digital now available @ klausmuzik.bandcamp.com

Taken from upcoming album "Only Love From Now On", out Feb 25th on Smalltown Supersound. 
Pre-order here: 
https://carmenvillain.bandcamp.com/album/only-love-from-now-on

Produced by Carmen Villain.
Mastered by Rashad Becker.

Gestures w/ Arve Henriksen

OUT NOW: https://taxfreerecords.bandcamp.com/

Found Myself or Just I'm Dead

Buy Gerry

TAX12012 - Gerry Franke - “Found Myself or Just I'm Dead” (Snippets)

JUNGLE GYM RECORDS presents "Emergent Rays", official label debut of legendary underground stalwart Jason Letkiewicz (Steve Summers, Confused House, etc., etc., etc.). In this barren mountain landscape sunlight flickers from stone to snow, six radiant reverberations contorted through shadows and into the light. Produced with a minimal selection of vintage hardware, "Emergent Rays" is Letkiewicz at his most direct (and most vulnerable), a hyper-focused collection of effortless expansions, forever lost in the drift.

@confused_house

[JGT79] "Emergent Rays"

[JGT79] "Emergent Ray I" - Jason Letkiewicz

Artist: Jan Jelinek
Title: SEASCAPE - polyptych (OST)
Cat#: faitiche 31
Release: April 28th 2023
Format: LP/DL

One of the most notorious hatemongers in movie history is Captain Ahab from John Huston’s 1956 classic Moby Dick. His manic monologues cast a spell on generations of viewers. Berlin based musician and sound artist Jan Jelinek has now turned the voice of Ahab into a musical instrument.

Faitiche presents Jan Jelinek's soundtrack for SEASCAPE – polyptych, an audio-visual software developed in collaboration with Canadian new media artist Clive Holden in 2022.
SEASCAPE – polyptych is based on image and acoustic source material from Moby Dick. While Holden works on manipulating film sequences, the voice of Ahab plays a central role in Jan Jelinek’s soundtrack. The dynamic volume and tone of the captain's speech control a synthesizer system that turns Ahabs voice into ten abstract soundscapes.

In this production the voice gives the impulse and controls things but is not the sound of spoken word itself that we hear. Only occasionally can snippets of speech be heard so that syllables or sounds are recognisable. Instead we hear compositions made of hissing, soundscapes and eruptive sounds. The atmosphere is dark and sinister. Still every piece has a clear sonic structure and follows an understandable dramatic composition. This music is abstract but not overwhelming. Quite the opposite, SEASCAPE – polyptych is an invitation to listeners to let themselves be carried by the stream of sonic events.
 
Although part of a media art work, the soundtrack can be enjoyed without any of this connecting superstructure. It works with no previous knowledge. But what happens when one does know that it’s the sonic waves of a human voice that is controlling a network of synthesizers?

If you want to hear Ahab, you will hear a choir of Ahabs in every piece of sound. The subliminal threatening as well as the conjuring Ahab. Finally the Ahab who whips up his crew and tears them with him into their downfall. The majestic „on the quay now, waiting and watching“, the oppressive “drawn towards the whirlpools center” - they are all music as well as sonic discourse.

Jan Jelinek: Drawn Toward The Whirlpool's Center

TNM003 - Tele / Delta / Luc - 15/12/14
https://klausmuzik.bandcamp.com/track/tele

Tele

New content everyday at 6:00pm

Support Artist : @rlaney

Forthcoming the 7th of June on : @altiussounds

Pre-Save : https://hypeddit.com/laney/kungfuminimalisticjungletechno-1

Laney - Kung Fu Minimalistic [Premiere]

Appears on Physically Sick 2, released March 6, 2018

Physically Sick 2 is a charity compilation by Allergy Season and Discwoman curated by Umfang, Frankie Decaiza Hutchinson, and Physical Therapy. 100% percent of profits from the compilation will go to the Brooklyn Community Bail Fund. Out Tuesday March 6th, 2018 and available exclusively through Bandcamp.

https://physicallysick2.bandcamp.com/

Terracotta [Allergy Season]

TNM001 - Neph / Phi - 8/10/12
https://klausmuzik.bandcamp.com/track/phi

MDO & Soft Fit - Untitled

London-based Swedish producer aircode’s debut EP on Alien Jams is ‘basically a very tired EP’.

Written throughout a year of sleep deprivation, “Effortless” reflects a period of disorientation, social claustrophobia, and the unbridled feeling of a loss of focus. A navel-gazing introspective struggle of feeling apathetic and drowsy, yet simultaneously restless and constantly moving. Fractured machine fragments and riddled sleep-deprived speech alongside manipulated drum samples, distorted guitar, are symptomatic of her captivating work in electronic experimental music so far. Using self-generated ‘logical’ melodies, unexpected rhythms, and phone and vocal recordings, the EP offers a challenging, melancholic and ever-changing aesthetic.

Piecing together spontaneous text, and moments of glitch, like an anxious machine, or someone on auto-pilot; “the tracks represent this mixture of apathy and a scattered mind,” she explains, "On the verge of hyperventilation with constantly changing rhythms as you feel your heartbeat and breath loud and out of sync. The melodies are also somewhat dipping in energy," never reaching the whole way up, but giving up and falling down.

Dry my face up
It’s easy, why
Heavy air
Pacing around the third floor
Your voices intrude
On my skin
Must be fed
Accelerating ahead
It’s easy at a high pace

I don’t believe in effort
The third time
Don’t shake
If it’s not enough

Releases September 25, 2020
Pre-order- https://alienjams.bandcamp.com/album/effortless

Artwork by Ewa Awe
Mastering by Rupert Clervaux
Words by Flora Yin-Wong

Effortless

aircode- Effortless (clips AJ016)

Untitled

Stranger

https://klausmuzik.bandcamp.com/

all proceeds from the digital sale of this music to the United Friends & Family Campaign (uffcampaign.org), a coalition established in 1997 to support those affected by deaths in police, prison and psychiatric custody in the UK.

Phi

Klaus

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