Video version @ https://www.youtube.com/watch?v=K_RHyhMU--c // The theory of "desinterested piano" (founded 1986, established 2019 as "Mühelose Musik") after Tschernobyl: Nobody plays piano, piano plays some fingers - there is no player, just the sound happening... © POEMiE™ @ http://www.JAZZLYRIK.de

#tschernobyl Nondualjazz: "PI...A...NO PAIN" (Musikreform: Das Desinteressierte Klavier)

Video of me playing & the original movie scene: https://www.youtube.com/watch?v=-OQOV7FoSqY At August 19, 2021 exactly 20 years ago Ray Cooper (who was acting a technician 1985 in the movie "BRAZIL") appeared on the top of a sand hill in Potsdam to look at the naked actors of Schmerbergs movie "POEM" that he produced. It was my poem (titled "ÜBERSTRÖMUNG" @ https://soundcloud.com/poemie/quantenlyrik) at that week-end that was used and i was secretly among the blue painted actors of Smudo's army. Funny was that the others (who didn't know that i was the actual poet) starred at Ray Cooper (without knowing either who he was!) laughing and saying: "OH, LOOK, THAT MUST BE THE POET!" As i wanted to stay anonymous i just commented "For sure!" but found it incredible that people believe, a poet has to be clothed in black with sunglasses, looking intellectual like an "existentialist" and in a far mental sphere. I was never such a "metaphysical" type of poet, but people seem to need that image to believe in "serious" poetry 😂 Well, after that week-end Ralf tried hard to cut and finish the scene for his movie, but in the end he exchanged my poem and used parts of the ode by Schiller "AN DIE FREUDE" with music by Beethoven. At the world premiere in Volksbühne 2003 all the hundreds of naked actors were totally disappointed that "their" scene was placed even after the end of the movie and moreover they shouted: "Where is Tom's poem?" 😂 I was sitting secretly in the darkest corner of the highest last row and tried to escape but the reporter lady saw me and forced me to give a statement... After all these 20 years i look back at that crazy time and somehow still don't understand WHY Schmerberg REALLY wanted my poem but then NOT. I guess it had to do with his private spiritual searching as my poem was about overcoming God instead of trusting in any religious object. Ralf understood my poem too late somehow. And then it didn't fit for his movie message. It still makes me sad because by that the movie became much too religious, without any critical message...

Tom de Toys, 8.4.2003: "POEM - PATHOS & PLAGIATUR (VON DER RELIGION ZUR REGIE UND ZURÜCK)" @ https://poemie.jimdofree.com/presse/poem-filmkritik-2003/ = VERY FIRST PREVIEW Filmkritik über "POEM - Ich setzte den Fuß in die Luft und sie trug" (BRD 2003, 91 Min, Regie: Ralf Schmerberg)

My free variation of the BRAZIL movie theme in which Ray Cooper acts (producer of the movie POEM)

Als Video in 2 Playlists:

@ https://youtu.be/vCGzwTCPgJU?list=PLDSANNPWC1MtE6HVcJFPdt5iFDZuyBxUC

@ https://youtu.be/vCGzwTCPgJU?list=PLb0I0inZgN1MqoN1wlt5-NXv2_td8JJv4

Am 22.6.2023 erreichte Sturmtief LAMBERT auch die Kleinstadt Jülich in NRW, zehn Minuten nachdem Jakob von Leuchtapfel seine neue "desinteressierte" Klavierimprovisation eingespielt hatte. Hinter seinem Rücken begann plötzlich der Starkregen, wodurch das Efeu im Garten unter Einfluss der hohen Windgeschwindigkeit von der Wand geweht wurde. Diese private Tragödie inspirierte ihn zur Titelfindung, obwohl seine nachdenklich-traurige Grundstimmung beim Spiel durch das Gedenken an die allgemeine Weltlage entstand: das Ahnen der ungenannten Toten, der unhörbar Leidenden, der unsichtbar Verzweifelten auf der ganzen Welt - ein "Ahnen" als Wortspiel der existenziellen Assoziationen: die indianische Verbundenheit mit den Ahnen schwingt hier ebenso mit wie die ungewollte Dekadenz der ohnmächtigen Ahnung von Katastrophen aus der sicheren Entfernung des medialen Infotainments, aber auch die Vorahnung einer unausweichlichen Tragödie, sei sie nun privater oder globaler Natur. J.v.L. (alias Tom de Toys) entwickelte seine Klavierreform "DAS DESINTERESSIERTE KLAVIER" im Jahre 1986 als Reaktion auf das Atomreaktorunglück in Tschernobyl und das "wohltemperierte" Lebensgefühl kehrte nie mehr zurück. Musik "machen" war für ihn im Bewusstsein aller Gefahren, die sich die Menschheit selber schuf, nur noch als Loslassen von jeglicher absichtsvoller Melodiosität möglich. Aber erst 2019 begann er mit dem spontanen Stück "PERNODE" (auf einem Klavier des Asphaltfestivals in der Ubahn-Haltestelle Oberbilker Markt) wieder, öffentlich zu spielen und nennt seinen Stil seitdem NONDUALJAZZ.

#nondualjazz #freejazz #jazzpiano 

"AHNEN EINER TRAGÖDIE" (kurz bevor Sturmtief Lambert das Efeu von der Wand weht) @ Nondualjazz de

ALS KUNSTVIDEO: https://m.youtube.com/watch?v=wUcp5ztXFIc

Aggertaljazz (Postoperatives Piano): "GOTTESDIENST AM ROSENMONTAG", 12.2.2024 @ arbeitsdichte.de

(c) http://www.JAZZLYRIK.de First time combining piano with voice as a preparation for reciting Quantum Poetry by playing…

DAS IST DAS NEUE JA(HR)!!!

Theory of desinterested piano @ http://www.JAZZLYRIK.de

TOO HOT Part 1

TOO HOT Part 2

TOO HOT Part 3

AC/EX-CEPT THE VIRUS (HOW TO HANDLE DEATH & DISEASE)

The ego suffers from its belief that the deeper drama of reality seems to be the paradox of peace and panic in a moment of spiritual truth and superficial trouble but indeed there is no paradox at all: reality is neither deep nor superficial! Understanding this meens to be free from that ego illusion that needs a feeling of peace to handle any trouble - THERE IS NO TRUTH, NO TROUBLE, NO PEACE AND NO PANIC FOR NO PERSON, everything is just connected...

DEEPER DRAMA (THE PARADOX OF PEACE & PANIC): in a moment of spiritual truth and superficial trouble

Geb.  1968 in Jülich/NRW, entwickelte 1986 unter dem Eindruck von Tschernobyl die Klavierreform DAS DESINTERESSIERTE KLAVIER, performt ab 2020 live kombiniert mit Quantenlyrik-Rezitation

DAS DESINTERESSIERTE KLAVIER

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