Heimlich III

Khepre

Freestyle

Umza

Telepat

Kuyayki (feat. Chancha Via Circuito)

VIDEOCLIP  :::: https://youtu.be/AzSxNJCyX0k

CHECK  AND PRE-ORDER NEW RELEASE BY MENTE ORGANICA
https://fertildiscos.bandcamp.com/album/marinero-en-chapinero

Un compilado de Fértil Discos / A Fertil Discos compilation

Fertil Discos, nóvel sello argentino con sede en Buenos Aires, presenta su más reciente compilación, dividida en dos volúmenes, con sonidos distinguidos en dos etapas del día: “Dia” y “Noche”.  En ellos se pueden apreciar los nuevos pasos de la corriente actual de artistas electrónicos influenciados por los sonidos y ritmos de Latinoamérica. 

El compilado propone un soundtrack ideal para atardeceres o amaneceres en islas desiertas, tomando inspiración de ritmos ancestrales, bajos electrónicos y producciones recientes con una mentalidad de  “música sin fronteras”.
Los dos volúmenes contienen canciones bailables como “Animal Estrella” (Pol Nada & El Remolón), “Periferia” (Paisandoom), la canción folktrónica de Jin Yerei llamada “Tejido”, el slow techno de Barda, las sugerentes canciones de Tomanka y Santi, entre otras gemas a descubrir.

Electrónica Orgánica Vol. 1 y Vol. 2 puede conseguirse desde el viernes 11 de agosto por Bandcamp y en todas las tiendas digitales y ya está la preventa disponible en Bandcamp.

English

Fertil discos is a newly born argentinean label, based in Buenos Aires. We are pleased to announce our most recent compilation, divided in two separate albums -one representing the Day, the other gathering Night sounds. Both records illustrate the new steps of the new wave of South America’s electronic artists, influenced by the sounds and rythms of our continent.

The compilation proposes you an ideal soundtrack for sunrises/sunsets on desert islands, drawing inspiration from ancient rhythms, electronic bass lines, and recent productions with a world music mindset.

Both volumes put together danceable songs like “Animal Estrella” (Pol Nada & El Remolón) and “Periferia” (Paisandoom); folktronic compositions like “Tejido” (Jin Yerei feat. Kona); slow techno songs like “Orobon” (Barda) and talented electronic compositions like “Dialogue” (Tomanka) and “Galata” (Santi) among other undiscovered gems.

Electrónica Orgánica Vol. 1 and Vol. 2 will be available on August 11th on our Bandcamp site and in all digital stores.

Electrónica Orgánica: Día

Mente Orgánica - Manos

This remix is a true collaboration between a lot of wonderful people from all over the world. Thanks for Rafa & Lisandro, Nicola and Mohand for the original and thanks to Adrien AKA. Didacte for the guitars on this remix!

Here is to 2018 being the year the world comes to its senses ;)

Download

Klik & Frik - Lluvia (feat. Nicola Cruz & Mohand Zohair) [El Búho Remix Feat. Didacte]

El Buho - Xica Xica (feat. Uji & Barrio Lindo)

Buy/stream 'Otun' now: montoya.lnk.to/otun

While the internet’s universality means once-inaccessible traditional and indigenous styles of music across the planet can be appropriated, sampled, and commodified with ease; it also means they can be integrated and celebrated, reflecting humanity’s idiosyncrasies as well as our shared communality. Montoya, recently signed to ZZK Records, personifies the very best of this musical globalism.

Montoya, who grew up in Colombia and now resides in Italy, entered music as a classically trained violinist. He’s keen to stress his gratitude for this adolescent education, not only in how it exposed whole new worlds of music, but permitted him travel places and sample different cultures from a young age, including playing at such renowned orchestra theaters as Gran Teatro de La Habana in Cuba and the Musikverein in Vienna. This classical upbringing naturally informed his inclusive, and methodically exacting, attitude to songwriting and production.

The pan-international musicality of his Montoya project is rooted in the musical diaspora of his native Colombia. This diaspora is vast; indigenous folk music hailing from Amazonian and Andean tribes; the cosmopolitan synthesis of modern reggaeton and traditional salsa taking place in Bogota and Medellin, and the Afro-Caribbean stylings of Cumbia and Champeta. Fusing the multi-layered precision of his classical education, his innate curiosity for Latin and “world” music, and affection for melodic electronica; his discography is at once ambitious and comfortingly familiar, as desirous of a catchy harmony as conceptual melding of Latin folk and modern electronics.

So far, under the moniker Montoya, he’s produced the stirring 2015 album Iwa and 2016 Ep Lux, where you can detect him refining his cooking skills of the indigenous and the electronic. He’s also remixed the gifted Ecuadorian Nicola Cruz’s pleasantly plodding “Cumbia del Olvido”, adding another layer of melody with a soothing string arrangement. Moreover he’s played Sonar Bogota and Musicbox Lisbon, and various European venues, but his latest album Otun looks set to both break him properly on the continent, and produce his best work so far; a fiery and flavourful gourmet dish, with British expat producer Richard Blair providing refinement as a proverbial sous chef.

On Otun, the breadth of Montoya’s influences and tastes is at its most striking; the dulcet techno hum of “La Pastora” is perforated by sprightly flutes and percussion, while lead single “Solo Quiero” deploys a languid reggaeton pattern beneath Bogota rising star Pedrina’s distorted, wilting croon anticipating a euphoric synthesiser-lead climax. The title track, featuring a sultry guest vocal from Nidia Gongora, is a fierce and vigorous club anthem, amplified by hissing synth pads and sordid breakbeats. Even a more straightforwardly techno track like “Tatacoa” is stylized with intoxicating Indian vocal samples, and more traditional folk selections like “Orun” still use an inobtrusive bassline drone. Montoya’s palette is simultaneously expansive and curious, yet coherent, with a steadily melodic electronic through-line running through Otun’s duration.

Montoya absolutely sustains ZZK’s pedigree of platforming the most exciting and inventive electronic artists from Latin America, joining the storied legacy already built by the likes of Nicola Cruz, Chancha Via Circuito, and King Coya. Whether it’s through the intricate patterns of his synthesisers or the analogue beauty of his violin, what unifies his instrumentation is the candid expression of Montoya’s experiences, ideas and dreams: “I want to feed me of all these emotions, composing and putting into music all that I’ve lived.”

Otun

Montoya - Solo Quiero feat. Pedrina

Available on Digital / Vinyl 
14.12.2018

Download // Buy: https://shikashika.bandcamp.com/album/camino-de-flores
Spotify: https://open.spotify.com/album/54RG3zzcA9TCMyrBmIicdu

On Camino de Flores, his second full-length album, El Búho reimagines electronic music through the lense of the natural world and its rich soundscapes. 

Drawing on the inspiration of traditional rhythms and sounds, notably from Latin America, Camino de Flores is an album that transports you to another place. Following the success of his first LP, titled Balance, El Búho is back and takes us on a journey from high mountains to cascading waterfalls, from a dusky rainforest to a crackling fire beneath a clear, star-filled sky. The album charts a pathway between traditional rhythms, the sound of the natural world, IDM electronica and a deep, enveloping dancefloor sound. 

With rhythms, instruments and effects built from field recordings or “found sound”, on Camino de Flores it is often hard to distinguish between synths and drum machines, from birds, water, rain or crunching leaves.

El Búho - Aguas Claras

Ego Disintegration, ego death, or ego loss as they call it, as part of the (symbolic) experience of death in which the old ego must die before one can be spiritually reborn.
They define ego loss as "... complete transcendence − beyond words, beyond spacetime, beyond self. There are no visions, no sense of self, no thoughts. There are only pure awareness and ecstatic freedom"

Zen practice is said to lead to ego-death. Ego-death is also called "great death", in contrast to the physical "small death".
the ego death makes an end to the "usually-unconsciousness-and-automated quest" to understand the sense-of-self as a thing, instead of as a process.
Meditation is learning how to die by learning to "forget" the sense of self.

Enlightenment occurs when the usually automatized reflexivity of consciousness ceases, which is experienced as a letting-go and falling into the void and being wiped out of existence.
When consciousness stops trying to catch its own tail, I become nothing, and discover that I am everything.

Voice and Text : Rokaya
Music & Production: Intiche

Ego Disintegration

Ostriconi

Yeahman - Deelahli (ft. Mina Shankha)

Originally from Argentina, also known as Frikstailers.
booking worldwide: alan@rasoestudio.com

2023-05-19: Live @ Artlab (Buenos Aires)
2023-06-08: Live @ Gretchen Club (Berlín)
2023-07-01: Live @ Casa Reia (Lisbon)
2023-09-04: Live @ Scorpios (Mykonos)

Booking: alan@rasoestudio.com

www.instagram.com/klikandfrik
www.facebook.com/klikandfrik

Kuyayki (feat. Chancha Via Circuito)

KLIK & FRIK

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