radhe krishna

The Kirtaniyas: Govinda Jai Jai Live- Rasika dasi

Produced, Mixed & Recorded by Jag
http://www.the-alternative-producer.com/

Radhe Govinda

Radhe Govinda music video here:
https://www.youtube.com/watch?v=gnjzwLE871g

Radhe Govinda   feat. Amala Harinam & Krishna Kishora

09 Sita Ram - Madi Das & Gaura Mani

04 Jamuna Puline - Madi Das & Acyuta Gopi

01 Shri Radhe - Madi Das & Chaytanya

Gracefully Sung by HG Rangaraja Prabhu and Family. Credits also go to HG Shabda Hari Prabhu for making this recording. This recording was made during the early days of ISKCON Jagannath Mandir, Bengaluru. Other tracks that I have are available on my profile, Yhs

For The Wellbeing of His Holiness Jayapataka Swami.

narasimha-kavacham vakshye
prahladenoditam pura
sarva-raksha-karam punyam
sarvopadrava-nashanam

sarva-sampat-karam chaiva
svarga-moksha-pradayakam
dhyatva narasimham devesham
hema-simhasana-sthitam

vivrtasyam tri-nayanam
sharad-indu-sama-prabham
lakshmyalingita-vamangam
vibhutibhir upashritam

catur-bhujam komalangam
svarna-kundala-shobhitam
saroja-shobitoraskam
ratna-keyura-mudritam

tapta-kancana-sankasham
pita-nirmala-vasasam
indradi-sura-maulishthah
sphuran manikya-diptibhih

virajita-pada-dvandvam
shankha-chakradi-hetibhih
garutmata cha vinayat
stuyamanam mudanvitam

sva-hrt-kamala-samvasam
krtva tu kavacham pathet
nrsimho me shirah patu
loka-rakshartha-sambhavah

sarvago ’pi stambha-vasah
phalam me rakshatu dhvanim
nrsimho me drshau patu
soma-suryagni-lochanah

smrtam me patu naraharih
muni-varya-stuti-priyah
nasam me simha-nashas tu
mukham lakshmi-mukha-priyah

sarva-vidyadhipah patu
nrsimho rasanam mama
vaktram patv indu-vadanam
sada prahlada-vanditah

narasimhah patu me kantham
skandhau bhu-bhrd ananta-krt
divyastra-shobhita-bhujah
narasimhah patu me bhujau

karau me deva-varado
narasimhah patu sarvatah
hrdayam yogi-sadhyash cha
nivasam patu me harih

madhyam patu hiranyaksha-
vakshah-kukshi-vidaranah
nabhim me patu naraharih
sva-nabhi-brahma-samstutah

brahmanda-kotayah katyam
yasyasau patu me katim
guhyam me patu guhyanam
mantranam guhya-rupa-drk

uru manobhavah patu
januni nara-rupa-drk
janghe patu dhara-bhara-
harta yo ’sau nr-keshari

sura-rajya-pradah patu
padau me nrharishvarah
sahasra-shirsha-purushah
patu me sarvashas tanum

manograh purvatah patu
maha-viragrajo ’gnitah
maha-vishnur dakshine tu
maha-jvalas tu nairrtah

pashchime patu sarvesho
dishi me sarvatomukhah
narasimhah patu vayavyam
saumyam bhushana-vigrahah

ishanyam patu bhadro me
sarva-mangala-dayakah
samsara-bhayatah patu
mrtyor mrtyur nr-keshari

idam narasimha-kavacham
prahlada-mukha-manditam
bhaktiman yah pathenaityam
sarva-papaih pramucyate

putravan dhanavan loke
dirghayur upajayate
yam yam kamayate kamam
tam tam prapnoty asamshayam

sarvatra jayam apnoti
sarvatra vijayi bhavet
bhumy antariksha-divyanam
grahanam vinivaranam

vrshchikoraga-sambhuta-
vishapaharanam param
brahma-rakshasa-yakshanam
durotsarana-karanam

bhuje va tala-patre va
kavacam likhitam shubham
kara-mule dhrtam yena
sidhyeyuh karma-siddhayah

devasura-manushyeshu
svam svam eva jayam labhet
eka-sandhyam tri-sandhyam va
yah pathen niyato narah

sarva-mangala-mangalyam
bhuktim muktim cha vindati
dva-trimshati-sahasrani
pathet shuddhatmanam nrnam

kavachasyasya mantrasya
mantra-siddhih prajayate
anena mantra-rajena
krtva bhasmabhir mantranam

tilakam bibhriyad yas tu
tasya graha-bhayam haret
tri-varam japamanas tu
dattam varyabhimantrya ca

prasayed yo naro mantram
narasimha-dhyanam acharet
tasya rogah pranashyanti
ye cha syuh kukshi-sambhavah

kimatra bahunoktena
narasimha sadrsho bhavet
manasa chintitam yattu 
sa tacchapnotya samshayam

garjantam garjayantam nija-bhuja-patalam sphotayantam hatantam
dipyantam tapayantam divi bhuvi ditijam kshepayantam kshipantam
krandantam roshayantam dishi dishi satatam samharantam bharantam
vikshantam purnayantam kara-nikara-shatair divya-simham namami

iti shri-brahmanda-purane prahladoktam shri-narasimha-kavacam sampurnam

Sri Narasimha Kavacha Stotra

Flapper Vocals Bonus Tracks— a high-voltage fusion of vintage big-band swagger and modern club-floor muscle. Akiva David and the Velvet Vice Orchestra pull you straight into the backroom of a Prohibition-era speakeasy, where the poker chips clink, the dice roll hot, and the gin flows faster than the beat.

Layered in Dolby Atmos for a full 360° experience, the track slams White Mink–style electro-swing grooves against roaring brass riffs, Fitzgerald-style scat vocals, and pounding EDM drops. It’s the soundtrack to a night where fortunes change with the turn of a card, champagne corks pop like snare hits, and every wink across the table is a high-stakes gamble.

From the whispered crooner intro to the all-in, brass-blasting finale, this is speakeasy decadence pushed to the absolute limit — a celebration of the reckless, the glamorous, and the gloriously drunk.

1 Dancing Life Away

Namami Nanda-Nandana 

Sucaru vaktra mandalam sukarna ratna kundalam
Sucarcitanga candanam namami nanda nandana

Vrajangana sunayakam sada sukha pradayakam
Jaganmanah pralobhanam namami nanda nandanam 

from "Sri Nanda-nandanastakam " 

1) sucaru-vaktra-mandalam sukarna-ratna-kundalam sucarcitanga-candanam namami nanda-nandanam 
2) sudirgha netra-pankajam sikhi-sikhanda-murdhajam ananga-koti-mohanam namami nanda-nandanam 
3) sunasikagra-mauktikam svacchanda danta-panktikam navambudanga-cikkanam namami nanda-nandanam 
4) karena venu-ranjitam gati-karindra-ganjitam dukula-pita sobhanam namami nanda-nandanam 
5) tri-bhanga-deha-sundaram nakha-dyuti-sudhakaram amulya ratna-bhusanam namami nanda-nandanam 
6) sugandha-anga-saurabham-uroviraji-kaustubham sphuracchri-vatsalanchanam namami nanda-nandanam 
7) vrndavana-sunagaram vilasanuga-vasasam surendra-garva-mocanam namami nanda-nandanam 
8) vrajangana-sunayakam sada sukha-pradayakam jagan-manah pralobhanam namami nanda-nandanam 
9) sri-nanda-nandanastakam pathed ya sraddhayanvitah tared-bhavabdhim dustaram labhet tadanghri-yugmakam 

TRANSLATION: 

1) I offer pranama to Nandanandana, whose face is extremely delightful, in whose beautiful ears hang jeweled earrings and whose entire body is anointed with fragrant candana. 

2) I offer pranama to Nandanandana, whose eyes are more beautiful than the fully bloomed lotus, whose head is beautifully adorned with an arrangement of peacock feathers and who enchants millions of Cupids. 

3) I offer pranama to Nandanandana, from whose beautiful nose hangs an elephant-pearl, whose teeth are immensely effulgent, whose bodily complexion is more beautiful and lustrous than a fresh rain cloud. 

4) I offer pranama to Nandanandana, whose lotus hands hold the flute, whose lingering gait defeats even that of an impassioned elephant and whose dark limbs are beautified by a yellow shawl. 

5) I offer pranama to Nandanandana, whose threefold-bending posture is exquisitely elegant, the effulgence of whose toe-nails puts to shame even the moon, and who wears invaluable jewels and ornaments. 

6) I offer pranama to Nandanandana, whose body exudes an especially beautiful fragrance, and whose broad chest is adorned with the kaustubha jewel and the mark of srivatsa. 

7) I offer pranama to Nandanandana, the expert lover of Vrindavana who performs immaculate pastimes and who is attired in clothes which are suitable for those pastimes and who pulverized the pride of Indra. 

8) I offer pranama to Nandanandana, who as the lover of the Vraja gopis perpetually delights them and who enchants the minds of all living entities. 

9) Whoever regularly recites this (Sri Nanda-nandanastakam) will easily cross the seemingly insurmountable ocean of material existence and attain eternal residence at the lotus feet of Krsna. 

Side Notes on Namami Nanda-Nandana: Namami Nanda-Nandana is about Sri Krsna. It is a prayer to Krsna. Krsna is called Nanda-nandana in relationship with Nanda Maharaja, His foster father (as He appears as the son of Nanda Maharaja). When people said that He was born of Nanda Maharaja, He was called Nanda-Nandana. Nanda-Nandana is a loving way to say "Krsna". It is like saying "the darling son of Nanda Maharaja". 



Sri Nanda-Nandanastakam sung by Chakrini

The sanskrit Prayer "Radhika Stava" ( (Radhe Jaya Jaya Madhava Dayite) composed by Vaisnava saint Srila Rupa Goswami is performed by Gaura Vani & As Kindred Spirits.

RADHIKA STAVA:  (Radhe Jaya Jaya Madhava Dayite)
By Rupa Goswami:

(refrain)
rādhe jaya jaya mādhava-dayite
gokula-taruṇī-maṇḍala-mahite

(1)
dāmodara-rati-vardhana-veśe
hari-niṣkuṭa-vṛndā-vipineśe

(2)
vṛṣabhānūdadhi-nava-śaśi-lekhe
lalitā-sakhi guṇa-ramita-viśākhe

(3)
karuṇāḿ kuru mayi karuṇā-bharite
sanaka-sanātana-varṇita-carite

 TRANSLATION:

(Refrain) O Radha! O beloved of Madhava! O You who are worshiped by all the young girls of Gokula! All glories unto You! All glories unto You!

1) You who dress Yourself in such a way as to increase Lord Damodara's love and attachment for You! O queen of Vrndavana, which is the pleasure grove of Lord Hari!

2) O new moon that has arisen from the ocean of King Vrsabhanu! O friend of Lalita! O You who make Visakha loyal to You due to Your wonderful qualities of friendliness, kindness, and faithfulness to Krsna!

3) O You who are filled with compassion! O You whose divine characteristics are described by the great sages Sanaka and Sanatana! O Radha, please be merciful to me!

Nectar of Devotion

Radhika Stava ~ Gaura Vani & As Kindred Spirits:

Sacinandana Swami - Vande Krisna

Kishori Mohan das and Sudevi - Hare Krishna

With deepest thanks to Jay and Radhi for hosting us for a truly memorable afternoon of singing from the heart. We hope these recordings bring uplifting remembrance and inspiration!

 Musicians featured are: Ben Hazleton (double bass), Madhva Anderson (percussion), Matt Coldrick (guitar), Vasudeva Jones (flute, percussion), Keshava Jones (percussion) and the voices of Matt, Madhva, Ben, Keshava, Vasudeva, Willow and Kim and of course all of you!

Many thanks to Matt Coldrick for recording and editing.

Maha Mantra

 Indradyumna Swami in USA / Prayers to the Lotus Feet of Krishna

09 Sita Ram - Madi Das & Gaura Mani

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