rabbit

Rabbit Junk's 7th album. Futurerock and industrial metal with a cyberpunk vibe.

[8] Bits And Razors

[6] CURSE

[5] ANGRY PEOPLE

[3] RELENTLESS

[1] Neurodivergent

Reckoning

CRUTCH 2014

Precipice

IDONTGIVEAFUCK

Rabbit Junk's stand-alone bassmetal single, released 10/2021

Denature

Pathogenesis

All dominance begets resistance. Each act of suppression—whether clumsy or adept—instigates a future confrontation with a now schooled insurgent. Hence, the king, the emperor, the dictator: each eventually asphyxiates within a syrupy hubris, recklessly dreaming of their indomitable control. The seeds of their undoing germinate in the rich loam of their own arrogant certainty. Yes, all dominance begets resistance. Power is so contemptibly temporary. The only exception to this otherwise iron-clad rule is the form of dominance we call death. Death is irresistible. Death dominates all things without so much as a whisper of defiance. Until now. 

Machinery. Ducts and cannula, glistening black in a sterile light. Fluids. Rivers of nanites, restless and hungry. Flesh. A contradiction no longer tolerable, that which makes the world a prison. Pain. Soon to be forgotten. I surrendered to the transformation. The screams echo on the curving metal interior, becoming progressively alien to my deteriorating senses. Distortions in time, a reverberating barbiturate howl of awakening. I sit up. A thousand years may have passed. Or milliseconds.

Unknown OST

This track was originally released as part of Project Nonagon around 2010. We always liked it but poor production quality held it back. After including the track in our live show we decided to release an "upgraded" version, featuring all the original recording but newly mixed and mastered. Now you can hear the track as intended!

What's this track about? Well, the protagonist is attempting to enlist a sex worker in his suicide, and there is an implication that the intention is to frame his spouse. Inspired by true events in Las Vegas (but NOT autobiographical lol!)

Devotee (Upgraded)

Our first release of 2024! It's an avalanche of film score, drum&bass, and industrial metal. We hope you enjoy listening to it as much as we did making it.

This is our second contribution to the original soundtrack for the comic book series Clowns vs Nazis. In this scene, the character Viridis unleashes total unrelenting destruction upon a legion of racist goons to the cathartic delight of the reader. For more on the series, see below:

cwsbookstore.com/categories/uncategorized/clownsvsnazis/


Clowns VS Nazis is the love child of Inglorious Bastards, Mad Max Fury Road and an R rated version of the Power Rangers that also includes a badass customized soundtrack to jam out to while reading.

All issues feature a 17 song, fully licensed Original SoundTrack from the likes of Venjent, Rabbit Junk, Sebastian Komor, Death Blooms, Zardonic (coming in a future issue) and many more, (17 songs at the time of this writing with more on the way for future issues)! Just scan the QR code in the back of the issue to access the full OST.

Many of the characters are historically accurate, and the script includes many of the lesser known atrocities that the Third Reich carried out during the war.

The end product will span over 200 pages in film script format, with over 40 songs being designed specifically for the characters and story being told, all of which will be free to anyone that purchases just one single issue.
lyrics

Lyrics:
My eyes turn black!
I AM the murder!

Wrath Of Viridis (Hurriclowns OST)

Full discography on https://dopestarsinc.bandcamp.com

Many Thanks

Not Over Til We Say So

Not Over Til We Say So (Rabbit Junk Remix) [feat. Emma Anzai]

Xenon (Ovbtwer God Remix)

t Minus Everythig

Like a gritty scum-punk exoskeleton has been hastily welded to an electro-house assault chassis. The message: this song is about a feeling. It's not a statement, or a morality tale, or a lecture - that's not what we wanted to do. There's an odd, riveting energy to this seemingly apocalyptic moment in history and it inspired this song. It needed to be a simple song, on the shorter side (mindful of time), that cuts deep. We chose a straight ahead tempo of 140 and a key of E flat. It was all intentional.

We Saw The End

First single from new album "Xenospheres" (Album release Oct. 2020)

rabbit

Kirill Kosyachenko