About the mix
This mixtape is an electronic celebration of the voice and resistance of Rim Banna, the iconic Palestinian singer and activist who passed away in 2018. The set includes both remixes of earlier songs and tracks from her album Voice of Resistance, which she recorded after losing her voice due to cancer.

About the mixer
Checkpoint 303 constructs soundscapes that weave field recordings and cinematic audio from Palestine and the Arab world with oud, experimental sound processing and complex beats. Through its electronic compositions and collaborations, Checkpoint 303 spreads a message for justice, dignity and human rights. Checkpoint 303 had several collaborations with Rim Banna.

MARSM Mixtapes #7 The Rimixtape (by Checkpoint 303)

TR185 - The Modern Institute - 'CROSSCURRENT'

from 'mɜː.məˈreɪ.ʃən #5 - transmit':
https://engravedglass.bandcamp.com/album/m-m-re-n-5-transmit

Refs: 
Ergine, S and Calas, M (2023) Becoming Naturecultural: Rethinking sustainability for a more-than-human world. Organization Studies 44:2, 1961-1986. doi: 10.1177/01708406231175293 
Manning, E (2019) Toward a Politics of Immediation. Front. Sociol, 3:42. doi: 10.3389/fsoc.2018.00042 
Murmuration #5 webpage - https://jezrileyfrench.co.uk/murmuration-2024.php Oxford Dictionary online. Accessed 1 September 2024 Robinson, D (2020) 
Hungry Listening: Resonant Theory for Indigenous Sound Studies. Minneapolis MN: University of Minnesota Press. Schultz, H (2018) 
The Sonic Persona. London: Bloomsbury. Wright, M (2023) 
Listening After Nature: Field Recording, Ecology, Critical Practice. London: Bloomsbury Academic. 
Wynter, S (2015) Sylvia Wynter - One Being Human as Praxis. ed K McKittrick. Durham: Duke University Press.

a transmutation music

https://soundcloud.com/potdl - splitterboo (fringe theories)
from "splitterboo (fake footage/real premise)" (QNR028)
released 4th November 2019

splitterboo (fake footage/real premise)

QNR028 (↓↓↓)

Blue Stork - splitterboo (fringe theories)

Golden Age of Gesamtkunstwerk (Star and Shadow Radio Mix)

From forthcoming cassette 'Side Down' on Anathema Archive

Mastered by Renato Grieco
Release notes by Ben Ellul-Knight

Releases 9th November 2020

//

For Side Down, Tom White offers up two contrasting sides of ear debris culled from a recent performance (the last before our new reality set in) and a collaborative dance work. ‘No script on set’ is a deft re-imagining of a piece originally made for 8-channels. Losing none of its space or atmosphere as sounds zip around the stereo field, the composition conjures different architectures as a metallic glistening sounds out in tightly wound space, then mutates into a cavernous echo. Field recordings emerge, familiar yet hard to pin down, place names held back as electronic tones thread through water drops to breathe a sigh of relief.  ‘Behind the face of a rock, throwing stones (Rehearsal Music)’ is part of an ongoing project with the dance company Surface Area (choreographed by Nicole Vivien Watson), a collective project comprised of deaf and hearing artists. The project explores British Sign Language, D/deaf culture, Japanese culture and Butoh. The music is sensitive to the collaboration - playing with heard and felt sensation, working with sounds’ potential for moving the body. The sonic palette is more paired back than the first piece, it pulses and builds, creating space in which both deaf and hearing bodies can respond to the sonic textures and chattering objects, or the non-cochlear resonances that can be felt in the body.

Side Down

80 Hours | Excerpt from (A1) Side Down (Anathema Archive 2020)

infinite ground selfie space sound
Klaysstarr Nets / Iain Findlay-Walsh
https://ucorridor.bandcamp.com/
https://glasgow.academia.edu/IainFindlayWalsh
ex-LL http://bit.ly/2dZuQcV

a transmutation music

Klaysstarr Nets

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