Mama Mana Mandire

Bada Hari Das _ Radhe Shyam Meditation

This track is from the album One Voice, One Heart and is available for purchase on CD Baby here: http://www.cdbaby.com/cd/sriprahlada

Reunion (Maha Mantra)

"Politics and people will let you down and life can be very disappointing. At such a time, when you hear Krishna's flute... how can you resist?" - Cheb I Sabbah. 

"Live at Rudra Mandir" is the Kirtaniyas's first live album recorded on February 02/15/2013 at Rudra Mandir in Berkeley, California. 

The project was produced by the late Cheb I Sabbah who mixed and supervised mastering of the recording and was his last musical project. 

Kirtaniyas are ever grateful for the opportunity to sing the glorious names of the Divine in a traditional form, using melodies and rhythms taken from the ancient Bhakti lands such as Vrindavan, India and Navadipa, Mayapura, India.
credits
released 13 January 2014 

Lead vocals: Vijay Krsna 
Co-lead vocals: Jahnava Dasi 
Violin and backing vocals: Sarasvati Dasi 
Mrdanga: Madhumangala Das 
Backing vocals: Prajna Vieira 
Karatals and backing vocals: David Estes (Ananda Rasa Kirtan) 

Producer: Cheb I Sabbah 
Recording engineer: Michael Braden at Seven Channel Sound. 
Mastered by: Michael Fossenkemper at TurtleTone Studio NYC. 
Executive producer: Vrindaban Misri. 
Co-executive producer: Anurag. 
Photo: © LakshmiGrace Designs.com 

Special thanks: Lloyd Barde for booking and promoting the event, KD Devi Dasi for creating and alter. Rob and Elizabeth Sidon for sending their beautiful Krsna deity blessing the Kirtan.

Yamuna Mahamantra - Live at Rudra Mandir - Kirtaniyas

Chakrini: Nrsimhadev Prayers @ Bhaktivedanta Manor 3/11/14

“THAT kirtan

You have good kirtans, you have great kirtans, you have amazing kirtans, you have extraordinary kirtans.. and finally every now and then everyone gets to experience what you would consider as the mammoth of all Kirtans; the incomparable, the unmatchable, the best ever kirtan: THAT kirtan.
…
From the first few seconds you can already get the feeling this is special. Badahari Prabhu so expertly sets the mood with the most extraordinary of melodies, with the instruments & devotees so perfectly assisting him in making this an unmatchable offering to the Lord. The first 30 minutes are sweeter than honey.. and then comes that 33rd minute at the end of which the kirtan moves from the sphere of extraordinary to the sphere of matchless and out of this material world. From this point onwards I can assure you your body will react in various mesmerizing ways to the purity of the singing and the quality of kirtan. My hair stood on end like never before and tears of joy to simply hear the Holy Name, to REALLY hear the Holy Name, invaded my eyes. And like this all the way until the end of this hour and half long Kirtan you can't help but to simply feel privileged to be listening to such glorification in the form of the Maha Mantra. It just gets better and better every minute despite the fact you do not see how it could. And although you do not want this to stop you can't help but accept that the end of the recording is simply perfect.”

- Manu Prabhuji, Radhadesh Mellows

ps: Radhadesh Mellows 2014 Album available from the 25th of July at radhadeshmellows.com/recordings

10 Badahari Prabhuji RM2014

Sita Ram - Madi Das & Gaura Mani

gaurāńga karuṇā koro dīna hīna jane
mośamo patita prabhu nāhi trībhūvane
 
(2)
dante tṛṇa dhari gaura ḍāki he tomare
kṛpā kari eso āmār hṛdaya mandire
 
(3)
jadi dayā nā karibe patita dekhiyā
patita pāvana nāma kisera lagiyā
 
(4)
paḍechi bhava tuphāne nāhika nistāra
śrī carana taranī dāne dāse kara pāra
 
(5)
śrī kṛṣṇa caitanya prabhu dāser anudāsa
prārthanā karaye sadā narottama dāsa
 

Ilan Chester - Symphony Of The Soul- Gauranga

By Shrīmad Shrīnivas Āchārya

Perpetually immersed in singing, dancing, and heartfelt singing, Kīrtan [of the name, form, qualities, pastimes, associates, and realm] of Shrī Krishna, the six Goswāmīs embody the ocean of nectarean love. Dear to both gentlemen and ruffians, always engaged in pleasing activities, and completely free from envy, they are adored by all. They are the recipients of Shrī Chaitanya’s mercy, and they therefore remove the burden of the earth. I worship Shrī Rūpa, Shrī Sanātana, Shrī Raghunātha Bhatta, Shrī Raghunātha dāsa, Shrī Jīva, and Shrī Gopāla Bhatta [the six Goswāmīs].
 
They are distinctively expert in ascertaining the essence of all revealed scriptures, and they establish the supreme occupation of the soul, devotion to God. They are the true benefactors of the people, worshipful for the three worlds, and affectionate to those who have taken shelter of them. Due to the bliss of divine service, bhajana, on the lotus feet of Shrī Rādhā-Krishna, they have become like intoxicated honeybees. I worship Shrī Rūpa, Sanātana, Raghunātha Bhatta, Raghunātha dāsa, Jīva, and Gopāla Bhatta Goswāmīs. 

They fully abandoned at once the association of kingly aristocracy, deeming it insignificant, and out of compassion became poor, accepting only loincloths and ragged quilts. Thereafter, they repeatedly immersed themselves in the delightful, billowing waves in the nectarean ocean of rasa—the bhāvs, spiritual emotions, felt by the gopīs. I worship Shrī Rūpa, Sanātana, Raghunātha Bhatta, Raghunātha dāsa, Jīva, and Gopāla Bhatta Goswāmīs.

Crowded with sweetly cooing cuckoos, swans, and cranes, as well as groups of peacocks, Vrindāvan a is shining beautifully with trees that have many transcendental gems inlaid beneath their roots. There, day and night, the Goswāmīs intensely worship Shrī Shrī Rādhā and Krishna, thus endowing all the souls with the ultimate benefit of life. I worship Shrī Rūpa, Sanātana, Raghunātha Bhatta, Raghunātha dāsa, Jīva, and Gopāla Bhatta Goswāmīs.

They would pass their time by daily chanting a fixed number of holy names, singing particular songs, and offering regulated obeisances [prostrating themselves to the ground like a stick in reverence thousands of times in a day to all the Saints, Deities, and Lord’s pastime places]. Thus they fully conquered the urges of eating, sleeping, recreation, and so forth. Always considering themselves to be unlimitedly lowly and insignificant, they became enchanted in sweet rapture by remembering Shrī Rādhā-Krishna’s qualities. I worship Shrī Rūpa, Sanātana, Raghunātha Bhatta, Raghunātha dāsa, Jīva, and Gopāla Bhatta Goswāmīs.

Wandering along the banks of Rādhā-kunda or the Yamuna, and sometimes at Vamshivata, they would be forever seized by limitless transcendental states, intoxicated by the utter madness of prema. Blissfully overwhelmed, they would jubilantly sing about the exalted qualities of Shrī Hari. I worship Shrī Rūpa, Sanātana, Raghunātha Bhatta, Raghunātha dāsa, Jīva, and Gopāla Bhatta Goswāmīs..

“O Rādhā, queen of Vrindāvan a! O Lalitā! O son of Nanda Mahārāj! Where are You? Are You beneath the wish-fullfilling trees of Shrī Govardhana Hill? Or are you in the forests on the banks of the Kalindi river?” Thus calling out, greatly overwhelmed in separation, they would wander throughout the length and breadth of Vraja-mandala. I worship Shrī Rūpa, Sanātana, Raghunātha Bhatta, Raghunātha dāsa, Jīva, and Gopāla Bhatta Goswāmīs.

Six Goswamis Ashtakam - Eight Prayers to the Six Goswami Saints

Namami Nanda-Nandana 

Sucaru vaktra mandalam sukarna ratna kundalam
Sucarcitanga candanam namami nanda nandana

Vrajangana sunayakam sada sukha pradayakam
Jaganmanah pralobhanam namami nanda nandanam 

from "Sri Nanda-nandanastakam " 

1) sucaru-vaktra-mandalam sukarna-ratna-kundalam sucarcitanga-candanam namami nanda-nandanam 
2) sudirgha netra-pankajam sikhi-sikhanda-murdhajam ananga-koti-mohanam namami nanda-nandanam 
3) sunasikagra-mauktikam svacchanda danta-panktikam navambudanga-cikkanam namami nanda-nandanam 
4) karena venu-ranjitam gati-karindra-ganjitam dukula-pita sobhanam namami nanda-nandanam 
5) tri-bhanga-deha-sundaram nakha-dyuti-sudhakaram amulya ratna-bhusanam namami nanda-nandanam 
6) sugandha-anga-saurabham-uroviraji-kaustubham sphuracchri-vatsalanchanam namami nanda-nandanam 
7) vrndavana-sunagaram vilasanuga-vasasam surendra-garva-mocanam namami nanda-nandanam 
8) vrajangana-sunayakam sada sukha-pradayakam jagan-manah pralobhanam namami nanda-nandanam 
9) sri-nanda-nandanastakam pathed ya sraddhayanvitah tared-bhavabdhim dustaram labhet tadanghri-yugmakam 

TRANSLATION: 

1) I offer pranama to Nandanandana, whose face is extremely delightful, in whose beautiful ears hang jeweled earrings and whose entire body is anointed with fragrant candana. 

2) I offer pranama to Nandanandana, whose eyes are more beautiful than the fully bloomed lotus, whose head is beautifully adorned with an arrangement of peacock feathers and who enchants millions of Cupids. 

3) I offer pranama to Nandanandana, from whose beautiful nose hangs an elephant-pearl, whose teeth are immensely effulgent, whose bodily complexion is more beautiful and lustrous than a fresh rain cloud. 

4) I offer pranama to Nandanandana, whose lotus hands hold the flute, whose lingering gait defeats even that of an impassioned elephant and whose dark limbs are beautified by a yellow shawl. 

5) I offer pranama to Nandanandana, whose threefold-bending posture is exquisitely elegant, the effulgence of whose toe-nails puts to shame even the moon, and who wears invaluable jewels and ornaments. 

6) I offer pranama to Nandanandana, whose body exudes an especially beautiful fragrance, and whose broad chest is adorned with the kaustubha jewel and the mark of srivatsa. 

7) I offer pranama to Nandanandana, the expert lover of Vrindavana who performs immaculate pastimes and who is attired in clothes which are suitable for those pastimes and who pulverized the pride of Indra. 

8) I offer pranama to Nandanandana, who as the lover of the Vraja gopis perpetually delights them and who enchants the minds of all living entities. 

9) Whoever regularly recites this (Sri Nanda-nandanastakam) will easily cross the seemingly insurmountable ocean of material existence and attain eternal residence at the lotus feet of Krsna. 

Side Notes on Namami Nanda-Nandana: Namami Nanda-Nandana is about Sri Krsna. It is a prayer to Krsna. Krsna is called Nanda-nandana in relationship with Nanda Maharaja, His foster father (as He appears as the son of Nanda Maharaja). When people said that He was born of Nanda Maharaja, He was called Nanda-Nandana. Nanda-Nandana is a loving way to say "Krsna". It is like saying "the darling son of Nanda Maharaja". 



Sri Nanda-Nandanastakam sung by Chakrini

Sri Sri Shad-gosvamy-ashtaka

orn to an American mom and German dad, Madi Das grew up in the Vaishnava tradition of Bhakti Yoga. At age 7 he went to boarding school in India where he studied kirtan, became fluent in Hindi, and made lifelong friends.
Living in Melbourne, he balances working in film production, spending time with his family, and sharing kirtan with his community.

Sita Ram - Madi Das & Gaura Mani

Madi Das

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