easy going track with a beautiful guit tone

Sehr schöne, friedliche Instrumental-Passagen

Wonderful playing, beautiful tone, perfect production. :)

sehr schöner gitarren sound -sehr gut gespielt und produziert -kompliment 🤗

Might have been a good moment for a cool guitar ʕ•̫͡•ʔ

Some great songs from some Fantastic Artist's/Bands.

AB Playlist 101 Part 2

Photograph / my dear friend Mr. Spike & Satomi(U.S.A.)
Title / Satomi(U.S.A.) Complication or Bless me Father 
Vocal & songwriting / Shinobu
Guitar & arrangement / Hiro

Complication

the best  moments

Underground Maze

Ranting about the many problems in America. Please America, don't get me wrong. I love you, but you're bumming me out
Lyrics:
We can sleep behind the strip mall
We can live on Dollar Store bubblegum
In this country we don't do anything
About mental illness
We let it gestate
We don't do anything about guns
It just becomes an All-American character trait
Ain't that great?
Can you smell the decline?
American grotesque 

I'm gonna get to the roots of capitalism
I'm gonna open my own franchise store
Called the QANON store
It's got everything you need
It's in that strip mall
Over by that church
And the Mongolian all you can eat
Uh-Huh

Yeah, if I was a billionaire
I would give every homeless person an AK47
With unlimited rounds
Wouldn't that make you feel safe and snug in your bed?
So safe and warm in your bed!
And then you know what I'd do?
I'd pull those books from your Kid's School Library
Send them all down to the armory
Where we can burn em
If democracy
Doesn't work out how we like it
Can you smell the decline?
American grotesque

American Grotesque

TRÈS JOLIE PETITE 
I’M FALLING AT YOUR FEET 
AND I LOVE TO MEET YOU AGAIN EVERY MORNING

YOU MADE MY LIFE COMPLETE 
LEAVING NO ONE TO COMPETE 
VERY PRETTY PETITE LITTLE DAME 
WITH YOUR VIVID BLUE EYES SHINING

HAPPY ME HAPPY YOU HAPPY WE TWO HAPPY 72
PRETTY LITTLE QUEEN 
MET ON HALLOWEEN I
NSTEAD OF THE GREEN SCARIEST MONSTER EVER SEEN

HAPPY ME HAPPY YOU HAPPY WE TWO TOO HAPPY 72

OH DEBORAH I GOT NEWS 
FOR YOU WITH YOU LIFE’S A CRUISE 
ON A CARIBBEAN SEA CAN’T YOU SEE 
LET’S GO BACK TO ITALY

HAPPY ME HAPPY YOU HAPPY WE TWO HAPPY 72

TRÈS JOLIE PETITE 
I’M FALLING AT YOUR FEET 
AND I LOVE TO MEET YOU AGAIN 
EVERY MORNING OF MY LIFE

HAPPY 72 (Lyrics) song for Deborah

DRUMAX present Track No. 4 : AFROFUNK
@joerxworx >> Composition, Arrangement, Flute, Ewi, Percussion, Mix & Production 
@docfritz >> Drums and Artwork
© 2022 by joerxworx and docfritz / DRUMAX PROJECT

DRUMAX PROJECT

AFROFUNK

DRUMAX No. 4 // AFROFUNK

From Tea Are Sea (https://soundcloud.com/tea_are_sea): Hello all, we are excited to share with you the final installment in the mega-collaborative pyschedelic fantasy concept album project 'Land of the Zed', from the group that we may end up dubbing 'the Golden Accordions'. Uziel, Stonerjazz and myself were involved in all 10 installments. We had other friends plug in along the way, including some new names this time around: Nic and Nadia Selvaggi. Special thanks to Jo Richter for contributing to the vocals as well. Thanks to all who participated, listened, and commented!
We had too much fun to stop here, so don't be surprised if we start another Zed concept album. Also we will likely post the full album on Bandcamp. Until then, check out this playlist to listen to the whole story from the beginning:
soundcloud.com/tea_are_sea/sets/land-of-the-zed
Cheers,
Terry
---
Jeff / Stonerjazz @user-911083679 contributed
Lyrics,
Lead vocals
Drums and bass during the second half
Background guitar during the first half

Uziel @user-455619833 contributed
Piano
Background vocals

Nic @nic_nic_nic contributed
Background vocals
Guitar during the second half

Nadia Selvaggi @nadiaselvaggi contributed
Operatic vocals during intro and outro
Background piano during intro

Terry / TRC @tea_are_sea produced and added
Drums-percussion during the first half
Synths and experimental sounds

Jo Richter / Sonic Structures and Silent Stretches @sonic-textures
Wrote a poem that Stonerjazz adapted into verse III.

Cover art produced using Wombo Dream

LYRICS:
I.
Amanita Amanita Aminita Muscaria, we're so happy, we're so happy yes we're so happy that your in the area
Amanita amantia amanita muscaria.
The clinical psychologist says it's in his head
that's why that boy won't get out of bed
He's dreaming of a journey taken to the land of Zed
and a magical Accordion.
Amanita singing songs of the land of Zed
singing songs in Johnny's head.
Amanita Amanita Amanita Muscaria
we're so happy, yes we're so happy you're in the Area.
Well two clarinet players named Sally and Roberta
and a monkey named Steve
came up to Johnny and said
"Johnny we think it's time to leave; we're out of water and we're outa Bread
and all of us are damn near dead.
So Johnny Thought for a moment and he said Okay.
then he sat down on boulder and started to play
that golden magic accordion.

II.
amanita amanita amanita muscaria
A crack appeared in the side of the wall
and exposed a magnificent Hall,
a fountain appeared in the middle, gushing crystalline clear water so sweet and so pure.
And as each traveler had their drink, they did proceed to disappear.
Johnny had a drink and then he woke up in his bed
in his room
in his house
in his state
in his country
in his world.

III.
ln ths welcomeless abode where tenants rights perptually erode
where bills are paid by humiliation and toil.
The air is full of burning oil
Where street lights outshine the moon
And dust has more rights than me
Awoken by faint sirens in the caccaphony
Whow is me who played that accorrdion for free
I fed the starving with golden tune and lifted up the many with melodies refined.
And hope spread golden
In keys made light
Humbled here and squandered in this wretched flight

IV.
Though in a way, this is a comfy place
And quaint.
And yet it feels like restraint that keeps me from the land of Zed
From where I wish I'd never fled.
How I long for how I yearn for rat and crow and monkey too
And even Roy who loves those blues.
And my accordion nowhere in sight occassionally late at night
Sings in the clouds and I remain within my shrouds
While smiling secretly with knowledge of a Gate
In my vicinity.

Amanita Muscaria (Land of the ZED #10) w/ Stonerjazz, Uziel, Nic, Nadia Selvaggi, and Jo Richter

Can’t Catch a Feeling

A collab between Dred Fouglas & Shadow of the Hatman.

Dred Fouglas: Vox, Acoustic Guitar, Bass, Lyrics
Shadow of the Hatman: Drums, Backing Vox

Lyrics:

This bitter road is all I’ve known
Pitch black and ever winding
like the spine of some spiteful soul
Here no light can find me
Only nightmares and crushing lows
down this trail of misfortune
Born to spread this grief that fills my lungs,
‘cause grief is my infection

Breathe it in, to me it feels like home
It feels like rain when you’re alone 
A dying friend when you need them most
A violin when it plays sad notes A candle blowing out when you see your loved one’s ghost 

This bitter road will not dead end,
I just pave it further every day
Made from all the things I try to forget
as they burn away my brain

Breathe it in, to me it smells like home
It feels like shame when you atone
A dying dream when you want it most
A bloody hand when you cut too close A glimpse of paradise when you’re trapped on Bitter Road

There is no wind that blows
No pretty trees or stars
And I don’t remember 
where they’ve gone
The darkness pressed against my skin
I’ve lost the will to care
The man that’s standing here is gone, gone, gone
There is no weapon greater than the emotional scar
This bitter road is my cell

Bitter Road

ONLY HERE FOR THE RIDE

Towards Further Serenity

Vocals & lyrics by FRAWSTAKWA
https://soundcloud.com/frawstakwa/one-chance-148bpm?in=frawstakwa/sets/open-for-collab

Mix, production & art - Cosmic Keanu

One Chance - FRAWSTAKWA & Cosmic Keanu

Music video: https://youtu.be/65VmC8HeNrg 
“...from here, I can pretend...I can pretend that things last. I can pretend that lives last longer than moments. Gods come, and gods go. Mortals flicker and flash and fade. Worlds don't last; and stars and galaxies are transient, fleeting things that twinkle like fireflies and vanish into cold and dust. But I can pretend...”
Neil Gaiman, Brief Lives (1994)

Kalpa, vita brevis (Clockworks III) video:https://youtu.be/65VmC8HeNrg

Used samples:

Title: 35 minutes of Port activity (almost)
Author: Ha Kékong
Link: soundcloud.com/user-957729823/35-minutes-of-port-activity-almost

Title: Vlissingen Coast Area Marine Radio NL 220221.ogg
Author: klankbeeld
Link: freesound.org/people/klankbeeld/sounds/626963/

Title: Gas1.wav
Author: Godowan
Link: freesound.org/people/Godowan/sounds/240462/

Title: rickety_mechanism_7.wav
Author: strangehorizon
Link: freesound.org/people/strangehorizon/sounds/680602/

Jettisoning Oxygen

The banjo is a musical instrument with African origins, believed to have been developed by enslaved Africans in the Caribbean and later brought to North America. The exact origins of the banjo are unclear, but it is thought to have evolved from similar stringed instruments in West Africa, such as the akonting or ngoni

The banjo first gained popularity in the United States during the 19th century, particularly in the American South, where it became associated with African American music and culture. Early banjos were typically made with gourds for resonators and animal skin for the drumhead, and were played using a technique called frailing or clawhammer, in which the player's fingernail or a piece of bone is used to strike the strings

In the late 19th century, the banjo underwent a period of rapid evolution, with improvements in materials and construction leading to the development of more sophisticated and versatile instruments. One important development was the introduction of the resonator, a wood plate behind the open drum that increased the volume and projection of the banjo's sound. Another was the development of the five-string banjo, which added a shorter fifth string that allowed for more complex playing techniques

The origins of the 5-string banjo are unclear, but it is believed to have been developed by African American musicians in the mid-19th century. The addition of the fifth string, which is shorter than the other four strings and is tuned to a higher pitch, allowed for a wider range of notes and made it easier to play certain melodies and chord progressions

One of the early pioneers of the 5-string banjo was Joel Sweeney, a white musician from Virginia who popularized the instrument in the mid-1800s. Sweeney is often credited with introducing the shorter fifth string, as well as other improvements to the banjo, such as the addition of frets and the use of metal strings

However, it's important to note that the development of the 5-string banjo was likely a collaborative effort among many musicians, both black and white, and its exact origins are difficult to trace. Nonetheless, Sweeney's contributions were significant and helped to establish the modern form of the instrument that is still popular today

During the early 20th century, the banjo became a popular instrument in a variety of musical styles, including jazz, blues, and country music. The instrument was played by a number of famous musicians, including Earl Scruggs, who popularized a three-finger picking style that became known as the Scruggs style

In recent years, the banjo has experienced a resurgence of popularity, particularly in the realm of folk and Americana music. Today, the banjo is played in a wide range of styles and genres, and is appreciated for its unique sound and cultural significance in musical storytelling 

JTS

Jump Blues

Banjo Blues

TWO WORLDS - Re-Mastered Sept 2020
Written, Performed & Produced by Andrew Borderick
Copyright 2019/2020 AB Music
Mastered by Soundcloud Sept 2020

I'VE HIT THE MOON, LOOKING FOR YOU
IF YOU SEE ME SHINING IN YOUR LIFE,
PLEASE DON'T BE FOOLED

MAY'BE I'LL FALL, WAY BACK TO EARTH
BUT LIVING ON THE OTHER SIDE IS JUST A STEP AWAY

I THINK I'VE HEARD IT ALL BEFORE
I GUESS THE WRITINGS ON THE WALL
I'M HEARING YOU, YOUR HEARING ME
BUT NOTHING TO SEE

MAY'BE WE WILL FALL, LIVING IN TWO WORLDS

I'M HYPNOTIZED, THE BEAUTIFUL LIES
THE BLINDING WORDS THAT I CAN'T HEAR
BECAUSE I FEEL ALIVE

I THINK I'VE HEARD THIS SONG BEFORE
I GUESS THE WRITINGS ON THE WALL
I'M HEARING YOU, YOUR HEARING ME
BUT I CAN'T BELIVE

MAY'BE WE WILL FALL
LIVING IN TWO WORLDS
MAY'BE WE WILL FALL... FALL
(break)
MAY'BE WE WILL FALL
LIVING IN TWO WORLDS
MAY'BE WE WILL FALL
(LIVING ON THE OTHER SIDE IS JUST A STEP AWAY)
LIVING IN TWO WORLDS
MAY'BE WE WILL FALL
LIVING IN TWO WORLDS
MAY'BE WE WILL FALL
(LIVING ON THE OTHER SIDE IS JUST A STEP AWAY)
LIVING IN TWO WORLDS

2019 PRO TOOLS

TWO WORLDS

Hello Soundcloud, thanks for the Listens, Likes and Support. Im from Melbourne Australia, I have been playing guitar for many years now and played in two bands during the 80's & 90's (STOLEN CAR original) & (STORM cover),both bands never released any material. Since 2010 i have been writing songs and tunes and recording them in my music room (3rd Bedroom), i play Guitar, Bass, Keys, BFD2 Drums(programmed)and Vocals on all of my songs which i class as Demo's, I love all types of music but Hard Rock, Rock to Alternative appeals to me most.
ALL SONGS POSTED ARE SUBJECT TO COPYRIGHT.
ALL RIGHTS RESERVED BY THE OWNER.
Thanks again to everyone listening out there in the world, always looking forward to new material on Soundcloud,
Character Picture By, Rianna Borderick 2017
All artwork by Andrew Borderick
CONTACT : andrew@netec.com.au
Regards 
Andrew Borderick. (March 2017)

Hello and welcome to my page 
I live in the city Eschweiler near the bigger city Aachen / Germany.
I play guitar since the year 2010.
The guitar sounds of the music tracks i produce with different guitars  and only with effect cabinet Digitech RP500, Boss ME80  and Boss Looper RC300 and  do not use any musicsoftware. " Everything is handmade"  Much fun with my music !

the best moments

Klaus Fricke

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