April '22
... name of a street nearby (were the picture was taken, at a hill beyond in Summer 2010)

Hasenquelle

Contours

Voilà Nico et Antonin partis sur une base vaguement dub, au final ça donne un truc, comment dire, post-something?

Recorded @ 147, July 22nd 2022, with:
- Nicolas Claus (guitar, bass, loops)
- Antonin De Bemels (groovebox)

Impro session "dubby"

NEWS: Thrilled to announce that 'In A Strange Land' has ben accepted for presentation at the 2023 New York City Electroacoustic Musical Festival taking place this June. Will post details when they become available. 

Offering both excitement and menace, an unfamiliar place. Makes extensive use of Synthesis Technology's E520, the Xaoc Kamieniec & Dr Sketchy's Freak Shift.

Much of my sonic idea of a "new soundscape" has been significantly influenced by our move to a more countrified location in Upstate New York, where we are constantly hearing birds, tree frogs, crickets and other insects, a sound environment made possible by our new closeness to nature.

Mastered by Shawn Hatfield @ AudibleOddities

In A Strange Land

14 October 2022
Image - Object from Hans-Jörg Georgi

MOTIONLESS FLIGHT

Start of a new dubtechno track - early post - might update it more :)

The ambition of having no ambition

recorded with a heavily treated 5 string electric violin

KSaft

A Strange Dream

Low empty tower

The long-eared owl is not a very nice bird to listen to, but I have two reasons for this upload: A friend of mine said that this was the only long-eared owl he had ever heard together with the echo. The other reason is sentimental; this was a time when one could get the morning paper into one´s mailbox...
Telinga EM23 and Sony PCM D-50 in May 12 2014, no filtering done.

Long-Eared Owl Drama

Epithymia

Composed and recorded by Lisa Stenberg on the EMS Synthi 100 in studio KSYME Contemporary Music Research Center, Athens, Greece in 2017.
Produced at EMS Elektronmusikstudion in Stockholm 2017.

Long-Eared Owl Drama

Klasse

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