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2021 Playback -what an amazing year

Mama Mana Mandire

A spiffy rendition of Vedic Hare Krsna chant, accompanied with Srila Prabhupada's masterly commentary on the meaning, purpose, effect & goal of this chanting. I bet you, you'll play it in loops!
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Awesome Chanting With Description : HH Maha-Vishnu Swami (@CONGO)

Bada Hari Das _ Radhe Shyam Meditation

Prabhupada Japa Chanting

The Kirtaniyas: Govinda Jai Jai Live- Rasika dasi

Saci Suta das and Hari Bhajan das Maha mantra 1 at South Africa

This is the first CD in our Bhajan series; a small collection of Kirtans composed by our Vaisnava Saints rendered in very sweet and beautiful melodies. 
The Kirtaniyas offer this devotional CD at the lotus feet of their beloved Gurudeva - Srila Bhaktivedanta Narayana Maharaja and for the pleasure of all. 
Just one week after the divine departure of our Srila Gurudeva, this album was recorded in a very simple enviroment in Sri Vrindavan, India by The Kirtaniyas: Vijay Krsna das, Sarasvati dasi, Rasika dasi and engineered and mixed by Kishori Mohan Das. We are also very honored to feature Kishori Mohan Das and Sudevi dasi (vocals, mridanga, Karatalas) on the album, we look up to them as our older brother and sister

Ohe Vaisnava Thakura - (Bhajan series 1)

“THAT kirtan

You have good kirtans, you have great kirtans, you have amazing kirtans, you have extraordinary kirtans.. and finally every now and then everyone gets to experience what you would consider as the mammoth of all Kirtans; the incomparable, the unmatchable, the best ever kirtan: THAT kirtan.
…
From the first few seconds you can already get the feeling this is special. Badahari Prabhu so expertly sets the mood with the most extraordinary of melodies, with the instruments & devotees so perfectly assisting him in making this an unmatchable offering to the Lord. The first 30 minutes are sweeter than honey.. and then comes that 33rd minute at the end of which the kirtan moves from the sphere of extraordinary to the sphere of matchless and out of this material world. From this point onwards I can assure you your body will react in various mesmerizing ways to the purity of the singing and the quality of kirtan. My hair stood on end like never before and tears of joy to simply hear the Holy Name, to REALLY hear the Holy Name, invaded my eyes. And like this all the way until the end of this hour and half long Kirtan you can't help but to simply feel privileged to be listening to such glorification in the form of the Maha Mantra. It just gets better and better every minute despite the fact you do not see how it could. And although you do not want this to stop you can't help but accept that the end of the recording is simply perfect.”

- Manu Prabhuji, Radhadesh Mellows

ps: Radhadesh Mellows 2014 Album available from the 25th of July at radhadeshmellows.com/recordings

10 Badahari Prabhuji RM2014

By Shrīmad Shrīnivas Āchārya

Perpetually immersed in singing, dancing, and heartfelt singing, Kīrtan [of the name, form, qualities, pastimes, associates, and realm] of Shrī Krishna, the six Goswāmīs embody the ocean of nectarean love. Dear to both gentlemen and ruffians, always engaged in pleasing activities, and completely free from envy, they are adored by all. They are the recipients of Shrī Chaitanya’s mercy, and they therefore remove the burden of the earth. I worship Shrī Rūpa, Shrī Sanātana, Shrī Raghunātha Bhatta, Shrī Raghunātha dāsa, Shrī Jīva, and Shrī Gopāla Bhatta [the six Goswāmīs].
 
They are distinctively expert in ascertaining the essence of all revealed scriptures, and they establish the supreme occupation of the soul, devotion to God. They are the true benefactors of the people, worshipful for the three worlds, and affectionate to those who have taken shelter of them. Due to the bliss of divine service, bhajana, on the lotus feet of Shrī Rādhā-Krishna, they have become like intoxicated honeybees. I worship Shrī Rūpa, Sanātana, Raghunātha Bhatta, Raghunātha dāsa, Jīva, and Gopāla Bhatta Goswāmīs. 

They fully abandoned at once the association of kingly aristocracy, deeming it insignificant, and out of compassion became poor, accepting only loincloths and ragged quilts. Thereafter, they repeatedly immersed themselves in the delightful, billowing waves in the nectarean ocean of rasa—the bhāvs, spiritual emotions, felt by the gopīs. I worship Shrī Rūpa, Sanātana, Raghunātha Bhatta, Raghunātha dāsa, Jīva, and Gopāla Bhatta Goswāmīs.

Crowded with sweetly cooing cuckoos, swans, and cranes, as well as groups of peacocks, Vrindāvan a is shining beautifully with trees that have many transcendental gems inlaid beneath their roots. There, day and night, the Goswāmīs intensely worship Shrī Shrī Rādhā and Krishna, thus endowing all the souls with the ultimate benefit of life. I worship Shrī Rūpa, Sanātana, Raghunātha Bhatta, Raghunātha dāsa, Jīva, and Gopāla Bhatta Goswāmīs.

They would pass their time by daily chanting a fixed number of holy names, singing particular songs, and offering regulated obeisances [prostrating themselves to the ground like a stick in reverence thousands of times in a day to all the Saints, Deities, and Lord’s pastime places]. Thus they fully conquered the urges of eating, sleeping, recreation, and so forth. Always considering themselves to be unlimitedly lowly and insignificant, they became enchanted in sweet rapture by remembering Shrī Rādhā-Krishna’s qualities. I worship Shrī Rūpa, Sanātana, Raghunātha Bhatta, Raghunātha dāsa, Jīva, and Gopāla Bhatta Goswāmīs.

Wandering along the banks of Rādhā-kunda or the Yamuna, and sometimes at Vamshivata, they would be forever seized by limitless transcendental states, intoxicated by the utter madness of prema. Blissfully overwhelmed, they would jubilantly sing about the exalted qualities of Shrī Hari. I worship Shrī Rūpa, Sanātana, Raghunātha Bhatta, Raghunātha dāsa, Jīva, and Gopāla Bhatta Goswāmīs..

“O Rādhā, queen of Vrindāvan a! O Lalitā! O son of Nanda Mahārāj! Where are You? Are You beneath the wish-fullfilling trees of Shrī Govardhana Hill? Or are you in the forests on the banks of the Kalindi river?” Thus calling out, greatly overwhelmed in separation, they would wander throughout the length and breadth of Vraja-mandala. I worship Shrī Rūpa, Sanātana, Raghunātha Bhatta, Raghunātha dāsa, Jīva, and Gopāla Bhatta Goswāmīs.

Six Goswamis Ashtakam - Eight Prayers to the Six Goswami Saints

Namami Nanda-Nandana 

Sucaru vaktra mandalam sukarna ratna kundalam
Sucarcitanga candanam namami nanda nandana

Vrajangana sunayakam sada sukha pradayakam
Jaganmanah pralobhanam namami nanda nandanam 

from "Sri Nanda-nandanastakam " 

1) sucaru-vaktra-mandalam sukarna-ratna-kundalam sucarcitanga-candanam namami nanda-nandanam 
2) sudirgha netra-pankajam sikhi-sikhanda-murdhajam ananga-koti-mohanam namami nanda-nandanam 
3) sunasikagra-mauktikam svacchanda danta-panktikam navambudanga-cikkanam namami nanda-nandanam 
4) karena venu-ranjitam gati-karindra-ganjitam dukula-pita sobhanam namami nanda-nandanam 
5) tri-bhanga-deha-sundaram nakha-dyuti-sudhakaram amulya ratna-bhusanam namami nanda-nandanam 
6) sugandha-anga-saurabham-uroviraji-kaustubham sphuracchri-vatsalanchanam namami nanda-nandanam 
7) vrndavana-sunagaram vilasanuga-vasasam surendra-garva-mocanam namami nanda-nandanam 
8) vrajangana-sunayakam sada sukha-pradayakam jagan-manah pralobhanam namami nanda-nandanam 
9) sri-nanda-nandanastakam pathed ya sraddhayanvitah tared-bhavabdhim dustaram labhet tadanghri-yugmakam 

TRANSLATION: 

1) I offer pranama to Nandanandana, whose face is extremely delightful, in whose beautiful ears hang jeweled earrings and whose entire body is anointed with fragrant candana. 

2) I offer pranama to Nandanandana, whose eyes are more beautiful than the fully bloomed lotus, whose head is beautifully adorned with an arrangement of peacock feathers and who enchants millions of Cupids. 

3) I offer pranama to Nandanandana, from whose beautiful nose hangs an elephant-pearl, whose teeth are immensely effulgent, whose bodily complexion is more beautiful and lustrous than a fresh rain cloud. 

4) I offer pranama to Nandanandana, whose lotus hands hold the flute, whose lingering gait defeats even that of an impassioned elephant and whose dark limbs are beautified by a yellow shawl. 

5) I offer pranama to Nandanandana, whose threefold-bending posture is exquisitely elegant, the effulgence of whose toe-nails puts to shame even the moon, and who wears invaluable jewels and ornaments. 

6) I offer pranama to Nandanandana, whose body exudes an especially beautiful fragrance, and whose broad chest is adorned with the kaustubha jewel and the mark of srivatsa. 

7) I offer pranama to Nandanandana, the expert lover of Vrindavana who performs immaculate pastimes and who is attired in clothes which are suitable for those pastimes and who pulverized the pride of Indra. 

8) I offer pranama to Nandanandana, who as the lover of the Vraja gopis perpetually delights them and who enchants the minds of all living entities. 

9) Whoever regularly recites this (Sri Nanda-nandanastakam) will easily cross the seemingly insurmountable ocean of material existence and attain eternal residence at the lotus feet of Krsna. 

Side Notes on Namami Nanda-Nandana: Namami Nanda-Nandana is about Sri Krsna. It is a prayer to Krsna. Krsna is called Nanda-nandana in relationship with Nanda Maharaja, His foster father (as He appears as the son of Nanda Maharaja). When people said that He was born of Nanda Maharaja, He was called Nanda-Nandana. Nanda-Nandana is a loving way to say "Krsna". It is like saying "the darling son of Nanda Maharaja". 



Sri Nanda-Nandanastakam sung by Chakrini

These recordings are from the 12 hour Kirtan hosted by ISKCON New Govardhana, Australia on the 25th of July 2010, organized by Krishapada Dasa and Sitapati Dasa from Kirtana Australia kirtanaustralia.com. Recordings by Ekendra Dasa (Wild Mind Productions)

Janardan Kewin - Hare Krishna Maha Mantra

The Sweetheart Of The Gopis - "Vande Krishna Nanda Kumara" is performed by Jahnavi Harrison.
The song lyrics and English translation follow....

VANDE KRISHNA NANDA KUMARA:
Traditional Bengali bhajan:

(1)

vande kṛṣṇa nanda kumāra
nanda kumāra madana gopāla
madana gopāla mohana rūpa
mohana rūpa nanda kumāra

(2)

govinda hari gopāla hari
govinda hari gopāla hari
jaya jaya deva hari
jaya jaya deva hari
jaya jaya deva hari
jaya jaya deva hari

(3)

jaya prabhu dīna doyāla hari
govinda hari gopāla hari
govinda hari gopāla hari

(4)

jaya rāma hari jaya kṛṣṇa hari
jaya jaya śacī nandana gaura hari

1) I worship Krsna, the son of Nanda Maharaja (Nanda Kumara)! Nanda Kumara! Enchanter protector of cows, Madana Gopala! Madana Gopala! The One with the Enchanting Form (Mohana Rupa)! Mohana Rupa! Nanda Kumara!

2) Govinda Hari! Gopala Hari! All glories to the defeater of the demigods, Hari!

3) All glories to the Lord who is merciful to the fallen souls! Govinda Hari! Gopala Hari!

4) All glories to the Reservoir of Pleasure (Rama)! Hari! All glories to the All Attractive One (Krsna)! Hari! All glories to the son of Sacidevi, Gaura Hari!

Mantra Lounge ~ The Sweetheart Of The Gopis ~ Vande Krishna ~ Jahnavi Harrison:

RKC Live Stream - Svarupa Damodar das - Jaya Radhe Jaya Krishna

 Indradyumna Swami in USA / Prayers to the Lotus Feet of Krishna

01 Prayers to the Lotus Feet of Krishna

This beautiful recording of the traditional Bengali bhajan written by Bhaktivinoda Thakur was recorded by Ramdas Abhiram Das (Kevin Yee) in Florence, Italy in his painting studio. 

He sang and played all the instruments on this piece - flute, santoor, sarod, tabla and more...

This beautiful recording has never been publically released, but is uploaded with a desire to share the lesser known, but no less sublime, creative work of this lifelong devotional artist, who passed away in July 2020. 

I feel extremely indebted to Ramdas and his wife Dhrti, for their many decades of artistic service. Their paintings have offered inspiration and spiritual connection to countless people all over the world, and as teachers, they have gifted their students with instructions to be treasured for life.

I was grateful to study with them for a month in India in 2007. Though many years ago, the experience is one I have returned to time and time again for fresh inspiration and guidance. 

More on Ramdas:
Born in 1951 in Maui, Hawaii, as Kevin Albert Yee, Ramdas Abhiram Das, graduated with a degree in Fine Art from California State University at Fullerton. He began his career by doing illustration work, first for an international publishing company and later for the Bhaktivedanta Book Trust (BBT). In 1980 he relocated to Florence, Italy, where he studied at the Academia de Siena and the Academia de Arte Firenze and learnt the art and techniques of fresco and egg tempera. He was the Art Director for the Italian BBT for six years. Though trained initially in classical art and illustration, over the years he has developed his own style, marked for its spontaneity and mystique. Narratives set amidst nature, he has painted more than 300 oil paintings and his work has been exhibited in Italy, France, Belgium, England, South Africa, and India.

Teaching in India: https://vimeo.com/58238789

To view more of the artistic work of Ramdas and Dhrti: www.sosacredart.com

Gopinath Mama Nivedana Suno - Ramdas Abhirama Das

BB Govinda Swami -  Gratitude

KIRTANIYAS — a crew of talented performers — all of them singers and musicians. These energetic, multi-talented artists come from a rich, colorful background. They grew up in a Krishna culture of song, dance, philosophy and devotion. At the heart of it all, there was always Kirtan. It owned their passion before they could talk. Restlessly tapping out drum beats till they got on their mothers’ nerves; dreamily humming tunes; studying songs and lyrics and language; learning to play instruments — they were never more passionate about anything.

The Kirtaniyas: Govinda Jai Jai Live- Rasika dasi

KIRTANIYAS

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