The Glass Chrysanthemum

YOOOOO AMAZING WORK THIS MONTH PER USUAL. You guys used the @d3xtrrr sample pack so well! make sure u follow the boi @d3xtrrr if u havent already =)

THANK YOU ALL FOR SUBMITTING. I HOPE YOU ALL CONTINUE TO WORK ON UR TUNE FOR A FUTURE RELEASE FOR YOURSELVES! =)

we love you all! see you next month!!

artists this month:
(0:00-2:15) @d3xtrrr
(2:15-4:05) @darnmusic
(4:05-5:55) @kyokee
(5:55-8:18) @codakmusik
(8:18-9:55) @barnavelle
(9:55-11:17) @nathan-whalin-358205528
(11:17-12:45) @sickish
(12:45-15:20) @shwillyum
(15:20-16:41) @smallroomsound
(16:41-18:23) @thaspunone
(18:23-20:10)@chefpandadubs
(20:10-21:30) @they-invade
(21:30-23:35) @d3xtrrr
(23:35-25:18) @huckjorris
(25:18-26:40) @astrodotmusic
(26:40-28:42) @aceonearth
(28:42-30:14) @dot_son_music
(30:14-32:08) @reishio
(32:08-34:08) @blake-campbell
(34:08-36:04) @soundsofpanik
(36:04-38:00) @t-komusic
(38:00-40:20) @joshuarsm
(40:20-42:40) @captainmarlin
(42:40-45:00) @smokeam46
(45:00-46:25) @ill_logical_music
(46:25-end) @rosin-guy



notes from the artists:

T-KO says: "Here is a full on banger for this month's cypher. It took quite a bit of time, sound design sessions as well as sampling and resampling some of my favorite samples from this month's pack. I had an absolute blast making this one and I really hope that you love it just as much as I do. I also can't wait to drop the full VIP mix when the CS mix is dropped. Thank you for allowing me these opportunities to grow as an upcoming musician with inspiration from talented artists, such as yourselves at CS, and thank you for taking the time to listen. 
My List Of Samples 
YVGA Vocal One Shot [2021-09-13 143429]
Necromancers Diary Bass Shot
Little Swamper Bass Shot
OP1 Space Zap
 Theses are all used heavily in the drop with the vocal shot as the pre-drop vocal. I think it turned out amazing and i hope that you think so as well. "

REISHIO says:  "I only used samples from the pack to make this beat, no synthesis, just lots of processing. I used about 90% of the samples too. Thanks for the samples. It was fun messing with them."

CAPTAIN MARLIN says: "Samples used this month are:

1)March of the Swamp People ECAE
      -I slapped and lfo on that bad boi, repitched it, resampled it through an FX chain and one more lfo for good measure. Its the main driving melody of the track
2)YVGA Vocal Breaks 4
     -Pitched down, stretched and put through a drum fx chain
3)YVGA Vocal Drum 4
     -Reversed and processed through chain
4)YVGA Vocal Drum 3
     -Sweeps into itself washed out in reverb to make it sound like a big breath"

THEY INVADE says: "I used most of the samples for the drum elements but also that nasty af bass was too good to pass up. I used it to inspire some sound design and layered it with other things. Cheers."

CHEF PANDA says: "yoo! thanks for hosting this, had a ton of fun with these samples and made something weird :)

Samples used:
YVGA vocal snippets;
- Breaks
- Drums
- Lazers
OP-1 Samps;
- March of the Swamp people
- Bubble F
FX;
- Space Transmission"

ASTRODOT says: "I used a couple of the ygva samples and a couple of foleys and played with them to give that unique flair. All the main sounds you can hear I made with serum and vital 
Also one of my homies hopped on a played a melody with a keyboard so he's featured on this as well"

Volume No. 22 (curated by D3XTR)

AcidSepp - Kinetic Depth Effect

This opening track is very special to me. It’s truly a culmination of some of my biggest musical influences in my life. I wanted to open the EP off with some very abrasive. I feel like I’ve always envisioned some sort of metal / bass music crossover, but never had the balls to even attempt it. Well I think I’ve at least tried with this one 😊 The logo finally makes sense now…

Chunk Bundle

Bandcamp

XxWooKxCorExX

(lofi track Dedicated to James Ketcham, rip my brother)

here, and gone

thanks for everything

what's 43 feel like?

The Tree

Distant Sun

Here for your enjoyment is the second Happy Chocolatier track. Thank you all your kind support.

thanks for everything

klepst.

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