music for scaring the hoes

MASTER OF COMPLICATION EP
Out now on Nightshifters with remixes from Para One & Teki Latex, Jubilee, Bambounou & Magnum


Canblaster - Clockworks - MASTER OF COMPLICATION EP

Cry Baby

Weaving wistful, introspective lyrics into a densely layered landscape of samples and sonic textures, “The Itch” interrupts reality and inserts an altered state of being—outside consensual time and space—in the here and now.
 
If reality posits a stable relation between body, consciousness, and environment, “The Itch” longs for its reversal: An oscillating movement, floating without ground, piecing reality back together through melodically recurring memories. In another register, one would call this desire. In yet another, the virtual.
 
Cover art by Joon Yeon Park
Mastered by Alexander Bornschein
Text by Steph Holl-Trieu

Personal Horizon

‘Inflatable Gravestone’ is the debut album by Mun Sing (aka Giant Swan’s Harry Wright).

The motivating force of the album is the sudden loss of Harry’s father in 2020. His father struggled with substance addiction and the album explores ideas of 'spirituality' and the ‘higher self’ in relation to addiction and its parallels with the coping mechanisms of grief. It also aims to highlight the importance of humour and distraction when coping with loss.

Serving as a narrative for his own experiences, the album is largely built around club-centred tracks (such as ‘Spider’ and ’Squabble’) broken up by moments of yearning and reflection in tracks like ’The Poison Garden’ and ‘Helhest (Azrael Smirks)’ and moments of dark anguish like 'Inheritor' with its heavy slab-like chords and pensive piano. Flirting with awkward and suggestive rhythms, Wright deliberately suspends moments of resolution and groove in favour of drama and jerky, unexpected cartoonish humour, taking as much influence from the likes of the Art Of Noise as Kyary Pamyu Pamyu. 

Wright rewards the listener with moments of clarity and introspection like flags on the journey, recruiting vocalist MX World to deliver lyrics and melodic ideas created by him and his father. His father’s journals in rehab helped inform most of the lyrics. Some take whole sentences as a way to physically ‘give life’ to his words for the first time. The lyrics describe feelings, revelations and  apocalyptic hallucinations. MX World's clear, direct tone suggests folk music and the timelessness of the human condition.

The album concludes with the title track ‘Inflatable Gravestone’ which features a chorus of giddy manipulated laughter from Wright’s friends and family to a truly maddening effect. This is then resolved by bright and clear piano chords and the sound of Wright’s father breathing in his sleep. A deeply affecting and personal record with corkscrew twists and turns and a healthy dose of absurdism.
releases June 2, 2023

All tracks written and produced by Harry Wright. Lyrics by Harry Wright, except track 10 lyrics by Harry Wright and William Wright. Lead vocals by MX World. Additional vocals by Nashne, Akiko Haruna and Mouse.

Mastered by Beau Thomas at Ten Eight Seven Mastering.

Published by Domino Publishing.

Trebuchet

This episode:
- my new track More Energy (More Passion)
- unreleased tunes by @pixelord @fuselab @lyudmilasevertseva @mishxn @researchcore @djsport3k  
- new tracks from @system108 @underzoneco @stvolrecords @lavblast @rawtakes @dirtyglassez @sensi-affect @notnedaj @t0nimusic @djmudak2000 @ftlmusik and many more

Tracklist as spotify playlist: spoti.fi/3Yez4y7

💸: https://boosty.to/broosnica
or www.donationalerts.com/r/broosnica
📟: t.me/broosnica

Tracklist

Monthly Mix #025 [October 2023]

Perpetual Rhythms is very happy to welcome Hanna to the family with the first of a 3 EP set. 4 beautiful tracks exuding love, warmth and sentimentality.

Stay tuned....

A1. Poom
A2. Bucktown
B1. Wicker Park
B2. Nuance

Perpetual Rhythms Welcomes: Hanna (Part 1 of 3)

_FREE DOWNLOAD_

https://soundcloud.com/natsoas

Mastered by https://soundcloud.com/hypna_52

NATSO AS - ON SET

Doyce

download

Particulates

THIS IS NIGHTCORE. I DID NOT PRODUCE THIS. THE OG IS BY @ODDMOB


CHECK OUT THIS video visualizer made by @yxzus <3
www.youtube.com/watch?v=pVG_6UYWhVE

ι cαη'т rℓℓу єχρℓαιη ιт . . . i'm ѕσ—η2υ <3 
⠀⠀⠀⠀⠀⠀⠀⠀⠀
lettering: @djhimera ⠀⠀⠀｡･:*･:*:･｡
@jasmine-jasmine-jasmine's: https://bit.ly/2ScVFgh
OG: https://soundcloud.com/oddmob/odd-mob-into-you-feat-starley-radio-edit-1 ⠀⠀(@oddmob)

💙 💠 ☄️ 🔷 💙⠀⠀⠀⠀⠀⠀ 
🔹 💎 🆒  💎 🔹
💙 🔷 ☄️ 💠 💙

(oh look, another odd mob and starley nxc from gasoiid... what's new 🙄)

whewwww!!! this is my first track of 2019, and so much has changed from when i posted "g0tta hav3" a full year ago from today. i think my audience per se has grown a lot since that release, and also i've grown a lot as an artist/person as well. 

..... i have so many thoughts swirling around in my head right now and i really don't know how to articulate them all..... 

OK so firstly...let me talk abt the song a bit:
i rlly love this song a lot bc it is a blend of three of my favorite things ever; 90's r&b, house music, and nightcore :)
so this song in particular, is a gasoiid™ approved nxc edit of one of my FAVORITE r&b songs: Tamia - So Into You. i have so many childhood memories of my mom playing this song on the way to school or just around the house (on her burned r&b classix cd; kinda iconic tbh). i just love the emotion of this song and the instrumentation as well, and i KNEW that i had to pay homage to the original original song somehow. the haus edit i found l8r (courtesy again of odd mob hehe) and i just knew this edit had to become a thing. 
i'm very happy with the way this turned out, and I kept the long intros of the oddmob song in incase ppl wanted to mix this in a set or sumn.

Secondly, i think i should mention that with the release of this song i will have only ONE nxc left to release! thats both bittersweet and exciting at the same time i think. if some of you do not yet know though, i want to hopefully gear my account towards more of a pop aesthetic ... which means writing songs ... ORIGINAL music hehehehe :))))))
i have just been SOOOOOO inspired lately by artists like @itthatkid and @djhimera, and they have kinda (indirectly and directly) inspired me to also pursue avenues of music that i've always wanted to pursue, but never felt good enough to.
sooo yeah! i'm excited for that era of gasoiid, and I have been working on a couple of great songs w a handful of producers, and the goal is to put out at least a mini-ep by the end of this year!
this doesn't mean that i now all of the sudden hate nightcore or anything... but rather I am feeling a new surge of INSPIRATION w the coming of 2019 to pursue my artistic endeavors (whereas me in 2018 was very ready to give up on music in general and just focus on dj'ing/school-only 👎)
i want to hopefully try and keep the authenticity and aesthetic of my nightcores alive in my original works, only this time thru a new medium! 

I am SUPPPPERRRRR  excited to share this new side of me and my account with u guys, and i j want to say THANK U to everyone who has stuck around this long 4 being a part of my artistic journey (which essentially is j my escape from the irl world hehe)

ily bitches  ⠀｡･:*:･ﾟ★,｡･*☆
  




⠀⠀

s0—n2u

Hed Kandi Serve Chilled- Put 'Em High (Claes Rosen Lounge Mix)-[www flvto com]

Everything But The Girl - Before Today (kittynxc remix)

Performed by Kid Trash
Production by Maple
Creative direction, co-production, mixing and mastering by Ghosts In Love
Artwork by 2013yearold

CLUB LIGHTS

original song by @petalsupply
https://soundcloud.com/petalsupply/make-it-real
remix prod. @afternoon
feat. @pincode8485
additional mixing by @bedhead2001
cover art by twitter.com/puk3_

Petal Supply - Make It Real (afternoon remix) (feat. 8485)

Spotify

Forward

lose my face ft swampghost [prod. mothshonor]

thx 4  the support <3 
other me's
https://soundcloud.com/idletownmusic
https://soundcloud.com/tigerpaw

Everything But The Girl - Before Today (kittynxc remix)

kittynxc

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