sunny side of the Moon

Viktor Kireya

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