I AM JORDAN
@ninjatune @rinsefm
they/them
mgmt: jasmine@unknownterritory.co.uk
bookings:
jim.oregan@teamwass.com (WW)
twindish@teamwass.com (NA) 
music: tunes4jordan@outlook.com

Dance Music Record Label in Japan
▷Demo/Contact: spraybox.jpn@gmail.com
Co-Founder @djgenick @jacotanu @nizikawa @Cd_oblongar
Core Members @kyorsk827 @tom_i

BOOKINGS contact@suomotubookings.com
PERSONAL interplanetarycriminal@gmail.com

Co-Founder https://soundcloud.com/atwrec

1st Wednesday of the month 22:00 - 00:00 GMT on https://soundcloud.com/rinsefm

Affiliated w/ E-Beamz, Kalahari Oyster Cult, Seagrave, Sneaker Social Club, Dansu Discs, Of Paradise, Banoffee Pies Records, Hardline Sounds, Shall Not Fade - Time Is Now, Warehouse Rave, Unknown To The Unknown, Hot Haus, Instinct & Locked On

2004
日記みたいな感覚。
Trackmaker | DJ | Founder of https://soundcloud.com/selva_sounds?utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing | Half of https://soundcloud.com/soundbwoyuhu

Contact : DubGuy.jp@gmail.com
UKG & Electro | @soundbwoyuhu

Bookings Worldwide: -Analog Agency- alex@analog-a.com

Amsterdam-born, Ibiza based producer and DJ Chelina Manuhutu is one of the most foremost, exciting names in the tech house and techno music scene. She is currently included on the ‘Alternative Top 100 DJs’ worldwide list — constructed by two of the biggest companies in the electronic dance music scene, DJ Mag and Beatport. Additionally, Tomorrowland included her as ‘one of the 20 artists not to miss on 2021 ’.

Being surrounded by a family of musicians and artists, Chelina’s up-bringing was continually centered around music. She has been living and breathing music since her childhood, but it wasn’t until 2011 when Chelina and her career in music kick started and became professionally bound to each other.

From that moment, she started to attain important residencies at Blue Marlin Ibiza and Pacha Ibiza, which helped her establish and carve out her own space in the world of tech-house music as a top-notch DJ with an active tour schedule. Since her start, her talent has secured her spot in some of the world’s biggest lineups for festivals such as Electric Daisy Carnival, Elrow, and Ultra — but also performing in world renowned clubs such as The Warehouse Project, Fabrik, Space Miami, Zouk Las Vegas, and more.
When she’s not touring globally, she spends her summers in Ibiza performing at some of the most distin- guished clubs and parties such as ANTS at UshuaTa Ibiza, elrow, HT Ibiza, Paradise & more.

Over the past few years, Chelina has evolved into a distinctive, badass producer within the tech-house scene, who’s taken over the Beatport charts by storm. Her productions have been released on many of the top-tier labels in the tech-house scene. Her music is acclaimed for carrying a specific swagger of cut-throat basslines combined with a trademark high level of grooviness.

She is a talented, strong and exotic feminine force and one of the most exciting artists in the underground music global scene. Top fashion brands such as Armani and KARL LAGERFELD have picked up on that and have recently worked with her on successful worldwide DJ campaigns and collaborations. Chelina is purely self-made and is unstoppable when it comes to reaching the next level.

When thinking about Tony Humphries, you might be minded of his epic stint at KISS FM as one of its greatest Mastermixers; or of his residency at one of the greatest US clubs, The Zanzibar; or, even, the walls that are lined with gold discs, from Indeep to Janet Jackson; or even his legendary eclecticism. Tony is all of those things and more. But then, there’s the Tony of today, restless, questing, searching for new challenges. Which is pretty much how Tony has always been. Few people realize just how deeply steeped in performing Tony Humphries’ family is. His father, Rene Grand, an émigré from
Colombia in the 1950s, was a prominent bandleader in New York, alongside peers like Tito Puente and Eddie Palmieri. Plus he has a raft of cousins, uncles and aunts who have forged a career in the performing arts. Tony was born to it.

Tony Humphries has been DJing nearly 35 years, an incredible achievement that in any other industry would have been rewarded with a carriage clock or service medal. His big break came through a chance meeting with Mastermixer Shep Pettibone at the offices of Prelude Records. Tony handed the maestro a tape and the rest is history. Humphries’ star rose as his KISS FM show (and later HOT 97) lasted for decades. sound, labelled the Jersey sound, but with Tony’s hands at the tiller it was a vastly more varied menu than that suggests. “It wasn’t like going to a house club, everything was intertwined,” explains Tony. “The hours were long, so obviously you didn’t want to hear ten hours of straight house music. If you’re going to pay $15-20 to hear this guy, you want to hear the whole damn spectrum. You had to come with everything possible. Talking Heads and The B-52s don’t sound like Zanzibar/Garage records, but they were. I think that’s what the Zanzibar’s appeal was.”

Although Tony is often seen more as a DJ than a remixer, his forays into the studio have always been productive. His remix of Mtume’s ‘Juicy Fruit’ has been sampled on several big hip hop and R&B hits and Fresh Band’s ‘Come Back Lover’ is rightly regarded as one of the best disco songs of the 1980s. He has gone on to remix scores of artists from Soul II Soul to Janet Jackson (which
earned him a gold disc). Poignantly, Tony was enticed back into the studio in 2013 by Frankie Knuckles who asked Tony to do a swap mix for a track he’d been working on. As Frankie told Tony, “You’re a great remixer. I just thought folks needed to be reminded.”

His reputation in Europe, established via illegally copied tapes of his KISS shows, grew hugely after successful jaunts to influential parties like Danny Rampling’s Shoom & Norman Jay’s High On Hope in London. He was coaxed back to Europe in the early ’90s for residencies at both Ministry of Sound in London and Echoes in Rimini on the Italian Riviera. Tony’s first label venture Yellorange was launched in 1998 and ran the gamut of styles, from the soulful vocals of Mel’isa Morgan, Miguel Plansencia’s Afro-Cuban flavors, through to Soweto Funk’s Italo-grooves. His latest venture, Tony Records is, “showcasing younger artists and producers doing soulful music in a modern form.” Check Tony’s own release Housework EP, which fuses blues, gospel and worksongs into a brilliantly contemporary setting (or even his new mix compilation with DJ Spen, Quintessentials, demonstrating his expansive style).

In 2009, Body & Soul promoter John Davis brought Tony together with ‘Little’ Louie Vega and David Morales for a ten-hour session at New York’s Webster Hall that was appropriately dubbed the Kings of House. Little did any of them anticipate the success that this would be, turning into a worldwide phenomenon that has straddled continents and cities.

For bookings contact Kelly Cooke at info@midnight-artists.com
https://midnight-artists.com/artist/tony-humphries/

bookings lucy@earth-agency.com / jason@earth-agency.com 

www.instagram.com/sim0ne/
ra.co/dj/sim0ne/tour-dates
rinse.fm/shows/sim0ne/
twitter.com/__sim0ne_

Roger Kirwin is following