Great stuff, glad to have connected. Nice playing all around, and great Latin vibe!

Very good song, I really like the guitar.

A song by Igden Daledrop.

#electro #alternative #indie #soundtrack #techno

Bored of Too Much Magic: Contemporary Lovesong

Contemporary Lovesong (CromoFX a.k.a. Frank Waldorf Remix)

A mesmerizing track that combines elements of electronic music with a hypnotic and sluggish vibe. From the squelchy, pumping bass arpeggio that drives the rhythm to the plucked electronic instruments crafting a subtle and melancholic melody, this composition takes listeners on a captivating sonic journey.

As the track progresses, it transitions into a passage where a big analogue synth takes the spotlight, delivering an anthem-like melody that soars above a warm and melodic bassline. This section creates a sense of depth and emotion, inviting the listener to immerse themselves in the atmospheric soundscape.

Adding to the drive and energy of the track is the snappy snare, which injects a rhythmic intensity and further propels the music forward. The combination of these carefully crafted elements results in a dynamic and engaging composition that captivates the listener from start to finish.

"Pressure Valve" is a must-listen for electronic music enthusiasts, offering a fusion of fat basslines, melancholic melodies, and uplifting anthems. Get ready to be transported to a world where hypnotic rhythms and immersive soundscapes collide.

Pressure Valve

Call In Sick / Reflection

Call in Sick (Radio Mix)

"Yesterday" Sad Piano and Strings Instrumental Prod. and Composed by Nomax

A track from our upcoming album, Infinities, due 2025

The Infinite Loop

You plus Me Equals Two (love)
I'm so happy I found you
We were too young to fall in love 
That was the best time of my life
This letter is for you love 
The one that got away with heart
Th one that I want in my life 
I can't get you out of my mind

I want to be the one for you 
I want to be so close to you 
I want you to know that I love you
I want to spend my life with you

I dreaming about your blue eyes
I'm so happy that you're mine
You the precious in my life 
Love you more than anything in the world 
I love to be near you 
Your love so beautiful
I miss you every minute of everyday 
I can't get you out of my mind

I want be the one for you
I want to be so close to you 
I want you to know that I love you
I want to spend my life with you

We were traveling to Paris 
I was down on my Knee 
Asking you to marry me 
That was the best time of my life 
That was the best time of our lives 
I'm so happy that I'm with you 
I'm so happy I'm close to you 
Love you more than anything in the world 

I want to be the one for you 
I want to be so close to you 
I want you to know that I love you
I want to spend my life with you

Letter To My Love (Lyrics)

The symbolic “Doomsday Clock” created 76 years ago by atomic scientists, including Albert Einstein, today stands the closest it has ever stood to humanity’s darkest hour.

We seem to have challenges unlike any other in our lifetimes.

This song is about different people’s reactions to a world in chaos. Some feel destruction is inevitable, so what’s left? ‘Let’s Dance!’ (“Baila”). Others are simply overwhelmed and just want to forget their worries. And still others are shouting out against injustice.

Listen to the clock. Wake up. 

Composed and Performed by Kluane Takhini
Featuring James Hill (trumpet)

YOUTUBE:  https://youtu.be/e_cOYh2wJck
WEBSITE: https://www.kluanetakhini.com
SPOTIFY:  Coming soon

90 Seconds To Midnight - Baila!

Whispering Trees

Pathway

Experience the haunting beauty of 'Sleepers' by Jeremias Langsämmer, a captivating piece crafted as cinematic accompaniment for video and game backgrounds. This OST soundtrack transports listeners into a world of melancholy with its mournful strings and soul-stirring cello melodies. Inspired by the emotive depth of Gorecki's compositions, 'Sleepers' evokes a profound sense of mournfulness, weaving a narrative of introspection and sorrow. Let the evocative sounds of 'Sleepers' immerse you in a captivating journey through the depths of emotion."

Cover photography by Fraser Cormack. You can view more of his work at https://www.facebook.com/frazz28

Sleepers by Jeremias Langsämmer. Cinematic music for video and game backgrounds. OST soundtrack.

Vemods Vandring

I have played and recorded in international settings, a multitude of percussion instruments, guitar, bass, harmonica, some flutes, keyboard, and if you push me - a very fine jaw harp.

In fact, if I break it down.... I just love to offer-up music, in a living room, a bar, a concert hall or an intercontinental, interactive satellite coordinated concert. 
  
I became fascinated with percussive sounds from around the world… especially African and Latin American rhythms. I fanatically traveled the world collecting anything that you could bang, scrape or hit.
What I learned? Border customs people really don’t appreciate the true value of handmade African caxixi shakers or a Brazilian berimbau. They just want the serial number.
More importantly, a single clicking or ringing sound in a song can make or break that song.
  
I toured Canada, USA and Europe and recorded many “world music” albums (before it was called that), with my late, musical soul mate, Dario Domingues. We played in grand churches, the water reservoirs under Munich, on an island where 100,000 doves were released at the climax of our performance, the first-ever “simulcast”, live satellite, intercontinental concert and then, the humbling experience of being involved in Berlin, in front of 500,000 people, for a series of anti-apartheid concerts featuring ‘Sting’.  For our 'world music' efforts, we were awarded the Deutscher Schallplattenpreisan (1983) accolade by the Deutsche Phono-Akademie, an association of recording companies of Germany that recognizes outstanding achievement in the music industry.  
What I learned? Music is truly a universal language. Around the world people are drawn to music. Of course, different strokes for different folks! 
Whether you play in front of a half-million people in a field, or 10 people in a bar, your role as a musician never changes.  
 
“Dream of the Drum” – I was commissioned to compose and conduct a score for 40+ percussionists from all corners of the world... Jamaican fire dancers, Trinidadian steel drummers, Japanese kodo drummers, African djembe players, military drummers,... the list goes on.
What I learned? The language of music respects no geographic borders. 
Also, never start your outdoor concert, with a lone Native Elder's rain drum song. The drum's magic works!
 
I helped build three innovative recording studios plus, my current production studio. I academically taught musical acoustics and production for several years.
What I learned? All the mathematics and physics in the world can’t replace a good ear.
 
As a producer, I've had the wonderful opportunity to work in great studios in NYC and Nashville with amazing session musicians such as: Eric "Roscoe" Ambel - best known as lead guitarist of Steve Earle’s band the Dukes; Dan Baird of the chart-topping 'Georgia Satellites'; guitarist extraordinaire, Warner E. Hodges, founding member of 'Jason and the Scorchers'.
What I learned? Great musicians tend to be humble but they sure have opinions! In Nashville, I was bluntly told -"No, I won't raise the tom level - in country music, we use toms for holding our bourbon glass." I never did get the toms louder.
 
I spent many years as President of the Ottawa International Jazz Festival and met some of the greatest musical geniuses in the world.
What I learned? "Man, if you have to ask what jazz is, you'll never know."
 
Music for jingles on radio and TV. Documentaries.
My personal favourite was coming up with suitable music for the mating rituals of pigs or, how to create 60 minutes of Arctic wind sounds for the movie 'Never Cry Wolf'.  
What I learned?  You can tell an entire story in a 29.5 second radio jingle and music is the glue that holds a great video together.

90 Seconds To Midnight - Baila!

Kluane Takhini

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