it's crappy mastering dude .. but song is quietly impressive ..

this song is unique, while reminding a lot, sounds, memories, lives, bravo!

back in time...so much LOVE... & amazing Malin!<3

oh ha this is where i heard this song! and i just posted it on your wall for you bday! lollies

Ritual Union

As If We Never Won

Rock U

Samples vocals : « Take everything » (Emma Hewitt).

TAKE EVERYTHING.wav

Talkie Walkie

Alone in Kyoto

Our Love

Caribou - Silver

BEACH 77

Innovativeleisure.net

12" Available Early 2012.

Woman

Open

Melody of Love

From ‘Freeze, Melt’ via Cutters Records, out Aug 21st: https://bit.ly/CCCWFM
Watch the "Cold Water" official video: https://www.youtube.com/watch?v=Mr67qC1IusQ
--

LIKE BREAKING GLASS

when the world comes down
and breaks in two
I could dance in the silence
and think of you
but love can be cold
our love is cruel
with the light there is darkness
that runs right through

every heart beats now, 
it beats like the sound of breaking glass
every violent breath 
hurts, so I know I’m still in love

a heartbreaking song
played for too long now
I’m singing to you
but sinking it’s true, oh
wanna jump out of the car
jump out of the car, oh-oh
but I can’t open the door
can’t open the door, oh-oh

every heart beats now, 
it beats like the sound of breaking glass
every violent breath 
hurts, so I know I’m still in love
every heart beats now, 
it beats like the sound of breaking glass
every violent breath 
hurts, so I know I’m still in love

Now I’m crashing down for you
Now I’m crashing down for you
down for you…

by, by your side
by, by your side
by, by your side
by, by your side

every heart beats now, 
it beats like the sound of breaking glass
every violent breath 
hurts, so I know I’m still in love, still in love…

--
Pre-Save ‘Freeze, Melt’ now via Cutters Records: bit.ly/CCCWFM

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Like Breaking Glass

Four years have passed since Swedish producer, songwriter and musician Andreas Kleerup was named as one of the world’s hottest producers by NME. The reasons were obvious: his self-titled debut album was a Top 10 hit in his homeland, but its influence impacted upon a tidal wave of artists who desperately tried to recreate Kleerup’s ability to meld retro elements into a pop sound that was both futuristic and innately melancholic. It resulted in him winning big at the Grammis with the prestigious awards for Newcomer of the Year, Producer of the Year and Composer of the Year. Even Lady Gaga was enamoured by Kleerup, and subsequently commissioned him to remix her track “Alejandro”.

His collaboration with Robyn, ‘With Every Heartbeat’, kick-started the trend – a huge international hit (#1 in the UK and a Top 10 hit in numerous other territories) that also won the adoration of discerning music fans. Other guests on the album ranged from the then newcomer Lykke Li through to the legendary Neneh Cherry. Not only did Kleerup demonstrate a surfeit of talent in his own right, but he could expertly judge and apply it in others too – and his ability to combine those two traits is a rare and compelling strength.

A common trait amongst other like-minded musicians is a desire to explore every possible facet of their creativity. It’s something which Kleerup shares. He could’ve simply taken the easy route and watered down his approach for the masses, but as the kind of guy who can reference both King Crimson and Boards of Canada in the same sentence it can’t have been too appealing an idea. Instead, he scored a stage adaptation of former Nobel laureate Harry Martinson’s sci-fi poem “Aniara”, the accompanying album of which earned him a Grammis nomination, and also fronted his Fleetwood Mac and Thin Lizzy-inspired country-rock sextet My and My Army on their debut collection “Thank God For Sending Demons” which garnered yet another Grammis nomination. 

Kleerup had spent the early part of 2014 experimenting on new ideas and technology, and had begun to sketch out some basic ideas. But then tragedy stuck with the death of his mentor Christian Falk. “He really was like family, friend and mentor – he was everything,” sighs Kleerup. A year prior, Kleerup had hit upon the sort of bouncing, insistent bass groove that Falk himself had mastered so well. Perhaps as a subliminal way of addressing his loss, Kleerup revisited the idea and soon had something strong enough to share with kindred spirit Susanne Sundfør (Björk, Röyksopp, M83) who added the mesmeric topline. And so the upcoming single “Let Me” In was born – a song which captures the adventurous spirit of Kleerup’s earlier work while pushing the Eighties influence to a new level.

Rock U

Kleerup

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