thanks for this merci and keep up pour le VTT ;)

my ex listened to this song and it scares me

After his previous success “In My Head” in collaboration with Singer Emmie Lee, Klaas blasts off with a cover version of ‘Joli Garcon’ by Lolita Jolie – a hit that stormed the music charts in France and Poland at its time.
 ‘Joli Garcon’ is a song about a girl being jealously in love with a boy.

Joli Garcon

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Klaas - Joli Garcon

Hardly any other producer managed to position himself on top of the world’s DJ Elite in such a short amount of time and no one influenced the global electro- house sound as Klaas. By doing remixes for Dimitri Vegas, Guru Josh, Erick Morillo, Stromae, DJ Antoine, Klaas put himself onto the map. The foundation was laid with “Micha Moors – Space”. Klaas’ remixes became famous all over the world and weren’t just highly successful within the German Dance Charts and Beatport during several weeks, he was also supported by well-known DJs such as Tiesto, David Guetta and Moby.

The 2007 released Klaas single “The Way” was a great opportunity for him to show his diversity in production innovation in the electro house scene. It climbed from 0 to #2 of the German Dance Charts within the first week and stayed in top 10 for several weeks of all relevant dance charts.

Alongside his studio productions Klaas is touring around the world and has been almost everywhere. Australia, New Zealand, Scandinavia, U.S.A, Canada, Brazil, Russia, France, United Kingdom – the list seems infinite.

In spring of 2008 Klaas did it again. Not only his remixes of “Guru Josh’s- Infinity”, “Horny United – Crazy Paris”, and “G&G’s – My My My” cracked the top ten of the German Dance Charts, but the former also became a runaway hit, holding a top #4 placement on the German Single Charts for over 20 weeks. Producing the single resulted in Gold, Silver and Platinum records not only in Germany, but also in the United Kingdom, Denmark and Norway. The official music video clocks over 65.000.000 views on YouTube, making it one of the most watched videos worldwide.

The ensuing release “Klaas meets Haddaway – What Is Love 2K9” stormed the top 10 of numerous Dance Charts, and even the follow up single “Our Own Way” made it to the top 10 in France.
!In collaboration with the Bodybangers he landed two more hit singles „Freak“ and „I Like“ which made it not just to the top of all Dance Charts, but also to the German and Austrian Single Charts. Furthermore both of the official music videos clocked over 10 million views on YouTube.

After he released series of sensational intrumental EPs like "Wild Beast" he strikes in 2013 again with the hit-singles “Hold This Moment”, “Flight To Paris, "Night To Remember" and "Heartbeat". Klaas also generates buzz with his remix of R.I.O.’s (feat. U-Jean) summer hit “Ready Or Not”. 

With his single “Party Like We’re Animals“, Klaas ties in with his long range of productions in February 2014.

Nearly in the end of 2014, Klaas has teamed up with the Swiss newcomer Mazza and presents us his single "Here We Go". Already in the first week, this track made it in the podcasts and sets of famous DJs: For example Hardwell was playing "Here We go" in his current podcast and Showtek played it at the „Tomorrow World“ festival. 
Additional support comes from DJs like Dimity Vegas & Like Mike, R3hab, Blasterjaxx, W&W, Mike Candys, Fedde Le Grand and David Guetta! So we can look forward to true EDM sound in Klaas´ special style!

After this huge success with Klaas´ new sound, Dimitri Vegas requested him to do the official remix for the world-renowned project "Dimitri Vegas and Like Mike feat. Wolfpack".
A few weeks later his single "Calavera" is reaching the top 4 of the German DJ Playlist and he is finishing his collaboration "Flash" with Mike Candys. 
After Klaas' new tracks such as "Why" and his rework of "Explode"  keep being supported by many big EDM top acts, Dimitri Vegas and Like Mike requested again a collaboration. 
The famous "DVLM vs Klaas Edit" of "Cafe Del Mar" was released with a cool video on Smash The House Records.


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