DC Promo Tracks #906: "Blue Dress" by Soshi Takeda is part of the release "Same Place, Another Time" on Constellation Tatsu @constellationtatsu  

Buy Now: https://ctatsu.bandcamp.com/album/same-place-another-time

More Promo Tracks: https://www.dreamchimney.com/promo

DC Promo Tracks #906: Soshi Takeda "Blue Dress"

https://plz.ffm.to/missunderstood

Miss Understood is produced & mixed by Vegyn, all lyrics written by Francis Hornsby Clark, performed by AI. Artwork by Cali DeWitt.

Headache's debut album The Head Hurts but the Heart Knows the Truth is out now on deluxe 2LP vinyl & digitally → https://plz.ffm.to/headache

Follow Headache → https://www.instagram.com/headacheworld

Miss Understood

Simple lil dnb  edit of prolly my fav track off Headache's debut album "The Head Hurts but the Heart Knows the Truth".

Headache - Truisms 4 Dummies (Discarded Liquid Edit)

A Dream Goes On Forever - Vegyn

8am_jam

Into The Doldrums

Temporal: A Collection of Music Past & Present

I'll Always Love You (Temporal Mix)

So Klarity - She Says

Dark Entries digs deeper in to the archives of Severed Heads, one of the longest surviving bands to emerge from the Australian post-punk independent music scene. They began in Sydney in 1979, incorporating elements of ‘industrial’ noise-generation, tape cutting & looping and electronic sound synthesis. As the project developed song-structures and vocals were employed in a more-or-less recognizable mutant electro pop style. In 1986 the band released the 12” single “Petrol” on Nettwerk Records. We’ve decided to shed light on the evolution of “Petrol” with this EP showcasing four earlier incarnations of what became an instant synth pop classic. 

“Petrol”, originally titled “Lamborghini”, was written by Garry Bradbury and Tom Ellard in 1981. The first version of the song featured vocals by Finoa Graham and music by Tom Ellard.  “Lamborghini” was featured on a compilation of Experimental Australian bands titled “Entrave Et Étouffement, From Australia...” released by L'Invitation Au Suicide in April 1982. DJs in Chicago discovered the import compilation and “Lamborghini” became a proto-House secret weapon, traded on mix tapes. In July 1982, the band was invited to record several songs on Metro TV in Sydney to demonstrate the video synthesizer, a new piece of equipment played by Stephen Jones. The video synthesizer was installed into Metro's control room above the main studio to process the performance in real time on two cameras while recording to video. Tom Ellard and Garry Bradbury were using analog synths and tape recorders along with the screaming guitar work of Simon Knuckey, while Garry took over vocal duties. In 1984 Tom took another stab at the song, re-recording and singing “Petrol” for the compilation “Beyond The Southern Cross”, a double compilation album of Electronic and Post-Punk bands from Australia and New Zealand. Finally in 1985, the band went into the Terse Tapes studio with producer Robert Racic to record “Petrol” for a 7” single release on Volition Records. Featured here is the B-side of the 7”, a cut-up dub “version” remixed by Racic and packed full of intensity. 

All songs are remastered for vinyl by George Horn at Fantasy Studios in Berkeley. Housed in a jacket featuring brightly colored, distorted, VHS graphics output by Stephen Jones' video synthesizer created by Tom Ellard video piece “Kato Gets The Girl” in 1985, designed by Eloise Leigh. Each copy includes a postcard with notes and original hand-written lyrics by Garry Bradbury. More than 30 years later Severed Heads are still paving the way for powerful imaginative challenging music far and wide.

Lamborghini (Petrol 1982)

Economy of Freedom · Yves Tumor · Croatian Amor (djynxx bootleg)

New York Grief is a nocturnal new wave incantation for the sleepless metropolis by Montréal singer, filmmaker, painter, and poet, Princess Demeny. In the early 80’s Princess started creating music for her poetry and in 1986, she partnered with Jean Mineau, her then boyfriend, who did the arrangements on what was to be her first EP, Distant Voices. Not long after the start of their collaboration, Jean was diagnosed with terminal cancer and was immediately hospitalized. Against the doctor's wishes, Jean left to record demos of five songs including New York Grief. He sadly passed shortly after returning to hospice and the recordings were never released.

“New York Grief was inspired by several trips to New York City in the mid eighties. I was in love with the city's nightlife. At times, I would stay awake and watch the city that never sleeps as its night creatures came out to play, and I would watch as they would vanish, replaced by the suited nine-to-fives, waking up and starting the machine of the metropolis madness again and again. It felt to me as though, in New York, there was more darkness by day than at night. I felt the city's intense rhythms and the chaotic pulse of the urban grind. It made me question if, sometimes, I was awake or still sleeping. I would have vivid dreams; horrific nightmares of burning buildings and people running and even though it was exhilarating, it also scared me.”

In 1989, Princess recorded a new version of New York Grief with arrangements by the Montréal new wave group Vini Vidi Vici. She also produced and directed a music video for it, which evokes both Maya Deren’s Meshes of the Afternoon and Slava Tsukerman's Liquid Sky, but set in ultra-cool nouvelle vague Montréal in the late 80s. Both the demo and 1989 version are featured on this 7” release with a bonus digital track of her cover of Listen, The Snow Is Falling by Yoko Ono. This single is a glimpse of the alluring universe of Princess Demeny, with more revelations on the horizon. 

Limited 250 pressing. No repress.

Tracklist:

A1 New York Grief (4:00)
B1 New York Grief ’86 (3:16)
*Digital Bonus: Listen, The Snow Is Falling

Purchase the vinyl here: https://www.seance-centre.com/shop/princess-demeny-new-york-grief

Purchase the digital here: https://princessdemeny.bandcamp.com/album/new-york-grief

8am_jam

kiya

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